DOCSLIB.ORG

Hoofdstuk 1 Tm 7 (Dl 1 En 2).Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hoofdstuk 1 Tm 7 (Dl 1 En 2).Pdf VU Research Portal Leven als een kunstenaar Kisters, A.C. 2010 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Kisters, A. C. (2010). Leven als een kunstenaar: Invloeden op de beeldvorming van moderne kunstenaars Auguste Rodin, Georgia O'Keeffe, Francis Bacon. Eigen Beheer. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 06. Oct. 2021 Mededeling promovendus bij elektronische versie: Van dit proefschrift zijn alleen opgenomen de hoofdstukken 1 tot en met 7 (oftewel deel 1 en 2), zonder afbeeldingen. Voor zowel de vele afbeeldingen die in 'Leven als een kunstenaar' zijn opgenomen, als de vele citaten uit nog ongepubliceerde correspondentie die in het derde deel bij de casussen van Rodin, O'Keeffe en Bacon zijn opgenomen is door de rechthebbenden alleen toestemming gegeven voor de openbaarmaking middels 150 geprinte exemplaren voor de promotie en niet voor online publicatie. In een mogelijk nog te realiseren Engelstalige handelseditie zal, nadat alle rechtenkwesties zijn geregeld, het gehele proefschrift worden opgenomen. VRIJE UNIVERSITEIT Leven als een kunstenaar Invloeden op de beeldvorming van moderne kunstenaars Auguste Rodin, Georgia O’Keeffe, Francis Bacon ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad Doctor aan de Vrije Universiteit Amsterdam, op gezag van de rector magnificus prof.dr. L.M. Bouter, in het openbaar te verdedigen ten overstaan van de promotiecommissie van de faculteit der Letteren op donderdag 20 mei 2010 om 13.45 uur in de aula van de universiteit, De Boelelaan 1105 door Alexandra Christina Kisters geboren te Venlo promotor: prof.dr. C.H. Blotkamp copromotor: dr. G.M. Birtwistle Leven als een kunstenaarLeven Invloeden op de beeldvorming van moderne kunstenaars een kunstenaar Invloeden op de beeldvorming van m oderne kunstenaars Auguste Rodin Georgia O’Keeffe Francis Bacon Sandra Kisters Foto omslag: Hans van den Bogaard, de sterfkamer van Vincent van Gogh, Auberge Ravoux in Auvers-sur-Oise Voor Bart Inhoudsopgave Woord van dank 4 Inleiding 7 Deel 1 Het verleidelijke leven Hoofdstuk 1 De kunstenaarscultus 17 De kunstenaar als oorspronkelijk genie - Gevolgen van de kunstenaarscultus 19 De kunstenaar als publieke figuur 23 Hoofdstuk 2 Kunstenaarsbiografieën 27 Historia Naturalis - Vasari 28 Kunstenaarslexicon 34 Monografie 35 Oeuvrecatalogus 37 De individuele kunstenaarsbiografie - Hoofdstuk 3 Kunstenaarstopoi 43 Die Legende vom Künstler - Feit of fictie 48 Born under Saturn 49 De bohémien 54 Genie en waanzin 56 De fictieve kunstenaar 58 Hoofdstuk 4 De biografische benadering 65 Een kunstgeschiedenis zonder namen 70 Intentionaliteit 74 De behoefte aan de kunstenaar 75 Afbeeldingen deel 1 78 Deel 2 Het representatieve leven Hoofdstuk 5 Introductie van een methodologisch raamwerk 87 Woord of beeld? - Invloeden op de biografische beeldvorming 89 Visuele en tekstuele middelen 91 Hoofdstuk 6 De invloed van anderen op de biografische beeldvorming 95 Tekstuele middelen - Kunstkritiek / interview - Kunstwetenschappelijke publicaties/geredigeerde uitgaven 96 Necrologie 97 Biografie 98 Visuele middelen 103 Portret - Cartoon / spotprent 105 Fotografie 107 Documentaire 114 Biografische speelfilm 122 Hoofdstuk 7 De invloed van de kunstenaar op de biografische beeldvorming 131 Tekstuele middelen - Dagboek 132 Brieven 133 Autobiografie 134 Kunstenaarstekst 138 Testament / archiefvorming - Visuele middelen 139 Het museale kunstenaarshuis / atelier - Het kunstenaarshuis tijdens het leven van de kunstenaar 144 Het persoonlijke museum / mausoleum 148 Kleding / omgeving 150 Zelfportret 151 Afbeeldingen deel 2 156 Deel 3 Het kunstenaarsleven Hoofdstuk 8 Auguste Rodin – Statuaire 169 Het maken van een reputatie 171 De zichzelf onderwijzende Rodin 174 Van moderne Michelangelo tot mislukt genie 178 Rodins exposition particulière (1900) 180 Het Musée Rodin 185 Een imposante nalatenschap 188 Thorvaldsen als rolmodel 191 Musée Rodin in Meudon 195 Rodin en de fotografie 197 Een gewillig model 199 Rodin en de pictorialisten 202 Ceux de Chez Nous (1915) 204 Herinneringen aan le grand maître 205 Rodin écrits 207 Judith Cladel 209 Recente biografieën 212 Rodin in film 216 Rodins postume imago 219 Afbeeldingen Rodin 223 Hoofdstuk 9 Georgia O’Keeffe – American 237 De ontdekking van Georgia O’Keeffe 239 A Portrait by Alfred Stieglitz 242 Een nieuw imago 247 New Mexico 251 Succes in het MoMA (1946) 254 Herdenkingstentoonstellingen voor Stieglitz 257 Het afhandelen van de nalatenschap 258 Een kunstenaarshuis in Abiquiu 262 De kluizenaar in de woestijn 264 Het Whitney-retrospectief (1970) 268 Biografie versus autobiografie 270 Biografische verbanden 278 De documentaire van Adato (1977) 281 Onderhandelingen voor twee musea 283 The Georgia O’Keeffe Home and Studio Tour 287 O’Keeffe volgens O’Keeffe 290 Abeeldingen O’Keeffe 294 Hoofdstuk 10 Francis Bacon – There it is … 309 Een rebelse autodidact 310 The Hanover Gallery 316 De overstap naar Marlborough Fine Art 318 Het eerste Tate-retrospectief (1962) 322 Interviews met David Sylvester 326 Absolute controle: het tweede Tate-retrospectief (1985) 334 Televisie-interviews 339 Censuur 341 Dood van een schilder 344 The Francis Bacon Estate 346 Love is the Devil 349 Het atelier 352 Bacon op de gevoelige plaat 356 Het Francis Bacon Studio Project 358 Het derde Tate-retrospectief (2008) 363 There it is… 365 Afbeeldingen Bacon 368 Conclusie 381 Summary 387 Chronologie Rodin 392 Chronologie O’Keeffe 394 Chronologie Bacon 396 Lijst van afbeeldingen 398 Bibliografie 407 Woord van dank De aanleiding voor dit proefschrift was een briefje van Carel Blotkamp die bij mij polste of ik iets voelde voor een promotieonderzoek. Hij wist dat ik graag schrijf, maar ook dat ik er een leuke baan voor moest opgeven. Mijn collega’s bij het Museum Jan Cunen waren begripvol en in januari 2003 ging ik (in deeltijd) van start. Zeven jaar later, en twee kindjes rijker, is het dan zover: voor u ligt Leven als een kunstenaar. Voor dit onderzoek heb ik op veel plaatsen archiefonderzoek verricht. Van de onderstaande archieven ben ik het personeel bijzonder erkentelijk voor hun hulp en toewijding bij het zoeken naar relevant materiaal: Amsterdam: Filmmuseum. Dublin: Francis Bacon Studio Archive and Database / Dublin City Gallery The Hugh Lane. Hilversum: Nederlands Instituut voor Beeld en Geluid. London: The Heinz Archive and Library / National Portrait Gallery, Tate Gallery Library and Archive Collections / The Hyman Kreitman Research Centre. New Haven (CT): Alfred Stieglitz & Georgia O’Keeffe Archive, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library / Yale University (YCAL). New York (NY): Archives of American Art (AAA) / Smithsonian Institution, The Photography Study Room en The Thomas J. Watson Library / The Metropolitan Museum of Art, The Edward Steichen Archive / The Erna and Victor Hasselblad Photography Center / Museum of Modern Art, Frances Mulhall Achilles Library / Artist File / Whitney Museum of American Art. Parijs: Archives du Musée Rodin, Salle de la Documentation / Musée d’Orsay. Princeton (NJ): Manuscripts Division / Princeton University Library. Santa Fe (NM): Georgia O’Keeffe Museum Research Center. Washington D.C.: Archives of American Art (AAA) / Smithsonian Institution, The Photograph Study Room / National Gallery of Art, The Hirshhorn Museum Library and Archive / Smithsonian Institution. Daarnaast een woord van dank voor het personeel van de bibliotheken van het Van Abbe Museum in Eindhoven, de Letteren- bibliotheek van de Universiteit Utrecht, de Koninklijke Bibliotheek en het Rijksbureau voor Kunsthistorische Documentatie in Den Haag. Over mijn onderzoek heb ik met een groot aantal vakgenoten van gedachten mogen wisselen. Veel dank voor de nuttige (literatuur)suggesties, inspirerende gesprekken en goede ideeën die ik kreeg aangedragen van: Jos ten Berge, Ivo Blom, Bob van den Boogert, Beatrice von Bormann, Penelope Curtis, Wouter Davidts, Martina Droth, Rachel Esner, Leo Jansen, Hans Luijten, Sven Lütticken, Miranda Mason, Dirk Pültau, Robert A. Rosenstone, Marjolein van Tooren, Linda van Santvoort, Robert Verhoogt, Marc Joachim Wasmer, Peter Webber, Jon Wood en de beeldend kunstenaars Arnoud Holleman en Helena van der Kraan. Christian Bertram, Esther Starkenburg, Ingrid Vermeulen en Petra Brouwer, die jarenlang mijn kamergenoten waren op de VU, wil ik bedanken voor de kritische, warme en humoristische ondersteuning van elkaars projecten. Mijn huidige kamergenoten, Iris Burgers, Ronald de Boer, Sae Matsuno en Nathalie Zonnenberg, dank ik voor de fijne werkomgeving van het laatste jaar en wens ik heel veel succes met hun projecten. Paul van den Akker en Dick Schram wil ik in het
Load more

Recommended publications
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • Westminsterresearch the Artist Biopic
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
    [Show full text]
  • The Meanings of Rembrandt
    Gary Schwartz The Meanings of Rembrandt On Friday, 27 October 1797 the National Council of the Batavian Republic (1795–1801), the successor to the Republic of the Seven United Provinces (1581– 1795), voted to accept a present offered to it by the Brabant printmaker Lambertus Antonius Claessens (1763–1834). “The first proof of a labor of three years, being an engraving depicting The Night Watch, un- dertaken in order to make the masterpiece of Rem- brandt, that outstanding painter of the fatherland, better and better known to the Batavian people and other art-loving nations” (figs. 1–2).1 The Council Opposite side: accepted the gift and ordered the maintenance com- Rembrandt Harmensz. mittee to find an appropriate place to hang the work. van Rijn This event had multiple meanings for Rem- Portrait of the Artist brandt’s posterity. Until now his civic guard portrait as Saint Paul (detail), of the company of Frans Banning Cocq had been one 1661 of the six paintings commissioned in the late 1630s for Rijksmuseum, the new hall of the Kloveniers (the musketeers and cepting and acknowledging Claessens’s compliment Amsterdam pikesmen), which since 1715 had hung together in the to the artist as a potent if undervalued representative town hall on Dam Square. Now it was singled out on of Dutch artistic culture in the world at large. Fig. 1 (to the right) its own as an immortal masterpiece, with the nick- The apotheosis had been in the making for thir- From the resolutions name by which it was here called for the first time, the ty years in select circles since the publication in 1767 of the National Council Night Watch.
    [Show full text]
  • Pablo Picasso, One of the Most He Was Gradually Assimilated Into Their Dynamic and Influential Artists of Our Stimulating Intellectual Community
    A Guide for Teachers National Gallery of Art,Washington PICASSO The Early Ye a r s 1892–1906 Teachers’ Guide This teachers’ guide investigates three National G a l l e ry of A rt paintings included in the exhibition P i c a s s o :The Early Ye a rs, 1 8 9 2 – 1 9 0 6.This guide is written for teachers of middle and high school stu- d e n t s . It includes background info r m a t i o n , d i s c u s s i o n questions and suggested activities.A dditional info r m a- tion is available on the National Gallery ’s web site at h t t p : / / w w w. n g a . gov. Prepared by the Department of Teacher & School Programs and produced by the D e p a rtment of Education Publ i c a t i o n s , Education Division, National Gallery of A rt . ©1997 Board of Tru s t e e s , National Gallery of A rt ,Wa s h i n g t o n . Images in this guide are ©1997 Estate of Pa blo Picasso / A rtists Rights Society (ARS), New Yo rk PICASSO:The EarlyYears, 1892–1906 Pablo Picasso, one of the most he was gradually assimilated into their dynamic and influential artists of our stimulating intellectual community. century, achieved success in drawing, Although Picasso benefited greatly printmaking, sculpture, and ceramics from the artistic atmosphere in Paris as well as in painting. He experiment- and his circle of friends, he was often ed with a number of different artistic lonely, unhappy, and terribly poor.
    [Show full text]
  • Chapter 25 Baroque
    CHAPTER 25 BAROQUE Flanders, Dutch Republic, France,,g & England Flanders After Marti n Luth er’ s Re forma tion the region of Flanders was divided. The Northern half became the Dutch Republic, present day Holland The southern half became Flanders, Belgium The Dutch Republic became Protestant and Flanders became Catholic The Dutch painted genre scenes and Flanders artists painted religious and mythol ogi ca l scenes Europe in the 17th Century 30 Years War (1618 – 1648) began as Catholics fighting Protestants, but shifted to secular, dynastic, and nationalistic concerns. Idea of united Christian Empire was abandoned for secu lar nation-states. Philip II’s (r. 1556 – 1598) repressive measures against Protestants led northern provinces to break from Spain and set up Dutch Republic. Southern Provinces remained under Spanish control and retained Catholicism as offiilfficial re liiligion. PlitildititiPolitical distinction btbetween HlldHolland an dBlid Belgium re fltthiflect this or iiigina l separation – religious and artistic differences. 25-2: Peter Paul Rubens, Elevation of the Cross, 1610-1611, oil on Cue Card canvas, 15 X 11. each wing 15 X 5 • Most sought a fter arti st of hi s time - Ambassador, diplomat, and court painter. •Paintinggy style •Sculptural qualities in figures •Dramatic chiaroscuro •Color and texture like the Venetians • Theatrical presentation like the Italian Baroque •Dynamic energy and unleashed passion of the Baroque •Triptych acts as one continuous space across the three panels. •Rubens studied Renaissance and Baroque works; made charcoal drawings of Michelangelo’s Sistine Chapel and the Laocoon and his 2 sons. •Shortly after returning home , commissioned by Saint Walburga in Antwerp to paint altarpiece – Flemish churches affirmed their allegiance to Catholicism and Spanish Hapsburg role after Protestant iconoclasm in region.
    [Show full text]
  • Ebook Download Piet Mondrian: the Studios
    PIET MONDRIAN: THE STUDIOS : AMSTERDAM, LAREN, PARIS, LONDON, NEW YORK PDF, EPUB, EBOOK Cees W. De Jong | 240 pages | 26 Oct 2015 | Thames & Hudson Ltd | 9780500239353 | English | London, United Kingdom Piet Mondrian: The Studios : Amsterdam, Laren, Paris, London, New York PDF Book Other Editions 2. Then, no longer conscious of his individuality, he will be happy in this earthly paradise that he himself has created. It appears that Mondrian's early art was intimately related to his spiritual and philosophical studies - a feature that never truly left his work. As a matter of fact, it's reasonable to say that the entire outlook on abstraction we have today might not even exist if Piet never abandoned conventional ways of shaping pictorial forms. Francis Bacon: Books and Painting Paul Getty Museum; 1st edition, Tomassoni, I. Inside his New York studio on East 56th Street again he reordered it to suit his ascetic, abstract principles , he purified his paintings even further, removing the black lines to leave only vibrating sequences of red, blue and yellow. Guncha Kesharwani marked it as to-read Jan 03, De Stijl Painting The Netherlands. Just a moment while we sign you in to your Goodreads account. But Mondrian was resolute. Piet Mondrian died from pneumonia on the 1st of February in There are no discussion topics on this book yet. Many of his conceptual ideas were shared by his fellow Dutch painter Theo van Doesburg - the two close friends cofounded the pioneering and highly influential movement De Stijl. Lists with This Book. Many of the enterprising locals had built sheds on their land to fulfil just this purpose.
    [Show full text]
  • As of August 30, 2018 the Leiden Collection Online Catalogue
    As of August 30, 2018 The Leiden Collection Online Catalogue Bibliography ACADÉMIE ROYALE DE BELGIQUE 1866 Académie Royale de Belgique. Exposition de tableaux de maîtres anciens. Exh. cat. Brussels, Académie Royale de Belgique. Brussels, 1886. ADAMS AND HAVERKAMP-BEGEMANN 1988 Adams, Ann Jensen, and Egbert Haverkamp-Begemann. Dutch and Flemish Paintings from New York Private Collections. New York, 1988. AKADEMIE DER KÜNSTE 1925 Akademie der Künste. Gemälde alter Meister aus Berliner Besitz. Ausstellung in der Akademie der Künste. Exh. cat. Berlin, Akademie der Künste. Berlin, 1925. ALEXANDER-KNOTTER, HILLEGERS, AND VAN VOOLEN 2006 Alexander-Knotter, Mirjam, Jasper Hillegers, and Edward van Voolen. The “Jewish” Rembrandt: The Myth Unraveled. Exh. cat. Amsterdam, Joods Historisch Museum. Zwolle, 2006. Originally published as De “joodse” Rembrandt: De mythe ontrafeld. Zwolle, 2006. ALFRED BROD GALLERY 1957 Alfred Brod Gallery. Winter Exhibition. Sales cat. London, Alfred Brod Gallery. London, 1957. ALFRED BROD GALLERY 1963 Alfred Brod Gallery. Annual Autumn Exhibition of Dutch and Flemish Paintings of the 17th Century. Exh. cat. London, Alfred Brod Gallery. London, 1963. ALFRED BROD GALLERY 1965 Alfred Brod Gallery. Fünfzig Gemälde alter Meister: Ausstellung im Künstlerverein Malkasten Düsseldorf. Exh. cat. London, Alfred Brod Gallery. Düsseldorf, 1965. ALPERS 1983 Alpers, Svetlana. The Art of Describing: Dutch Art in the Seventeenth Century. London, 1983. Page 1 of 130 As of August 30, 2018 VON ALTEN 1871 Von Alten, Friedrich. Verzeichniss der Gemä lde in der Grossherzoglichen Sammlung zu Oldenburg mit einem Anhange der auf den Gemä lden befindlichen Monogramme, Bezeichnungen u. Inschriften. Oldenburg, 1871. VON ALTEN 1890 Von Alten, Friedrich. Verzeichniss der Gemälde, Gypse und Bronzen in der Grossherzoglichen Sammlung zu Oldenburg.
    [Show full text]
  • Tape ID Title Language System
    Tape ID Title Language System 1375 10 English PAL 0361sn 101 Dalmatians - Live Action (NTSC) English NTSC 0362sn 101 Dalmatians II (NTSC) English NTSC 6826 12 Monkeys (NTSC) English NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian PAL 1078 18 Again English Pal 5163a 1900 - Part I English pAL 5163b 1900 - Part II English pAL 1244 1941 English PAL 0172sn 2 Days In The Valley (NTSC) English NTSC f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French PAL 1304 200 Cigarettes English Pal 6474 200 Cigarettes (NTSC) English NTSC 2401 24 - Season 1, Vol 1 English PAL 2406 24 - Season 2, Part 1 English PAL 2407 24 - Season 2, Part 2 English PAL 2408 24 - Season 2, Part 3 English PAL 2409 24 - Season 2, Part 4 English PAL 2410 24 - Season 2, Part 5 English PAL 5675 24 Hour People English PAL 2402 24- Season 1, Part 2 English PAL 2403 24- Season 1, Part 3 English PAL 2404 24- Season 1, Part 4 English PAL 2405 24- Season 1, Part 5 English PAL 3287 28 Days Later English PAL 5731 29 Palms English PAL 5501 29th Street English pAL 3141 3000 Miles To Graceland English PAL 6234 3000 Miles to Graceland (NTSC) English NTSC f103 4 Adventures Of Reinette and Mirabelle (Subtitled) French PAL 0514s 4 Days English PAL 3421 4 Dogs Playing Poker English PAL 6607 4 Dogs Playing Poker (NTSC) English nTSC g033 4 Shorts By Werner Herzog (Subtitled) English PAL 0160 42nd Street English PAL 6306 4Th Floor (NTSC) English NTSC 3437 51st State English PAL 5310 54 English Pal 0058 55 Days At Peking English PAL 3052 6 Degrees Of Separation English PAL 6389 60s, The (NTSC) English NTSC 6555 61* (NTSC) English NTSC f126 7 Morts Sur Ordonnance (NOT Subtitled) French PAL 5623 8 1/2 Women English PAL 0253sn 8 1/2 Women (NTSC) English NTSC 1175 8 Heads In A Duffel Bag English pAL 5344 8 Mile English PAL 6088 8 Women (NTSC) (Subtitled) French NTSC 5041 84 Charing Cross Road English PAL 1129 9 To 5 English PAL f220 A Bout De Souffle (Subtitled) French PAL 0652s A Funny Thing Happened On The Way To The Forum English PAL f018 A Nous Deux (NOT Subtitled) French PAL 3676 A.W.O.L.
    [Show full text]
  • Jan Steen: the Drawing Lesson
    Jan Steen THE DRAWING LESSON Jan Steen THE DRAWING LESSON John Walsh GETTY MUSEUM STUDIES ON ART Los ANGELES For my teacher Julius S. Held in gratitude Christopher Hudson, Publisher Cover: Mark Greenberg, Managing Editor Jan Steen (Dutch, 1626-1679). The Drawing Lesson, circa 1665 (detail). Oil on panel, Mollie Holtman, Editor 49.3 x 41 cm. (i93/s x i6î/4 in.). Los Angeles, Stacy Miyagawa, Production Coordinator J. Paul Getty Museum (83.PB.388). Jeffrey Cohen, Designer Lou Meluso, Photographer Frontispiece: Jan Steen. Self-Portrait, circa 1665. © 1996 The J. Paul Getty Museum Oil on canvas, 73 x 62 cm (283/4 x 243/ in.). 17985 Pacific Coast Highway 8 Amsterdam, Rijksmuseum (sK-A-383). Malibu, California 90265-5799 All works of art are reproduced (and photographs Mailing address: provided) courtesy of the owners unless other- P.O. BOX 2112 wise indicated. Santa Monica, California 90407-2112 Typography by G & S Typesetting, Inc., Library of Congress Austin, Texas Cataloging-in-Publication Data Printed by Typecraft, Inc., Pasadena, California Walsh, John, 1937- Bound by Roswell Bookbinding, Phoenix, Jan Steen : the Drawing lesson / John Walsh, Arizona p. cm.—(Getty Museum studies on art) Includes bibliographic references. ISBN 0-89326-392-4 1. Steen, Jan, 1626-1679 Drawing lesson. 2. Steen, Jan, 1626-1679—Criticism and interpretation. I. Title. II. Series. ND653.S8A64 1996 759.9492—dc20 96-3913 CIP CONTENTS Introduction i A Familiar Face 5 Picturing the Workshop 27 The Training of a Painter 43 Another Look Around 61 Notes on the Literature 78 Acknowledgments 88 Final page folds out, providing a reference color plate of The Drawing Lesson INTRODUCTION In a spacious vaulted room a painter leans over to correct a drawing by one of his two pupils, a young boy and a beautifully dressed girl, who look on [FIGURE i and FOLDOUT].
    [Show full text]
  • The Morgan to Present More Than Ninety Drawings by Rembrandt and Other Important Dutch Artists This Winter
    Press Contacts Patrick Milliman 212.590.0310, [email protected] Alanna Schindewolf 212.590.0311, [email protected] THE MORGAN TO PRESENT MORE THAN NINETY DRAWINGS BY REMBRANDT AND OTHER IMPORTANT DUTCH ARTISTS THIS WINTER WORKS ARE FROM THE PRIVATE COLLECTION OF CLEMENT C. MOORE AND WILL BE EXHIBITED TOGETHER FOR THE FIRST TIME Rembrandt’s World: Dutch Drawings from the Clement C. Moore Collection January 20–April 29, 2012 **Press Preview: Thursday, January 19, 10 a.m. until noon** RSVP: (212) 590-0393, [email protected] New York, NY, January 6, 2012—Bolstered by its recent political independence, economic prosperity, and maritime supremacy, the Dutch Republic witnessed an artistic flourishing during the seventeenth century, known as the Dutch Golden Age. The Morgan Library & Museum presents over ninety drawings by some of the preeminent artists of the period—among them Rembrandt Harmensz. van Rijn and his followers Ferdinand Bol and Gerbrand van den Eeckhout; Abraham Bloemaert; Aelbert Cuyp; and Jan van Goyen—in an exhibition titled Rembrandt’s World: Dutch Drawings from the Clement C. Moore Collection, on view from January 20 through April 29, 2012. The Dutch Republic of the seventeenth century was a federation of seven states—Holland, Zeeland, Gelderland, Utrecht, Friesland, Overijssel, and Groningen. The exhibition focuses on artists who worked primarily in their native lands, rather than those whose careers took them to France, Italy, or elsewhere abroad, and highlights the broad spectrum of subjects— portraiture, marine views, landscapes, biblical Rembrandt Harmensz. van Rijn (1606–1669) St. Peter Preaching (?) and mythological narratives, genre scenes, and Black chalk All works: Clement C.
    [Show full text]
  • As of January 1, 2020 the Leiden Collection Online Catalogue
    As of January 1, 2020 The Leiden Collection Online Catalogue Bibliography VAN DER AA 1865 Van der Aa, Abraham Jacob. Biographisch Woordenboek der Nederlanden. 21 vols. Harlem, 1852–78. ACADÉMIE ROYALE DE BELGIQUE 1866 Académie Royale de Belgique. Exposition de tableaux de maîtres anciens. Exh. cat. Brussels, Académie Royale de Belgique. Brussels, 1886. THE ACADEMY OF ARTS 1925 The Academy of Arts. Gemälde alter Meister aus Berliner Besitz. Ausstellung in der Akademie der Künste. Exh. cat. Berlin, The Academy of Arts. Berlin, 1925 ACKLEY 2003 Ackley, Clifford S. Rembrandt’s Journey: Painter, Draftsman, Etcher. Exh. cat. Boston, Museum of Fine Arts; Chicago, Art Institute of Chicago. Boston, 2003. ADAMS AND HAVERKAMP-BEGEMANN 1988 Adams, Ann Jensen, and Egbert Haverkamp-Begemann. Dutch and Flemish Paintings from New York Private Collections. New York, 1988. AKADEMIE DER KÜNSTE 1925 Akademie der Künste. Gemälde alter Meister aus Berliner Besitz. Ausstellung in der Akademie der Künste. Exh. cat. Berlin, Akademie der Künste. Berlin, 1925. ALEXANDER-KNOTTER, HILLEGERS, AND VAN VOOLEN 2006 Alexander-Knotter, Mirjam, Jasper Hillegers, and Edward van Voolen. The “Jewish” Rembrandt: The Myth Unraveled. Exh. cat. Amsterdam, Joods Historisch Museum. Zwolle, 2006. Originally published as De “joodse” Rembrandt: De mythe ontrafeld. Zwolle, 2006. ALFRED BROD GALLERY 1957 Alfred Brod Gallery. Winter Exhibition. Sales cat. London, Alfred Brod Gallery. London, 1957. ALFRED BROD GALLERY 1963 Page 1 of 198 Compiled by A. McCarthy & C. Van Cauwenberge As of January 1, 2020 Alfred Brod Gallery. Annual Autumn Exhibition of Dutch and Flemish Paintings of the 17th Century. Exh. cat. London, Alfred Brod Gallery. London, 1963.
    [Show full text]
  • A Lot of Bull? Pablo Picasso and Ice Age Cave Art
    MUNIBE (Antropologia-Arkeologia) 57 Homenaje a Jesús Altuna 217-223 SAN SEBASTIAN 2005 ISSN 1132-2217 A Lot of Bull? Pablo Picasso and Ice Age cave art Pablo Picasso y el arte rupestre paleolítico KEY WORDS: Picasso, cave art, palaeolithic art, Lascaux, Altamira, Lespugue. PALABRAS CLAVE: Picasso, arte rupestre, Arte Paleolítico, Lascaux, Altamira, Lespugue. Paul BAHN* ABSTRACT Many claims have been made, and continue to be made, concerning PICASSO’s reaction to Ice Age cave art — in particular, it is said that he visited either Altamira or Lascaux, and declared that “we have invented nothing” or that ”none of us can paint like this”. The paper investigates these claims, and finds that they have absolutely no basis in fact. PICASSO was minimally influenced by Ice Age art and expressed little interest in it. RESUMEN Se ha hablado mucho, y se sigue hablando, sobre la reacción de PICASSO ante el arte del período glaciar; en particular se dice que visitó Altamira o Lascaux y declaró: “no hemos inventado nada” o, “ninguno de nosotros puede pintar así.” Este artículo investiga esas supuestas reacciones y concluye que no se basan en absoluto en hechos. A PICASSO le influyó muy poco el arte glaciar y expresó muy poco interés por él. LABURPENA Asko hitz egin da, eta oraindik ere hitz egiten da, glaziare aldiko artea ikustean PICASSOk egin zituen adierazpenei buruz. Esaten da Altamira eta Lascaux koba-zuloak ikusi zituenean zera adierazi zuela: “ez dugu ezer asmatu” eta baita “gutariko inork ezin du horrela pintatu”. Artikulu honetan PICASSOk egin omen zituen adierazpen horiek ikertu dira eta ondorioztatu, adierazpen horiek ez direla gertaera jakin batzuetan oinarri- turik egin.
    [Show full text]