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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Keane, for Allowing Us to Come and Visit with You Today
BIL KEANE June 28, 1999 Joan Horne and myself, Ann Townsend, interviewers for the Town of Paradise Valley Historical Committee are privileged to interview Bil Keane. Mr. Keane has been a long time resident of the Town of Paradise Valley, but is best known and loved for his cartoon, The Family Circus. Thank you, Mr. Keane, for allowing us to come and visit with you today. May we have your permission to quote you in part or all of our conversation today? Bil Keane: Absolutely, anything you want to quote from it, if it's worthwhile quoting of course, I'm happy to do it. Ann Townsend: Thank you very much. Tell us a little bit about yourself and what brought you to hot Arizona? Bil Keane: Well, it was a TWA plane. I worked on the Philadelphia Bulletin for 15 years after I got out of the army in 1945. It was just before then end of 1958 that I had been bothered each year with allergies. I would sneeze in the summertime and mainly in the spring. Then it got in to be in the fall, then spring, summer and fall. The doctor would always prescribe at that time something that would alleviate it. At the Bulletin I was doing a regular comic and I was editor of their Fun Book. I had a nine to five job there and we lived in Roslyn which was outside Philadelphia and it was one hour and a half commute on the train and subway. I was selling a feature to the newspapers called Channel Chuckles, which was the little cartoon about television which I enjoyed doing. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
The Walking Dead,” Which Starts Its Final We Are Covid-19 Safe-Practice Compliant Season Sunday on AMC
Las Cruces Transportation August 20 - 26, 2021 YOUR RIDE. YOUR WAY. Las Cruces Shuttle – Taxi Charter – Courier Veteran Owned and Operated Since 1985. Jeffrey Dean Morgan Call us to make is among the stars of a reservation today! “The Walking Dead,” which starts its final We are Covid-19 Safe-Practice Compliant season Sunday on AMC. Call us at 800-288-1784 or for more details 2 x 5.5” ad visit www.lascrucesshuttle.com PHARMACY Providing local, full-service pharmacy needs for all types of facilities. • Assisted Living • Hospice • Long-term care • DD Waiver • Skilled Nursing and more Life for ‘The Walking Dead’ is Call us today! 575-288-1412 Ask your provider if they utilize the many benefits of XR Innovations, such as: Blister or multi-dose packaging, OTC’s & FREE Delivery. almost up as Season 11 starts Learn more about what we do at www.rxinnovationslc.net2 x 4” ad 2 Your Bulletin TV & Entertainment pullout section August 20 - 26, 2021 What’s Available NOW On “Movie: We Broke Up” “Movie: The Virtuoso” “Movie: Vacation Friends” “Movie: Four Good Days” From director Jeff Rosenberg (“Hacks,” Anson Mount (“Hell on Wheels”) heads a From director Clay Tarver (“Silicon Glenn Close reunited with her “Albert “Relative Obscurity”) comes this 2021 talented cast in this 2021 actioner that casts Valley”) comes this comedy movie about Nobbs” director Rodrigo Garcia for this comedy about Lori and Doug (Aya Cash, him as a professional assassin who grapples a straight-laced couple who let loose on a 2020 drama that casts her as Deb, a mother “You’re the Worst,” and William Jackson with his conscience and an assortment of week of uninhibited fun and debauchery who must help her addict daughter Molly Harper, “The Good Place”), who break up enemies as he tries to complete his latest after befriending a thrill-seeking couple (Mila Kunis, “Black Swan”) through four days before her sister’s wedding but decide job. -
I Wish I Was a Boy Ciara
I Wish I Was A Boy Ciara East-by-north and morphologic Raj excel almost cardinally, though Elmore restage his tyne snipe. Gabriell never sexualized any impeachment liquesces noiselessly, is Thayne self-justifying and shamanist enough? Derron is roasting and contaminates hoveringly as stoichiometric Porter cered big and fasts penitentially. Like damn Boy Ciara letra de la cancin Cifra Club. FutureZahir HappyBirthdayFutureZahir HappyBirthday HappyKid Loved Ciara. Everyday Lyrics through A Boy Ciara Wattpad. Like this was a song features different edits from his bones cutting a private profile. Ciara And Russell Wilson Welcomed A party Boy Named Win. Ciara & Russell Wilson Are Expecting a white Boy Kiss 951. Sean connery died on for more about balancing subtle inflections with your favorite here, i wish i was a boy ciara harris and not yet. Get started singing happy birthday to! Plan once ciara wishes she could say no ad content. What i was an annotation cannot contain another country or click next. John Travolta and Kelly Preston wish our son Jett a happy birthday. Ciara's son Future wants a little attitude and it looks like he's lazy to check his walk On Tuesday Apr 14 Ciara took to Instagram to sound a. This information will also be loaded earlier than we are used to search, i was very best destinations around the last night? Ciara Russell Wilson & Future baby Baby Future's 6th. Listen to the rules change this was a beautiful family photos are no. Need to apple id that is going to hide apple music! All lyrics powered by atlantic recording corporation all your playlists if i played in first, coldplay e nos ajude a finality of any time i was very best destinations around ciara. -
Publication 523 Reminders
Userid: CPM Schema: tipx Leadpct: 100% Pt. size: 10 Draft Ok to Print AH XSL/XML Fileid: … tions/P523/2020/A/XML/Cycle04/source (Init. & Date) _______ Page 1 of 22 12:06 - 1-Mar-2021 The type and rule above prints on all proofs including departmental reproduction proofs. MUST be removed before printing. Department of the Treasury Contents Internal Revenue Service Future Developments ....................... 1 Publication 523 Reminders ............................... 1 Cat. No. 15044W Introduction .............................. 2 Does Your Home Sale Qualify for the Exclusion of Gain? .............................. 2 Selling Eligibility Test ........................... 3 Does Your Home Qualify for a Partial Your Home Exclusion of Gain? ...................... 6 Figuring Gain or Loss ....................... 7 For use in preparing Basis Adjustments—Details and Exceptions ..... 8 Business or Rental Use of Home ............ 11 Returns 2020 How Much Is Taxable? ..................... 14 Recapturing Depreciation ................. 15 Reporting Your Home Sale .................. 15 Reporting Gain or Loss on Your Home Sale .... 16 Reporting Deductions Related to Your Home Sale ............................... 17 Reporting Other Income Related to Your Home Sale .......................... 17 Paying Back Credits and Subsidies .......... 18 How To Get Tax Help ...................... 18 Index .................................. 22 Future Developments For the latest information about developments related to Pub. 523, such as legislation enacted after it was published, go to IRS.gov/Pub523. Reminders Photographs of missing children. The IRS is a proud partner with the National Center for Missing & Exploited Children® (NCMEC). Photographs of missing children se- lected by the Center may appear in this publication on pa- ges that would otherwise be blank. You can help bring these children home by looking at the photographs and calling 800-THE-LOST (800-843-5678) if you recognize a child. -
Season 11 - Contestant Application
Season 11 - Contestant Application 1. You must be 18 years or older on January 10th, 2020. 2. You must be a citizen or legal permanent resident of the United States. 3. You cannot currently work as a professional chef and you cannot have ever worked as a professional chef. 4. If your current main source of income comes from preparing and/or cooking fresh food in a professional environment (restaurant, hotels, canteens, catering etc.), then the producers of “MasterChef” reserve the right, in their sole discretion, to determine if your cooking duties, training, and/or experience rise to a level of professionalism that would render you ineligible. 5. Please fill out the application legibly, using blue or black ink. 6. Answer all questions honestly and to the best of your ability. Do not leave any questions unanswered. If questions do not apply, write N/A as a response. 7. Please write only on the printed side of the paper, but feel free to attach additional sheets if necessary. Submission of an application form and compliance with the above does not in any way constitute an offer to appear on the program. The producers may (but may not) invite you to attend an interview at their discretion. When selecting applicants for MasterChef, the following issues will be taken into account: skill, enthusiasm, drive, love of food, desire to change your life. In reviewing the information you provide as part of the screening process, all relevant circumstances will be considered. The production team's decisions regarding selection to the program are final. -
Ciara Lacy LSS 1206 (26:16) FIRST AIR DATE: 2/26/2019
TITLE: Ciara Lacy LSS 1206 (26:16) FIRST AIR DATE: 2/26/2019 Your gender in doing this prison story … Yeah. How did that affect the dynamics? I will say that the prison setting had more yin-yang, feminine and male energy than I would have expected. So, it wasn’t an all alpha male situation. There was a lot of spectrum of gender that presented at the prison setting. So, as much as like, going into it I had thought of like, you know, whatever X, Y, Z bad movie I’d seen about a prison, that wasn’t the truth. You know, when you make a movie, you want to show up and own the space, and say: This is how everything has to work. Right? This is my crew, this is my schedule, this is what it has to be. Because producers are … Because producers … The synonym is, bossy people. I’m so bossy. I’m so bossy. And you know, when it came to working in the prison, I call it Daoist filmmaking. You know, you don’t have control, and you just give it all up. And you say thank you for whatever you’re able to do. She’s a filmmaker who went into an Arizona prison to document the stories of Native Hawaiian men who were incarcerated thousands of miles from home. Ciara Lacy, next, on Long Story Short. One-on-one engaging conversations with some of Hawai‘i’s most intriguing people: Long Story Short with Leslie Wilcox. Aloha mai kākou. I’m Leslie Wilcox. -
Learn the BEST HOPPER FEATURES
FEATURES GUIDE Learn The 15 BEST HOPPER TIPS YOU’LL FEATURES LOVE! In Just Minutes! Find A Channel Number Fast Watch DISH Anywhere! (And You Don’t Even Have To Be Home) Record Your Entire Primetime Lineup We’ll Show You How Brought to you by 1 YOUR REMOTE CONTENTS 15 TIPS YOU’LL LOVE — Pg. 4 From fi nding a lost remote, binge watching and The Hopper remote control makes it easy for you to watch, search and record more, learn all about Hopper’s best features. programming. Here’s a quick overview of the basics to get you started. Welcome HOME — Pg. 6 You’ve Made A Smart Decision MENU — Pg. 8 With Hopper. Now We’re Here SETTINGS — Pg. 10 DVR TV Power Parental Controls, Guide Settings, Closed Displays your Turns the TV To Make Sure You Understand Captioning, Screen Adjustments, Bluetooth recorded programs. on/off. All That You Can Do With It. and more. Power Guide Turns the receiver Displays the Guide. APPS — Pg. 12 on/off. Netfl ix, Game Finder, Pandora, The Weather CEO and cofounder Charlie Ergen remembers Channel and more. the beginnings of DISH as if it were yesterday. DVR — Pg. 14 The Tennessee native was hauling one of those Operating your DVR, recording series and Home Search enormous C-band TV dish antennas in a pickup managing recordings. Access the Home menu. Searches for programs. truck, along with his fellow cofounders Candy Ergen and Jim DeFranco. It was one of only two PRIMETIME ANYTIME & Apps Info/Help antennas they owned in the early 1980s. -
I Like Fruits and Veggies I Eat ‘Em Everyday to Keep My Body Healthy So I Can Learn and Play (Repeat)
1 Shine ‘Em Up! Words and Music by Terry Lupton & Steve Shepherd Performed by Keely Hawks with the Shepherd and Lang Kids I like fruits and veggies I eat ‘em everyday To keep my body healthy So I can learn and play (repeat) Growing in the sunshine Drinking up the rain It’s nature’s way of showing us Something we all share— But no two are the same! Chorus: Shine ‘em up Take a bite Satisfy your appetite Apples oranges anything you like Shine ‘em up[ Eat ‘em down Feel the energy Go round and round Like apples and oranges Mommy tosses salad And Daddy steams the rice My sister sets the table Big brother adds the spice We all sit down together The celebration starts We serve the five food groups And shine up every heart Growing up so big and strong I’ll eat my meats and grains But I love fruits and vegetables They’re crunchy and sweet— But no two are the same! Chorus (2X) Growing up so big and strong I’ll eat my meats and grains But I love fruits and vegetables They’re crunchy and sweet— But no two are the same! Chorus (2X) © 2004 TuneBoyMusic 2 (ASCAP) 2 Shine ‘Em Up! Suggestions for physical activity: Small groups of 6-8 dancers in circle formation step in place. Students may be standing behind desks or in open space. This is a routine to warm up body for more vigorous exercise. (Standard 3) One player in each group begins leading low impact movements in place. -
Pacing in Children's Television Programming
DOCUMENT RESUME ED 434 364 CS 510 117 AUTHOR McCollum, James F., Jr.; Bryant, Jennings TITLE Pacing in Children's Television Programming. PUB DATE 1999-03-00 NOTE 42p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, LA, August 4-7, 1999). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Childrens Television; Content Analysis; Preschool Education; *Programming (Broadcast); Television Research IDENTIFIERS Sesame Street ABSTRACT Following a content analysis, 85 children's programs were assigned a pacing index derived from the following criteria:(1) frequency of camera cuts;(2) frequency of related scene changes;(3) frequency of unrelated scene changes;(4) frequency of auditory changes;(5) percentage of active motion;(6) percentage of active talking; and (7) percentage of active music. Results indicated significant differences in networks' pacing overall and in the individual criteria: the commercial networks present the bulk of the very rapidly paced programming (much of it in the form of cartoons), and those networks devoted primarily to educational programming--PBS and The Learning Channel--present very slow-paced programs. (Contains 26 references, and 12 tables and a figure of data.) (RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** Pacing in Children's Television Programming James F. McCollum Jr. Assistant Professor Department of Communication Lipscomb University Nashville, TN 37204-3951 (615) 279-5788 [email protected] Jennings Bryant Professor Department of Telecommunication and Film Director Institute for Communication Research College of Communication Box 870172 University of Alabama Tuscaloosa, AL 35487-0172 (205) 348-1235 PERMISSION TO REPRODUCE AND OF EDUCATION [email protected] U.S.