HUTTON HOUSE LECTURES at Lorber Hall
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Scribherms I Brought Bark by Request SPENCFR Healthfullv Air Conditioned
had ever heard of Fred's bulldogs Have they been lnnoculated? (In- signing Ginger Rogers. Ginger, 1 A Canines Also Demand and Sport Is Betty Hutton before, questions began to pour deed!) And heaven knows how Is well known, has more details lr Detailed Contracts over the wires to New York, such many more queries of the like. her contracts than any star In town as "Is this a dog act?” (You bet!) When the deal was finally con- from the size of her mlrrori The Studio Cheered as She Broadcast Br the Associated Press. makeup How many dogs In the troupe? cluded the legal department ad- to the dimensions of the type In hei When Kay Kyser starts on a to Director and Cast (Plenty!) Are they Insured? (Yes!) mitted it was more complicated than billings. Apologies picture, veterans around his studio By HAROLD HEFFF.RNAN. RKO. If the deal is set each other Luise will do began asking "What AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. HOLLYWOOD. another "Good Earth" impersona- next?” For anything can and does _ and sounds: tion for on a Sights "China Skies.” .. Warner happen Kyser picture. Latest Even Preston Foster himself Bras, will shortly announce a re- complication Is Kay's whim to sign ! rubbed his eyes a bit over this sud- make of the Colleen Moore silent some vaudeville acts for the new den transformation. Within 15 hit "So Big” for Bette Davis. That opus. Including one act called minutes on the 20th Centurv-Fox makes five pictures on Bette's future “Fred’s Bulldogs.”* lot he went from the role of Roger chart, Paramount has granted When the casting director sent the Terrible Touhy in "Roger Touhy, Veronica Lake a long summer vaca- the contracts down to the legal de- Last of the Gangsters,” to the char- tion to recuperate from the double partment, the fun began. -
PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
The Egyptian, March 30, 1950
Southern Illinois University Carbondale OpenSIUC March 1950 Daily Egyptian 1950 3-30-1950 The gE yptian, March 30, 1950 Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_March1950 Volume 31, Issue 25 Recommended Citation Egyptian Staff, "The gE yptian, March 30, 1950" (1950). March 1950. Paper 1. http://opensiuc.lib.siu.edu/de_March1950/1 This Article is brought to you for free and open access by the Daily Egyptian 1950 at OpenSIUC. It has been accepted for inclusion in March 1950 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SOUTH. ERN ILLINOIS, UNIVERSITY. IUYIII'-".' Group ,To Give ftnrJlln· . Here· Tonighl· ---~---~;Nn~"" Graham GNup wock., , Emlit,ions, As before. adult tickets will be $6, and $3 for studcD~. No Qogle Modem Dance admissions will be wid. Concpt .,,--'-----c---'-------'---''---,--I tickets will be on sale for ORe, ;:"~:::ty;..~.:;,:,~ BOo.rdof'Tr. ustees UpS and there may be even more-as . was the case this year. wbco five Teachers' Salarie. Si "";;';.";:::;:,''::;·outlhat''''. dent aetivilY tickcts-Wbich will Bans Political Groups·. :!:'!..""i::':'!:'-:::":able, and many lOWnSpcoplc.. ,!:and Southern's ·.Boau! of Trustees established a uniform tui- ::'':n-til=ts~ =edtry:;a~ . tion fee of $15.8 term for all undergraduates and graduates enter on a studeD'"s activity card. in the regular March here Monday., Therefore. he said. any penGnS ;'fbe board in its to be in this area next ~pprovcd a new ilI1ary will Pot be enrolled in which boosted teachers' pay. and wish to attend proved reguiatiOIlI governing lihpuld «m~ Dr. -
ARSC Journal These Films
Sound Recording Reviews 213 Judy Garland: The Golden Years at M-G-M - The Harvey Girls, The Pirate, Summer Stock. MGMIUA Home Video. ML104869. 5 laser discs, 2 sides in CAV. 7 hours ofprerecordings on analog track; stereo in part; NTSC. Released in 1995. Thoroughbreds Don't Cry and Listen, Darling. MGMIUA Home Video. ML104569. 2 laser discs. 21 minutes ofprerecordings for Listen, Darling on analog track; NTSC. Released in 1994. The Ultimate Oz. MGM/UA Home Video and Turner. ML103990. Includes The Wizard of Oz, ML104755, 2 laser discs, 4 sides in CAV, THX and No-Noise; and The Wonderful Wizard of Oz: The Making of a Movie Classic, ML104756, 1 laser disc, THX. 4 hours 48 minutes of prerecordings on analog and digital tracks; NTSC. Released in 1993. The Wizard of Oz: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71964. 2 compact discs. Released in 1995. Meet Me In St. Louis: 50th Anniversary Edition. MGMIUA Home Video and Turner. ML104754. 3 laser discs and 1 compact disc of soundtrack (CD: MGM Records 305123). 4 sides in CAV; remixed from original multi-channel recording mas ters into stereo; 52 minutes of prerecordings on analog track; Includes The Making of an American Classic; NTSC. Released in 1994. CD also available separately on Rhino Movie Musicfl'urner Classic Movies R2 71958. Stereo. Released in 1995. Easter Parade: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71960. 1 compact disc. Released in 1995. That's Entertainment/ HI: Deluxe Collector's Edition. MGMIUA Home Video. ML103059. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Download Booklet
120836bk BobHope 3/10/06 5:09 PM Page 2 1. Put It There Pal 2:23 6. My Favorite Brunette 3:06 12. Blind Date 3:12 16. Nobody 2:06 (Johnny Burke–Jimmy van Heusen) (Jay Livingston–Ray Evans) (Sid Robin) (Bert Williams–Alex Rogers From Road to Utopia From My Favorite Brunette With Margaret Whiting,The Starlighters & From The Seven Little Foys With Bing Crosby;Vic Schoen’s Orchestra With Dorothy Lamour; Billy May’s Orchestra With Veola Vonn; Orchestra conducted by Decca 40000, mx DLA 3686-A Paul Weston’s Orchestra Capitol 1042, mx 6018-1 Joe Lilley Recorded 8 December 1944, Los Angeles Capitol 381, mx 1691-3 Recorded 11 May 1950, Hollywood RCA Victor LPM 3275, mx F2PL 1443 2. Road to Morocco 2:33 Recorded 13 February 1947, Hollywood 13. Home Cookin’ 2:48 Recorded 1955, Hollywood (Johnny Burke–Jimmy van Heusen) 7. Sonny Boy 1:31 (Jay Livingston–Ray Evans) 17. I’m Tired 2:20 From Road to Morocco (Al Jolson–Buddy DeSylva–Lew Brown– From Fancy Pants (William Jerome–Jean Schwartz) With Bing Crosby;Vic Schoen’s Orchestra Ray Henderson) With Margaret Whiting,The Starlighters & From The Seven Little Foys Decca 40000, mx DLA 3687-A With The Andrews Sisters Billy May’s Orchestra Orchestra conducted by Joe Lilley Recorded 8 December 1944, Los Angeles From Radio’s Biggest Show broadcast, Capitol 1042, mx 6011-4 RCA Victor LPM 3275, mx F2PL 1443 3. The Big Broadcast of 1938: Radio 18 June 1946 Recorded 11 May 1950, Hollywood Recorded 1955, Hollywood Preview (Excerpts) introducing 8. -
"Command Performance"
“Command Performance” (Episode No. 21)—Bob Hope, Master of Ceremonies (July 7, 1942) Added to the National Registry: 2005 Essay by Cary O’Dell Bob Hope Soldiers line up for a “Command Performance” performance Radio’s unique “Command Performance” series was the brainchild of producer Louis G. Cowan. Cowan had joined the radio division of the US War Department just prior to the Japanese bombing of Pearl Harbor. With the commencement of the war though, Cowan found his job suddenly changed: rather than producing shows for civilians, he now found himself charged with creating programs for thousands of new servicemen stationed all around the globe. So he happened upon an idea. Many new members of the armed forces were no doubt having to quickly and awkwardly adjust to their new regimented military existence, to the myriad of commands and orders they now had to obey. What would happen if, instead of taking commands, they were allowed to give them, at least in terms of entertainment? Similar in nature to TV’s later “You Asked For It!,” Cowan’s “Command Performance” would solicit requests from servicemen the world over and ask them what they wanted to hear over the air. Cowan and his radio staff would then do their best to make it happen for them. From the beginning, to show their support for the troops, performers of all types (recruited via letters and ads in “Variety”) were generous with their time and talents. And both CBS and NBC donated their studios and recording facilities to the production. Even the major unions and show business guilds relaxed their rules in order to do these shows for the war effort (with the caveat that the shows be heard only by military personnel). -
Jazzletter 93023 March 1987 Vol
P.O. Box 240 Ojai, Calif. Jazzletter 93023 March 1987 Vol. 6 N0. 3 LfiflfifS It deals not so much with society (or does one call this sociology now?) as with “mother earth”, the soil, food, public-milking Before getting into records and radio as a conductor, I did schemes due to government promotion of pseudo-foods and some arranging for motion pictures, and got to spend some pseudo-drugs from irradiated grains to fluoridated water. The time with two famous songwriters. The Bob Crosby band was A bsolute Sound is the third pillar of integrity and wisdom among hired to do some off-camera recording for Holiday Inn, and I theperiodicals. It deals with music and art and engineering, not arranged most of Fred Astaire’s dance numbers as well as duets nuclear or war engineering, but engineering for thejoy of it, aural with Astaire and Bing Crosby. In doing so, l spent some o . unforgettable moments with Irving Berlin. Victor Young told J ilfthe Jazzletter were to fold, only two magazines would be left me then, “Stay away from the motion Picture busines5, it’lI to hold up the spirit and we, mankind, would be much closer to . break your heart.” extinction. But the most interesting day was spent with Jerome Kern Maybe we need to go, however. The earth’s spirit may need or after I received a call to arrange a number for Cover Girl, for want to clean house. Who knows? which Kern was writing the songs. Kern, Gene Kelly, Morris Frank Uhlig, Auburn, Alabama Stoloff — then music head of Columbia Pictures — and I were in a meeting. -
LINER NOTES Including the Show’S Transition from Radio to Make up for All That Had Been Stolen from Him
Advise and Consent law Josey Wales, The Enforcer, Demon Seed, He assembled a starry cast: Henry Fonda, and many others. His scores were brilliant, and Charles Laughton (whose final film it was), Don he had a unique musical voice. He was a three- ADVISE AND CONSENT Murray, Walter Pidgeon, Peter Lawford, Gene time Oscar nominee. Tierney (who’d starred in Preminger’s break- Adapted from the 1959 novel by Allen Drury, out film, Laura), Franchot Tone, Lew Ayres, In Advise and Consent, Fielding’s great sense Otto Preminger’s 1962 film of Advise and Con- Burgess Meredith, Paul Ford, George Griz- of melody is apparent from the first notes of sent was a hard-hitting political drama with zard, Inga Swenson, Edward Andrews, and its main theme, a beautiful piece that never an all-star cast. Preminger, by this time, was in a small role, Betty White. The screenplay overplays its musical hand in the film – it’s a expert at these kinds of films, but also one of was by the wonderful writer Wendell Mayes gorgeous melody, so gorgeous in fact that a the most eclectic of filmmakers, tackling what- (who’d done the screenplay for Preminger’s prominently credited Frank Sinatra sings the ever genre came his way and if that project Anatomy of a Murder and would subsequently theme, which is playing on a jukebox in the had some controversy, Preminger embraced it write Preminger’s film of In Harm’s Way), and infamous gay bar sequence. The song was en- rather vociferously. In those days, he was a the cameraman was Sam Leavitt (who’d pho- titled “Heart of Mine” and the lyric was by Ned groundbreaker – hiring Dalton Trumbo to write tographed Preminger’s Carmen Jones, The Washington. -
1946-05-10, [P ]
Friday, May W, 1946 THE TOLEDO UNION JOURN AJ, Page Five Paramount’s Picture “Kitty Delightful Film Fare By Burny Zawodny Granddaddv Of Them A Hub! >a Hui .ba Girl Take a combination like Paulette Goddard and Ray Milland, Hewnomor Wins Vote New Acting Honors put them together in a spicy" story of Eighteenth Century vintage and top it all off with Mitchell Leisen at the directorial helm, Makas Movie Debut ? t For Peter Lawford and you have as entertaining a picture as moviegoers could hope HOLLYWOOD. — Douglas to see. Adapted from Rosamond Marshall’s sensational book, Dick, a new Hal Wallis find, HOLLYWOOD — Firmly Paramount’s “Kitty,” which whose discovery is one of those establishing him as one of the opened at the Paramount The- stories that makes Hollywood leading young actors of the 4re to an enthusiastic audience, Midgets Are the fabulous place that it is, has year. Peter Lawford has been is the kind of been handed a prize role in signed for a featured role in the film t h ■ t i “The Searching Wind,” the new Metro-Goldwyn-Mayer musical, breezes merri Real Live Wallis production at Paramount, “It Happened in Brooklyn,” co- ly along from with Robert Young, Sylvia Sid starring Frank Sinatra and start to finish '• ney and Ann Richards. Kathryn Grayson. with never a ^g Pixies To Star The sandy-haired youth !n his Young Lawford won the role dull moment, on the strength of his outstand An excellent early twenties, who has had no previous ew York or screen ex ing performance in the musical, supporting cast HOLLYWOOD (Special) — “Two Sisters From Boston,” includes Patrie perience, has been signed to play The life of a midget, in Holly Sam, the soldier-son and one of and his recent work in “My Knowles, Reg wood or anywhere else for that Brother Who Talked to Horses.” inald Owen, the five principals in the picturi- Cecil Kella- matter, has its advantages to zation o fthe Lillian Hellman “It Happened in Brooklyn,” is Burny Zawudtiy way, Constance gether with its probles. -
Lost Silent Feature Films
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady, -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.