DOCSLIB.ORG

Network Atlas by Geza Perneczky

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Network Atlas by Geza Perneczky Géza Perneczky NETWORK ATLAS Works and Publications by the People of the First Network Volume 1: A - N A Historical Atlas for the Post-Fluxus Movements as Mail Art, Visual Poetry, Copy Art, Stamp Art & Other Relative Trends with Addresses, Projects, Publications & Exhibition Events (Unedited manuscript for letter size) * Update: April 2003. © Geza Perneczky Soft Geometry, Cologne It's very important for me to say that I consider my occupation as an artist as very small and insignificant but at the same time as one of great dignity. I mean the refusal to accept compromisses with power, no matter of what kind it is, and the rejection of the use of art and the artistic work as its instrument... Es muy importante para mí expresar que el ejercicio de mi profesión artística lo veo como una actividad muy modesta, pero con mucha dignidad a la vez. Me refiero a la actitud de rechazo de todo compromiso con el poder, cualquiera que sea, y de la utilización de la actividad creadore como instrumento de él... Es ist für mich sehr wichtig zu sagen, daß ich meine künstlerische Tätigkeit als sehr bescheiden betrachte, gleichzeitig aber als eine von großer Würde. Ich meine damit das Zurückweisen von Kompromissen mit der Macht, egal welcher Art sie ist, und das Zurückweisen der Benutzung der Kunst und der künstlerischen Tätigkeit als ihr Instrument... (Guillermo Deisler: Some events... ) 1 a Collective de Arte Postale» Faculdade de Filosofia. Arapongas Brasil 1978 → °1 a Collective de Arte Postale. Doc. List of 29 parts. 1978 «A 1. Waste Paper Comp. Ltd.» (Hazel Jones & Michael Leigh) → Leigh !Aakoun, Pjotr Dr.! (Peter Moreels) 6 rue de la Croix Rouge. Pecq, B-7740 Belgium 1992 ↑ Changed addresses, the order of which is not clear: 6 rue Sainte Caip, 18 rue des Soeurs Noires, nc 84 Chausse de Renaix, 5 Terasse de la Modeleine, all in Tournei, B-7500, ............................................................................................................................................................. ^Ekstraktion (Mail Art magazine, after the start in the form of unbound or stitched A/5 assembling, ~20 p. 30-100 copies, 1984-, ir.) ^#1, #3, #1984, #Nov, 1985 ^Frenetic. Un simply regard (Mag. Mail Art compilation. A/5. phc., 16 p. 1985-, ir.) ^#1 ^Collective Brainwash (A/5 assembling in envelope {30}, 1986, #1 only?) ^#1 Our Brains in Blue Water (June 1986, 23 parts.) ^Invitation to the 2nd issue (not realized): Agri-Culture Aarssen, Ruud v. / Joseph, Robert / → Rook, G. J. de, Van Dortmondnstr. 19. Arnhem, Netherlands 1971 Bloknoot (Mag. with visual poetry & concept art, also assembling issues {125-150}. U D, Mayor, H. W. Kalkmann, P. Finch, J. Valoch, M. Nannucci, C. Padín, J. Urban, P. Stembera & others. A/4, offset, ~100 p. or: A/4 material collected and fixed into letter files of 35x25 cm. 1970-72, 3-4x yearly?) Abajkovics, Péter → Leopold Bloom Abbot, Steve 545 Ashbury, N° 1. San Francisco, CA-94117 USA 1981 ^Soup. A pineering journal of newest development in writing & the art. (A generous edited magazine with many visual matter. Cut A/4, offset, ~50 p. 1981-, y?) ^#2 Ackerman, Al (!Blaster!) 425 East 31st St. Baltimore, MD-21218 USA 1997 ↑ 2407 Maryland #1. Baltimore, MD-21218 -“- 1995 ↑ 208 Rout St. San Antonio, TX-78209 -“- 1990 ↑ 137. Burr Rd. San Antonio, TX-78209 -“- 1988 ↑ P. O: Box 15035 San Antonio, TX-78212 -“- 1985 ↑ 1220 SE. 30 Portland, OR-97214 -“- 1978 ↑ 2623 S. E. Belmont Portland, OR-97214 -“- 1975 ............................................................................................................................................................. ^The Laughing Postman (Mag. Each issue focused on a specific aspect or personality of Mail Art. A witty contribution to problems and theories of under- ground art trends. Letter, phc., ~10-20 p. 1975-81?, #1-8?) Portland ^#11 ^Maître Ling & autres histoires. (Prose, translated by Philippe → Billé, 80 p.) La Tête Reposée, Plein Chaut, Bassac, F-16120, 1975 ^Ask Ling (Mag. in the form of series of open letters to friends and artists, Letter & digest size, phc., ~4-20 p. 1980-, irregular numbering!) San Antonio ^#37, 38, 45 Confessions of an American Ling Master (6 stories including the Bread Doll Fancier / In Hellish Benares / The Squid Boys of Terre Haute. Book, Publishers Group South West – Allihies, Bantry, West Cork, Ireland, 1984) +Smile (Mag. with handmade cover, 1984, #1) Neoist Study Centre, San Antonio ^Emils 69 (Smile mutant [anagramm] by !Dr. Emil Steiner!, digest, phc., 12 p. 1984? #1), Portland ^The Wire (Mag. Smile mutant. Digest, phc., 18 p. 1984, #1 only?) Editor: !Sharon Wysocki! Progressive Press. 7320 Colonial, Dearborn Heights, MI-48127 ^Birk Neark. Karen Eliot's own magazine. (Mag. A pamphlet about the → Smile mania. Digest, phc., 20 p. 1985? #1) Mad Dog Press / San Antonio Rotational Situationism. „Levi-Strauss“ Style (Essay) In: PhotoStatic (→ Dunn), N° 40, Dec. 1989, 1509-1511 p. ^Proud Cray (Prose, 28 p.) → Feh! Press, New York, n.d. (~1993-94) ^The Blaster Al Ackerman Omnibus (Collected texts, 228 p.) → Feh! Press, 1995 U → Neoism / Literature: István → Kántor: Some of the Monty Cantsins. ~ Source: (Gerald Simonsen's letter to Géza Perneczky): « ...The guy has published over 5000 different magazines in the past 20 years, always works while hearing a Ling Pillow case over his head through which he constantly slumps slurps Mogan David wine, holds several degrees in philosophy and mathematics, smokes Fatima cigarettes, runs a clinic for disturbed people out the back of his house, and sleeps in a coffin. I have know the good Doctor for nearly 20 years. I even testified as a character witt- ness at the trial. In the past several I have worked for him as a bodyguard when he has found it nessary to travel. Lectures, autograph parties, ect. I hope this helps you in what ever you are looking for...» (1775 Cliff Rd. Eagan MN-55122, July 12, '89) Al Ackerman: Letter to Géza Perneczky, Dec. 30, 1988. Quoted in: Perneczky: A Háló. Ed. Héttorony, Budapest, 1991. (Original English text: 299-230 p.) and Géza Perneczky: The Magazine Network. The trends of alternative art in the light of their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993.179 p. Reprinted in: The Blaster Al Ackerman Omnibus, 1995, 121-122 p. In this letter, Ackerman describes his very intensive small magazine editorship activity and mentions the following titles: Gnom Club News, Clark Ashton Smith Fellowship Newsletter, Scientific Electri- city, The Gulf Bulletins, The Other Room Magazine, Drunkard R.N.S., Dummysm, 14 Secret Masters of the World Intelligencer, Oral Suctions Magazine, White Worm Review, Harry Bates Club Magazine, Do You Have Crabs?, Wire, Edgar Allan Poe Inspirator, Ask Ling, Davy Crockett's Misteryous Son, Unowned Worlds, The Keeper, Whap!, Hidden Love Romances, The Shrunken Heads Collector, Moon- head News, Parking Lot Reporter. Al Ackerman: Lettre à Géza Perneczky / Lettre à Philippe Billé In: Maître Ling & autre histoires. Translated into French by Ph. Billé. La Tête Reposée / Plein Chant, Bassac, F-16120, 1995. 69-71 and 72-73 p. Literature: John Held Jr.: Al Ackerman (An interview of the almost mythical mailartist) In: N D, # 15, 1991. 29-33 p. Géza Perneczky: The Magazine Network. The trends of alternative art in the light of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. «...As for the people sharing my mailbox, yes, I have a few aliases. It has been suggested that I attend Pseudononymous Anonymous on a frequent basis. The Blaster (→ Ackerman) recently sent me a suitable annotated copy of the most recent issue of the Multiple Personality Disorder Journal. This is wild exaggeration. There is Edward R. Gonzo, the Slightly Warped journalist. There is also Ace The Postcard Pal, which was an accidental postle wraparound of the name of the shop I owned, The Postcard Palace. He is a collector of Kalkala and exaggeration postcards. Some names were given to me; Wingo Fruitpunch... Any Salyer gifted me with Rasta Bob Gnarly... Sidney Lurcher comes into play as the excruciatingly bad poet... Felino Zepellini was created for my Italian-American Correspondents... (Ruud → Janssen: Mail-Interview with Rudi → Rubberoid. TAM-960140. 1996) Vittore → Baroni: Al Ackerman. In: Arte Postale. Guida al network della corris- pondenza creativa. (Text: Italian) AAA Editori. Bertiolo, 1997. 120-121 p. «Adalbert Stifter Verein» Hochstrasse 8 München, D-818669 Germany 1991 ^Böhmische Dörfer, Cat.: 23x17 cm., offset with 16 colour images, 64 p. Exh.: Ostdeutsche Galerie, Regensburg / Museum, Cesky Krumlov. 1991 Adams, Jim c/o Kwantlen College, Box 9030 Surrey, V3T 5H8 Canada 1992 ^UFO Celebration. Inv. 1992 Adamus, Karel Dudelská 685 / 13. Trinec VI. CZ-739 61 Czech 1990 ↑ 689 š 13. / Okr. Frydek-Mistek Trinec VI. Czechoslovakia 1984 ↑ 739 61. / Okr. Frydek-Mistek Trinec VI. CS-685 13 -“- 1978 ............................................................................................................................................................. Envelope works by cuting, punching & collageing, all in size of 11x22 cm. horz., used as correspondence material from 1970-1972 ~ Literature: Karel Adamus: Poems Pictures. In: Und, #8. (→ Käsmayr) Edition & Verlag Boczkowski, D-3500 Kassel, Kirchhainer Strasse 3. 1971. Adler, Jeremy (The Nat. Poetry Centre) 21 Earls Copurt Square, London, SW5 United Kingd. 1974 A, AB, ABC... (Unbound envelope mag. for vis. poetry with a title that expands from issue to issue. A/4, phc. & offset, 1974?-, ir.
Load more

Recommended publications
  • Dick Higgins Papers, 1960-1994 (Bulk 1972-1993)
    http://oac.cdlib.org/findaid/ark:/13030/tf1d5n981n No online items Finding aid for the Dick Higgins papers, 1960-1994 (bulk 1972-1993) Finding aid prepared by Lynda Bunting. Finding aid for the Dick Higgins 870613 1 papers, 1960-1994 (bulk 1972-1993) ... Descriptive Summary Title: Dick Higgins papers Date (inclusive): 1960-1994 (bulk 1972-1993) Number: 870613 Creator/Collector: Higgins, Dick, 1938-1998 Physical Description: 108.0 linear feet(81 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: American artist, poet, writer, publisher, composer, and educator. The archive contains papers collected or generated by Higgins, documenting his involvement with Fluxus and happenings, pattern and concrete poetry, new music, and small press publishing from 1972 to 1994, with some letters dated as early as 1960. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Dick Higgins is known for his extensive literary, artistic and theoretical activities. Along with his writings in poetry, theory and scholarship, Higgins published the well-known Something Else Press and was a cooperative member of Unpublished/Printed Editions; co-founded Fluxus and Happenings; wrote performance and graphic notations for theatre, music, and non-plays; and produced and created paintings, sculpture, films and the large graphics series 7.7.73. Higgins received numerous grants and prizes in support of his many endeavors. Born Richard Carter Higgins in Cambridge, England, March 15, 1938, Higgins studied at Columbia University, New York (where he received a bachelors degree in English, 1960), the Manhattan School of Printing, New York, and the New School of Social Research, 1958-59, with John Cage and Henry Cowell.
    [Show full text]
  • Mal K ART NEWS
    MAl k ART NEWS If you would like to display work at the exhibition, send your artistamps to Artistamp Congress, The Stamp 2080 artists postcards in 2080 days, one by one Art Gallery, 466 - 8th St., San Francisco, CA 94103. handmade in a rich variety of themes and techniques by Work will not be returned, but all entering will obtain Angela and Peter Netmail and mailed out derring the last documentation from the exhibition, including a list of 20000 days of this millenium equals a unique project of names and addresses of all participating artists. inail as art In the long tradition of artists postcards which Running concurrently with the Pacific Rim Artistamp st:u.tocl soon after the invention of the "correspondence Congress exhibition, the Stamp Art Gallery will be card" over 100 years ago. This includes lots of hosting the exhibition, Fe-Mail Adlstampers, which ~tehvorkingevents and homages to other mail artists. will display the work of over 100 artists ( 4 January - 28 ?'he collection was shown for the first time in Holland as February 1997). For further information, contact John an "exhibition in progress" with a new add-to daily. The Held, Jr., Artistamp Congress, Stamp Art Gallery, 466 - Netmails are looking for more exhibition sites. Please 8th St., San Francisco, CA 94103. let them now if you are interested in showing this singular collection. Mail to Angela & Peter Netmail, An exhibition by Emiko Shimoda at the Bruce R. Lewin P.O. Bo:< 2644, D-32383 Minden, Germany. Gallery in New York City shows portraits of people with smiles--much like the portraits E.
    [Show full text]
  • 3, PDF File, 15.1 MB
    79 0849 Attack Wace 2. A4 phc. after a collage work on a ruled paper. Marked by a studio stamp. (~1985) 0850 Europeans cry... A4 phc. after a collage on squared plotting paper. Marked by studio stamp. (~1985) 0851 The Year... A4 phc. after a collage on squared plotting paper.Marked by a studio stamp. (~1985) 0852 !Pelas! A4 phc. after a collage work on a ruled paper. Marked by a violet studio stamp. (~1985) 0853 0855 BANG. A4 phc. after a collage work on a ruled paper. Marked by a violet studio stamp. (~1985) 0854 Reagen & Co. A4 phc. after a collage work on a ruled paper. Marked by a studio stamp. (~1985) Esting, Paul. Nordtoft 13, Aalborg, DK-9000 0855 The Look. A4 size full page, recto-verso printed xerography after collage works. Marked by a studio stamp. (1985) Evans, John. 199 East 3rd Street #2B, New York, NY-10009 0856 Soho NYC – Alhambra. Letter-size Canon Laser Print after an original to Guy Bleus. Copied signature and date: 24 Mai 1993. Numbered by pencil: 7/11. 0856 Back: handwritten data by Evans. 0857 Long-size envelope with butterfly rubber stamps, sent to GP. 01:06:93. Back: elaborated by rubbers. Fallico, Arturo G. 22700 Mt. Eden Road, Saratoga, CA-95070 0858 Ray Johnson Mail Art. Postcard by B/W phc. after a collage. Back: Signed letter to GH., 01:05:85 0858 80 0859 X 9 Cuidado. Postcard by B/W phc. after a collage Back: dedicated and signed to GH. Not used for mail. (~1986) 0860 TRAX.
    [Show full text]
  • F a St, C H Eap & Ea
    Fast, Cheap & Easy 2018 The Copy Art Revolution CEPA GALLERY’S HISTORY Founded in 1974 during an intense period of creativity and artistic exploration in Buffalo, CEPA Gallery is Western New York’s premiere visual arts center. One of the oldest photography galleries in the nation, CEPA remains an artist-run space dedicated to the advancement of contemporary photo-related art. Throughout its history, CEPA has earned international acclaim for its unique array of visual arts programming and dedication to the artistic practice. Recognized as one of the most relevant and important alternative art spaces in the United States by the European Journal of Media Art, CEPA’s Visual Arts program curates world-renowned exhibitions; its organizational structure is celebrated for efforts to maximize resources through collaboration; and its educational programming is recognized among the best in the nation having earned a 2013 National Arts & Humanities Youth Programming Award. Each season, CEPA brings an impressive roster of national and international artists into Erie County for exhibitions, public art initiatives, residencies, educational and community-based programming. The projects CEPA commissions give voice to marginalized communities, promote diverse ideas and perspectives, and help to increase dialogue around issues pertinent to local audiences. Its commitment to serving artists and the artistic practice, to engaging new constituencies with exhibitions and installations of importance is continual- ly recognized and celebrated. CEPA’s unique ability to mutually serve the interests of working artists, WNY’s diverse communities, and international audiences is what separates it from other cultural organizations and is the reason for its continued success and growth.
    [Show full text]
  • Crackerjack Kid * P.O.Box 978 * Hanover * NH 903755 USA
    EDITORIAL Toda la información recogida en estas páginas ha sido extraida via Internet del Electronic Museum of Mail Art, ver en estas mismas páginas las formas de acceso, como la información es totalmente gratuita, en el caso de hayas comprado este P.O.BOX solo estás pagando el precio de coste de las copias. Para dirigirse via postal al EMMA, escribir a: Crackerjack Kid * P.O.Box 978 * Hanover * NH 903755 USA Merz Mail Welcome to Electronic Museum of Mail Art (EMMA) Welcome visitors to EMMA, The Electronic Museum of Mail Art. Your guide and director at EMMA is Chuck Welch a.k.a. Crackerjack Kid. EMMA is mail art's first electronic maiibox museurn wliere the address is ttie art, the web is your key, and admission is free. Tlie nonprofit credo at EMMA is: You don't make a iiving out of mail art, you make an art out of iiving. Objectives at EMMA are: 1) introduce the electronic and (snail) mail art cornrnunities to one another; 2) develop the concept of ernailart; 3) Encourage emaiiart interactivity through visitations into EMMA's rooms, gaileries, and iibrary; 4) promote irnage exchange. EMMA's objectives reflect ongoing efforts to netlink online and offline mail art communities through the Netwarker Telenetlink 1995. i EMMA encourages you to browse through its interactive gaiieries and rooms. Lost? Begin at the Information Center and browse through EMMA's Directory. Here you'll tind the Emailart Directorv which iists current addresses of oniine emaiiartists. Now take time to meet your guide Cracker-iack Kid. The kid will lead you to the EMMA Libraq where you can read emailart zines such as the current issue of whnker Online, or browse through the contents of Eiernal Network: A Mnil Arr Antholopv.
    [Show full text]
  • Canadian Philatelist Philatéliste Canadien
    The Canadian Philatelist Le Philatéliste canadien September/October 2010 septembre/octobre - VOL. 61 • NO.5 PM40069611 $5.00 R 9828 5,00$ Journal of THE ROYAL PHILATELIC SOCIETY OF CANADA Revue de LA SOCIÉTÉ ROYALE DE PHILATÉLIE DU CANADA Roadside Curiosités Attractions touristiques The trek continues Le voyage se poursuit From a 7.3-metre-tall coffee pot and a top-hat-clad rock to a Qu’il s’agisse de la cafetière géante de 7,3 mètres, du rocher surplombé giant Atlantic puffi n and the enormous steel Wawa Goose— de la mascotte en haut-de-forme ou du gigantesque macareux moine these lively and colourful stamps and collectibles will show you géant, ou encore de l’énorme bernache en métal de Wawa, découvrez, what the attraction is about! grâce à ces timbres riches en couleurs et animés, ainsi qu’aux articles The second set in the popular Roadside Attractions series hits de collection, ce qui suscite tant de curiosité au pays! the road on July 5, 2010. Le deuxième jeu de la populaire série Curiosités touristiques prend la Order yours today! route le 5 juillet. Commandez vos curiosités dès aujourd’hui! 28 Offi cial First Day Cover Set of 4 postcards 16 $ 3 Pli Premier Jour offi ciel Jeu de 4 cartes postales $ 7 413767131 262235 56 Booklet of 8 self-adhesive stamps Souvenir sheet 28 $ 4 Carnet de 8 timbres autocollants Bloc-feuillet $ 2 413767111 403767145 Available at participating post offices or | Offert dans les bureaux de poste participants ou Canada / U.S. | Canada / É.-U. : From other countries | d’un autre pays : 1 800 565-4362 902 863-6550
    [Show full text]
  • 2, PDF File, 14.0 MB
    1 Aakoun, Piot. 18 rue des Soeurs Noires, 84 Chausée de Renaix, Tournai, B-7500 0001 Trans Formation. Card by collage work, elaborated recto- verso. Colours: red, grey, silver. Typewritten texts, n.s., n.d. (~1985) 0002 A New Collective Brainwash: Agri- Culture. A5 paper work by rubber stamp, golden pen & collage. Marked by stamp on the back., n.d. (~1985) 0001 Abramovits, Marina / Ulay. Amsterdam. 0003 Eindeloze Projektie, De Appel, 1979. Horz. A4 sheet, recto-verso print, 2 half- tone offset images (after photos). N.s. Adamus, Karel. 0005 Dudelská 685 / 13, Trinec VI. CZ-739 61 0004 Envelope work with burned holes. 11x22 cm. white cover with printed insert. Back: Signed, dated by pencil: 1970 0005 Envelope work with punches and typewritten accents. 11x22 cm. white cover with colourful insert. Back: Signed, dated by pencil: 1970 0006 0006 Envelope work with connected punches. 11x22 cm. white cover with red /blue / yellow insert. Back: Signed, dated by pencil: 1970 0007 Envelope work with a large round hole. 11x22 cm. white cover with a pasted on printed matter insert. Back: Signed, dated by pencil: 1971 0008 Envelope work with a large round hole. 11x22 cm. white cover with pasted on orange matter insert. Back: Signed, dated by pencil: 1971 0009 Konfrontation. 8x8 cm. collage work with transparent foils and black twine. Title by letraset. N.s. (1971) 0009 2 0010 Ein Apfel und eine Birne. 8x8 cm. collage work with holed transparent foils. Text by letraset. N.s. (1971) 0011 Das Buch des/der räumlichen... 8x8 cm. collage work with holed transparent foils and letraset.
    [Show full text]
  • I Art Mekka Minden
    ING HHAS CHANGED MY nunor it The network me a publisher and an archivist. I Art Mekka Minden Quite sometimes, however, I am dissatisfied with the vast impersonal mail art trash in the form of a bad copy of a copy of a copy (that has nothing to do with the theme of your I got infected with mail art by English goet David "Don" of interpersonal communication). In my Jarvis, when we were our poetry each at the own catalogs, I am still polite enough to enter every sender's National Poetry Society n. He tried to sell me a few name in the participants' list of each of the projects I do. But pages of congraaations from all over the world, on the the color pages in our catalogs are reserved for serious the 90th birthday of "Quercus Robur", i.e. the contributions. There is a need for beauty in mail art. Our for the oaktree, which faces his color-xerox- common avantgarde form means not only mail, but also art. equipped council flat. Innocent me bought those photocopies That does not imply censorship, but a desire for minimum for a horrific sum to help "make up for the postage". No quality. Another source of frustration, in turn, are many other phrase has ever influenced my life mare. I used the donunentationsthat I receive myselfas participant: all those fascinating participants ' list for my first Itlail art caIl "No years I have contributed my own mail art to other projects. War in my City". Off the cuff, it brought me over 400 Meanwhile reliability has become an important issue to me.
    [Show full text]
  • Jean-Noel Archive.Qxp.Qxp
    THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs.
    [Show full text]
  • Photographic Periodicals A-D ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA
    ANDREW Elist 34: Photographic PeriodicalsPHOTOGRAPHY A-D 1 Elist 34: Photographic Periodicals A-D ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA Terms: All items are offered subject to prior sale. A phone call, email or fax insures availability. Shipping and insurance charges are additional. Returns are accepted for any reason within ten days of receipt; we request notification in advance. All items must be returned in the exact condition in which they were received. Library and Institutional billing requirements will be accommodated. Customers new to us are requested to send payment in advance or provide references. For your convenience we also accept payment by Visa, MasterCard, American Express, and PayPal. Ohio customers will be charged the applicable sale tax. Overseas customers please note: all items will be shipped via insured priority airmail unless otherwise requested. A statement will be sent under separate cover and we request payment in full upon receipt. We accept payment by bank transfer, a check drawn upon a U.S. bank in dollars, or via credit card. This list represents just a small portion of our stock. If there are specific items you are seeking, we would be pleased to receive your desiderata. We hope you will keep in mind that we are always pleased to consider fine individual items or entire collections for purchase. To receive our future E-Lists and other notifications, please send us your email address so we can let you know when a new list is available at our website, cahanbooks.com. PO Box 5403 • Akron, OH 44334 • 330.252.0100 Tel/Fax [email protected] • www.cahanbooks.com 1.
    [Show full text]
  • Coffee Clutch 2 Draft 1
    Name: _____________________________________________________ Date: _______ Coffee Clutch 2 draft 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Across 33. German artist known for collages 13. A ticket in Spain 5. Term for the margin between the edge of a stamp 36. Tree portrayed on the flag of Cascadia 14. Humorous use of words alike or nearly alike in design and perforations 38. Country name of a 1974 artistamp by Jas Felter sound but different in meaning 6. Name on artistamps issued by 41 39. Mail artist founder of Padma Press who now lives 16. A method of creating images or effects by passing 7. He assembled Fluxus Postal Kits in the 1960's in Arizona paper or canvas over a smoking candle 11. Nickname for the late artist Al Ackerman 40. Artist movement critiquing reason through 17. London street artist who stages miniature figures in city settings 12. Name for a public transit bus in Buenos Aires techniques exploiting unpredictable outcomes 41. Independent country of the late mail artist Harley 19. Artistic technique of reassembling reality by 15. Wealthy Italian noted for self-historification and cutting sections from an existing image to create a new issuing "International Postage" Down one 18. Archipelago created by Seattle mail artist Robbie 1. French artist who said "Pick up anything at your 22. Name on artistamps created by Canadian mail Rudine (two words) feet." artist Jas Felter 20.
    [Show full text]
  • Copyright by Madelyn Kim Starbuck 2003
    Copyright by Madelyn Kim Starbuck 2003 The Dissertation Committee for Madelyn Kim Starbuck Certifies that this is the approved version of the following dissertation: Clashing and Converging: Effects of the Internet on the Correspondence Art Network Committee: John Slatin, Supervisor DeLayne Hudspeth Allucquére Rosanne Stone Oscar Mink George Culp Clashing and Converging: Effects of the Internet on the Correspondence Art Network by Madelyn Kim Starbuck, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2003 Dedication To the memory of Ray Johnson and in celebration of the Correspondence Art Network past, present, and future. Acknowledgements I gratefully acknowledge the many correspondence artists who generously contributed their interviews, their art works, and their review of parts of this study. Warm thanks to Anna Madrona and Knut Graf for critical path direction and to honoria, my artist identity. v Clashing and Converging: Effects of the Internet on the Correspondence Art Network Publication No._____________ Madelyn Kim Starbuck, Ph.D. The University of Texas at Austin, 2003 Supervisor: John M. Slatin This study examines the effects of the Internet on an international community of artists who have exchanged art through postal systems for 40 years. The methods of grounded theory are employed to collect and analyze three types of data. The sources of data are: literature collected from Internet communities where the artists converse and publish artworks, interviews with artists who have experience in both electronic and traditional network environments, and artworks made by artists to express their visual and poetic responses to the Internet.
    [Show full text]