2016 - 2017 Season Boulder Chamber Orchestra
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Eklund Opera Program: the Marriage of Figaro, March 13-15, 2020
The Marriage of Figaro: March 13-15, 2020 March The Marriage of Figaro: The Marriage of Figaro An opera by Wolfgang Amadeus Mozart Stage Director Leigh Holman Music Director Nicholas Carthy Scenic Designer Peter Dean Beck Lighting Designer Peter Dean Beck Costume Designer Tom Robbins Costume Coordinator Ann Louise Piano Wig, Hair, Makeup Designer Sarah Opstad Demmon Technical Director Ron Mueller Choreographer Bud Coleman Production Stage Manager Christopher Denver Assistant Director Sarah Cain Opera TA Nnamdi Nwankwo Production Assistant Christie Conover This production will run approximately three PLEASE NOTE hours and 30 minutes, including a 15-minute • Photography and video recordings of any type intermission. are strictly prohibited during the performance. • Food is permitted in the seating areas of Macky ACKNOWLEDGEMENTS Auditorium but is prohibited in other campus • Costumes supplied by Harlequin Costume venues unless otherwise noted. Co., Winnipeg, Canada. • Smoking is not permitted anywhere. CU • Costumes originally designed in 2000 by Boulder is a smoke-free campus! retired CU Costume Designer Tom Robbins. #cupresents · @cupresents C-1 Cast ROLE FRIDAY/SUNDAY SATURDAY Count Almaviva Brandon (Tyler) Padgett Nnamdi Nwankwo Countess Almaviva Erin Hodgson Elza Picasso Susanna Linsey Duca Sabina Balsamo Figaro Dominic Aragon Erik Erlandson Cherubino Claire McCahan Casey Klopp Marcellina Kelly Riordan Natalie Simpson Basilio Thomas Bocchi David Starry Don Curzio David Starry Thomas Bocchi Bartolo Chance Lytle Chance Lytle Antonio -
For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor
Sunday, October 3, 2010, 2:30 pm – Dominican University Monday, October 4, 2010, 7:30 pm – Symphony Center For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor Fanfare for the Common Man ............................................................................Aaron Copland Neue slavische Tänze (Slavonic Dances), op.72 no.7 (15) ........................Antonín Dvořák 7. In C major - SrbskÈ Kolo Fire and Blood, for Violin and Orchestra .............................................. Michael Daugherty 1. Volcano 2. River Rouge 3. Assembly Line Tai Murray, violin Intermission Sundown’s Promise (for Taiko and Orchestra) ................................................. Renée Baker I. Company Song VII. Transcendence II. Wa ( peace/balance) VIII. No Mi Kai (Drinking party) III. Wabi IX. Chant IV. Sabi X. Sitting V. Pride XI. Walking VI. Enkai (Banquet Feast) XII. Learning to see the Invisible XIII. Shime (Ending of celebration) JASC Tsukasa Taiko, Japanese drums and Shamisen Nicole LeGette, butoh dancer On the Waterfront: Symphonic Suite from the Film ............................ Leonard Bernstein Lead Season Sponsor Lead Media Sponsor Sponsors Bettiann Gardner Please hold your applause for a brief silence after each work. This will help everyone to enjoy every note. chicagosinfonietta.org facebook.com/chicagosinfonietta Chicago Sinfonietta 1 THE MAESTRO’S FINAL SEASON These 2010 season-opening performances mark the beginning of a season of transition as our beloved Founder and Music Director Paul Freeman takes the podium for the final time. Throughout the year Maestro Freeman will be conduct- ing pieces that have become personal favorites of his, many of which he probably introduced to you, our audience. We will also be sharing some of his compelling life story and reprinting some amazing photos from the Sinfonietta archive. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
The Genetic Heterogeneity of Brachydactyly Type A1: Identifying the Molecular Pathways
The genetic heterogeneity of brachydactyly type A1: Identifying the molecular pathways Lemuel Jean Racacho Thesis submitted to the Faculty of Graduate Studies and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in Biochemistry Specialization in Human and Molecular Genetics Department of Biochemistry, Microbiology and Immunology Faculty of Medicine University of Ottawa © Lemuel Jean Racacho, Ottawa, Canada, 2015 Abstract Brachydactyly type A1 (BDA1) is a rare autosomal dominant trait characterized by the shortening of the middle phalanges of digits 2-5 and of the proximal phalange of digit 1 in both hands and feet. Many of the brachymesophalangies including BDA1 have been associated with genetic perturbations along the BMP-SMAD signaling pathway. The goal of this thesis is to identify the molecular pathways that are associated with the BDA1 phenotype through the genetic assessment of BDA1-affected families. We identified four missense mutations that are clustered with other reported BDA1 mutations in the central region of the N-terminal signaling peptide of IHH. We also identified a missense mutation in GDF5 cosegregating with a semi-dominant form of BDA1. In two families we reported two novel BDA1-associated sequence variants in BMPR1B, the gene which codes for the receptor of GDF5. In 2002, we reported a BDA1 trait linked to chromosome 5p13.3 in a Canadian kindred (BDA1B; MIM %607004) but we did not discover a BDA1-causal variant in any of the protein coding genes within the 2.8 Mb critical region. To provide a higher sensitivity of detection, we performed a targeted enrichment of the BDA1B locus followed by high-throughput sequencing. -
2013-2014 Subscription Series
2013-2014 Subscription Series Fri. Sun. Thursday 6 8PM 8PM Fri 9 2PM Saturday 6 8PM Sat. 9 8PM 2PM 2013-2014 Subscription Series A B C D A B A B C D A B September Fri. Sun. Beethoven 9 PREMIuM Thursday 6 8PM 8PM Fri 9 2PM Saturday 6 8PM Sat. 9 8PM 2PM Yannick Nézet-Séguin Conductor Beethoven Calm Sea and Sept. Sept. Sept. Sept. Westminster Symphonic Choir Prosperous Voyage A B C D A B A B C D A B Joe Miller Director Muhly “Bright Mass with Canons” 26 27 28 28 Beethoven Symphony September No. 9 (“Choral”) Beethoven 9 PREMIuM Yannick Nézet-Séguin Conductor Beethoven Calm Sea and Sept. Sept. Sept. Sept. OctoberWestminster Symphonic Choir Prosperous Voyage Joe Miller Director Muhly “Bright Mass with Canons” 26 27 28 28 Mahler 4 Beethoven Symphony Oct. Oct. Oct. Oct. Yannick Nézet-Séguin Conductor Britten No. 9 (“Choral”)Variations and Fugue Richard Woodhams Oboe on a Theme of Purcell 4 5 5 6 Christiane Karg Soprano Strauss Oboe Concerto October Mahler Symphony No. 4 Mahler 4 Oct. Oct. Oct. Oct. BronfmanYannick Nézet-Séguin Plays BeethovenConductor Britten Variations and Fugue Richard Woodhams Oboe on a Theme of Purcell Semyon Bychkov Conductor Beethoven Piano Concerto No. 4 Oct. 4 Oct. Oct. 5 5 6 Christiane Karg Soprano Strauss Oboe Concerto Yefim Bronfman Piano Shostakovich Symphony No. 11 Mahler Symphony No. 4 10 11 12 (“The Year 1905”) BronfmanPines of Rome Plays BeethovenPREMIuM Rafael Frühbeck de Burgos Beethoven Overture to Semyon Bychkov Conductor Beethoven Piano Concerto No. 4 Oct. Oct. -
All 1-800-667-5356
2006-2007 SEASON BOSTON SYM PHONY RCH ESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK SEIJI OZAWA MUSIC DIRECTOR LAUREATE ******>» Lead a richer life. «k 4fm fc^^^^^*! John Hancock is proud to support the Boston Symphony Orchestra, A CD Manulife Financial Company w / h// # A World-Class Alcohol and Drug Treatment Program 111!; View from The McLean Center, Princeton, MA E McLEAN CENTER IS A T FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment www.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teachingfacility PARTOERS. ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #57 extremely targeted cancer treatment There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like the Keith C. Field CyberKnife® Center, home to the only CyberKnife in Massachusetts. This revolutionary, non-invasive system uses image-guided robotics to deliver radiation treatments with unprecedented accuracy. From advanced cancer care to world class sports medicine, you'll always find precisely the care you need at Beth Israel Deaconess. Find out more at www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center Affiliated | Hospital of the Red Sox with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center Official Boston James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc. -
St. Petersburg State Orchestra
ANDERSON CENTER for the Performing Arts BINGHAMTON UNIVERSITY "Tschaikowski" St. Petersburg State Orchestra and Chief Conductor Tuesday, February 14, 2012 Osterhout Concert Theater | 8 p.m. Anderson Center for the Performing Arts Presents "Tschaikowski" St. Petersburg State Symphony Orchestra Roman Leontiev Music Director and Chief Conductor Program Richard Wagner Prelude and Liebestod from the Opera Tristan und Isolde Fryderyk Chopin Concerto No. 2 in F minor, Op. 21 Alexander Pirozhenko, pianist Gustav Mahler Symphony No. S in C-sharp minor PROGRAM SUBJECT TO CHANGE WITHOUT NOTICE COLUMBIA ARTIST MANAGEMENT, LLC 1790 Broadway, 16th Floor, New York, NY 10019 Andrew S. Grossman, Senior Vice President and Senior Producer W. Seton I jams, Vice President Dr. Elena Kostyuchenko, General Director Orchestra Personnel First Violins Cellos Horns Anna Orekhova, principal Yuri Niniev, principal Maxim Kuvychko, principal Tatiana Naletskaya Vadim Kaminskiy Sergey Fausto Alexandr Anisimov Sergei Mikhailychev Anatoly Tarov Anna Yakovleva Ilya Elinson Roman Bazanov Vladimir Troitskiy Elena Bystrova Ragim Karakhmazli Maya Yudina Anastasia Golenischeva Victor Kostiuchenko Elena Ananieva Daria Morozova Olga Egorova Inna Yakupova Trumpets Lilia Elakhovskaya Alexandra Karpenko Yuri Poliakov, principal Galina Kharitonova Ilya Kulenko Vera Kharitonova Basses Nikolaj Aseev Galina Kuzmicheva Alexandr Kuznetcov, Vasily Karbyshev Maria Platonova principal Anna Prudentova Vitalii Goriachev Trombones Gleb Rezvykh Mikhail Tcimbalenko Rifat Vildanov, principal Larissa -
Radu Lupu | Biography Piano
Radu Lupu | Biography Piano Born in Romania, Radu Lupu began taking piano lessons from Lia Busuioceanu at the age of six. At the young age of 12, he made his public debut with a complete programme of his own music. He continued his studies for several years with Florica Muzicescu and Cella Delavrancea before winning a scholarship in 1961 to the Moscow Conservatoire, where he studied with Galina Eghyazarova, Heinrich Neuhaus and later with Stanislav Neuhaus. He won first prize in three competitions: the 1966 Van Cliburn, the 1967 Enescu International, and the 1969 Leeds International. Mr Lupu has performed in conjunction with many of the most prestigious orchestras of the world. He made his Salzburg Festival debut in 1978, conducted by Karajan and the Berlin Philarmonic Orchestra. Lupu has also worked with the Vienna Philharmonic, with which he opened the 1986 Salzburg Festival under Muti, along with the Royal Concertgebouw, all of the major London orchestras, and each of the great American orchestras. In the United States, his first significant appearances were in 1972 with the Cleveland Orchestra and Barenboim in New York, as well as with the Chicago Symphony and Giulini. He has been featured at many notable music festivals worldwide and has been a regular guest at the Salzburg and Lucerne Festivals. His recordings for Decca include the Beethoven Piano Concertos, Brahms Concerto No 1, Grieg and Schumann Concertos, the complete collection of Mozart Violin and Piano Sonatas with Szymon Goldberg, Debussy and Franck Violin and Piano Sonatas with Kyung Wha Chung. In addition, he has recorded solo works by Beethoven, Brahms, Schumann and Schubert. -
Landsberg Garden in Hell.Pdf (132.6Kb)
Melvin Landsberg Department of English University of Kansas Lawrence, Kansas 66044 Telephone (785) 749-1766 A Garden in Hell Suppose you have a small library, with pictures to adorn the walls—a garden laid out around—and contemplate scientific and literary pursuits, etc., and discover all at once that your villa, with all its contents, is located in hell, and that the justice of the peace has a cloven foot and a forked tail—do not these things suddenly lose their value in your eyes? Henry David Thoreau, in his essay “Slavery in Massachusetts” (1854) I became enthusiastic about classical music much later than I like to acknowledge to myself, and my joy in it was heightened by a CD of three Beethoven piano sonatas—the “Moonlight,” “Pathétique,” and “Waldstein,” played by a notably sensitive pianist, Radu Lupu. Suddenly I was in a passion to hear more Beethoven. A modicum of experience quickly convinced me that the ability of a performing artist or a conductor could make a huge difference in my response to any work by Beethoven, and indeed by any other composer. Several listeners’ guide to classical music offered information about composers’ and sometimes performers’ lives, careers, and works. I already had the Rough Guide to Classical Music (ed. by Joe Staines and Duncan Clark), and I bought The NPR Listener’s Encyclopedia of Classical Music (by Ted Libbey). Both of these gave further help by recommending CD versions of the musical works they discussed. Landsberg 2 As I oriented myself among conductors and performers whose CDs were sometimes recommended, I found in Libbey noisome chunks of information about several of their careers. -
GUSTAV MAHLER JUGENDORCHESTER Musicians for Europe
1987 – 2019 GUSTAV MAHLER JUGENDORCHESTER Musicians for Europe Gustav Mahler Jugendorchester Founded by Claudio Abbado (1933-2014) Tobias Wögerer, Assistant Conductor Alexander Meraviglia-Crivelli, Secretary General The GUSTAV MAHLER JUGENDORCHESTER (GMJO) was founded in Vienna in 1986/87 on the initiative of Claudio Abbado. Today it is regarded as the world’s leading youth orchestra and was awarded by the European Cultural Foundation in 2007. As well as supporting young musicians and their work, Abbado was keen to encourage the music making of young Austrian musicians together with colleagues from the then socialist republics of Czechoslovakia and Hungary. As a consequence, the GMJO became the first international youth orchestra to hold open auditions in the countries of the former Eastern Bloc. In 1992, the GMJO opened up to musicians aged up to 26 from all over Europe. As the youth orchestra for the whole of Europe, it is under the patronage of the Council of Europe. At the auditions that take place every year in over twenty-five European cities, an international jury selects candidates from an average of 2000 applicants. Prominent orchestra musicians are members of this jury and also responsible for the preparation of the repertoire in the individual sections during the rehearsal periods of the orchestra. The GMJO tour repertoire ranges from classical to contemporary music with the emphasis on the great symphonic works of the Romantic and late Romantic periods. Its high artistic level and international success have prompted many leading conductors and soloists to perform with the GMJO, such as Claudio Abbado, David Afkham, Herbert Blomstedt, Pierre Boulez, Myung-Whun Chung, Sir Colin Davis, Christoph Eschenbach, Peter Eötvös, Christoph Eschenbach, Iván Fischer, Daniele Gatti, Bernard Haitink, Daniel Harding, Paavo Järvi, Mariss Jansons, Philippe Jordan, Vladimir Jurowski, Ingo Metzmacher, Kent Nagano, Václav Neumann, Jonathan Nott, Seiji Ozawa, Sir Antonio Pappano, Lorenzo Viotti, and Franz Welser-Möst. -
Dynamic Modification Strategy of the Israeli Carrier Screening Protocol: Inclusion of the Oriental Jewish Group to the Cystic Fibrosis Panel Orit Reish, MD1,2, Zvi U
ARTICLE Dynamic modification strategy of the Israeli carrier screening protocol: inclusion of the Oriental Jewish Group to the cystic fibrosis panel Orit Reish, MD1,2, Zvi U. Borochowitz, MD3, Vardit Adir, PhD3, Mordechai Shohat, MD2,4, Mazal Karpati, PhD2,5, Atalia Shtorch, PhD6, Avi Orr-Urtreger, MD, PhD2,7, Yuval Yaron, MD2,7, Stavit Shalev, MD8, Fuad Fares, PhD9, Ruth Gershoni-Baruch, MD10, Tzipora C. Falik-Zaccai, MD11, and Daphne Chapman-Shimshoni, PhD1 Purpose: A retrospective population study was conducted to determine he different Jewish ethnic groups were isolated from the surrounding non-Jewish populations as a result of religious the carrier frequencies of recently identified mutations in Oriental T restrictions and cultural differences, and from each other by Jewish cystic fibrosis patients. Methods: Data were collected from 10 geographical boundaries.1–3 Thus, their respective genetic loads medical centers that screened the following mutations: two splice site differ, except for more ancient founder mutations common in all Ͼ ϩ mutations—3121-1G A and 2751 1insT—and one nonsense muta- Jews that were acquired before the communities dispersed.2 tion—the Y1092X in Iraqi Jews. One missense mutation, I1234V, was With the establishment of the State of Israel in 1948, many of screened in Yemenite Jews. Results: A total of 2499 Iraqi Jews were these Jews migrated back to Israel. Both the mutations charac- tested for one, two, or all three mutations. The 3121-1GϾA, Y1092X, teristic to the specific ethnic groups and the common Jewish and 2751 ϩ 1insT mutations had a carrier frequency of 1:68.5, 1:435, mutations created the basis for the ethnic-specific screens of- and 0, respectively. -
Mountains Faculty Concert Series
presents MUSIC IN THE MOUNTAINS FACULTY CONCERT SERIES SUMMER 2018 ROCKY RIDGE MUSIC CENTER, CONCERT HALL 465 LONGS PEAK RD. ESTES PARK, CO 80517 SUNDAYS @ 3:00 PM June 3, 10, 24 | July 1, 8, 22 | August 5 | September 2 $25/$20 JUNE 3, 2018 Adult Piano Seminar Faculty Sarabande from Partita No. 1 in B-flat Major Johann Sebastian Bach (1685–1750) Prelude and Fugue in B-flat Minor Étude 6, Pour les huit doigts Claude Debussy (1862-1918) Hsing-ay Hsu, piano Sonata for Four Hands in B-flat Major, Wolfgang Amadeus Mozart (1756-1791) K. 358 I. Allegro II. Adagio III. Molto presto Hsing-ay Hsu, piano Larry Graham, piano Sonata in B-flat Major, K.333 W.A. Mozart I. Allegro II. Andante cantabile III. Allegretto grazioso INTERMISSION Réminiscences de Lucia di Lammermoor Franz Liszt (1811-1886) 7 Fantasien, Op. 116 Johannes Brahms (1833-1897) Sergio Gallo, piano JUNE 10, 2018 Junior Artist Seminar Faculty Five Pieces for Two Violins and Piano Dmitri Shostakovich (1906-1975) arr. Levon Atovmyan I. Prelude II. Gavotte III. Elegy IV. Waltz V. Polka David Rife, violin Wynne Wong-Rife, violin James Welch, piano Trio in B-flat Major, Op. 11 Ludwig van Beethoven (1770-1827) I. Allegro con brio II. Adagio III. Tema con variazioni David Shea, clarinet Mary Beth Tyndall, cello James Welch, piano Épitaphe de Jean Harlow, Op. 164 Charles Koechlin (1867-1950) Catherine Peterson, Flute Grant Larson, Saxophone Marina Beretta-Hammond, piano INTERMISSION String Quartet No. 1 in E-flat Major, Op. 12 Felix Mendelssohn (1809-1847) I.