The Revolutionaries I Came, I Saw, I Conquered Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

The Revolutionaries I Came, I Saw, I Conquered Mp3, Flac, Wma The Revolutionaries I Came, I Saw, I Conquered mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: I Came, I Saw, I Conquered Country: US Released: 1981 Style: Dub MP3 version RAR size: 1347 mb FLAC version RAR size: 1900 mb WMA version RAR size: 1208 mb Rating: 4.8 Votes: 184 Other Formats: TTA DMF AIFF RA MP1 WAV ADX Tracklist Hide Credits A1 Round One A2 Round Two A3 Round Three A4 Round Four Round Five A5 Vocals – Gregory Isaacs B1 Round One B2 Round Two B3 Round Three B4 Round Four Round Five B5 Vocals – The Techniques Companies, etc. Recorded At – Channel One Recording Studio Remixed At – Channel One Recording Studio Credits Artwork – Jamaal Pete Bass – Bertram "Ranchie" McLean, Robbie Shakespeare Drums – Sly Dunbar Engineer – Barnabas, Ernest Hookim, Maxie* Guitar [Lead] – Rad Bryan* Guitar [Rhythm] – Robbie Shakespeare Keyboards – Ansell Collins* Percussion – Noel "Scully" Simms Performer – Lloyd Parks, Richard "Dirty Harry" Hall, Sticky Thompson* Piano – Tarzan Nelson Saxophone [Alto] – Herman Marquis Saxophone [Tenor] – Tommy McCook Synthesizer – Robbie Lyn Trumpet – Bobby Ellis Notes Originally released 1980. Recorded and remixed at Channel One Studios (Kingston, JA). Made in Jamaica. Other versions Category Artist Title (Format) Label Category Country Year JJ-049, I Came, I Saw, I Hit Bound, JJ-049, The Revolutionaries US 1982 LP-029 Conquered (LP) Channel One LP-029 I Came, I Saw, I JJ-049, Hit Bound, JJ-049, The Revolutionaries Conquered (LP, Jamaica 1981 LP-029 Channel One LP-029 Promo) I Came, I Saw, I LP-029 The Revolutionaries J&L Records LP-029 US 1981 Conquered (LP) I Came, I Saw, I Channel LP-029, LP-029, The Revolutionaries Conquered (LP, One, US 1996 JJ-030 JJ-030 Album, RP) Channel One I Came, I Saw, I Hit Bound, none The Revolutionaries none Jamaica Unknown Conquered (LP) Channel One Related Music albums to I Came, I Saw, I Conquered by The Revolutionaries Baccacha - Round And Round The Honorables - Sunday Stroll / The Music Goes 'Round And Round Twist Meat Katie Feat Katherine Ellis - Round And Round Round Wave Crusher - Brainwash - Second Session Sugababes - Round Round The Shadows - Round And Round Slowbone The Wonderboys - Round & Round Round Nine - Round Nine Jaki Graham - ROUND AND ROUND The Promenade Orch. & Chorus - Round And Round.
Recommended publications
  • DKR 188 REVOLUTIONARIES Sounds V2 LP
    REVOLUTIONARIES REVOLUTIONARIES SOUNDS V.2 A1. Tension A2. Pressure A3. Strain A4. Severe A5. Rigid B1. Intense B2. Retribution B3. Drastic B4. Energy B5. Urgency First Ever Reissue Of This Classic Channel 1 Material. Housed In A Two Color Silk Screened Jacket With An 18” x 24” Poster Of The Iconic Cover Art. "Revolutionaries Sounds Vol. 2" is the stellar 1979 follow up to the groundbreaking 1976 self-titled first volume. The Revolutionaries were the house band of Channel 1 studios, and their style defined the sound of reggae in the second half of the 1970's. The band was a who's who of the top players of the decade, featuring the core unit of Sly Dunbar, Robbie Shakespeare, Ranchie McLean and Rad Bryan. Augmented by a revolving cast of the top hornsmen, keyboard/organ players and percussionists, The Revolutionaries not only backed the in-house production output of their "home base" studio of Channel 1, but countless other productions done by producers renting the studio. The 1976 first volume released in Jamaica was an instrumental affair, with the iconic Che Guevara image by Ras Daniel Heartman on the cover complimenting the militant sounds contained on the album. For this 1979 follow-up originally released in the UK, Che again adorns the album, with the tracks being a mixture of classic instrumentals recorded at various points in the few preceding years, and then previously unreleased dubs to some of the studio's hardest original rhythms, such as Alton Ellis' "Tell Me" and the Enforcer's "Ride on Marcus." Previous to this album, some of these tracks had been coveted dubplates on the sound system scene of the day.
    [Show full text]
  • The Dub Issue 15 August2017
    AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes.
    [Show full text]
  • Sly & Robbie – Primary Wave Music
    SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound.
    [Show full text]
  • Order Form Order Form
    CD: £9.49 (Samplers marked* £6.49) LP: £9.49 ORDER FORM Postage &Packing: Jamaican Recording/ Kingston Sounds 1 x CD = 0.95p + 0.35p for every additional item PO BOX 32691 London W14 OWH 1 x LP = £1.95 + .85p for every additional item JAMAICAN www.jamaicanrecordings.com Total x 2 for Europe Total x 3 for Rest of the World (ROTW) RECORDINGS [email protected] If mixed please contact us. CAT NO. TITLE VINLY (QTY) CD (QTY) SUB TOTAL £ JR001 KING TUBBY 'LOST TREASURES' £ JR002 AUGUSTUS PABLO 'DUBBING WITH THE DON' £ JR003 THE REVOLUTIONARIES AT CHANNEL 1 £ JR004 LEE PERRY 'SKANKING WITH THE UPSETTER' £ JR005 THE AGGROVATORS 'DUBBING IT STUDIO STYLE' £ JR006 SLY & ROBBIE MEET BUNNY LEE AT DUB STATION £ JR007 HORACE ANDY'S DUB BOX 1973 - 1976 £ JR008 JAMAICAN RECORDINGS 'DUB SAMPLER' £ JR009 'DUBBING AT HARRY J'S 1970-1975 £ JR010 LINVAL THOMPSON 'DUB STORY' £ JR011 NINEY THE OBSERVER AT KING TUBBY'S £ JR012 BARRY BROWN 'STEPPIN UP DUB WISE' £ JR013 DJ DUBCUTS 'DUBBING WITH THE DJS' £ JR014 RANDY’S VINTAGE DUB SELECTION £ JR015 TAPPA ZUKIE ‘DUB EM ZUKIE’ £ JR016 KING TUBBY ‘DUB MIX UP’ £ JR017 DON CARLOS ‘INNA DUB STYLE’RARE DUBS 1979 - 1980 £ JR018 JAMAICAN RECORDINGS 'DUB SAMPLER' VOL 2 * £ JR019 TREASURE ISLE IN DUB – RARE DUBS £ JR020 LEROY SMART – MR SMART IN DUB £ JR021 MAX ROMEO – CRAZY WORLD OF DUB £ JR022 SOUL SYNDICATE – DUB CLASSICS £ JR023 AUGUSTUS PABLO MEETS LEE PERRY/WAILERS £ JR024 RONNIE DAVIS – ‘JAMMIN IN DUB’ £ JR025 KING JAMMY’S DUB EXPLOSION £ JR026 PROFESSIONALS MEETS THE AGGRAVATORS AT JOE GIBBS £ JR027 DYNAMIC ‘DUBBING AT DYNAMIC SOUNDS’ £ JR028 DJ JAMAICA ‘INNA FINE DUB STYLE’ £ JR029 SCIENTIST - AT THE CONTROLS OF DUB ‘RARE DUBS 1979 - 1980’ £ JR030 JAMAICAN RECORDINGS ‘DUB SAMPLE VOL.
    [Show full text]
  • Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
    Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory ..................
    [Show full text]
  • Sly and Robbie : Biographie
    MEDIACOM « The Reggae Agency » 1 BIOGRAPHIE SLY & ROBBIE and BITTY McLEAN _ 2010 Sly and Robbie : Biographie Sly and Robbie est un duo de musiciens jamaïcains, composé de Sly Dunbar, le batteur et Robbie Shakespeare, le bassiste. Ils commencèrent à travailler ensemble dans le milieu des années 1970, après avoir établi séparément leur succès sur la scène musicale jamaïcaine. Ils sont humoristiquement appelés Sly Drumbar and Robbie Basspeare (drum signifant batterie) Le couple de musicien a marqué l'histoire du reggae. En plus d'être une des sections rythmiques les plus renommées, ils forment également un couple de producteurs très prolifique avec leur label Taxi Records. Ils sont peut-être les artistes le plus productifs de l'île. On estime qu'ils ont joué ou produit près de 200 000 chansons, considérant que certains de leurs riddims comme "Revolution" ont été utilisés sur plus de 100 chansons. Lowell "Sly" Dunbar est né le 10 mai 1952, à Kingston (Jamaïque). Il a joué pour The Aggrovators (1970); The Upsetters (1970), Serge Gainsbourg (1979 et 1981). Enregistré pour Barry O'Hare dans les années 1990. Et dernièrement pour Bitty McLean . Comme membre de Word, Sound & Power il accompagne Peter Tosh sur ses albums Bush Doctor, Mystic Man et Wanted Dread & Alive ainsi qu'en tournée de 1978 à 1981. Sly a étoffé le début de sa carrière musicale par des collaborations sur plusieurs hits reggae jamaïcain. Il apportera au studio Channel One cet aspect innovant grâce à ses innovations rythmique sur les batteries reggae. Lowell possède déjà une forte réputation avant de se joindre à Robbie Shakespeare, notamment avec le Skin, Flesh and Bones Band ou The Aggrovators.
    [Show full text]
  • United Reggae Magazine #7
    MAGAZINE #12 - October 2011 Queen Ifrica INTERVIEW FRANZ JOB SOLO BANTON DAWEH CONGO JOHNNY CLARKE JUNIOR MURVIN DON CORLEON, PRESSURE AND PROTOJE Sugar Minott - Dennis Brown - Peter Tosh - Tony Rebel J-Boog - Ce’Cile - Ruff Scott - I-Wayne - Yabass - Raging Fyah Bunny Lee and The Agrovators - Sly and Robbie - Junior Reid United Reggae Magazine #12 - October 2011 Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a SUMMARY free pdf version packed with most of United Reggae content from the last month. 1/ NEWS EDITORIAL by Erik Magni 2/ INTERVIEWS • Don Corleon, Pressure and Protoje 16 • Solo Banton 18 • Johnny Clarke 23 • Daweh Congo 25 • Queen Ifrica 29 • Franz Job 32 • Junior Murvin 35 3/ REVIEWS • The Upsessions - Below The Belt 41 • J-Boog - Backyard Boogie 42 • CeCile - Jamaicanization 44 Discover new music • Ruff Scott - Roots And Culture 45 • I-Wayne - Life Teachings 46 In the heydays of music magazines in the 90’s and early 2000’s getting a complimentary • Yabass - Back A Yard Dub 47 music CD was a regular pleasure. I for one found several new artists and groups due to • Bunny Lee and The Agrovators - Dub Will Change Your Mind 48 this promotional tool. Since then the music and publishing businesses have radically • Raging Fyah - Judgement Day 49 changed. Consumers have taken their reading and listening habits online and this has • The Bristol Reggae Explosion 2: The 1980s 50 lead to a dramatic decrease in sold physical units.
    [Show full text]
  • Stardigio Program
    STAR digio 100 チャンネル:476 REGGAE 放送日:2006/3/13~3/19 「番組案内(6時間サイクル)」 開始時刻:4:00~10:00~16:00~22:00~ 楽曲タイトル 演奏者名 REGGAE VIBRATION SHY GUY DIANA KING Try My Love SHINEHEAD NOW THAT WE FOUND LOVE「愛の砦」(12" Version) THIRD WORLD NO ONE CAN STOP US Willie Williams TRUE BELIEVER DELROY WILSON BANDULO FREDDIE McGREGOR Humanity (love the way it should be) PRINCE LINCOLN GIVE ME LITTLE MORE Carlton & The Shoes I Dig You ALTON ELLIS WOO ME PAM HALL DON'T TURN AROUND ASWAD Night Nurse HORACE ANDY I Am Still In Love ALTON ELLIS WINSTON JARRETT Up Park Camp Winston Jarrett and the Righteous Flames Easy Come, Easy Go Winston Jarrett and the Righteous Flames Fear Not Winston Jarrett and the Righteous Flames War KILLERMAN JARRETT No War (Survival is the Game) Winston Jarrett and the Righteous Flames AFRICAN PEOPLE WINSTON JARRETT & THE RIGHTEOUS FLAMES MINI DRESS WINSTON JARRETT Wiseman Winston Jarrett and the Righteous Flames Rocking Vibration Winston Jarrett and the Righteous Flames Should Have Been Me Winston Jarrett and the Righteous Flames Do You Hear I Winston Jarrett and the Righteous Flames Survival is the Game (Girl like You) Winston Jarrett and the Righteous Flames Must Be a Revolution Winston Jarrett and the Righteous Flames Babylon Burning Winston Jarrett and the Righteous Flames True Born African Winston Jarrett and the Righteous Flames Come Down Zacchius Winston Jarrett and the Righteous Flames Roots Rock Reggae Winston Jarrett and the Righteous Flames Too Many Boundaries Winston Jarrett and the Righteous Flames DUB Casanova Dub The Observer Allstars
    [Show full text]
  • The Work Culture of Session Musicians in Jamaica's Recording
    Lessons from the Past: The Work Culture of Session Musicians in Jamaica’s Recording Industry from 1957-1979 KAREN CYRUS 41 (1): 30-56. 41 (1): MUSICultures Abstract: Jamaica has had an unusual output of genre and record production relative to the size of its population. The narratives of singers reveal some aspects of the phenomenal growth of the recording industry from 1957 to 1979; however, studio musicians’ narratives provide unique insight into the organization of manpower required for the large creative output that resulted in the establishment of three genres: ska, rocksteady and reggae. This paper outlines how studio musicians organized themselves as a workforce in response to the constraints of society at that time, and to the needs of the emergent recording industry in Jamaica. Résumé: La Jamaïque a produit un nombre exceptionnel de genres de musique et d’enregistrements comparativement à la taille de sa population. Les récits des chanteurs révèlent quelques-uns des aspects de la croissance phénoménale de l’industrie du disque de 1957 à 1979 ; cependant, les récits des musiciens de studios nous procurent un aperçu unique de l’organisation de la force de travail nécessaire à la grande créativité qui a permis l’instauration de trois genres musicaux : le ska, le rocksteady et le reggae. Cet article souligne la façon dont les musiciens de studio se sont organisés eux-mêmes en force de travail en réponse aux contraintes de la société de l’époque et aux besoins de l’industrie du disque naissante en Jamaïque. he collaboration among various music industry personnel in Jamaica, Tbetween 1957 and the late 1960s resulted in remarkable innovation.
    [Show full text]
  • Cultural Roots Could Have Been the Biggest Reggae Vocal Trio of All Time
    Cultural Roots could have been the biggest reggae vocal trio of all time But dancehall took over and most of the trio’s members vanished from the music scene. Fifteen years later, we tracked down its only original member still traceable, or alive. by Seb Carayol - May 8th, 2014 – Wax Poetics Cultural Roots founding member Wade Dyce, now living in Salem, Massachusetts, takes his time to ponder when I ask him about the unusual path that led to the life and death of reggae’s most elusive outfit. “We still did what we had to do, and people were still interested in working with us,” he says. “But it wasn’t… It just wasn’t as it was before.” To this day, the singer of the legendary, elusive trio (sometimes quartet) Cultural Roots still has trouble formulating what exactly happened. On paper, the band had everything to become the next Wailing Souls, the future Mighty Diamonds: a beautiful set of complementary voices and a few solid vocal albums, ranging from 1978 to 1984, riding the finest riddims provided by no less than producers Donovan Germain and Junjo Lawes (Revolutionary Sounds, Hell A Go Pop, and the dread and sumptuous Drift Away from Evil). With such heavy-hitting sets under their belts, what went wrong ? The symptomatic inability to adapt to modern times that killed so many great roots bands? Not likely—Exhibit A: their monster tune “Running Back to Me” (off the eponymously named 1988 LP) on King Jammy’s digital take of the “Tonight” riddim. So ? Maybe, just maybe, they might have come just a hair too late.
    [Show full text]
  • David Rodigan
    MAGAZINE #10 - July/August 2011 Sumfest - Summerjam - One Love Festival - Sierra Nevada World Music Reggae Summer Fest - Öland Roots - Dour Festival - Reggae On The River Amsterdam Reggae Festival - Uppsala Reggae Festival - Reggae Sumfest United Reggae Magazine #10 - July / August 2011 3/ REVIEWS Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a • Dub in HD - Don Corleon 54 free pdf version packed with most of United Reggae content from the last month. • Alborosie - 2 Times Revolution 55 • Modern Rockers Vol. 1 - Joggo 56 • Dub Revolutionaries - Zion Train 58 • Musical Raid - RockDis and Blackboard Jungle 60 EDITO by Erik Magni • Love Filled Dub Band - Pama International 61 Summer is a time for recreation – and festivals • The Free The World riddim 62 • Back For The First Time - Perfect 63 Summer is for many people a time for relaxation, contemplation and for visiting and spending time with • Invasion Of The Mysteron Killer Sounds 64 friends and family that you don’t see as much during other parts of the year. • Deeper Revolution - Mo’Kalamity 66 • Words Of Wisdom - Vernon Maytone 67 But the summer is also a great time to catch up on music, and to attend concerts, especially the many festivals in Europe and the U.S. In the tenth issue of United Reggae Magazine, which covers both July • The People’s Choice - Ray Darwin 68 and August, we have visited festivals and concerts from France and Sweden to the U.S.
    [Show full text]