Hollywood's Misrepresentation of Psychopathy -- Science of the Spirit -- Sott.Net 10.08.12 13:53
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Till Death Do Us Part: a Study of Spouse Murder GEORGE W
Till Death Do Us Part: A Study of Spouse Murder GEORGE W. BARNARD, MD HERNAN VERA, PHD MARIA I. VERA, MSW GUSTAVE NEWMAN, MD Killers of members of their own families have long fueled the archetypical imagination. Our myths, literature, and popular arts are full of such charac ters as Cain, Oedipus, Medea, Othello, Hamlet, and Bluebeard. In our time the murderous children of movies like "The Bad Seed" and "The Omen"; the homicidal father of "The Shining"; the killer spouses of Hitchcock's "Midnight Lace" and "The Postman Always Rings Twice" bespeak a continuing fascination with the topic. In contrast, until recently the human sciences paid" selective inattention" I to the topic of family violence. Only in the past decade has violence in the family become "a high priority social issue,"~ an "urgent situation, ":1 on which privileged research energy needs to be expended. We deal here with the murder of one spouse by the other, a topic on which research remains sparse4 despite the growing interest in family vio lence. Based on data derived from twenty-three males and eleven females accused of such crime, we contrast and compare the two groups attempting to identify common and gender-related characteristics in the offense, the relationship between murderer and victim, as well as the judicial disposition of the accused. The importance of the doer-sufferer relation in acts of family criminal violence has been well established. In major sociological studies"-s it has been found that about one out of five (or nearly one out of four) deaths by murder in the U.S. -
The Not-So-Spectacular Now by Gabriel Broshy
cinemann The State of the Industry Issue Cinemann Vol. IX, Issue 1 Fall/Winter 2013-2014 Letter from the Editor From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king. - Recited by Arwen in Peter Jackson’s adaption of the final installment ofThe Lord of the Rings Trilogy, The Return of the King, as her father prepares to reforge the shards of Narsil for Ara- gorn This year, we have a completely new board and fantastic ideas related to the worlds of cinema and television. Our focus this issue is on the states of the industries, highlighting who gets the money you pay at your local theater, the positive and negative aspects of illegal streaming, this past summer’s blockbuster flops, NBC’s recent changes to its Thursday night lineup, and many more relevant issues you may not know about as much you think you do. Of course, we also have our previews, such as American Horror Story’s third season, and our reviews, à la Break- ing Bad’s finale. So if you’re interested in the movie industry or just want to know ifGravity deserves all the fuss everyone’s been having about it, jump in! See you at the theaters, Josh Arnon Editor-in-Chief Editor-in-Chief Senior Content Editor Design Editors Faculty Advisor Josh Arnon Danny Ehrlich Allison Chang Dr. Deborah Kassel Anne Rosenblatt Junior Content Editor Kenneth Shinozuka 2 Table of Contents Features The Conundrum that is Ben Affleck Page 4 Maddie Bender How Real is Reality TV? Page 6 Chase Kauder Launching -
Does the World Need Gordon Gekko?
SEPTEMBER 2010 VOLUME 11 NUMBER 9 MILLA JOVOVICH DOES THE JESSICA WORLD ALBA NEED EMMA GORDON STONE GEKKO? talks the Wall Street sequel + TORONTO FILM FEST 35 YEARS PUBLICATIONS MAIL AGREEMENT NO. 40708019 SNAPS: RUSSELL BRAND, ROBERT PATTINSON, KATIE HOLMES, JIM CARREY, MICHELLE WILLIAMS FORDFO FLEX - With so many comfort features it’s no wonder Flex has so many fans. AAvailable features like heated leather seats, multi-panel Vista Roof™, interior refrigerator anand more. All on optional 20 inch wheels so you can ride in style, no matter where you’re ririding.d It’s a family vehicle for the whole family. Visit ford.ca for more. Starting from $29,999† MSRP Highway: 8.4L/100km (34 MPG)° City: 12.6L/100km (22 MPG)° V ehicle shown with optional equipment. °Estimated fuel consumption for 2011 Ford Flex. Fuel consumption ratings based on Transport Canada approved test methods. Actual fuel consumption may vary based on road conditions, vehicle loading and equipment, and driving habits. † 2011 Flex SE FWD starting from $29,999MSRP (Manufacturer’s Suggested Retail Price). Optional features, freight, Air Tax, licence, fuel fill charge, insurance, PDI, PPSA, administration fees, any environmental charges or fees, and all applicable taxes extra. Dealer may sell or lease for less. Model shown is Limited FWD starting from $41,199 MSRP. InsideFamous SEPTEMBER 2010VOLUME 11•9 regulars EDITOR’S NOTE6 CAUGHT ON FILM8 ENTERTAINMENT IN BRIEF10 SPOTLIGHT12 IN THEATRES14 STYLE42 DVD RELEASES46 TRIVIA48 FAMOUS LAST WORDS50 features DOUBLE TROUBLE20 Jessica Alba plays twins in director Robert Rodriguez’s Machete. And with four movies coming out this year, she says it not the size of the roles that counts, but how you use them • By Jim Slotek cover RUMOUR HAS IT24 story Emma Stone on playing a teen who takes control of the rumour mill in Easy A • By Bob Strauss EVIL DOER30 Milla Jovovich models, sings 34 and twitters, but nothing beats THE MONEY MAN Michael Douglasreturns as “greed is good” guru Gordon Gekko in theWall Street the rush of whacking zombies. -
When Victims Become Perpetrators
Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2005 The "Monster" in All of Us: When Victims Become Perpetrators Abbe Smith Georgetown University Law Center, [email protected] This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/219 38 Suffolk U. L. Rev. 367-394 (2005) This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Criminal Law Commons GEORGETOWN LAW Faculty Publications February 2010 The "Monster" in All of Us: When Victims Become Perpetrators 38 Suffolk U. L. Rev. 367-394 (2005) Abbe Smith Professor of Law Georgetown University Law Center [email protected] This paper can be downloaded without charge from: Scholarly Commons: http://scholarship.law.georgetown.edu/facpub/219/ Posted with permission of the author The "Monster" in all of Us: When Victims Become Perpetrators Abbe Smitht Copyright © 2005 Abbe Smith I and the public know What all school children learn, Those to whom evil is done Do evil in return. 1 I. INTRODUCTION At the end of Katherine Hepburn's closing argument on behalf of a woman charged with trying to kill her philandering husband in the 1949 film Adam's Rib,2 Hepburn tells the jury about an ancient South American civilization in which the men, "made weak and puny by years of subservience," are ruled by women. She offers this anthropological anecdote in order to move the jury to understand why a woman, whose "natural" feminine constitution should render her incapable of murder,3 might tum to violence. -
Afi's 100 Years…100 Heroes and Villains Rank Heroes Villains 1
AFI'S 100 YEARS…100 HEROES AND VILLAINS RANK HEROES VILLAINS 1. Atticus Finch Dr. Hannibal Lecter (in TO KILL A MOCKINGBIRD) (in THE SILENCE OF THE LAMBS) 2. Indiana Jones Norman Bates (in RAIDERS OF THE LOST ARK) (in PSYCHO) 3. James Bond Darth Vader (in DR. NO) (in THE EMPIRE STRIKES BACK) 4. Rick Blaine The Wicked Witch of the West (in CASABLANCA) (in THE WIZARD OF OZ) 5. Will Kane Nurse Ratched (in HIGH NOON) (in ONE FLEW OVER THE CUCKOO’S NEST) 6. Clarice Starling Mr. Potter (in THE SILENCE OF THE LAMBS) (in IT’S A WONDERFUL LIFE) 7. Rocky Balboa Alex Forrest (in ROCKY) (in FATAL ATTRACTION) 8. Ellen Ripley Phyllis Dietrichson (in ALIENS) (in DOUBLE INDEMNITY) 9. George Bailey Regan MacNeil (in IT’S A WONDERFUL LIFE) (in THE EXORCIST) 10. T. E. Lawrence The Queen (in LAWRENCE OF ARABIA) (in SNOW WHITE AND THE SEVEN DWARFS) 11. Jefferson Smith Michael Corleone (in MR. SMITH GOES TO (in THE GODFATHER: PART II) WASHINGTON) 12. Tom Joad Alex De Large (in THE GRAPES OF WRATH) (in CLOCKWORK ORANGE) 13. Oskar Schindler HAL 9000 (in SCHINDLER’S LIST) (in 2001: A SPACE ODYSSEY) 14. Han Solo The Alien (in STAR WARS) (in ALIEN) 15. Norma Rae Webster Amon Goeth (in NORMA RAE) (in SCHINDLER’S LIST) 16. Shane Noah Cross (in SHANE) (in CHINATOWN) 17. Harry Callahan Annie Wilkes (in DIRTY HARRY) (in MISERY) 18. Robin Hood The Shark (in THE ADVENTURES OF ROBIN (in JAWS) HOOD) 19. Virgil Tibbs Captain Bligh (in IN THE HEAT OF THE NIGHT) (in MUTINY ON THE BOUNTY) 20. -
Or a Bad Seed?
Good vs. Bad Everyone has good moments, like cheering up a sad friend, but they also have bad moments too, like fighting with a sibling. Draw a picture of yourself being a Good Egg in the left column and a picture of yourself being a Bad Seed in the right column. GOOD BAD www.harpercollinschildrens.com Art copyright © 2019 Pete Oswald. Permission to reproduce and distribute this page has been granted by the copyright holder, HarperCollins Publishers. All rights reserved. A Helping Hand The bad seed says he wasn’t always a bad seed. How do you think he felt when he heard others call him a “bad seed”? How could the others have helped him instead? Draw a picture of what you would have done to help the bad seed. www.harpercollinschildrens.com Art copyright © 2019 Pete Oswald. Permission to reproduce and distribute this page has been granted by the copyright holder, HarperCollins Publishers. All rights reserved. Five Ways to Be a Good Egg At the beginning of the story, the Good Egg shows how good he is by helping carry groceries, getting a cat down from a tree, and even painting a house. In the boxes below, draw five ways you can be a good egg too! www.harpercollinschildrens.com Art copyright © 2019 Pete Oswald. Permission to reproduce and distribute this page has been granted by the copyright holder, HarperCollins Publishers. All rights reserved. Eggs to Crack You Up Along with the Good Egg, the other eggs make a great bunch. All of them are silly and funny in their own ways, and they have the best faces. -
Wall Street: Money Never Sleeps
WALL STREET: He’s a ‘green’ version of Gekko’s former protégé Bud Fox (Charlie Sheen) – who also makes a cameo in this MONEY NEVER SLEEPS follow-up. Jake meets his prospective father-in-law, (Cert 15) who expresses a need to be reconciled with his daughter. Reel Issues author: Clive Price Overview: Sequel to Oliver Stone’s Wall Street of Gekko shows Jake how to take revenge on merciless 1987, this latest incarnation shows fallen money guru finance executive Bretton James (Josh Brolin), who was Gordon Gekko ending his eight-year prison sentence behind the downfall of Jake’s mentor Lou Zabel (Frank for insider trading. It appears he wants to make peace Langella). However, as always, there is much more to with friends and family, but in reality he’s planning a Gekko than meets the eye. Eventually it emerges he’s return to the stock markets – with a vengeance. really after a fund belonging to his daughter. Producer and director: Oliver Stone (2010). Jake persuades Winnie to sign over her money, Length: 127 minutes. Cautions: includes swearing. thinking it could help fund an eco-friendly power scheme. But Gekko makes off with the loot. He THE FILM vanishes, leaving an empty apartment behind. Jake and Winnie split, and it looks like life is over for them. Financial wizard Gordon Gekko – played once again The turning point comes when Jake tracks him down by Michael Douglas – has paid his biggest bill yet. and shows him a video clip of his baby grandson, He’s just completed an eight-year custodial sentence growing in Winnie’s womb. -
Narcissism + Neoliberalism = the Life of I
Narcissism + Neoliberalism = The Life Of I Ross Welcome to Renegade Inc. The rise of hyper individualism and an I, me, mine, culture has encouraged two personality types to dominate business and politics. Where money, power and status lie, the corporate psychopath and the narcissist can be reliably found relentlessly chasing success at the expense of everybody else. Ross Anne Manne, welcome to Renegade Inc. Thank you very much for joining us. Anne Manne It's lovely to be with you. Ross You have thought a fair bit about two of the ills that dog Western society. One is neoliberalism and the other is narcissism. And actually, you've made a connection between the two. Just walk us through what you think that connection is. Anne Manne Perhaps if I start by just outlining the work on narcissism as to exactly what constitutes a narcissistic character. The core elements are things like having an overwhelming sense of entitlement, of being grandiose but without a commensurate kind of achievement, a willingness to exploit others and a lack of empathy - I call it the three deadly Es of narcissism - and a very unstable sense of self whereby the self esteem is too high most of the time. But if the person is criticised, they'll retaliate with humiliated fury. So this is a person also who, in the workplace, will often try and take credit for things that other people do. And they are extremely good at what they call impression management - so giving a sense of an impression of being a better person than they are, a more successful person. -
The Bad Seed Audition Information Packet Ages 13-19
The Bad Seed Audition Information Packet Ages 13-19 The Beverly Art Center’s Spring drama is The Bad Seed. The show is a psycho-drama about a young girl who has inherited the instinct to be a serial killer About the Casting Process An audition is required to participate in the program. Please call 773.445.3838 x216 to reserve an audition slot. Auditions will be held: Monday, March 23, 5:00 to 7:00pm • Audition slots will be 5 minutes in length. • Audition Sides are included at the end of this information packet. We ask that students be prepared to perform the scene in the sides provided (we will provide someone to read with you). • Please take a look at the rehearsal, tech, and performance schedule on Page 2 and come to the auditions prepared to note any conflicts on your audition sheet. Callbacks will be held: Wednesday, March 25, 5:00 to 7:00pm Please Note: We call back about half of the actors who will be cast. If you are not invited to callbacks, you may still have a role in the production! The Cast List will be sent out via e-mail and posted on the BAC School of Theater Callboard by Noon on Saturday, March 28. Casting Policy: • The Bad Seed has a cast of 12 characters, and all teen ages are eligible to audition for any of the roles available. • Those actors that best fit the role will be cast. • Conflicts with scheduled rehearsals must be presented at auditions and may be a factor when casting. -
Uncorrected Transcript
1 CRISIS-2016/01/27 THE BROOKINGS INSTITUTION FALK AUDITORIUM IS THE NARRATIVE OF “THE BIG SHORT” THE BEST EXPLANATION OF THE FINANCIAL CRISIS? Washington, D.C. Wednesday, January 27, 2016 PARTICIPANTS: Opening Remarks: DAVID WESSEL Director, The Hutchins Center on Fiscal and Monetary Policy; Senior Fellow, Economic Studies, The Brookings Institution Panel Discussion: DAVID WESSEL, Moderator Director, The Hutchins Center on Fiscal and Monetary Policy; Senior Fellow, Economic Studies, The Brookings Institution ADAM McKAY Director, “The Big Short” GREG IP Chief Economics Commentator, The Wall Street Journal ADAM DAVIDSON Co-Founder and Contributor, Planet Money, NPR; Consultant for “The Big Short” Movie DONALD KOHN Senior Fellow, Economic Studies, The Brookings Institution DANNY MOSES Partner/Co-Founder, Seawolf Capital * * * * * ANDERSON COURT REPORTING 706 Duke Street, Suite 100 Alexandria, VA 22314 Phone (703) 519-7180 Fax (703) 519-7190 2 CRISIS-2016/01/27 P R O C E E D I N G S MR. WESSEL: Welcome back. I’m David Wessel. I’m director of the Hutchins Center on Fiscal and Monetary Policy here at Brookings. I’m pleased to be joined by Adam McKay, the director of “The Big Short.” (Applause) We have made special arrangements so everybody in this room has become a voter in the Oscars. MR. MOSES: I love it. I love it. MR. WESSEL: You may notice that the median age of this crowd is about 20 years younger than the Oscars. (Laughter) Don Kohn, who’s a colleague of mine here at Brookings. (Applause) MR. KOHN: One clapper. MR. WESSEL: Vice chairman of the Federal Reserve and is helping to keep the world safe as a member of the Financial Policy Committee of the Bank of England. -
Fictitious Capital
Fictitious Capital Fictitious Capital How Finance is Appropriating Our Future Cedric Durand Translated by David Broder VERSO London • New York For Jeanne, Loul and Isidore Thetranslation of this books was supported by the Centre national du livre (CNL). Avec.lesoutiendu Cet ouvrage publie dans le cadre du programme d'aide ala publication beneficiedu soutien du Ministere des AffairesEtrangeres et du Service Culture! de l'Ambassade de France represente aux Etats-Unis. This work received support from the French Ministry of Foreign Affairs and the Cultural Services of the French Embassy in the United States through their publishing assistance program. English-language edition first published by Verso 2017 Originally published in French as Le capital fictif © Les Prairies ordinaires 2014 Translation © David Broder 2017 All rights reserved The moral rights of the author have been asserted 13579108642 Verso UK: 6 Meard Street, London W1F oEG US: 20 Jay Street, Suite 1010, Brooklyn, NY11201 versobooks.com Verso is the imprint of New LeftBooks ISBN-13: 978-1-78478-719-6 (PB) ISBN-13: 978-1-78663-284-5 (HB) ISBN-13: 978-1-78478-720-2 (UK EBK) ISBN-13: 978-1-78478-721-9 (US EBK) British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Names: Durand, Caedric, author. Title: Fictitious capital : how finance is appropriating our future I Caedric Durand ; translated by David Broder. Other titles: Capital fictif. English Description: London ; Brooklyn, NY : Verso, 2017.1 "Originally published in French as Le capital fictif: Les Prairies ordinaies, 2014:' I Includes bibliographical references and index. -
Sunflower July 13, 1967
Summer Theatre Will Present THE Kansan's Comedy 'Bus Stop' Summer Theatre will present trying to get "Cherie" to marry of upstage, downstage and about SUNFLOWER ''Bus Stop," a play set in Kan him. He had to learn to vault entrances and exits. sas and written by William Ing~ the lunch counter and had some difficulty in learning to whistle The major costuming problem a Kansas pla.ywright, in Wilner VOL. LXXI NO. 64 WICHITA STATE UNIVER5ITY JULY 13, 1967 Auditorium at 8 p.m. Thursday, with two fingers in his mouth. has been finding a size 48 bus 1 Friday and Saturday. _, Kovacs came to the United States driver's uniform. The bus com at theend ofWorld War II from panies of Wichita have looked, The plot deals with a bus Holland. Terry is excited about but they haven'tbeenabletocome stranded somewhere between To the part of ' 'Bo Decker" since up with one.Presentlyanairforce Annual Band Concert peka and Kansas City during a he knows Inge and he said that uniform is being adapted. March blizz.ard. The passengers Terry should play the part of •'Bo" sometime. Most of tht: cast are students, on the bus are thrown together with the exception of Washburn Scheduled For Monday in a small restaurant, the ''Bus who is an East High drama in Stop." As Kovacs' sidekick, Knetsch structor and Calhoun who is a The annual WSU Band Con concert, the Colas Breugnan has had to learn to play "Red member of the WSU English fa cert will be held Monday.