DOCSLIB.ORG

Blender, GIMP, and Inkscape Witold Jaworski

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Blender, GIMP, and Inkscape Witold Jaworski Witold Jaworski Virtual Airplane Create realistic aircraft models using free software: Blender, GIMP, and Inkscape Excerpt I: Preparations version 2.0 Virtual Airplane To my wife for her forbearance Witold Jaworski Virtual Airplane Create realistic aircraft model s using free software: Blender, GIMP, and Inkscape version 2.0 Copyright Witold Jaworski, 2009 - 2012. All rights reserved [email protected] http://www.airplanes3d.net ISBN: 978-83-931754-3-7 The picture on the previous page: A pair of P-40B’s, from 47th USAAC Pursuit Squadron, which managed to take off to fight the Japanese raid on Pearl Harbor, on 7th De- cember, 1941. They were piloted by Kenneth Taylor (the aircraft with the tactical number "316"), and George Welch ("160"). At that time 47th PS was practicing gunnery at Haleiwa, a secluded field on the North East corner of Oahu Island. This area was not attacked by the Japanese (Pearl Harbour lies on the opposite side of the Island). The runway ran along the sea coast. This is how the fighters could have appeared, shortly after take off. The background, obtained from www.hawaii.gov , shows an authentic part of the shore near Haleiwa. Chapter 1 Software Installation 5 Table of Contents Why I have written this book? .............................................................................................................................. 7 What this book covers? ........................................................................................................................................ 9 Conventions ........................................................................................................................................................ 10 How to read this book? ....................................................................................................................................... 11 Making of the Model .............................................................................................................................................. 14 Chapter 1. Software Installation .................................................................................................................... 15 1.1 GIMP installation ................................................................................................................................... 16 1.2 Inkscape installation .............................................................................................................................. 17 Chapter 2. Preparation of the Reference Drawings ...................................................................................... 18 2.1 Preparation of the left side view ............................................................................................................ 19 2.2 Preparation of the right side view .......................................................................................................... 23 2.3 Preparation of the top view .................................................................................................................... 31 2.4 Putting it all together .............................................................................................................................. 43 Details of Programs Usage .................................................................................................................................... 46 Chapter 3. GIMP — Command Reference .................................................................................................... 47 3.1 Installation ............................................................................................................................................. 48 3.2 Introduction ............................................................................................................................................ 51 3.3 Opening an existing image .................................................................................................................... 55 3.4 Saving the image ................................................................................................................................... 56 3.5 Image cropping ...................................................................................................................................... 58 3.6 Guides ................................................................................................................................................... 59 3.7 Zooming and panning of the view ......................................................................................................... 60 3.8 Changing the image size ....................................................................................................................... 61 3.9 Managing layers .................................................................................................................................... 62 3.10 Loading a file into a new layer ........................................................................................................... 64 3.11 Creating a new (empty) layer ............................................................................................................. 66 3.12 Removing layers ................................................................................................................................ 67 3.13 Painting .............................................................................................................................................. 68 3.14 Erasing ............................................................................................................................................... 70 3.15 Rectangular area selection ................................................................................................................ 71 3.16 Freehand selection ............................................................................................................................. 72 3.17 Painting the selection ......................................................................................................................... 73 3.18 Rotation .............................................................................................................................................. 75 3.19 Translation .......................................................................................................................................... 76 3.20 Skewing (Shear) ................................................................................................................................. 77 Chapter 4. Inkscape — Command Reference .............................................................................................. 78 4.1 Installation ............................................................................................................................................. 79 4.2 Introduction ............................................................................................................................................ 80 4.3 Opening and saving to a file .................................................................................................................. 81 4.4 Changing the image size ....................................................................................................................... 82 4.5 Inserting a raster image ......................................................................................................................... 83 4.6 Zooming and panning of the view ......................................................................................................... 84 4.7 Managing layers .................................................................................................................................... 85 4.8 Creating a new (empty) layer ................................................................................................................ 86 4.9 Removing layers .................................................................................................................................... 87 4.10 Guides ................................................................................................................................................ 88 4.11 Drawing a line .................................................................................................................................... 89 Copyright Witold Jaworski, 2009 - 2012. 6 Making of the Model 4.12 Shape properties ............................................................................................................................... 90 4.13 Line editing ........................................................................................................................................ 92 4.14 Curves ............................................................................................................................................... 93 4.15 Mapping an arc fragment .................................................................................................................. 96 4.16 Mapping a curve ................................................................................................................................ 97 4.17 Drawing a rectangle .......................................................................................................................... 98 4.18 Drawing an ellipse ............................................................................................................................
Load more

Recommended publications
  • Blender Instructions a Summary
    BLENDER INSTRUCTIONS A SUMMARY Attention all Mac users The first step for all Mac users who don’t have a three button mouse and/or a thumb wheel on the mouse is: 1.! Go under Edit menu 2.! Choose Preferences 3.! Click the Input tab 4.! Make sure there is a tick in the check boxes for “Emulate 3 Button Mouse” and “Continuous Grab”. 5.! Click the “Save As Default” button. This will allow you to navigate 3D space and move objects with a trackpad or one-mouse button and the keyboard. Also, if you prefer (but not critical as you do have the View menu to perform the same functions), you can emulate the numpad (the extra numbers on the right of extended keyboard devices). It means the numbers across the top of the standard keyboard will function the same way as the numpad. 1.! Go under Edit menu 2.! Choose Preferences 3. Click the Input tab 4.! Make sure there is a tick in the check box for “Emulate Numpad”. 5.! Click the “Save As Default” button. BLENDER BASIC SHORTCUT KEYS OBJECT MODE SHORTCUT KEYS EDIT MODE SHORTCUT KEYS The Interface The interface of Blender (version 2.8 and higher), is comprised of: 1. The Viewport This is the 3D scene showing you a default 3D object called a cube and a large mesh-like grid called the plane for helping you to visualize the X, Y and Z directions in space. And to save time, in Blender 2.8, the camera (left) and light (right in the distance) has been added to the viewport as default.
    [Show full text]
  • Final Report
    Projet industriel promotion 2009 PROJET INDUSTRIEL 24 De-Cooman Aur´elie Tebby Hugh Falzon No´e Giannini Steren Bouclet Bastien Navez Victor Commanditaire | Inkscape development team Tuteur industriel | Johan Engelen Tuteur ECL | Ren´eChalon Date du rapport | May 19, 2008 Final Report Development of Live Path Effects for Inkscape, a vector graphics editor. Industrial Project Inkscape FINAL REPORT 2 Contents Introduction 4 1 The project 5 1.1 Context . 5 1.2 Existing solutions . 6 1.2.1 A few basic concepts . 6 1.2.2 Live Path Effects . 7 1.3 Our goals . 7 2 Approaches and results 8 2.1 Live Path Effects for groups . 8 2.1.1 New system . 8 2.1.2 The Group Bounding Box . 12 2.1.3 Tests . 13 2.2 Live Effects stacking . 15 2.2.1 UI . 15 2.2.2 New system . 16 2.2.3 Tests . 17 2.3 The envelope deformation effect . 18 2.3.1 A mock-up . 18 2.3.2 Tests . 23 Conclusion 28 List of figures 29 Appendix 30 0.1 Internal organisation . 30 0.1.1 Separate tasks . 30 0.1.2 Planning . 31 0.1.3 Sharing source code . 32 0.2 Working on an open source project . 32 0.2.1 External help . 32 0.2.2 Criticism and benefits . 32 0.3 Technical appendix . 33 0.3.1 The Bend Path Maths . 33 0.3.2 GTK+ / gtkmm . 33 0.3.3 How to create and display a list? . 34 0.4 Personal comments . 36 3 Introduction As second year students at the Ecole´ Centrale de Lyon, we had to work on \Industrial Projects", the subject of which were to be either selected in a list, or proposed to the school.
    [Show full text]
  • The GNOME Desktop Environment
    The GNOME desktop environment Miguel de Icaza ([email protected]) Instituto de Ciencias Nucleares, UNAM Elliot Lee ([email protected]) Federico Mena ([email protected]) Instituto de Ciencias Nucleares, UNAM Tom Tromey ([email protected]) April 27, 1998 Abstract We present an overview of the free GNU Network Object Model Environment (GNOME). GNOME is a suite of X11 GUI applications that provides joy to users and hackers alike. It has been designed for extensibility and automation by using CORBA and scripting languages throughout the code. GNOME is licensed under the terms of the GNU GPL and the GNU LGPL and has been developed on the Internet by a loosely-coupled team of programmers. 1 Motivation Free operating systems1 are excellent at providing server-class services, and so are often the ideal choice for a server machine. However, the lack of a consistent user interface and of consumer-targeted applications has prevented free operating systems from reaching the vast majority of users — the desktop users. As such, the benefits of free software have only been enjoyed by the technically savvy computer user community. Most users are still locked into proprietary solutions for their desktop environments. By using GNOME, free operating systems will have a complete, user-friendly desktop which will provide users with powerful and easy-to-use graphical applications. Many people have suggested that the cause for the lack of free user-oriented appli- cations is that these do not provide enough excitement to hackers, as opposed to system- level programming. Since most of the GNOME code had to be written by hackers, we kept them happy: the magic recipe here is to design GNOME around an adrenaline response by trying to use exciting models and ideas in the applications.
    [Show full text]
  • Customizing Debian Benjamin Mako Hill
    Customizing Debian “Fork Yours with Debian GNU/Linux” Benjamin Mako Hill [email protected] http://mako.yukidoke.org Ubuntu Debian Project Software in the Public Interest Benjamin Mako Hill LCA - Debian MiniConf4 http://mako.yukidoke.org The World of Debian Customizers There are 115 distributions derived from Debian. AbulÉdu • Adamantix • AGNULA GNU/Linux Audio Distribution • ANTEMIUM Linux • Arabbix • ARMA aka Omoikane GNU/Linux • ASLinux • Auditor Security Linux • Augustux • B2D Linux • BEERnix • Biadix • BIG LINUX • Bioknoppix • BlackRhino • Bluewall GNU/Linux • Bonzai Linux • BrlSpeak • Càtix • CensorNet • Clusterix • ClusterKNOPPIX • Condorux • Damn Small Linux • Danix • DebXPde • eduKnoppix • ERPOSS • ESware • Euronode • FAMELIX • Feather Linux • Flonix • Vital Data Forensic or Rescue Kit (FoRK) • Freeduc-cd • GEOLivre Linux • Gibraltar Firewall • GNIX-Vivo • Gnoppix Linux • gnuLinEx • GNU/Linux Kinneret • GNUstep Live CD • grml • Guadalinex • Helix • Hiweed Linux • Impi Linux • Julex • K-DEMar • Kaella • Knoppix Linux Azur • Kalango Linux • KANOTIX • KlusTriX • knopILS • Knoppel • Knoppix • Knoppix 64 • Knoppix STD • KnoppiXMAME • KnoppMyth • Kurumin Linux • LAMPPIX • Libranet GNU/Linux • LIIS Linux • LinEspa • Linspire • Linux Live Game Project • Linux Loco • LinuxDefender Live! CD • Linuxin • LiVux • Local Area Security Linux (L.A.S.) • Luinux • Luit Linux • MAX: Madrid_Linux • Mediainlinux • MEPIS Linux • Metadistro-Pequelin • MIKO GNYO/Linux • Morphix • Munjoy Linux • Nature's Linux • NordisKnoppix • OGo Knoppix • Oralux • Overclockix
    [Show full text]
  • A Training Programme for Early-Stage Researchers That Focuses on Developing Personal Science Outreach Portfolios
    A training programme for early-stage researchers that focuses on developing personal science outreach portfolios Shaeema Zaman Ahmed1, Arthur Hjorth2, Janet Frances Rafner2 , Carrie Ann Weidner1, Gitte Kragh2, Jesper Hasseriis Mohr Jensen1, Julien Bobroff3, Kristian Hvidtfelt Nielsen4, Jacob Friis Sherson*1,2 1 Department of Physics and Astronomy, Aarhus University, Denmark 2 Department of Management, Aarhus University, Denmark 3 Laboratoire de Physique des Solides, Université Paris-Saclay, CNRS, France 4 Centre for Science Studies, Aarhus University, Denmark *[email protected] Abstract Development of outreach skills is critical for researchers when communicating their work to non-expert audiences. However, due to the lack of formal training, researchers are typically unaware of the benefits of outreach training and often under-prioritize outreach. We present a training programme conducted with an international network of PhD students in quantum physics, which focused on developing outreach skills and an understanding of the associated professional benefits by creating an outreach portfolio consisting of a range of implementable outreach products. We describe our approach, assess the impact, and provide guidelines for designing similar programmes across scientific disciplines in the future. Keywords: science outreach, science communication, training, professional development Introduction Recent years have seen an increased call for outreach and science communication training by research agencies such as the National Science Foundation
    [Show full text]
  • Php Editor Mac Freeware Download
    Php editor mac freeware download Davor's PHP Editor (DPHPEdit) is a free PHP IDE (Integrated Development Environment) which allows Project Creation and Management, Editing with. Notepad++ is a free and open source code editor for Windows. It comes with syntax highlighting for many languages including PHP, JavaScript, HTML, and BBEdit costs $, you can also download a free trial version. PHP editor for Mac OS X, Windows, macOS, and Linux features such as the PHP code builder, the PHP code assistant, and the PHP function list tool. Browse, upload, download, rename, and delete files and directories and much more. PHP Editor free download. Get the latest version now. PHP Editor. CodeLite is an open source, free, cross platform IDE specialized in C, C++, PHP and ) programming languages which runs best on all major Platforms (OSX, Windows and Linux). You can Download CodeLite for the following OSs. Aptana Studio (Windows, Linux, Mac OS X) (FREE) Built-in macro language; Plugins can be downloaded and installed from within jEdit using . EditPlus is a text editor, HTML editor, PHP editor and Java editor for Windows. Download For Mac For macOS or later Release notes - Other platforms Atom is a text editor that's modern, approachable, yet hackable to the core—a tool. Komodo Edit is a simple, polyglot editor that provides the basic functionality you need for programming. unit testing, collaboration, or integration with build systems, download Komodo IDE and start your day trial. (x86), Mac OS X. Download your free trial of Zend Studio - the leading PHP Editor for Zend Studio - Mac OS bit fdbbdea, Download.
    [Show full text]
  • Bimanual Tools for Creativity
    Master 2 in Computer Science - Interaction Specialty Bimanual Tools for Creativity Author: Supervisor: Zachary Wilson Wendy Mackay Hosting lab/enterprise: Ex)situ Lab - INRIA March 1, 2020 { August 31, 2020 Secr´etariat- tel: 01 69 15 66 36 Fax: 01 69 15 42 72 email: [email protected] Contents Contents i 1 Introduction 1 2 Related Work2 2.1 Creativity........................................ 2 2.2 Creativity and Technology............................... 3 2.3 Embodiment ...................................... 4 2.4 Bimanual Interaction.................................. 5 3 Study 1 - Stories of Creativity6 3.1 Study Design...................................... 6 3.2 Results & Discussion.................................. 7 4 Design Process 12 4.1 Experiments in Form.................................. 12 4.2 Distributed Video Brainstorming........................... 12 4.3 Video Prototype .................................... 14 4.4 Technology Probes................................... 16 5 Study 2 - Creativity Techno-Fidgets 20 5.1 Study Design...................................... 20 5.2 Results & Discussion.................................. 21 6 Conclusion and perspectives 26 Bibliography 28 A Appendix 37 A.1 Images.......................................... 37 A.2 Video Prototype Storyboard.............................. 38 i Summary This project explores the implications of designing for creativity, especially the earlier stages of the creative process involving inspiration and serendipity. The rich HCI literature on bimanual tools is leveraged to design tools that support the embodied nature of creativity. The various definitions of creativity in HCI and psychology are explored, with new perspectives on embodied creativity introduced from neuroscience. In the first study, user experiences of the creative process are collected, and generate three themes and five sub-themes with implications for design. From these user stories and theory, a research through design approach is taken to generate artifacts to explore these themes.
    [Show full text]
  • Annual Report
    [Credits] Licensed under Creative Commons Attribution license (CC BY 4.0). All text by John Hsieh and Georgia Young, except the Letter from the Executive Director, which is by John Sullivan. Images (name, license, and page location): Wouter Velhelst: cover image; Kori Feener, CC BY-SA 4.0: inside front cover, 2-4, 8, 14-15, 20-21, 23-25, 27-29, 32-33, 36, 40-41; Michele Kowal: 5; Anonymous, CC BY 3.0: 7, 16, 17; Ruben Rodriguez, CC BY-SA 4.0: 10, 13, 34-35; Anonymous, All rights reserved: 16 (top left); Pablo Marinero & Cecilia e. Camero, CC BY 3.0: 17; Free This report highlights activities Software Foundation, CC BY-SA 4.0: 18-19; Tracey Hughes, CC BY-SA 4.0: 30; Jose Cleto Hernandez Munoz, CC BY-SA 3.0: 31, Pixabay/stevepb, CC0: 37. and detailed financials for Fiscal Year 2016 Fonts: Letter Gothic by Roger Roberson; Orator by John Scheppler; Oswald by (October 1, 2015 - September 30, 2016) Vernon Adams, under the OFL; Seravek by Eric Olson; Jura by Daniel Johnson. Created using Inkscape, GIMP, and PDFsam. Designer: Tammy from Creative Joe. 1] LETTER FROM THE EXECUTIVE DIRECTOR 2] OUR MISSION 3] TECH 4] CAMPAIGNS 5] LIBREPLANET 2016 6] LICENSING & COMPLIANCE 7] CONFERENCES & EVENTS 7 8] LEADERSHIP & STAFF [CONTENTS] 9] FINANCIALS 9 10] OUR DONORS CONTENTS our most important [1] measure of success is support for the ideals of LETTER FROM free software... THE EXECUTIVE we have momentum DIRECTOR on our side. LETTER FROM THE 2016 EXECUTIVE DIRECTOR DEAR SUPPORTERS For almost 32 years, the FSF has inspired people around the Charity Navigator gave the FSF its highest rating — four stars — world to be passionate about computer user freedom as an ethical with an overall score of 99.57/100 and a perfect 100 in the issue, and provided vital tools to make the world a better place.
    [Show full text]
  • Praise for the Official Ubuntu Book
    Praise for The Official Ubuntu Book “The Official Ubuntu Book is a great way to get you started with Ubuntu, giving you enough information to be productive without overloading you.” —John Stevenson, DZone Book Reviewer “OUB is one of the best books I’ve seen for beginners.” —Bill Blinn, TechByter Worldwide “This book is the perfect companion for users new to Linux and Ubuntu. It covers the basics in a concise and well-organized manner. General use is covered separately from troubleshooting and error-handling, making the book well-suited both for the beginner as well as the user that needs extended help.” —Thomas Petrucha, Austria Ubuntu User Group “I have recommended this book to several users who I instruct regularly on the use of Ubuntu. All of them have been satisfied with their purchase and have even been able to use it to help them in their journey along the way.” —Chris Crisafulli, Ubuntu LoCo Council, Florida Local Community Team “This text demystifies a very powerful Linux operating system . in just a few weeks of having it, I’ve used it as a quick reference a half dozen times, which saved me the time I would have spent scouring the Ubuntu forums online.” —Darren Frey, Member, Houston Local User Group This page intentionally left blank The Official Ubuntu Book Sixth Edition This page intentionally left blank The Official Ubuntu Book Sixth Edition Benjamin Mako Hill Matthew Helmke Amber Graner Corey Burger With Jonathan Jesse, Kyle Rankin, and Jono Bacon Upper Saddle River, NJ • Boston • Indianapolis • San Francisco New York • Toronto • Montreal • London • Munich • Paris • Madrid Capetown • Sydney • Tokyo • Singapore • Mexico City Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks.
    [Show full text]
  • A Brief History of GNOME
    A Brief History of GNOME Jonathan Blandford <[email protected]> July 29, 2017 MANCHESTER, UK 2 A Brief History of GNOME 2 Setting the Stage 1984 - 1997 A Brief History of GNOME 3 Setting the stage ● 1984 — X Windows created at MIT ● ● 1985 — GNU Manifesto Early graphics system for ● 1991 — GNU General Public License v2.0 Unix systems ● 1991 — Initial Linux release ● Created by MIT ● 1991 — Era of big projects ● Focused on mechanism, ● 1993 — Distributions appear not policy ● 1995 — Windows 95 released ● Holy Moly! X11 is almost ● 1995 — The GIMP released 35 years old ● 1996 — KDE Announced A Brief History of GNOME 4 twm circa 1995 ● Network Transparency ● Window Managers ● Netscape Navigator ● Toolkits (aw, motif) ● Simple apps ● Virtual Desktops / Workspaces A Brief History of GNOME 5 Setting the stage ● 1984 — X Windows created at MIT ● 1985 — GNU Manifesto ● Founded by Richard Stallman ● ● 1991 — GNU General Public License v2.0 Our fundamental Freedoms: ○ Freedom to run ● 1991 — Initial Linux release ○ Freedom to study ● 1991 — Era of big projects ○ Freedom to redistribute ○ Freedom to modify and ● 1993 — Distributions appear improve ● 1995 — Windows 95 released ● Also, a set of compilers, ● 1995 — The GIMP released userspace tools, editors, etc. ● 1996 — KDE Announced This was an overtly political movement and act A Brief History of GNOME 6 Setting the stage ● 1984 — X Windows created at MIT “The licenses for most software are ● 1985 — GNU Manifesto designed to take away your freedom to ● 1991 — GNU General Public License share and change it. By contrast, the v2.0 GNU General Public License is intended to guarantee your freedom to share and ● 1991 — Initial Linux release change free software--to make sure the ● 1991 — Era of big projects software is free for all its users.
    [Show full text]
  • How to Effortlessly Write a High Quality Scientific Paper in the Field Of
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/339630885 How to effortlessly write a high quality scientific paper in the field of computational engineering and sciences Preprint · March 2020 DOI: 10.13140/RG.2.2.13467.62241 CITATIONS READS 0 7,560 3 authors: Vinh Phu Nguyen Stéphane Pierre Alain Bordas Monash University (Australia) University of Luxembourg 114 PUBLICATIONS 3,710 CITATIONS 376 PUBLICATIONS 12,311 CITATIONS SEE PROFILE SEE PROFILE Alban de Vaucorbeil Deakin University 24 PUBLICATIONS 338 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Computational modelling of crack propagation in solids View project Isogeometric analysis View project All content following this page was uploaded by Vinh Phu Nguyen on 03 March 2020. The user has requested enhancement of the downloaded file. How to effortlessly write a high quality scientific paper in the field of computational engineering and sciences a, b c Vinh Phu Nguyen , Stephane Bordas , Alban de Vaucorbeil aDepartment of Civil Engineering, Monash University, Clayton 3800, VIC, Australia bInstitute of Computational Engineering, University of Luxembourg, Faculty of Sciences Communication and Technology, Luxembourg cInstitute for Frontier Materials, Deakin University, Geelong, VIC, 3216, Australia Abstract Starting with a working good research idea, this paper outlines a scientific writing process that helps us to have a nearly complete paper when the last analysis task is finished. The key ideas of this process are: (1) writing should start early in the research project, (2) research and writing are carried out simultaneously, (3) best tools for writing should be used.
    [Show full text]
  • Designing Effective Scientific Figures Introduction to Inkscape to Finalise Figures
    Designing effective scientific figures Introduction to Inkscape to finalise figures Aiora Zabala, based on slides by Simon Andrews and Boo Virk Please, find and click on this icon on your computer: What is Inkscape? • Vector Graphics Editor • Free Software • Cross Platform • Easy to use • Good for: – Compositing – Drawing • Not for: – Bitmap editing Bitmap and vector graphics Images are made of Images are made by points and their connections. pixels and a colour Connections can be straight or smooth value Bitmap and vector graphics • No inherent resolution • Fully editable Scaling figures • Vector images can be scaled freely without loss of quality • Bitmap images can be scaled down, but not up Exercise 1: set up a canvas • File > Document Properties – Shows page in view – Doesn’t restrict drawing – Useful as a guide • Change background colour to white • Change to landscape Moving around ● Panning – Scroll bars on bottom / right – Scroll up/down, Shift+scroll for left/right ● Zooming in / out – Click to zoom in, shift+click to zoom out – Control + Scroll Up/Down to zoom in/out to cursor ● Shortcuts – Fit page, drawing, selection in window The main toolbar • Selection tool, F1 Draw freehand lines, F6 • Edit nodes tool, F2 Draw straight lines / curves • Sculpt tool Calligraphy tool • Zoom tool, F3 Add text, F8 • Measurement tool Sculpt with spray • Make rectangles, F4 Erase • Make 3D boxes Fill • Make ellipses / arcs, F5 Edit gradients • Make polygons / stars Select colour • Make spirals, F9 Create diagram connectors Create basic shapes
    [Show full text]