The Wu-Tang Manual Releases Feb05
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Wu-Tang Clan Uzi (Pinky Ring) / Ya'll Been Warned Mp3, Flac, Wma
Wu-Tang Clan Uzi (Pinky Ring) / Ya'll Been Warned mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Uzi (Pinky Ring) / Ya'll Been Warned Country: US Released: 2001 MP3 version RAR size: 1851 mb FLAC version RAR size: 1547 mb WMA version RAR size: 1585 mb Rating: 4.1 Votes: 667 Other Formats: VOC XM MP1 MP1 MP2 MOD DMF Tracklist A1 Uzi (Pinky Ring) (Clean Album Version) 5:23 A2 Uzi (Pinky Ring) (Instrumental) 5:23 A3 Uzi (Pinky Ring) (Album Version) 5:23 B1 Ya'll Been Warned (Clean Album Version) 4:14 B2 Ya'll Been Warned (Instrumental) 4:14 B3 Ya'll Been Warned (Album Version) 4:14 Credits Engineer – Caleb Shreve (tracks: B1 to B3), Jose "Choco" Reynoso (tracks: A1 to A3) Mastered By – Vic Anesini Mixed By – John Goodmanson, The RZA*, Steve Thompson Producer – The RZA* (tracks: A1 to A3), Trumaster* (tracks: B1 to B3) Written-By – C. Reid* (tracks: A1 to A3), C. Smith*, C. Woods*, D. Coles* (tracks: A1 to A3), D. Harris* (tracks: B1 to B3), E. Turner*, G. Grice* (tracks: A1 to A3), J. Hunter*, L. Hawkins* (tracks: A1 to A3), P. Charles* (tracks: B1 to B3), R. Diggs*, R. Jones* (tracks: A1 to A3) Barcode and Other Identifiers Barcode: 0 9870-79687-1 6 Other versions Category Artist Title (Format) Label Category Country Year Loud RPROLP4555, Wu-Tang Pinky Ring (12", RPROLP4555, Records, US 2001 RPROLP 4555 Clan Promo) RPROLP 4555 Loud Records Wu-Tang Uzi (Pinky Ring) XPR3517 Epic XPR3517 UK 2001 Clan (12", Promo) Wu-Tang Pinky Ring (12", RPROLP 4559 Loud Records RPROLP 4559 US 2001 Clan Promo) Loud Wu-Tang Pinky Ring (CD, RPROCD4555 -
Automatic Recognition of Samples in Musical Audio
Automatic Recognition of Samples in Musical Audio Jan Van Balen MASTER THESIS UPF / 2011 Master in Sound and Music Computing. Supervisors: PhD Joan Serr`a,MSc. Martin Haro Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona Acknowledgement I wish to thank my supervisors Joan Serr`aand Martin Haro for their priceless guidance, time and expertise. I would also like to thank Perfecto Herrera for his very helpful feedback, my family and classmates for their support and insightful remarks, and the many friends who were there to provide me with an excessive collection of sampled music. Finally I would like to thank Xavier Serra and the Music Technology Group for making all this possible by accepting me to the master. Abstract Sampling can be described as the reuse of a fragment of another artist's recording in a new musical work. This project aims at developing an algorithm that, given a database of candidate recordings, can detect samples of these in a given query. The problem of sample identification as a music information retrieval task has not been addressed before, it is therefore first defined and situated in the broader context of sampling as a musical phenomenon. The most relevant research to date is brought together and critically reviewed in terms of the requirements that a sample recognition system must meet. The assembly of a ground truth database for evaluation was also part of the work and restricted to hip hop songs, the first and most famous genre to be built on samples. Techniques from audio fingerprinting, remix recognition and cover detection, amongst other research, were used to build a number of systems investigating different strategies for sample recognition. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @Erickablount January 8, 2015
• FEATURES • INTERVIEWS • PRINCE • AUDIO • VIDEO • EVENTS • ABOUT • SHOP • FEATURES o • INTERVIEWS • PRINCE o • AUDIO o • VIDEO o • EVENTS o o • ABOUT o o o • SHOP 0 Everybody is Talking About the Good Ole Days: RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @ErickaBlount January 8, 2015 . Everybody is Talking About the Good Ole Days: RZA on the Soul of Music by Ericka Blount Danois If hip-hop tours, white appropriation, anniversary celebrations, books and hip-hop documentaries aren’t an indication that hip-hop has reached the status of Beatles-style nostalgia and reverence, then releasing a Wu-Tang Clan 20th anniversary reunion album, A BetterTomorrow, is solid proof that the genre has officially arrived. RZA, always the heart of the operation, worked tirelessly to round up the troops and dissolve beefs for the reunion album that dropped Dec. 2, 2014. “I wanted to make a record that pays homage to soul music and hip-hop,” he said about the making of this album. “I went to the past to make something for the future.” RZA came out of his own pockets to fund the album to the tune of half a million dollars. Some of the best in the industry are featured on the album—Rick Rubin, Adrian Younge, David Porter, Kenny Gamble and Rob Cavallo, all had their hands in the pot. Wu-Tang has always done things big and with vision. RZA led the 9-member group to an unprecedented label deal where each member was able to launch solo records. The deal allowed them to become the most revolutionary rap group of the mid-’90s releasing five group and 19 compilation albums totaling over 6 platinum records and over 40 million sold. -
Method Man, Protect Ya Neck (The Jump Off)
Method Man, Protect Ya Neck (The Jump Off) [INS] Ladies and gentlemen, we'd like to welcome to you All the way from the slums of Shaolin Special uninvited guests Came in through the back door Ladies and gentlemen, it's them! Dance with the mantis, note the slim chances Chant this, anthem swing like Pete Sampras Takin it straight to Big Man On Campus Brandish your weapon or get dropped to the canvas Scandalous, made the metro panic Cause static, with or without the automatic And while I'm at it, yo, you got cash, pass it It's drastic, gotta send half to Dirty Bastard [Raekwon] Ayo, ayo Waves is spinnin, blades is spinnin Slay em in the eighth inning Stay truck, god stay playin linen Kill rap, observe the uptowns, ho, feel that Mink jeans on, seen where the real at 2000 zitos, movin wit a ill ego For real, for real, ill lines, ill people Yo, bring it back, 9 more civilians Pollyin deals, monopoly and bills Y'all niggas lyin Caught 300, lab look royal wit a mean stomach Go broke, all seen, done it Words from the heavy set If I don't eat, then we already met Fly ass bro, liver than coke [Meth] Now what Clan you know wit lines this ill? Bust shots at Big Ben like we got time to kill Niggas can't gel or I'm just too high to tell Put on my gasoline boots and walk through hell Wit 9 generals, 9 ninjas in your video 9 milli blow, semi auto wit no serial Man metaphysical, I speak for criminals Who don't pay they bills on time and fuck wit digital Never seen, smoke a bag of evergreen My sword got a jones, more heads for the severing Johnny in the -
"Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude. -
New York State of Mind De Representatie Van New Yorkse Getto’S in Rapmuziek 1988-1995
New York State of Mind De representatie van New Yorkse getto’s in rapmuziek 1988-1995 Naam: Ollie Peijnenburg (S4599888) Begeleider: dr. C.W. van Galen Universiteit: Radboud Universiteit Nijmegen Opleiding: Master Geschiedenis en Actualiteit Collegejaar: 2019-2020 Datum: 15-03-2020 Inhoud Inleiding .................................................................................................................................................. 4 Onderzoeksopzet .................................................................................................................................... 6 1. Allow me to introduce myself ........................................................................................................ 9 Nas ...................................................................................................................................................... 9 The Notorious B.I.G. ........................................................................................................................ 10 Boogie Down Productions ................................................................................................................ 11 Wu-Tang Clan .................................................................................................................................. 12 Big L ................................................................................................................................................. 13 2. ‘Dwellin’ in the Rotten Apple’ .................................................................................................... -
MUS 17 - Week 6, May 6 to Do, May 6
MUS 17 - Week 6, May 6 To do, May 6 1. Discuss remaining writing assignments: ◦ Writing assignment #3, due 5/27 via TritonEd at noon. Note that there is no lecture on this day, but the writing assignment is still due. Final paper is due 6/7 at noon. ◦ Final paper (annotated bib) 2. Research and writing strategies for remaining papers 3. Listening ID practice 4. Review last week's lecture 5. New material: mainstreaning and undergrounding in the second golden age. ◦ Advertising, The Source ◦ West Coast: Dre, Snoop, Tupac, Pharcyde, Freestyle Fellowship, Boss ◦ East Coast: Biggie, Nas, Lil Kim, Wu Tang, Mobb Deep Research strategies Developing a research question (final paper): • "Research" is just developing the courage to listen to the voices inside you that want to know more. You may have to do some work to quiet those other voices. • Think back to lectures, remember those moments where something really interest you. This has to be something that you want to know more about, and that is related to hip hop music (somehow). • Listen to music you like, keep an open mind, and see what questions it provokes. For finding "sources" (final paper): • roger.ucsd.edu -- the library catalog. • jstor.org -- the University pays to subscribe to services like this so that you can get access to academic research journalism • best of all: Peter Mueller. Set up a meeting with him and just state your question. "I want to know more about ... " will always yield useful results. When you're writing about the music (both papers), think back to our analytical categories: • Timbre, mode, pocket, kick/snare/ride, the feel/quality of a rapper's flow, the intricacy of the rhyme schemes, where and when the sampled content comes from, etc. -
Meth Wu-Massacre Mp3, Flac, Wma
Meth Wu-Massacre mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Wu-Massacre Country: Europe MP3 version RAR size: 1529 mb FLAC version RAR size: 1151 mb WMA version RAR size: 1129 mb Rating: 4.6 Votes: 324 Other Formats: RA AC3 MP3 MP4 FLAC WAV MP1 Tracklist Hide Credits Criminology 2.5 –Raekwon, Performer [I Keep Asking You Questions] – Black IvoryProducer – BT 1 Ghostface Killah 2:00 Written-By – C. Smith*, Corey Woods, D. Berger, D. Coles*, L. Burgess*, & Method Man P. Adams*, R. Diggs*, R. Patterson*, S. Bascombe* Mef Vs. Chef 2 Bass Guitar – Ethan PhillipsDrums – Pete McNealEdited By – Davey Chegwidden, LeronGuitar, Synthesizer [Midi Strings] – Josh –Method Man & Lopez*Keyboards – Dan HastieMixed By – Anthony "Acid" 2 2:03 Raekwon Caputo*Percussion – Davey ChegwiddenPerformer – Rhythm Roots AllstarsProducer – Allah MathematicsRecorded By – Anthony "Acid" Caputo*Saxophone – James KingTrumpet, Trombone – Jordan KatzWritten-By – C. Smith*, C. Woods*, R. Bean* Ya Moms (Skit) –Method Man & 3 Mixed By – Anthony "Acid" Caputo*Recorded By – Anthony "Acid" 0:36 Raekwon Caputo*Written-By – C. Smith*, C. Woods* Smooth Sailing (Remix) Featuring – Solomon Childs, Streetlife*Mixed By – Anthony "Acid" –Ghostface Killah Caputo*Performer [Tight Fit] – Bunny SiglerProducer – Ty 4 2:59 & Method Man Fyffe*Recorded By – Anthony "Acid" Caputo*Written-By – W. Sigler*, C. Smith*, D. Coles*, P. Charles*, T. Fyffe*, W. Dale*Written-By [Tight Fit] – Walter Sigler* Our Dreams Performer [We're Almost There] – Michael JacksonProducer, Mixed By – –Raekwon, RZARecorded By – Anthony "Acid" Caputo*, Jose "Choco" 5 Ghostface Killah 3:24 ReynosoWritten-By – B. Holland*, C. Smith*, C. Woods*, D. Coles*, E. -
Sampling, Looping, and Mashing . . . Oh My!: How Hip Hop Music Is Scratching More Than the Surface of Copyright Law
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 21 Volume XXI Number 4 Volume XXI Book 4 Article 1 2011 Sampling, Looping, and Mashing . Oh My!: How Hip Hop Music is Scratching More Than the Surface of Copyright Law Tonya M. Evans Widener University School of Law, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Tonya M. Evans, Sampling, Looping, and Mashing . Oh My!: How Hip Hop Music is Scratching More Than the Surface of Copyright Law, 21 Fordham Intell. Prop. Media & Ent. L.J. 843 (2011). Available at: https://ir.lawnet.fordham.edu/iplj/vol21/iss4/1 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Sampling, Looping, and Mashing . Oh My!: How Hip Hop Music is Scratching More Than the Surface of Copyright Law Cover Page Footnote Assistant Professor of Law, Widener University School of Law; B.S., Communication Studies, Northwestern University; J.D., Howard University School of Law. The valuable research and writing assistance of Peri Fluger helped tremendously in the drafting of this article as did the valuable research and editing assistance of Anthony Czuchnicki. Many thanks to Juliet Moringello, John Dernbach, Chris Robinette, andré douglas pond cummings, Lateef Mtima, and Steven Jamar, for their guidance and support throughout the process of research and writing. -
Schedule a - Artists Represented
SCHEDULE A - ARTISTS REPRESENTED 10K CAASH ANGUS JULIA STONE BLACK SABBATH BRYAN FERRY 2 CELLOS ANNE-MARIE BLACK VEIL BRIDES BRYSON TILLER 2PAC ANTHRAX BLAKE SHELTON BUCKCHERRY 4 HUNNID ARIANA GRANDE BLEED FROM WITHIN BULLET FOR MY VALENTINE 5 SECONDS OF ARIZONA BLOSSOMS SUMMER BURNA BOY ASYLUM BLUE OCTOBER A BOOGIE WIT DA BUSH HOODIE ATLANTIC RECORDS BLUENOTE CABBAGE A PERFECT CIRCLE ATREYU BLUR CAGE THE ELEPHANT A STAR IS BORN AVICII BOB MARLEY CAPITOL RECORDS A&M RECORDS AXWELL INGROSSO BOB MASSE CARDI B AB61X BABYMETAL BOB SEGER CASH CASH ADELE BACKSTREET BOYS BOHEMIAN RHAPSODY CASH MONEY AFI BAD MEETS EVIL BOKASSA CATFISH AND THE A-HA BAD WOLVES BOMBAY BICYCLE CLUB BOTTLEMEN AIR BAHARI BOSTON CELINE DION AIRBOURNE BAND OF HORSES BOWLING FOR SOUP CHANTEL JEFFRIES AJR BANKS AND STEELZ BOY & BEAR CHARLIE PUTH AL MURRAY BARE NAKED LADIES BOY GEORGE & CHAS & DAVE CULTURE CLUB ALEX NEWELL BARNS COURTNEY CHEMICAL BROTHERS BOYZONE ALICE COOPER BASTILLE CHER LLOYD BRANDON FLOWERS ALICE IN CHAINS BEA MILLER CHICAGO BRANDY CLARK ALICIA KEYS BEACH BOYS CHRIS CORNELL BRANTLEY GILBERT ALL TIME LOW BEACH GOONS CHRIS ISAAK BRETT DENNEN ALLMAN BROTHERS BEASTIE BOYS CHRISTOPHER BRETT ELDREDGE ALLY BROOKE BEBE REXHA CIAN TWOMEY BRIAN MAY ALT-J BECK CITY GIRLS BRIAN WILSON ALY AND AJ BELLY CLEAN BANDIT BRIGHT LIGHT AMY WINEHOUSE BIFFY CLYRO CLIFF BURTON BRING ME THE ANDERSON EAST BILLIE EILISH HORIZON COHEED & CAMBRIA ANDRA DAY BISHOP BRIGGS BROCKHAMPTON COLD WAR KIDS ANDY BLACK BJORK BROS COLDPLAY ANDY VELO BLACK JOE LEWIS BRUCE SPRINGSTEEN COLE SWINDELL