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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Commercial Radio Awards (Acras), Announced This Evening at the Royal International Convention Centre in Brisbane
MEDIA RELEASE 19 October 2019 Jonesy & Amanda win Best On-Air Team FM at Radio Awards Successful WSFM breakfast hosts Jonesy and Amanda (Brendan Jones and Amanda Keller), have been crowned Best On- Air Team (Metro FM category) at the 31st Australian Commercial Radio Awards (ACRAs), announced this evening at the Royal International Convention Centre in Brisbane. The win caps off a great year for the much-loved duo, who have notched up 14 years on air together and previously won the coveted award in 2012 and 2014. 2GB’s drive time host Ben Fordham won Best Talk Presenter for the fifth time and 2GB morning presenter Ray Hadley was awarded Best Current Affairs Presenter, bringing his career tally of ACRAs to 33 across all categories. The Best On-Air Team (Metro AM) was won by Afternoons with Erin Molan & Natalie Peters, the first female duo to host a news/talk show on 2GB and the first all-female team to win this award in ACRAs history. NOVA’s popular drive show Kate, Tim & Marty won Best Networked Program and Best Syndicated Australian Program. Best Entertainment Presenter went to Triple M funny man Lawrence Mooney, while Rebecca Morse, half of Hit107 Adelaide’s new breakfast duo Bec & Cosi, won Best Newcomer On-Air. Winners of other major awards included: Best Sports Presenter – Peter Sterling (Triple M, Sydney) Best Music Presenter – Kent “Smallzy” Small, Nova Network Best Community Service Project – Kennedy Molloy’s trip to Yuendumu for Red Dust, Triple M. Best News Presenter (Metro AM) – Mel Usher, FIVEaa, Adelaide Best News Presenter (Metro FM) – Ange Anderson, Nova 106.9 Brisbane Brian White Award for Radio Journalism - Matthew Pantelis, FIVEaa, Adelaide Best Music Special - Carrie Bickmore & Tommy Little, Southern Cross Austereo Best Original Podcast (Unbranded) – Hamish & Andy, PodcastOne Australia. -
Commercial Radio
MEDIA RELEASE 20 AUGUST 2017 Digital radio finalists announced for 2017 Radio Awards The finalists in the 29th annual Australian Commercial Radio Awards (ACRAs) were announced today and Coles Radio (NOVA Entertainment), Buddha Radio (Southern Cross Austereo), Oldskool (Southern Cross Austereo) and Elf Radio (Australian Radio Network) are in the running for the Best Digital Radio Format award. The biggest names in radio will battle it out for the hotly contested Best On Air Team in both the AM and FM (Metro) categories. Last year’s winners in the FM category Kate, Tim and Marty (Kate Ritchie, Tim Blackwell & Marty Sheargold, Nova Entertainment) are amongst the finalists that include, five-time winners Kyle Sandilands and Jackie Henderson, (The Kyle and Jackie O Show, KIIS 1065, Sydney); three-time winners Hamish Blake and Andy Lee, who have announced they are leaving radio at the end of 2017 (The Hamish & Andy Show, Hit Network); Fifi, Dave, Fev & Byron (Fifi Box, Dave Thornton, Brendan Fevola & Byron Cooke, Fox FM, Melbourne); Chrissie, Sam & Browny (Chrissie Swan, Sam Pang, Jonathan Brown & Dean Thomas, Nova 100, Melbourne) and Hughesy & Kate (Dave Hughes & Kate Langbroek, KIIS Network, ARN). The Metropolitan Best On Air Team AM title will be a contest between last year’s winner, Nights with Steve Price (Steve Price & Andrew Bolt, 2GB, Sydney); The Big Sports Breakfast with Slats & TK (Michael Slater & Terry Kennedy, Sky Sports Radio, Sydney); Breakfast with Steve Mills & Basil Zempilas (6PR, Perth); The Continuous Call Team (Ray Hadley, Bob Fulton, Darryl Brohman, Erin Molan, David Morrow, Mark Riddell, Chris Warren & Mark Levy); 2GB, Sydney NSW, Macquarie Media Limited and Breakfast with David Penberthy & Will Goodings; (FIVEaa, Adelaide, NOVA Entertainment). -
CHRISTINA 'BINA' PALLOT Production Manager / Production Coordinator M: +61 414 312 478 E: [email protected] DOB: 4 September 1987 Citizenship: Australian
CHRISTINA 'BINA' PALLOT Production Manager / Production Coordinator M: +61 414 312 478 E: [email protected] DOB: 4 September 1987 Citizenship: Australian October 2020 - July 2021 PIECES OF HER Made Up Stories / Netflix Production Coordinator Drama Series produced in Sydney, Australia Executive Producers: Charlotte Stoudt, Minkie Shot on Location in Sydney, Australia Spiro, Janice Williams, Bruna Papandrea, Steve Hutensky, Casey Haver, Lesli Linka Glatter Line Producer: Louisa Kors Unit Production Manager: Angelique Badenoch January 2020 - May 2020 FIRST WARS Blackfella Films / SBS Production Manager Documentary Series produced in Sydney, Australia Producer: Darren Dale To be shot on Location all over Australia (Pre-Production only) Series Producer: Jacob Hickey Director: Rachel Perkins November 2019 - December 2019 PETER RABBIT 2 ADDITIONAL PHOTOGRAPHY Sony Pictures Production Manager Feature Film produced in Sydney, Australia Producers: Zareh Nalbandian & Will Gluck Shot on Location in Sydney, Australia Executive Producers: Jodi Hildebrand, Jonathan Hludzinski & Doug Belgrad Executive Producer / Line Producer: Tatts Bishop May 2019 - November 2019 HALIFAX: RETRIBUTION Beyond / Channel 9 Production Coordinator Drama TV Series produced in Melbourne, Australia Executive Producers: Roger Simpson, Shot in a converted warehouse (to a studio) in Melbourne and Mikael Borglund & Rebecca Gibney on Location around Victoria, Australia Producer / Line Producer: Louisa Kors Production Manager: Ben Grogan November 2018 - April 2019 PETER RABBIT 2 Sony -
Shane Bourne
Shane Bourne Actor, Comedian, Presenter & MC Shane Bourne is a master of stand-up and one of the most talented comedians in the country. He is host of the top rating comedy show, Thank God You’re Here and the Australian drama, City Homicide for the Seven Network. Shane made his debut appearance on television at age 10, performing on the Happy Hammond Show as ‘Shane Bourne and his Miming Prawns’. His career was boosted when he won his heat on New Faces in 1972 and, following in his father’s footsteps (Stan Bourne ‘King of the Goldcoast’), appeared on The Graham Kennedy Show and The Paul Hogan Show. He cemented his place as one of Australia’s favourite comedians on ‘Hey Hey It’s Saturday’, presenting the hilarious ‘Great Aussie Joke’ segment with his mate, the late Maurie Fields. However, Shane is also a respected actor. The early 80s saw him perform in numerous guest roles on such shows as ‘Cop Shop’, ‘The Sullivans’ and ‘Prisoner’. He played a salesman extraordinaire in the Australian version of ‘Are You Being Served‘ and starred in the sitcom Bingles. A career highlight for Shane was working with Steve Martin on his play Picasso at the Lapin Agile, which played to audience and critical acclaim in both Melbourne and Sydney, with Shane in the leading role. Shane Bourne is a versatile performer with consummate skills and is held in extremely high regard by colleagues, clients, and comedy-lovers nationwide. His vast experience and relaxed stage presence make him an ideal MC or comedian at any function. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
October 2008 Comedy Channel Highlights
www.comedychannel.com.au OCTOBER 2008 HIGHLIGHTS THE MERRICK & ROSSO SHOW WORLD PREMIERE Thursday October 2 @ 8.30pm Continues Thursdays at 8.30pm Merrick and Rosso are back on the box where they belong, with the keys to the Foxtel car - and enough fuel in the tank to really cause some chaos! They’ll finally return to their broadcasting birth place at The Comedy Channel with THE MERRICK & ROSSO SHOW. So what’s on the cards for the new show? Each week the boys will front up before a live studio audience with their unique take on anything and everything. From what’s happening in the world of news to the big questions: Can you deep fry a watermelon? On THE MERRICK & ROSSO SHOW, celebrities will make regular guest appearances from in-studio interviews to recorded comedy pieces to show you a side of them never before seen. Into the mix will go plenty of studio audience interaction and more mayhem and stupidity than is legal in three states. For perhaps the first time, Merrick Watts and Tim Ross will truly focus the energy and excitement of their legendary sell-out live comedy shows and bring that force to the electric television. It’s hotter than Gordon Ramsay’s kitchen, is sure to top Brendan Nelson’s approval ratings and it’s ‘wronger’ than an Austrian family get-together. THE MERRICK & ROSSO SHOW will allow nobody to be immune from their parodies and sketch comedy. Finally, as Merrick and Rosso are keen to point out, “Put simply, the show is Morcambe and Wise meets The Star Wars Christmas Special at an Alcoholics Anonymous meeting during The French Renaissance… on a weeknight.” Buckle up Australia, for a riotous half hour of THE MERRICK & ROSSO SHOW. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
04 Part Two Chapter 4-5 Everett
PART TWO. "So what are you doing now?" "Well the school of course." "You mean youre still there?" "Well of course. I will always be there as long as there are students." (Jacques Lecoq, in a letter to alumni, 1998). 79 CHAPTER FOUR INTRODUCTION TO PART TWO. The preceding chapters have been principally concerned with detailing the research matrix which has served as a means of mapping the influence of the Lecoq school on Australian theatre. I have attempted to situate the research process in a particular theoretical context, adopting Alun Munslow's concept of `deconstructionise history as a model. The terms `diaspora' and 'leavening' have been deployed as metaphorical frameworks for engaging with the operations of the word 'influence' as it relates specifically to the present study. An interpretive framework has been constructed using four key elements or features of the Lecoq pedagogy which have functioned as reference points in terms of data collection, analysis and interpretation. These are: creation of original performance material; use of improvisation; a movement-based approach to performance; use of a repertoire of performance styles. These elements or `mapping co-ordinates' have been used as focal points during the interviewing process and have served as reference points for analysis of the interview material and organisation of the narrative presentation. The remainder of the thesis constitutes the narrative interpretation of the primary and secondary source material. This chapter aims to provide a general overview of, and introduction to the research findings. I will firstly outline a demographic profile of Lecoq alumni in Australia. Secondly I will situate the work of alumni, and the influence of their work on Australian theatre within a broader socio-cultural, historical context. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction -
“If I See a Red Carpet
“IF I SEE A RED CARPET, Nadine Garner reminisces about the years she and Kylie Minogue were just Kids, and reveals that acting for adults is equally rewarding... and no less treacherous Photography CAMERON GRAYSON Styling IRENE TSOLAKAS Interview SIOBHAN DUCK adine Garner has seen and heard plenty series – was a blow for the single mother of two. “It was the most during her three-plus decades in showbiz. I was ever going to be earning,” she says. “I thought, ‘Oh my god… When she was 14, co-star Kylie Minogue everything is going to turn around!’ But nothing is guaranteed. introduced her to the music of Prince, the “I think we are at the very beginning of a new way of behaving Violent Femmes and Donna Summer on across all industries. And ours needed to be looked at – no doubt. the set of their TV series The Henderson Kids It still does; nothing is fixed here. We still have a systemic and turned her on to fashion with regular vulnerability in our industry for people to be taken advantage of.” excursions to Melbourne’s Camberwell Sunday Market. Despite her disappointment over the show’s demise, Garner NFor her second movie, Disney’s Bushfire Moon, she worked is supportive of the changes that are starting to take place: alongside veteran actor Charles “If you’ve got a menace in the “Bud” Tingwell; she’d later star in workplace [it needs to be dealt with]. a nationwide production of Cabaret And I know many actresses who have for a year as it travelled Australia.