Project Vitra. Places, Products, Authors, Museum, Collection, Signs

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Project Vitra. Places, Products, Authors, Museum, Collection, Signs Rolf Fehlbaum, Cornel Windlin (eds.) The fi rst comprehensive publication about the history, present and future of a design fi rm with more to offer than just chairs. Project Vitra began in 1957 in Birsfelden near Basel with the production of the furniture of Charles & Ray Eames and George Nelson. Today Vitra is active and known throughout the world for its products and cultural initiatives, which are evidenced by the Vitra Design Museum, its collections, and the architecture of the fi rm’s own corporate campus. Vitra sees itself fi rst and foremost as a project driven by the desire and determination to design the world. This ambition is also the driving force behind «Project Vitra», which offers an inside look at the fi rm’s collaboration with architects and designers, including Charles & Ray Eames, George Nelson, Alexander Girard, Tibor Kal- man, Frank Gehry, Tadao Ando, SANAA, Jasper Morrison, Zaha Hadid, Hella Jongerius, Maarten Van Severen, Ronan & Erwan Bouroullec, Jean Prouvé, Mario Bellini, Antonio Citterio, Alberto Meda, Verner Panton, Herzog & de Meuron, and many others. The copiously illustrated chapters with contributions by Alex Coles, Rolf Fehlbaum, approx. 394 pp., 550 colour, 50 b/w ills. Luis Fernández-Galiano, Deyan Sudjic, and Hardcover in dustjacket Alexander von Vegesack tell stories about the approx. EUR 39.90* / GBP 29.90* places, people, and products connected with 978-3-7643-8593-4 Vitra. This overview is rounded off by a history *Prices are subject to local VAT of the fi rm and a comprehensive glossary. Available in November 2007 ¤ Please send me a review copy in November to the following address: Birkhäuser Viaduktstrasse 42 CH-4051 Basel T +41 61 205 07 45 F +41 61 205 07 99 ¤ I would like to be informed in advance: Please send me a press kit. [email protected] www.birkhauser.ch To be discussed in the following medium: Date and signature:.

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Home Stories
Home Stories v Girard_Napkins_Large_Broken Lines_black.pdf 1 02.11.18 12:42 Girard_Napkins_Large_Broken Lines_black.pdf 1 02.11.18 12:42 VITRA HOME STORIES 2019 At Vitra we believe that homes are not simply defined by rooms and spaces but by how we live, work, dine, relax or even play in them. A home gains its character through the people who live in it: a collage of personal choices, experiences and lifestyles. This too is the story of the Vitra Home Collection: a mix of classic and contemporary design pieces that come with their unique and original stories, stories that will keep growing with you and your home. Introduction Dine 5 Eames Fiberglass Chair 33 Relax 37 #VitraOriginal 51 Live 55 My Home 87 Work 91 Vitra Campus 97 Play 101 Index 124 Discover the life scenarios behind the photos of the Vitra Home Stories. 1 2 3 DOWNDLOWADNDLOADWNLOAD SCAN SCAN SCAN EXPERIENCEEXPERIENCEEXPERIENCE BLIPPARBLIPPAR APP BLIPPAR APP APP THE CANTHE CANTHE CANAUGMENTEDAUGMENTED REALITYAUGMENTED REALITY REALITY 1 Download the Blippar app on your smartphone 2 Find the icons in the catalogue 3 Scan the photos and bring them to life Blippar is a new app. It replaces the Layar app from last year’s catalogue. 4 3 6 1 5 2 .03 MVS Chairs Maarten Van Severen, 1998 Maarten Van Severen, 1995 – 2005 .03 , 91 mint .03 , 77 dark green .03 , 78 mango from NOK 5.050,00 from NOK 5.050,00 from NOK 5.050,00 .03 , 01 basic dark .05 , 10 bright red .05 , 01 basic dark from NOK 5.050,00 from NOK 5.950,00 from NOK 5.950,00 1 .05 , 05 grey .05 , 77 dark green .
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Pritzker Architecture Prize Laureate
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“Shall We Compete?”
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Zeitschrift Für Architektur Und Design Band (Jahr): 23 (2010)
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Home Stories Home Stories
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1 Hella Jongerius Hella Jongerius
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Vitra-Home-Stories-Catalogue.Pdf
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Wie Erreiche Ich Den Vitra Campus?
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Eine runde Sache : Sanaa nehmen der Industriehalle ihre Härte. Für Vitra bauen sie ein kreisförmiges Gebäude mit weicher Vorhangfassade und taghellen Räumen Autor(en): Herzog, Andres Objekttyp: Article Zeitschrift: Hochparterre : Zeitschrift für Architektur und Design Band (Jahr): 26 (2013) Heft 5 PDF erstellt am: 02.10.2021 Persistenter Link: http://doi.org/10.5169/seals-392342 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Hochparterre 5 / 2013 28/29 //Architektur Eine runde Sache Sanaa nehmen der Industriehalle ihre Härte. Für Vitra bauen sie ein kreisförmiges Gebäude mit weicher Vorhangfassade und taghellen Räumen. Text: Andres Herzog Frank Gehrys Design Museum schwingt und zackt durch die Luft, Tadao Ando betört beim Konferenzpavillon mit Betonwänden, Herzog&de Meuron stapeln hoch zum Vitrahaus.
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Home Stories
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Verner Panton was one of the most influential designers of the 1960s and ‘70s. Born in Denmark, Panton relo- cated to Switzerland in the early 1960s. He became known for his original and imaginative designs in the fields of furniture, lighting and textiles. Installations such as the legendary ’Visiona’ exhibition demonstrat- ed Panton’s masterful use of colour, which is a hallmark of his work. Vitra has been committed to comfortable seating and the workplace for over 40 years. All Vitra products benefit from this extensive experience. The Panton Chair has won various design prizes world-wide and graces the collections of numerous renowned museums. Its expressive shape makes it a true 20th-century design icon. Panton Junior Thanks to its cheerful, bright colours and its pleasant, gentle curves, the Panton Chair has always been a big hit with children – both as a seat and a toy. As such, very early on Verner Panton pursued the idea of pro- ducing a child’s version of the chair together with Vitra. Although this endeavour failed 35 years ago for eco- nomic reasons, it has now been turned into a reality. The Panton Junior was produced using Panton’s original plans. Unchanged in terms of proportion and material, it is roughly one-fourth smaller than the regular model. Available in six different colours, it is an ideal chair for for children of kindergarten and primary school age. The Panton Chair is a furniture design classic. Verner Panton created it back in 1960, and together with Vitra, he developed a version that was ready for series production (1967).
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