International Trumpet Guild 33Rd Annual Conference 2008@Banff Reaching the Heights of Excellence June 1 to 5, 2008, Banff, Alberta, Canada

Total Page:16

File Type:pdf, Size:1020Kb

International Trumpet Guild 33Rd Annual Conference 2008@Banff Reaching the Heights of Excellence June 1 to 5, 2008, Banff, Alberta, Canada International Trumpet Guild 33rd Annual Conference 2008@Banff Reaching the Heights of Excellence June 1 to 5, 2008, Banff, Alberta, Canada Jens Lindemann, host Table of Contents Welcome Messages 3-7 “ The rich, warm, focused and balanced tone 2008 Honourary Award 8 of the Sonaré trumpet allows me 2008 Award of Merit 9 to freely express myself as an artist. Concert Programs 11-64 ITG Trumpet Artists 70 I have used it in every musical ITG Presenters 105 situation possible, and this horn just Ensembles 109 keeps asking for more. Supporting Artists 117 Bravo Sonaré!” Audio Programs & Engineers 122 2008 ITG Scholarship Winners 132 Seelan Manickam, Trumpet Conference Exhibitors 133 Bala Brass Quintet ITG Conference Sponsors 134 2008 ITG Conference Credits 135-136 The Banff Centre staff 137 The Banff Centre map 138 www.sonarewinds.com June 1 – 5, 2008 | 1 Welcome from the Town of Banff Welcome to Banff! On behalf of Council and the Town of Banff, it is with great pleasure that we welcome the International Trumpet Guild 33rd Annual Conference. Events such as this play an important role in celebrating a program that connects musicians from around the world. Our warmest congratulations go out to those who have chosen Banff to host this event and to The Banff Centre, which continues to provide an environment where artists and performers can realize the highest level of excellence. I’m sure that you will find our majestic mountain setting both motivating and inspirational. At The Banff Centre, artists are celebrated for their unique and important role. Banff, as a community, has always been Set amid the beauty of Canada’s oldest and most renowned national park, internationally recognized as a centre for The Banff Centre offers an exceptional environment for creativity. environmental awareness as well as cultural Our programs put the artist’s needs above all else, offering tailored, nurturing excellence. The International Trumpet Guild support to every participating artist. 33rd Annual Conference at The Banff Centre will continue this heritage. Programs for trumpet include: Yours truly, • Spring Jazz and Creative Music Workshop with Dave Douglas • Summer Brass Residency with Jens Lindemann • Fall/Winter Creative Residencies for self-directed projects within an international community of musicians. Our unique residency programs offer professional and emerging artists the time, place, and inspiration for focused work on a project of their own choice. John Stutz Mayor For more information Town of Banff and to apply: 1-800-565-9989 www.banffcentre.ca June 1 – 5, 2008 | 3 Welcome from the President Welcome from the Director of and CEO of The Banff Centre Music at The Banff Centre The ITG Conference will take place over five Dear Friends, exhilarating days, giving you a chance to Welcome to The Banff Centre! Music experience many of the Centre’s performance & Sound is honored to be hosting the and studio facilities. In between concerts and International Trumpet Guild’s 33rd annual workshops, I hope you will find time to enjoy Conference. Jens Lindeman has done the creative menu and breathtaking views a remarkable job curating dozens of in our Three Ravens Restaurant & Wine Bar, performances that have brought together experience contemporary art in the Walter many of the leading musicians of our time in Phillips Gallery, and rev up or unwind in the celebration of the repertoire for trumpet. His Sally Borden Fitness and Recreation Centre. energy, enthusiasm, and artistry have been a Work began earlier this year on our new constant well of inspiration. This promises to Kinnear Centre for Creativity and Innovation be an exciting week full of discovery, and one – a project that will create state-of-the- that we have been looking forward to for art facilities that will result in some of the many months. most intensive and innovative learning Each year Music & Sound offers programs opportunities in the world. Building work has and creative residency opportunities for been carefully planned to be as unobtrusive musicians of all genres. Whether you are a as possible to our participants and guests. If university professor on sabbatical looking for Welcome to The Banff Centre and to the you have any questions about the project or a place to rekindle your artistic fire, a jazz 33rd annual International Trumpet Guild would like a tour of our campus, our Director musician needing time to create new work, Conference. The Banff Centre is honoured to of Customer Service, Jim Olver, 403-678-7574 or a student wanting to attend a summer host the first ever ITG Conference to be held would be happy to help out. brass program, there is a place for you in in Canada. We are particularly delighted to host the Banff. As the wildlife is in Banff National Founded in 1933, The Banff Centre is world’s most renowned trumpet artists during Park, musicians are a protected species at a globally respected arts, cultural, and The Banff Centre’s 75th anniversary year. Your The Banff Centre. Our programs put the educational institution and conference facility. presence is a real highlight of our celebrations. artist’s needs above all else offering tailored, Our multi-disciplinary programs are dedicated I look forward to meeting many of you nurturing support to every participating to inspiring creativity – in the performing over the next few days. Best wishes for an artist. I encourage you to keep an eye on and fine arts, in leadership, and in mountain exceptional conference. our website at www.banffcentre.ca/music for culture and the environment. Kind regards, more information on our programs. In coming to The Banff Centre, you are joining I wish you a wonderful week, and I hope a proud tradition. Music programs have a we will see many of you back at The Banff long history in Banff, stretching back to 1936. Centre in the future. Over the years, some the world’s top musical talents have passed through our doors – musicians as diverse as Aaron Copland and Oscar Peterson, Krzysztof Penderecki and Dave Mary E. Hofstetter Douglas, and of course, this year’s conference President & CEO host, Jens Lindemann. The Banff Centre Barry Shiffman Director of Music at The Banff Centre 4 | International Trumpet Guild 33rd Annual Conference June 1 – 5, 2008 | 5 Welcome from the President Welcome from the Host of the 2008 of The International Trumpet Guild International Trumpet Guild Conference Welcome! At the 2008 ITG conference, we will have an unforgettable line-up of performances, As president of The International Trumpet master classes, seminars, competitions, and Guild, I would like to welcome you to this discussions with world-renowned artists. Our year’s 2008 Conference, here in Banff, in evening gala concerts will feature numerous perhaps the most beautiful location in North players and musical styles on the same America! program. There will literally be something for Jens Lindemann, our Banff conference everyone. host; Val Thompson, the Banff conference Please also visit our exhibitors who have manager; and Geraldine Ysselstein, the brought with them their instruments, Banff conference coordinator have been accessories, sheet music, and literature. working for more than a year to present a Many have helped to make this conference most outstanding slate of performers, master On behalf of The Banff Centre, I would like to a success and it simply would not have classes, and trumpet events, which will satisfy welcome you to the 33rd Annual International happened were it not for the entire team at nearly every trumpet craving you may have! Trumpet Guild conference and the first ITG The Banff Centre. I hope you will be able to attend all the ITG Conference ever held in Canada. I trust that you will have an enriching musical events, enjoy the beautiful scenery, explore, The trumpet’s history in western music experience at this year’s ITG conference and and have a terrific time here in Banff! is arguably the richest of any instrument also hope that you will have a chance to see Please plan to thank Jens, Val, and Geraldine ever developed. From the noble days of some of the breathtaking surroundings in and for all their hard work, introduce yourself baroque and classical fanfare to soaring, around the area. The Banff Centre is one of to performers, ITG Board members, and the romantic orchestral melodies; from the sheer the world’s artistic jewels and we are proud to entire community of trumpeters! All are virtuosity of the cornet and brass band era to share it with you this week! eager to share this festive time with you, becoming the ‘king’ of jazz instruments; from answer questions, and help you have a great the uncharted landscape of contemporary Sincerely, time! composition to unforgettable riffs in pop and On behalf of The International Trumpet Guild, rock, the trumpet’s sound is indelibly etched I would like to thank you for your attendance, into the psyche of our society. and for your support of our organization. Jens Lindemann 2008 ITG conference host William Pfund William Pfund President, ITG 2007-2009 6 | International Trumpet Guild 33rd Annual Conference June 1 – 5, 2008 | 7 2008 Honourary Award 2008 Award of Merit Champion” cornet soloist in 1947. Further to of the Minneapolis Symphony, giving the this, at the age of 14, he gained second place North American premier of Andre Jolivet’s on the radio program “Opportunity Knocks” Concerto No. 2. His trumpet teachers include (the winner was singer Pearly King) and he Rafael Mendez, Samuel Krauss, Armando was subsequently offered a contract with Ghitalla, William Vacchiano, Saul Caston, the resident Cyril Stapleton Orchestra. It was Gilbert Johnson, and Arnold Jacobs. He during this period that Murphy’s brass band studied conducting privately and in classes career blossomed, culminating in the position with Leonard Bernstein, Hans Swarowsky, of principal cornet with the world famous Frederick Fennell, Jean Morel, George Black Dyke Mills Band.
Recommended publications
  • COURSE CATALOG 2016-2017 Academic Calendar
    COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes.
    [Show full text]
  • Convocation Hall, University of Alberta
    STUDENT COMPOSER RECITAL 560 & 660 levels Monday, April 10, 8:00 PM Convocation Hall, University of Alberta Fugue in g minor jon Jette Jon Jette - piano / Rick Vanderwoude - organ The Flowers of Time lanKnopke Silvia Yee, Jennifer McAllister - flutes / Suzanne Yuch - clarinet / Darryl Hartshome - bassoon / John Calverley - violin / Heidi Klann - viola / Greg Ferguson - vibraphone This is based on a siiort story by J.G. Ballard called The Garden of Time and is very grooxry to dance to. I.K. Reinvention jEiCockeU" Jim Cockell - piano / Ken Myers - alto saxophone I Hide No Hate Laura Hamilton Sarah Chaput - soprano / Jim Cockell - violin Paul Radosh - cello "For A Poet" by Countee Cullen in 1925,"Madness Is" by Laura Hamilton in 1989 Rain Delay Chris McLean Betsy Steed, Lyndi Lou Pollock - violins / Jenny-Lynn Steed -viola Bonnie Pollock - cello / Anneke Smit - piano macroHvne (forstuff) Scott Godin Jim Cockell, Moni Mathew - violins / Miriam Lewis - viola / Paul Radosh - cello / Ken Myers - saxophone Winter Songs Jim Cockell Ardelle Ries - soprano / Jim Cockell - violin / Laszlo Names - piano i) Prelude ii) There's a certain slant of light Emily Dickinson (1830 - 1886) iii) To Waken an Old Lady William Carlos WiUiams (1883 - 1963) iv) The Snow Man Wallace Stevens (1879 - 1955) brief intermission * * * 'longing..." Scott Godin Corey Hamm organ "ukuTusa" Allan Gilliland Wind Ensemble " The Lamp of Poor Souls Gordon Fitzell tenor - Tom McCleay / baritone - Kevin Gagnon / recorder, ocarina BiU Damur / trumpet - Steve Williams / harpsichord - Roger Admiral / viola - Miriam Lewis / double bass - Hassisen Saied / musical glass - Silvia Yee / percussion - John McCormick, Greg Ferguson, Scott Martin, Lisa Hrabec, Helene Jurkat, Nicole Arendt, Erin Zier / candlelighter - Andriy Talpash Based on the poem of the same name bxj Canadian poet Marjorie Pickthall, this piece attempts to expose the hypocrisies of the church during the period before the Reformation.
    [Show full text]
  • Audacity Find Clipping
    Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb ..
    [Show full text]
  • Boosey & Hawkes
    City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures......................................................................................................................................
    [Show full text]
  • The Canadian Clarinet Works Written for James Campbell
    THE CANADIAN CLARINET WORKS WRITTEN FOR JAMES CAMPBELL by Laura Chalmers Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree, Doctor of Music Doctoral Committee __________________________________________ Eli Eban, Research Director and Chair __________________________________________ James Campbell __________________________________________ Kathleen McLean __________________________________________ Peter Miksza September 29, 2020 ii Acknowledgements I would like to express my gratitude to the following people, without whom this document would not have been completed: To Prof. Campbell, Allan Gilliland, Phil Nimmons, Timothy Corlis, and Jodi Baker Contin, who gave their time and shared their recollections with me. To my wonderful friends, Emory Rosenow, Laura Kellogg, Mark Wallace, and Lilly Haley- Corbin, who not only read through this entire document to correct mistakes, but who also encouraged me and bolstered me as I wrote this paper. To my family, Mom, Marcus, and Leisha, who have always supported me and continue to do so through my Doctorate. Finally, to my husband, Jacob Darrow. This is as much his success as it is mine. iii Table of Contents Acknowledgements ....................................................................................................................................
    [Show full text]
  • The New York City Jazz Record
    BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 THE NEW YORK CITY JAZZ RECORD BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR ANTHONY BRAXTON—Solo (Victoriaville) 2017 (Victo) BILL CHARLAP WITH CAROL SLOANE DARCY JAMES ARGUE’S SECRET SOCIETY PHILIPP GERSCHLAUER/DAVID FIUCZYNSKI— January 11th, Jazz Standard Dave Pietro, Rob Wilkerson, Chris Speed, John Ellis, UNEARTHED GEMS BOXED SETS TRIBUTES Mikrojazz: Neue Expressionistische Musik (RareNoise) Carl Maraghi, Seneca Black, Jonathan Powell, Matt Holman, ELLA FITZGERALD—Ella at Zardi’s (Verve) WILLEM BREUKER KOLLEKTIEF— TONY ALLEN—A Tribute to Art Blakey REGGIE NICHOLSON BRASS CONCEPT Nadje Noordhuis, Ingrid Jensen, Mike Fahie, Ryan Keberle, Out of the Box (BVHaast) and The Jazz Messengers (Blue Note) CHARLES LLOYD NEW QUARTET— Vincent Chancey, Nabate Isles, Jose Davila, Stafford Hunter Jacob Garchik, George Flynn, Sebastian Noelle, TUBBY HAYES QUINTET—Modes and Blues Passin’ Thru (Blue Note) February 4th, Sistas’ Place Carmen Staaf, Matt Clohesy, Jon Wikan (8th February 1964): Live at Ronnie Scott’s (Gearbox) ORNETTE COLEMAN—Celebrate Ornette (Song X) KIRK KNUFFKE—Cherryco (SteepleChase) THE NECKS—Unfold (Ideological Organ) January 6th, Winter Jazzfest, SubCulture STEVE LACY—Free For A Minute (Emanem) WILD BILL DAVISON— WADADA LEO SMITH— SAM NEWSOME/JEAN-MICHEL PILC— ED NEUMEISTER SOLO MIN XIAO-FEN/SATOSHI TAKEISHI THELONIOUS MONK— The Danish Sessions:
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • Bob Havens Musicians “Parade of Bands”
    Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. 106 K Street, Suite #1 • Sacramento, CA 95814 • (916) 444-2004 • www.sacjazz.org VOLUME 44 • NO. 7 AUGUST 2012 Ad rates ............................................................2 Dante Club – info/directions ........................2 Dante Club Notes The Cricket ....................8-10 Dave Robinson’s CFJB Letter to Editor .............4 Future Festivals ............................................12 In Loving Memory ..........................................6 In the Months Ahead .....................................2 Jazz Ed. Graduates Felicia Weatherly ..............4 Jazz Notes ......................................................12 Sept. 9: “Hot Tram Tooter & Membership application .............................16 Music Here & There .......................................13 Bubble Blower” Bob Havens Musicians “Parade of Bands” ......................11 Notes from the Office Vivian Abraham .........2 ob Havens, the great jazz trombon- It began in 1938 at the age of eight. Patron Members ............................................3 Bist, is known to his many loyal fans Trombone lessons started that year. I President’s Message Tom Duff .......................3 from his appearances at jazz festivals, listened intently at home to recorded Raffle Cents Kathy Becker .............................12 STJS Fundraiser on Sept. 28 .........................5 and from his 22 years on the Lawrence music: Swing bands, Dixieland, sym- Sponsorships needed Ken McMurray .............7 Welk Show. Now, he has taken time phonic, you name it. My heros then Thankful for Volunteers ...............................6 to write a personal message to STJS were Tommy Dorsey and Jack Tea- members for whom he will perform at garden—all the while feeding an urge “Jazz Sunday” info ➤ pg. 2 the Sept. 9 Jazz Sunday. This will be a to become a master trombonist such rare appearance for Bob these days, so as they were.
    [Show full text]
  • It's All Good
    SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes.
    [Show full text]
  • Recent Honours & Awards
    Mark G. Sirett 8 Graham Avenue Kingston, Ontario, Canada, K7L 2H3 Tel: [613] 929-3324 [email protected] Education: Degrees: D.M.A. Doctor of Musical Arts in Choral Conducting and Pedagogy, University of Iowa, 1990 M. A. Master of Arts, Choral Conducting and Pedagogy, University of Iowa, 1987 B. Mus. First Class, Queen’s University, Kingston, Ontario, 1975 Diplomas: A. Mus. Associate, Western Board of Music, Organ Performance, 1986 (Silver medalist) L.T.C.L. Licentiate, Trinity College of Music, London England, Piano performance, 1977 A.R.C.T. Associate, Royal Conservatory of Toronto, Piano performance, 1974 Additional Training: Graduate work in theory, University of Alberta, 1977-79 including studies with Violet Archer; Additional workshops/seminars: National Conductors’ Symposium with Jon Washburn and Vancouver Chamber Choir, 1981; conducting workshops with Eric Ericson, 1985 and 1988; Robert Shaw Institute, 1989; International Treble Choir Symposium, 1996; David Willcocks Workshop, 1996. Recent Honours & Awards Personal: • Mayor’s Award in the Arts—Creator, City of Kingston, 2019 • President’s Leadership Award, Choirs Ontario, 2008 • Distinguished Alumnus, Grant MacEwan University, Edmonton • Outstanding Conductor, Young Prague Choral Festival, Prague Czech Republic • International Jury Award for Imaginative and Creative Programming, Cork International Choral Festival, Ireland, 2002 • Iowa Foundation for the Arts Scholarship, Choral Conducting, 1988 Conducting: • Mathieson Trophy, Ontario Music Festivals, 2018 • Gold Award, Young
    [Show full text]
  • Worcester Jazz
    WORCESTER, JAZZ This Being a Requiem for the Way It Was When Al Hirt 'FellIn' at the Saxtrum Club By EVERETT M. SKEHAN Boots Mussulli. BOOTS They blew their jazz in ball- By 1938jazz was firmly es- Reynold, Scat Davis, Gene MUSSULLI!Now we're catch- rooms and at private clubs tablished in Worcester. Krupa, Chu Berry, Carl Hoff, Of The Gazette Staff ing up with you, eh? You re- and parties and anywhere During that year a group of Roy Eldridge, Anita O'Day, Did you ever hear a man member the. king from Mil- people would listen. There local musicians started the Cozy Cole, Cab Calloway, blow his horn back in the ford - "Kid Boots" - were no nightclubs in Worces- club that would later become Sam Donaliue, Charlie Ven- ter. days when Harlem was king , Worcester's most significant tura, Frank Sinatra and many and the blues poured out of The 50s. Nelson's in Fitch- bur g. McCann's Cafe in Their music wasn't polish- contribution to the betterment others made frequent visits to eve r y joint on Summer Leominster. The Wigwam in ed. And it didn't wander far of jazz music. the club and "sat in" with Street? Ayer. from the basic roots. A bop "We had a lot of good cats the local musiciaJ.1s. Did you watch him lean player of today would put it camin' up in those days," Tore Roof Off Stand in ilne baby. The joint down. But believe· it, it was back and close his eyes and is swinging.
    [Show full text]
  • Jazz Canada Bulletin, Its 29Th Year, Continues to Set the Standard for Performances Are a Great Chance for Musicians 57 D’Arcy Drive, Winnipeg, Jazz Excellence
    THE NEWSLETTER OF JAZZ CANADA VOLUME 6 NUMBER 1 • SPRING 2002 INSIDE Music in the Mountains at The Banff Centre Music in the Mountains at Nestled below the massive peaks of the Wheeler, and Joe Lovano) have made their the Banff Centre 1 Canadian Rocky Mountains is an institution presence felt in Banff since 1973, working as known as The Banff Centre - a genuine haven “visiting artists” and collaborating with the President’s message 2 for artists. The Centre is a place renowned for jazz participants in the residency programs. its professional development programs for This year, the tradition continues with artists of all disciplines, including visual and renowned composer Maria Schneider joining FEATURE: Time: One of 3 media arts, theatre arts, writing and publishing, Hugh Fraser in the 2nd annual Jazz Orchestra The Fundamentals aboriginal arts, and of residency. Dave Douglas, course, music. The Jim Black, Chris Potter, Canadian Sister in Jazz 4 music programs at the Ari Hoenig, and Django Centre began in the Bates join artist-in- 1930’s with programs residence Kenny Werner FEATURE: The Musician’s 5 offered in the during the jazz Need for Awareness: Part 2 summer, and in 1979, workshop. the year-round music What makes all the programs were music programs at Young Women of Note 7 established. Since The Banff Centre then, countless Maria Schneider unique is not only conducting the jazz musicians (both estab- excellent faculty Institutional Update 8 orchestra, May 2001 lished and emerging) and top-notch have walked through the doors - including facilities, but also Regional News 9 composers, solo performers, ensembles, singers, the countless and of course, jazz musicians.
    [Show full text]