Pants Measurement Guide
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Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
She Has Good Jeans: a History of Denim As Womenswear
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 She Has Good Jeans: A History of Denim as Womenswear Marisa S. Bach Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bach, Marisa S., "She Has Good Jeans: A History of Denim as Womenswear" (2018). Senior Projects Spring 2018. 317. https://digitalcommons.bard.edu/senproj_s2018/317 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. She Has Good Jeans: A History of Denim as Womenswear Senior Project Submitted to The Division of Arts of Bard College by Marisa Bach Annandale-on-Hudson, New York May 2018 Acknowledgements To my parents, for always encouraging my curiosity. To my advisor Julia Rosenbaum, for guiding me through this process. You have helped me to become a better reader and writer. Finally, I would like to thank Leandra Medine for being a constant source of inspiration in both writing and personal style. -
Craft Sportswear and the Finnish National Biathlon Team Launches ‘Hannunvaakuna’ Racing Suit
Dec 03, 2015 08:00 CET Craft Sportswear and the Finnish national biathlon team launches ‘hannunvaakuna’ racing suit The collaboration between Swedish sportswear brand Craft and the Finnish national biathlon team has resulted in highly functional race garments with a truly strong presence. The new competition wear will be worn by Kaisa Mäkäräinen and her colleagues on the Finnish team during the 2015/2016 season. "We looked for something that would really set the suit apart from the competition," says Craft's designer Lena Karlsson. "Soon we came up with the 'hannunvaakuna', the looped square that is a common symbol in Finland and that conveys strength and good luck. Placing the patterns in lines that follow the moving body, we have created a suit that truly radiates speed and power." The new Finland Biathlon competition garments are based on Craft's revolutionary Podium Suit, which has been equipped with biathlon-specific details such as smooth rubber patches in certain areas to ensure steady and precise shooting. Made of very thin and lightweight Italian polyester, the suit offers superior moisture transport and body-temperature management. In addition, compression fabrics in the legs keep the muscles focused while ultrasonic taped seams create a smooth surface for optimal aerodynamics. The suit is packed with innovative features including Moving Wing Technology ™, which is a wing-like construction piece at the upper back that ensures total freedom of movement and allows the skiers to transmit all their power into each pole stroke. Furthermore, three-dimensional ergonomic design provides perfect fit and optimal comfort. Craft is a Swedish brand specializing in clothing for endurance sports where performance and comfort are crucial for a good result. -
Dressing Aids F Are Available Through Specialtyretailers
The War Amps For Your Information Tel.: 1 877 622-2472 Fax: 1 855 860-5595 [email protected] Dressing Aids rom buttons, buckles, zippers and laces, these Fsimple fasteners can pose difficulties in an amputee’s daily activities. Featured below are various Velcro tabs dressing aids that can make many of these tasks easier. Some can be made using household items and others are available through specialty retailers. Hassle-free Fasteners • Velcro tabs under shirt or blouse buttons instead of conventional button holes. • A Velcro strip instead of a zipper in the fly of trousers. • Velcro on jacket cuffs. • Toggle buttons on outer wear which are easier to manage than stiff, flat buttons. Elastic cufflink • Cuff links made of elastic thread between two buttons keep cuffs looking tidy while letting you slide your hand in and out without undoing the button. • Some button-up shirts can be put on without being fully unbuttoned, simply leave enough buttons undone to allow room for your head, and then A C fasten the rest later. B D Button Hooks To assist the amputee with buttoning clothing, various button hooks are available including the regular handle(A), rubber handle(B), cuff handle(C), and ball or knob handle(D). Prosthetic Limbs and Devices Prosthetic A button hook has a small wire loop that slips over the button and when pulled, guides the button through the buttonhole. Zipper Pull Rings For those who have difficulty holding onto and pulling the regular zipper tabs, a variety of zipper pull rings are available which attach to the regular zipper tab and which can be grasped more easily by artificial limbs. -
Use and Applications of Draping in Turkey's
USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION DUYGU KOCABA Ş MAY 2010 USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY DUYGU KOCABA Ş IN PARTIAL FULFILLMENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES MAY 2010 Approval of the Graduate School of Social Sciences ...................................................... Prof. Dr. Cengiz Erol Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ...................................................... Prof. Dr. Tevfik Balcıoglu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adaquate, in scope and quality, as a thesis for the degree of Master of Design. ...................................................... Asst. Prof. Dr. Şölen Kipöz Supervisor Examining Committee Members Asst. Prof. Dr. Duygu Ebru Öngen Corsini ..................................................... Asst. Prof. Dr. Nevbahar Göksel ...................................................... Asst. Prof. Dr. Şölen Kipöz ...................................................... ii ABSTRACT USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION Kocaba ş, Duygu MDes, Department of Design Studies Supervisor: Asst. Prof. Dr. Şölen K İPÖZ May 2010, 157 pages This study includes the investigations of the methodology and applications of draping technique which helps to add creativity and originality with the effects of experimental process during the application. Drapes which have been used in different forms and purposes from past to present are described as an interaction between art and fashion. Drapes which had decorated the sculptures of many sculptors in ancient times and the paintings of many artists in Renaissance period, has been used as draping technique for fashion design with the contributions of Madeleine Vionnet in 20 th century. -
GRADUATE LEARNING PLAN for Pamela Vanderlinde
DePaul University School for New Learning Graduate Programs MASTER OF ARTS PROGRAM IN APPLIED PROFESSIONAL STUDIES (MAAPS) 1 E. Jackson Blvd., Chicago, IL 60604 [email protected] (312-362-8448) GRADUATE LEARNING PLAN for Pamela Vanderlinde •ADDRESS: •PHONE: •EMAIL: DOCUMENT DATE: January 18, 2011 FOCUS - Applying study of historical and contemporary AREA: bespoke fashion to my design practice, philosophy and teaching. Prof. - Ms. XXX XXXX Advisor: •PA Position/Title: _Instructor, Illinois Institute of Art-Chicago •PA Address: _____________________________________ •PA Phone: ______ •PA Email: Faculty - Michelle Navarre Cleary, PhD •Position/Title: Resident Faculty, School for New Learning, DePaul University Mentor: •Address: DePaul University, 1 E. Jackson Blvd., Chicago, IL 60604 •Phone: 312-362-7301______ •Email: [email protected] Cluster: - 86_______ - __1/21/11_____ (date approved by Student’s Academic Committee) Approval: - ___2/18/11________ (date approved by Graduate Student Program Review Committee) - 1 - PART I: Personal/Professional Background & Goals Directions: In Part I, the student provides a context for the Graduate Learning Plan and a rationale for both his/her career direction and choice of the MAAPS Program of study as a vehicle to assist movement in that direction. Specifically, Part I is to include three sections: A. a brief description of the student’s personal and professional history (including education, past/current positions, key interests, etc.); B. an explanation of the three or more years of experience (or equivalent) offered in support of the Graduate Focus Area; C. a brief description/explanation of the student’s personal and professional goals. A. Description of My Personal/Professional History: I have many passions in this world; fashion, teaching, travel, reading, yoga to name a few. -
Approximate Weight of Goods PARCL
PARCL Education center Approximate weight of goods When you make your offer to a shopper, you need to specify the shipping cost. Usually carrier’s shipping pricing depends on the weight of the items being shipped. We designed this table with approximate weight of various items to help you specify the shipping costs. You can use these numbers at your carrier’s website to calculate the shipping price for the particular destinations. MEN’S CLOTHES Item Weight in grams Item Weight in grams Underpants 70 - 100 Jacket 1000 - 1200 Sports shirt, T-shirt 220 - 300 Coat, duster 900 - 1500 UnderpantsShirt 70120 - -100 180 JacketWind-breaker 1000800 - -1200 1200 SportsBusiness shirt, suit T-shirt 2201200 - -300 1800 Coat,Autumn duster jacket 9001200 - -1500 1400 Sports suit 1000 - 1300 Winter jacket 1400 - 1800 Pants 600 - 700 Fur coat 3000 - 8000 Jeans 650 - 800 Hat 60 - 150 Shorts 250 - 350 Scarf 90 - 250 UnderpantsJersey 70450 - -100 600 JacketGloves 100080 - 140 - 1200 SportsHoodie shirt, T-shirt 220270 - 300400 Coat, duster 900 - 1500 WOMEN’S CLOTHES Item Weight in grams Item Weight in grams Underpants 15 - 30 Shorts 150 - 250 Bra 40 - 70 Skirt 200 - 300 Swimming suit 90 - 120 Sweater 300 - 400 Tube top 70 - 85 Hoodie 400 - 500 T-shirt 100 - 140 Jacket 230 - 400 Shirt 100 - 250 Coat 600 - 900 Dress 120 - 350 Wind-breaker 400 - 600 Evening dress 120 - 500 Autumn jacket 600 - 800 Wedding dress 800 - 2000 Winter jacket 800 - 1000 Business suit 800 - 950 Fur coat 3000 - 4000 Sports suit 650 - 750 Hat 60 - 120 Pants 300 - 400 Scarf 90 - 150 Leggings -
The Influence of Clothing on First Impressions: Rapid and Positive Responses
The influence of clothing on first impressions: Rapid and positive responses to minor changes in male attire Keywords: Clothing, first impressions, bespoke, influence, communication The influence of clothing on first impressions: Rapid and positive responses to minor changes in male attire. In a world that is becoming dominated by multimedia, the likelihood of people being judged on snapshots of their appearance is increasing. Social networking, dating websites and online profiles all feature people’s photographs, and subsequently convey a visual message to an audience. Whilst the salience of facial features is well documented, other factors, such as clothing, will also play a role in impression formation. Clothing can communicate an extensive and complex array of information about a person, without the observer having to meet or talk to the wearer. A person’s attire has been shown to convey qualities such as character, sociability, competence and intelligence (Damhorst, 1990), with first impressions being formed in a fraction of a second (Todorov, Pakrashi, and Oosterhof, 2009). This study empirically investigates how the manipulation of small details in clothing gives rise to different first impressions, even those formed very quickly. Damhorst (1990) states that ‘dress is a systematic means of transmission of information about the wearer’ (p. 1). A person’s choice of clothing can heavily influence the impression they transmit and is therefore a powerful communication tool. McCracken (1988) suggests that clothing carries cultural meaning and that this information is passed from the ‘culturally constructed world’ to clothing, through advertising and fashion. Clothes designers can, through branding and marketing, associate a new product or certain designs with an established cultural norm (McCracken, 1988). -
DRAPE: Dressing Any Person
DRAPE: DRessing Any PErson Peng Guan1;∗ Loretta Reiss1;∗ David A. Hirshberg2;y Alexander Weiss1;∗ Michael J. Black1;2;y; z 1Dept. of Computer Science, Brown University, Providence 2Max Planck Institute for Intelligent Systems, Tubingen¨ Figure 1: DRAPE is a learned model of clothing that allows 3D human bodies of any shape to be dressed in any pose. Realistic clothing shape variation is obtained without physical simulation and dressing any body is completely automatic at run time. Abstract 1 Introduction We describe a complete system for animating realistic clothing Clothed virtual characters in varied sizes and shapes are necessary on synthetic bodies of any shape and pose without manual inter- for film, gaming, and on-line fashion applications. Dressing such vention. The key component of the method is a model of cloth- characters is a significant bottleneck, requiring manual effort to de- ing called DRAPE (DRessing Any PErson) that is learned from a sign clothing, position it on the body, and simulate its physical de- physics-based simulation of clothing on bodies of different shapes formation. DRAPE handles the problem of automatically dressing and poses. The DRAPE model has the desirable property of “fac- realistic human body shapes in clothing that fits, drapes realistically, toring” clothing deformations due to body shape from those due and moves naturally. Recent work models clothing shape and dy- to pose variation. This factorization provides an approximation to namics [de Aguiar et al. 2010; Feng et al. 2010; Wang et al. 2010] the physical clothing deformation and greatly simplifies clothing but has not focused on the problem of fitting clothes to different synthesis. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
23 Trs Male Uniform Checklist
23 TRS MALE UNIFORM CHECKLIST Rank and Name: Class: Flight: Items that have been worn or altered CANNOT be returned. Quantities listed are minimum requirements; you may purchase more for convenience. Items listed as “seasonal” will be purchased for COT 17-01 through 17-03, they are optional during the remainder of the year. All Mess Dress uniform items (marked with *) are optional for RCOT. Blues Qty Outerwear and Accessories Qty Hard Rank (shiny/pin on) 2 sets Light Weight Blues Jacket (seasonal) 1 Soft Rank Epaulets (large) 1 set Cardigan (optional) 1 Ribbon Mount varies Black Gloves (seasonal) 1 pair Ribbons varies Green Issue-Style Duffle Bag 1 U.S. Insignia 1 pair Eyeglass Strap (if needed) 1 Blue Belt with Silver Buckle 1 CamelBak Cleansing Tablet (optional) 1 Shirt Garters 1 set Tie Tack or Tie Bar (optional) 1 PT Qty Blue Tie 1 USAF PT Jacket (seasonal) 1 Flight Cap 1 USAF PT Pants (seasonal) 1 Service Dress Coat 1 USAF PT Shirt 2 sets Short Sleeve Blue Shirts 2 USAF PT Shorts 2 sets Long Sleeve Blue Shirt (optional) 1 Blues Service Pants (wool) 2 Footwear Qty White V-Neck T-shirts 3 ABU Boots Sage Green 1 pair Low Quarter Shoes (Black) 1 pair Mess Dress Qty Sage Green Socks 3 pairs White Formal Shirt (seasonal)* 1 Black Dress Socks 3 pairs Mess Dress Jacket (seasonal)* 1 White or Black Athletic Socks 3 pairs Mess Dress Trousers (seasonal)* 1 Cuff Links & Studs (seasonal)* 1 set Shoppette Items Qty Mini Medals & Mounts (seasonal)* varies Bath Towel 1 Bowtie (seasonal)* 1 Shower Shoes 1 pair -
Sewing & Hand Application
APPLICATION MANUAL Sewing & hand application Sewing and hand application Preciosa Components offers a wide range of various products ideal for sewing and embroidery. Thanks to a rich choice of shapes, sizes, settings and applications, Preciosa crystals can be used in mass apparel and accessories production, designer´s studios and Do-It-Yourself activities. Stones can be easily applied with industrial sewing or embroidery machines or household sewing machines and are also suitable for various manual applications. PRODUCT OVERVIEW COMPONENTS SEWING HAND APPLICATION Flat Back Stones Sew-on Stones Beads and Pendants Beads Pendants Nacre Pearls Nacre Pearls Cup Chains Plastic Bandings Fashion and Fashion Jewelry Components Metal Bandings Stones in Settings Fashion and Fashion Crystal Mesh Jewelry Application MACHINES, TOOLS AND AIDS Use the following machines, tools and aids for sewing Preciosa components: • Household sewing machine with common stitch types (straight, zigzag, button sewing programme). • Industrial sewing machine. • Sewing machine accessories – presser feet, needles, threads. • Goggles. Household sewing machine Industrial sewing machine Different types of presser feet 2 PRECIOSA CRYSTAL COMPONENTS APPLICATION MANUAL 3 Sewing – basic rules TYPES OF MACHINE APPLICATION OF CRYSTAL COMPONENTS CHOICE OF THE RIGHT THREAD APPLICATION MACHINE TOOL PROGRAMME NOTE Synthetic threads of 50 – 60 Nm strength are the most suitable for sewing Preciosa stones. The threads Programme for button Switch off the lower Sewing are