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Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958

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SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolff Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Norman Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [1217] CAN YOU DESCRIBE A LIFE INSURANCE TRUST? ® If you are unaware of the many advantages of a Life Insurance Trust, it may be that a talk with a Shawmut Trust Officer would show you precisely how this type of protection would best suit your insurance needs. For example, your life insurance can very easily be arranged to provide life-long support for your widow plus a substantial inheritance for your children. In Shawmut's Personal Trust Department we would be glad to discuss your complete insurance program . with you, your life insurance counsellor and your attorney, or simply write for a copy of our brochure "A Modern Life Insurance Program." Naturally, there would be no obligation. Write or call The Personal Trust Department The Rational Shawmut Bank Tel. LAfayette 3-6800 Member Federal Deposit Insurance Corporation [121«] SYMPHONIANA Exhibition William Primrose Remaining Symphony Programs t/jnc. S&» %Htsseau7/oitse offioston EXHIBITION if The paintings now on view in the gallery have been loaned by the Institute of Contemporary Art, Boston. Jean Stanley Jones of the Institute has provided the following comments: "The Institute of Contemporary Art drew its first breath in 1936 . and is continuing after 21 years to develop its place in the New England community. The Institute presents and interprets contemporary art and design through exhibition, publication, lectures, films and other media. "The current Symphony Hall selection of the work of seven artists, young in SEASONAL WONDER reputation, but of great promise, was made by the Institute for two reasons: to help fulfill the Institute program to extend to areas outside its own galleries, Soft and Gentle, the work of artists who deserve a wider public recognition; to provide the Insti- The Winds of Spring tute's newly-formed Acquisition Society with a carefully selected group of paint- ings from which the Society will choose Have Not Yet Subdued those to be included in the Institute's provisional collection. The exhibition The Chill of Winter; includes paintings by Theodore Brenson, John Von Wicht, Alan Davie, Santomas, Nicholas Marsicano, William Scharf, But, For a Heady Reminder and Karrel Appel, most of whom, although admittedly experimental, have Of What Is In Store, gained international reputation in the art world." You Need Only View Our New Collections WILLIAM PRIMROSE of William Primrose was born in Glas- gow, Scotland, August 23, 1904. The son of a professional viola player, he Lingerie, Negligees, nevertheless studied the violin, and first toured as a violin virtuoso. After study- And Teagowns. ing with Eugene Ysaye, he followed that master's advice, and made the viola his instrument. He first came to the United States in 1930 as violist in the London String Quartet, with which (With apologies to all poets) group he also toured this country when it was reorganized. In 1938, he became first viola with the NBC Orchestra in New York. He has devoted a large part [1219] . ; of his time in recent seasons to appear- ances as solo viola and in chamber music, assisting in the Chamber Music Department of the Berkshire Music Center in 1947. In 1952 he was made Commander of the Order of the British Empire. He has appeared with the Boston Sym- phony Orchestra in Berlioz' "Harold in Italy" in 1944 and 1952, and also in Bloch's Viola Suite (1944), and Bartok's Viola Concerto (1952). REMAINING SYMPHONY PROGRAMS Charles Munch announces the remain- ing programs of the Orchestra's 77th season. During Holy Week at the concerts of Thursday afternoon and Saturday eve- ning, April 3 and 5, Dr. Munch will present Bach's Passion According to Saint John, with these soloists: Mattia- wilda Dobbs, soprano; Florence Kopleff, contralto; Blake Stern, tenor; and Donald Gramm and James Joyce, basses. were putting The Chorus Pro Musica, Alfred Nash Patterson, conductor, will assist. An it in print Extra Open Rehearsal for this concert will take place on Wednesday evening, April 2, at 7:30 for those who are not they're true collector's able to obtain tickets for either of the concerts. The Orchestra's season will items, our "first edition" close on Friday afternoon and Saturday Crints ... in dresses, evening, April 25 and 26 with Berlioz' louses, costumes, hats, Requiem (Messe des Morts) which requires four supplementary brass choirs. accessories . with spicy The chorus will be that of the New colors and marvelous England Conservatory, Lorna Cooke fabrics which give an DeVaron, conductor, and the tenor solo entirely new feeling to will be performed by Leopold Simoneau. spring fashions ... and if Complete programs for the Friday- you're a "collector" you Saturday series are as follows: won't miss them for any- April 3-5. Bach—Saint John Passion. thing! April 11-12. Bach—Suite No. 1 in C major; Haieff—Symphony— No. 2 (first performance) ; Debussy "Jeux" ; Wag- ner—Prelude to "Die Meistersinger von Nurnberg." April 18-19. Gluck—Overture to "Iphigenia in Aulis"; Blackwood—Sym- phony No. 1 (first performance) Brahms—Symphony No. 2. April 25-26. Berlioz—"Requiem." (Continued on page 1259) [1220] Ben Zuckermans newest coats sing out Spring, 1958, in clear, vibrant colors . in the dramatic, straight line Sacque de Paris shape that leaves your waistline free . coats that are totally new, totally reflective of a new way of dressing. Sketched: A straight line of clear, fresh white in Italian crochet tweed. New interest, two high-placed pockets $210 The French Shops Spring Coat Collection from Filene's French Shops—seventh floor [ 1221] FINANCIAL JUDGMENT WITH THE HUMAN TOUCH Wise planning can mean tax savings Recently a young businessman came to Old Colony to dis- cuss the effect of taxes on a living trust which he had estab- lished. Old Colony suggested he use part of the principal to set up a trust for his children, thereby lowering his own income tax, and reducing the inheritance tax his children would have to pay. Helping you to get all the tax savings to which you are entitled is always a pleasant task for Old Colony's officers. You and your lawyer are invited to talk with them. The financial wisdom — and human understanding — that you find at Old Colony can help you in all phases of your estate planning. You're invited to write for the free booklet, "Wills and Trusts." Augustin H. Parker, Jr. President WORTHY OF YOUR TRUST T. Jefferson Coolidge Old Colony Chairman, Trust Committee Arthur L. Coburn, Jr. Trust Company Chairman, Trust Investment Committee ONB FEDERAL STREET, BOSTON Allied with The First National Bank of Boston [1222] SEVENTY-SEVENTH SEASON • NINETEEN HUNDRED FIFTY-SEVEN - FIFTY-EIGHT 'Twentieth Program FRIDAY AFTERNOON, March 28, at 2:15 o'clock SATURDAY EVENING, March 29, at 8:30 o'clock Mozart Symphony in C major, "Linz," No. 35 I. Adagio; allegro spiritoso II. Poco adagio III. Menuetto IV. Presto Copland Orchestral Variations (First performance at these concerts) INTERMISSION Berlioz. "Harold in Italy": Symphony with Viola Solo, Op. 16 I. Harold in the Mountains, Scenes of Melancholy, Happiness and Joy (Adagio; Allegro) II. March of Pilgrims singing their Evening Hymn (Allegretto) III. Serenade of a Mountaineer of the Abruzzi to his Mistress (Allegro assai; Allegretto) IV. Orgy of Brigands; Recollections of the Preceding Scenes (Allegro frenetico) SOLOIST WILLIAM PRIMROSE 'hese concerts will end about 4:00 o'clock on Friday afternoon; 10:15 o'clock on Saturday evening. BALDWIN PIANO RCA VICTOR RECORDS [1223] sunset colors The hot reds, fiery oranges . the yellow, green and blue of a sunset sky . these are the colors that glow on the fashion horizon for Spring and Summer. Here and now at Stearns ... in accessories to color your wardrobe with new excitement, new variety. BOSTON • CHESTNUT HILL [1224] SYMPHONY IN C MAJOR (Kochel No. 425) By Wolfgang Amadeus Mozart Born at Salzburg, January 27, 1756; died at Vienna, December 5, 1791 This Symphony, generally assumed to be the one which was written at Linz in November, 1783, was first performed on the fourth of that month, at the palace of Count Thun. It is scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. The symphony has been performed by this Orchestra November 17, 1882, March 16, 1900, November 19, 1920, and February 7, 1947 (Leonard Bernstein conducting). tn Vienna, where Mozart spent the last ten years of his life, composing *- according to needs, his genius found its full fruition in a quantity of great works. They embrace his finest string quartets and quintets and his piano concertos in numbers; also his five great operas in the buffo style. It must be a reflection on Viennese taste, or lack of musical perception, that he seems never to have been asked to compose a symphony in Vienna. Of the three great symphonies of 1788 there is no record either of commission or performance.
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