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CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
II. Comprehension:8Pts A
First Term - Exam 1 Full Name: _____________________________ Class: _____________ Time: 55 Minutes October 17th, 2018 1. J. G. Quintel is thirty-six years old. He is an American voice actor, animator, television writer, producer and director. He is best known as the creator of the Cartoon Network series ‘Regular Show’, in which he also voiced the characters Mordecai and High Five Ghost. 2.My name is J.G. Quintel, and I’m the creator of ‘The Regular Show’. I grew up watching cartoons especially‘The Simpsons’, I didn’t miss an episode at all.‘The Simpsons’ was the one that my friends and I were quoting constantly. 3.I really liked drawing, and I liked art. For as long as I can remember, I never wanted to be anything else. When I found out that it’s actually something people do for a living, I decided that I wanted to do that. So I went to college, and now I’m doing it. 4.In school you had to make a film every year.So, I made a film that had Mordecai in itand Benson in it. And it really was like how we acted in school. All the “uuuh!” and “Hmm, hmm!Hmm!hmm!”, that is just me and my friends being idiots.Because of the animation, you can do anything. So, they could have been human but that would be kind of boring. All the characters from my films are not what they happen to be. If you get past the fact that Benson is a gumball machine, or that Pops is a lollipop, they are just normal people hanging out. -
November-Force-Source-2019.Pdf
FoRCE SoURCE VolumeTHE 6 Issue 11 | nov. 2019 Yellowstone Snowmobile Trips Thankful Tree 10th Annual Turkey Shoot Base Holiday Parade Season Rentals Night of Shenanigans MOUNTAIN HOME AFB, IDAHO 366 FSS Commander Lt Col Allyson Strickland 366 FSS Deputy Michael Wolfe Marketing Director Shelley Turner ADVERTISE WITH US! - Magazine Advertisements Commercial Sponsorship Alexis Denoyer - 6 ft Facility Monitors Coordinator - Tabletop Acrylics - and more! Graphic Design Jessica Gibbens SPONSOR EVENTS Marketing Clerk & Private Reagan Olsen - Presence at Base Events Organization Monitor - Access to 9,000+ people - and more! Web & Social Media Miranda Baxter Interested in reaching our military & civilian community? The Force Source Magazine is prepared by the 366th Force Support Squadron Marketing Department and is an unofficial publication of the Mountain Home Please contact: AFB community. Contents are not necessarily the official views of, nor endorsed Alexis Denoyer by, the US Government, the Department of Defense, or the 366th Wing. No federal endorsement of advertisers or sponsors intended. Information in this Commercial Sponsorship Coordinator magazine is current at the time of publication. All facility programs, event hours, prices, and dates are subject to change without notice. Contact each 208-828-4519 facility for the most up to date information. 1 Contents FOOD Hackers Bistro..........................................10 Jet Stream Java.......................................10 Strikers Grill.............................................10 -
Yoichi Hiraoka: His Artistic Life and His Influence on the Art Of
YOICHI HIRAOKA: HIS ARTISTIC LIFE AND HIS INFLUENCE ON THE ART OF XYLOPHONE PERFORMANCE Akiko Goto, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Mark Ford, Major Professor Eugene M. Corporon, Committee Member Christopher Deane, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Goto, Akiko. Yoichi Hiraoka: His Artistic Life and His Influence on the Art of Xylophone Performance. Doctor of Musical Arts (Performance), August 2013, 128 pp., 31 figures, bibliography, 86 titles. Yoichi Hiraoka was an amazing Japanese xylophone player who had significant influence on the development of the xylophone as a solo instrument. The purpose of this dissertation is to collect and record evidence of Mr. Hiraoka, to examine his distinguished efforts to promote the xylophone, to investigate his influences on keyboard percussion literature, and to contribute to the development of the art of keyboard percussion performance as a whole. This dissertation addresses Yoichi Hiraoka’s artistic life, his commissioned pieces, and his influence on the art of xylophone performance. Analyses of two of his most influential commissioned works, Alan Hovhaness’ Fantasy on Japanese Wood Prints and Toshiro Mayuzumi’s Concertino for Xylophone Solo and Orchestra, are also included to illustrate the art of the xylophone, and to explain why Hiraoka did not play all of his commissioned works. Copyright 2013 by Akiko Goto ii ACKNOWLEDGEMENTS I would like to sincerely thank my committee members, Mark Ford, Eugene Corporon, and Christopher Deane, for their continuous guidance and encouragement. -
Cartoons Are No Laughing Matter
SPECIAL REPORT July 2011 Cartoons Are No Laughing Matter Sex, Drugs and Profanity on Primetime Animated Programs Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 Our work is often inspired by the passion and compassion of others. A special thank you to the following individuals and foundations for their generous support. Donald and Michele D’Amour William E. Simon Foundation Mathile Family Foundation Stuart Family Foundation Mr. & Mrs. T. Bondurant French 2 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 FOR MEDIA INQUIRIES PLEASE CONTACT Megan Franko CRC Public Relations (703) 859-5054 or Liz Krieger CRC Public Relations (703) 683-5004, ext. 120 www.ParentsTV.org 3 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 CONTENTS I. Executive Summary 5 II. Network Report Card 9 III. Introduction 10 IV. About the Networks 11 V. Methodology 12 VI. A Description of the TV Rating System 13 VII. Study Findings 13 VIII. Conclusion 17 IX. Content Examples 19 X. Data Tables 26 XI. References 4 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 C artoons Are No Laughing Matter Sex, Drugs and Profanity on Primetime Animated Programs The present study not only reveals what kids are seeing on cartoons today, it also reveals what networks and advertisers are marketing to children and teens while they are watching. Executive Summary The television industry is often criticized for the amount of sex, violence and profanity it airs. -
We, the Judges: the Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012)
UIC School of Law UIC Law Open Access Repository UIC Law Open Access Faculty Scholarship 1-1-2012 We, the Judges: The Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012) Cynthia D. Bond John Marshall Law School Follow this and additional works at: https://repository.law.uic.edu/facpubs Part of the Entertainment, Arts, and Sports Law Commons, Judges Commons, and the Law and Society Commons Recommended Citation Cynthia D. Bond, We, the Judges: The Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012). https://repository.law.uic.edu/facpubs/331 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Open Access Faculty Scholarship by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. "WE, THE JUDGES": THE LEGALIZED SUBJECT AND NARRATIVES OF ADJUDICATION IN REALITY TELEVISION CYNTHIA D. BOND* "Oh how we Americans gnash our teeth in bitter anger when we discover that the riveting truth that also played like a Sunday matinee was actually just a Sunday matinee." David Shields, Reality Hunger "We do have a judge; we have two million judges." Bethenny Frankel, The Real Housewives of New York City ABSTRACT At first a cultural oddity, reality television is now a cultural commonplace. These quasi-documentaries proliferate on a wide range of network and cable channels, proving adaptable to any audience demographic. Across a variety of types of "reality" offerings, narratives of adjudication- replete with "judges," "juries," and "verdicts"-abound. -
Quick Guide Is Online
SAN DIEGO SAN DIEGO MARRIOTT CONVENTION MARQUIS & MARINA CENTER JULY 18–21 • PREVIEW NIGHT JULY 17 QUICKQUICK GUIDEGUIDE SCHEDULE GRIDS • EXHIBIT HALL MAP • CONVENTION CENTER & HOTEL MAPS HILTON SAN DIEGO BAYFRONT MANCHESTER GRAND HYATT ONLINE EDITION INFORMATION IS SUBJECT TO CHANGE MAPu HOTELS AND SHUTTLE STOPS MAP 1 28 10 24 47 48 33 2 4 42 34 16 20 21 9 59 3 50 56 31 14 38 58 52 6 54 53 11 LYCEUM 57 THEATER 1 19 40 41 THANK YOU TO OUR GENEROUS SHUTTLE 36 30 SPONSOR FOR COMIC-CON 2013: 32 38 43 44 45 THANK YOU TO OUR GENEROUS SHUTTLE SPONSOR OF COMIC‐CON 2013 26 23 60 37 51 61 25 46 18 49 55 27 35 8 13 22 5 17 15 7 12 Shuttle Information ©2013 S�E�A�T Planners Incorporated® Subject to change ℡619‐921‐0173 www.seatplanners.com and traffic conditions MAP KEY • MAP #, LOCATION, ROUTE COLOR 1. Andaz San Diego GREEN 18. DoubleTree San Diego Mission Valley PURPLE 35. La Quinta Inn Mission Valley PURPLE 50. Sheraton Suites San Diego Symphony Hall GREEN 2. Bay Club Hotel and Marina TEALl 19. Embassy Suites San Diego Bay PINK 36. Manchester Grand Hyatt PINK 51. uTailgate–MTS Parking Lot ORANGE 3. Best Western Bayside Inn GREEN 20. Four Points by Sheraton SD Downtown GREEN 37. uOmni San Diego Hotel ORANGE 52. The Sofia Hotel BLUE 4. Best Western Island Palms Hotel and Marina TEAL 21. Hampton Inn San Diego Downtown PINK 38. One America Plaza | Amtrak BLUE 53. The US Grant San Diego BLUE 5. -
Foxtel Kids App July Highlights
Media Release: Monday June 26, 2017 Foxtel Kids App July Highlights With the winter school holidays just around the corner, the Award-winning Foxtel Kids App has something to keep every kid entertained. Simply download the Foxtel Kids App and stream some of the world’s best kids’ shows on demand, ad-free and at any time from Foxtel’s major kids channels including Nickelodeon, Nick Jr., Disney Channel, Disney Junior, Disney XD, CBeebies, Discovery Kids, Cartoon Network and Boomerang. Designed with families in mind, the app is easy to navigate and allows for offline viewing of downloaded content, which is ideal for long drives, flights or holidays spent away from an internet connection. The Foxtel Kids App is filled with kids’ favourite shows regularly updated with fresh shows to stream or download and offers uninterrupted ad-free viewing making it a safe and secure place for kids to enjoy the best in kids’ content Foxtel has to offer. Created and developed in Australia, the Foxtel Kids app helps parents deal with some of the challenges that come with youngsters watching TV, like limiting screen time, managing what they watch, and monitoring data usage. Parents are able to set a limit on the time spent watching the app and can select classifications between G and PG ratings for age appropriate viewing. In addition to the huge selection of kids’ favourite shows available on the App, new Foxtel Kids App July programming highlights include the following (please note these programs are available to stream or download on demand following their premiere timeslot): NEXO KNIGHTS Cartoon Network Season 4, Weekends from July 1 at 9am, Australian Premiere Lance, Macy and Axl will step-up – as well as Jestro and the Cloud of Monstrox – to find the final six Forbidden Powers, lock them into Mount Thunderstruck and free the Stone Colossus which will march across the realm – headed for Knightonia – destroying everything in its path. -
Representative Biodiversity: the Ecosystem of Cartoon Network
Chapman University Chapman University Digital Commons Film Studies (MA) Theses Dissertations and Theses Spring 5-19-2019 Representative Biodiversity: The Ecosystem of Cartoon Network Carl Suby Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/film_studies_theses Part of the Film and Media Studies Commons Recommended Citation Suby, Carl. "Representative Biodiversity: The Ecosystem of Cartoon Network." Master's thesis, Chapman University, 2019. https://doi.org/10.36837/chapman.000056 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in Film Studies (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Representative Biodiversity: The Ecosystem of Cartoon Network A Thesis by Carl Suby Chapman University Orange, California Dodge College of Film and Media Arts Submitted in partial fulfillment of the requirements for the degree of Master of the Arts Film Studies May 2019 Committee in Charge Kelli Fuery Ph.D., Chair Patrick Fuery Ph.D. Dawn Fratini, CPhil, MFA Representative Biodiversity: The Ecosystem of Cartoon Network Copyright © 2019 by Carl Suby iii ABSTRACT Representative Biodiversity: The Ecosystem of Cartoon Network by Carl Suby As a capitalist organism the television program, as explained by Todd Gitlin, uses its slant to sell itself to advertisers with similar leanings on contemporary social issues to maintain its flow of revenue. However, this concept of slant does not account for the broader network, which, like the singular program, cultivates a catalog of programming into a singular slanted message becoming an ecosystem of shows relying on each other to maintain viewership. -
Television and the Public Library: a Study of the State of the Art As
0. DOCUMENT RESUME ED 110 014 IR 002 282 AUTHOR Stevenson, Mona L. D. Study of the TITLE Television and the Public Library: A State of the Art as Revealed byLibrary Literature. PUB DATE Apr 75 68p.;Mastelks,thesis, University of Missouri A EDRS PRICE MF-$0.76 HC-$3.32 PLUS POSTAGE r, ucatio a. -DZSCRIPTORS **Broadcast Television; *CableTelevision; Television; Librarians; Library Extension; .*Library Programs; Library Role;AlIbliary Services; Litevture Revili.,ws; Masters Theses;Programing (Broadcast); Ag *Public Libraries IDENTIFIERS ,Alabama; CATV; Detr4t PublicLibrary; Mikhigan; I f Mobile Public LibraLPY A 'ABSTRACT The results of a survey of thehistory of library Uses of television frdm its earliestbeginnings through the present ' expansion are' presented in tabuarand narrative form. TheDetroit, Michigan,. NO Mobile, Alabama, publiclibraries are ,used to exemplify television usage in the. 50's and60's and the contrasX.between early the 'the usage of Cabe .TV through1974. .Several articles concerning ,)economic and' -technological realities offuture television usage by public liprarieS are discussed.Statistical tables and an annotated blbliography are included. (DS) *********************************************************************** D cuments acquired by ERICinclude many informal unpublished * effort * * mater alsnot availablefrom other sources. ERIC makes every nevertheless, items of marginal * * to ob in the best copy available. often encountered and thisaffects the quality ,* * reprodu 'bility are * * of the mk ofiche and hardcopy reproductionsEPIC makes available Reproduction Service (EDRS). EDRSis not * * via the ERIC Document Reproductions * * responsible for thequality of the original document. * supplied by EDRS are thebest that can be made fromthe original. ********************************************************************** a D t TELEVISION AND THE PUBLICLIBRARY:. A Study of'theState of the Art as Revealed byLibrary Literature Mona' L. -
Fair Book Ads • Vocational Agriculture Teachers • 4-H Organizational Leaders • All Fair Boosters – in All the Many Ways • All Exhibitors and Daily Visitors to Our…
The Mayes County Fair Board, Collectively and Unanimously, Dedicate our 2021 Mayes County Fair To: Randy and Shirley Deason For their years of service to the Youth of Mayes County, and the Mayes County Fair Board. 1 Thanks! • County Commissioners • Excise Board • Livestock Sale Buyers • Add-On Supporters • Subscribers to Fair Book Ads • Vocational Agriculture Teachers • 4-H Organizational Leaders • All Fair Boosters – In All The Many Ways • All Exhibitors and Daily Visitors To Our… 2021 Mayes County Fair We Appreciate Your Support! 2 Index Dedication 1 4-H Model Rocketry 90 Thanks 2 4-H Wood Science 90 Index 3 4-H Shooting Sport 92 County Leaders 4 4-H Entomology 93 Calendar of Events 6 4-H Forestry 95 Farm Family 10 4-H Geology 96 2019 Fair Supporters 10 4-H Wildlife 97 Giles Beef Proficiency 12 Fish 99 General Rules 15 Bird 100 Exhibitor Eligibility 16 Wildflowers 100 Premium Auction Rules 17 4-H Environmental 101 Arrival & Release Times 20 4-H Crops 104 Dress Code of Ethics 20 4-H Forage Plants 106 Show Ring Code of Ethics 21 4-H Home Garden 107 Swine Division 25 4-H Home Grounds 109 Sheep Division 33 4-H House Plants 110 Meat Goats 35 FFA Corn Exhibit 125 MC Steer Program 39 FFA Grain Sorghum 125 Beef Cattle Division 42 FFA Threshed Wheat 125 Dairy Cattle Division 44 FFA Other Grain 126 Horse Show Division 47 FFA Legume Seed 128 Horse Timed Events 48 FFA Legume Forage 128 Poultry Division 52 FFA Tame Forage 128 Jr. -
GSN Edition 02-26-20
The MIDWEEK Tuesday, Feb. 26, 2013 Goodland1205 Main Avenue, Goodland, Star-News KS 67735 • Phone (785) 899-2338 $1 Volume 81, Number 17 12 Pages Goodland, Kansas 67735 weather report Fatal wreck on I-70 early Monday The roads in Sherman County 30° proved more dangerous Monday 10 a.m. morning than they had been dur- Monday ing last weeks’ blizzard. Snow began falling late Sunday, leaving Today roads icy and snowpacked Monday • Sunset, 5:36 p.m. morning. Wednesday At 7:56 a.m. Monday, emergency • Sunrise, 6:23 a.m. medical technicians, fire rescue • Sunset, 5:37 p.m. vehicles and Highway Patrol troop- ers were called to the scene of a Midday Conditions one-vehicle rollover on I-70 at • Soil temperature 33 degrees mile post 13. The vehicle had rolled • Humidity 75 percent into the median and came to rest • Sky partly cloudy on its wheels. The reporting party • Winds north 20 mph described the accident as possibly • Barometer 30.01 inches fatal. A firefighter on scene said and falling the driver of the vehicle was in bad • Record High today 71° (1896) condition. • Record Low today -6° (1960) A second ambulance was paged out at 8:02. At 8:12, the ambulance Last 24 Hours* crew reported they were taking two High Sunday 30° patients to the hospital. One was Low Sunday 26° “code blue,” meaning the patient Precipitation 0.04 was in either cardiac or respiratory This month 0.78 arrest. Rescue personnel reported Year to date 0.85 they were attempting cardiopulmo- Above normal 0.06 inches nary resuscitation.