Houston Symphony History—PDF
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ARSC Journal, Spring 1992 69 Sound Recording Reviews
SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr. -
What Is Conductorcise® ?
WHAT IS CONDUCTORCISE® ? Place yourself in the sneakers of an orchestra conductor and raise your baton to a mighty Sousa march, an impetuous Strauss polka, or an elegant Tchaikovsky waltz as you enjoy a great musical workout. CONDUCTORCISE® is a combination aerobic workout, symphonic performance, and music history lesson that swings to the sounds of the masters. A unique program recognized internationally by health and fitness experts, CONDUCTORCISE® fosters upper body fitness that can help strengthen your heart and open your ears and mind in a natural, invigorating workout. This low-impact fitness fusion for all ages stimulates the cardio-vascular system, energizes and engages the senses and creates balance, stretching, blood circulation and brain stimulation throughout the workout. Learn basic conducting techniques, improve cognitive and listening skills, and discover the lives and work of great composers, as you keep your body and mind in tune, relieve stress and secure balance, increase circulation, manage diabetes, and build upper body strength. The brain child of clarinetist/Conductor David Dworkin, it’s an exhilarating and unique alternative to “traditional” exercise programs that has successfully traveled the globe. The only program of its kind in the world, Dworkin has brought it to pre-school children, teenagers, healthy seniors, and those in assisted- living facilities, as well as stroke, wheelchair bound, and Alzheimer’s patients and beyond, allowing participants to keep ones “body and mind in tune.” Who Leads CONDUCTORCISE®: Maestro David Dworkin Maestro David Dworkin has led orchestras across America and abroad, and served as conductor and Artistic Consultant of three PBS Television documentaries in the series Grow Old With Me, including “The Poetry of Aging,” featuring Richard Kiley, Julie Harris, and James Earl Jones. -
From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Arkansas Symphony Rockefeller and Quapaw String Quartets Present "The Art of the String Quartet" at Clinton Presidential Center
PRESS RELEASE: FOR IMMEDIATE RELEASE Press Contact: Brandon Dorris Office: (501)666-1761, ext. 118 Mobile: (501)650-2260 Fax: (501)666-3193 Email: [email protected] Arkansas Symphony Rockefeller and Quapaw String Quartets Present "The Art of the String Quartet" at Clinton Presidential Center Little Rock, ARK, Feb. 7, 2019 - The Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the fourth concert of the 2018-2019 River Rhapsodies Chamber Music season with The Art of the String Quartet, Tuesday, Feb. 26th at 7:00 p.m. at the Clinton Presidential Center. ASO's resident string quartets, Rockefeller String Quartet and Quapaw String Quartet, will perform Janáček's "Kreutzer Sonata," Mozart's String Quartet No. 12, along with Puccini and Verdi's string quartets. Arkansas Symphony Orchestra's Quapaw String Quartet was founded in 1980 as the ASO resident string quartet. Responding to what was clearly a statewide need, the ASO and Winthrop Rockefeller Foundation began a partnership in 2000 to form the Rockefeller String Quartet. The quartets have developed a reputation for providing quality school programming, as well as performing statewide as a chamber ensemble and with the Arkansas Symphony. The quartets’ primary responsibilities include string education and outreach throughout the state reaching more than 26,000 Arkansas school children each year. River Rhapsodies Chamber Music Concerts are held in the intimate setting of the Clinton Presidential Center's Great Hall. A cash bar is open before the concert and at intermission, and patrons are invited to carry drinks into the concert. The Media Sponsor for the River Rhapsodies Chamber Music Series is UA Little Rock Public Radio. -
Concerts in the Park Concerts in the Park String Quartet String Quartet
HARTMAN FOUNDATION HARTMAN FOUNDATION CONCERTS IN THE PARK CONCERTS IN THE PARK STRING QUARTET STRING QUARTET Sunday, July 18, 2021, 7:30 p.m. Sunday, July 18, 2021, 7:30 p.m. H-E-B Terrace at the Long Center for the Performing Arts H-E-B Terrace at the Long Center for the Performing Arts Karen Stiles, violin Karen Stiles, violin Richard Kilmer, violin Richard Kilmer, violin Blake Turner, viola Blake Turner, viola Muriel Sanders, cello Muriel Sanders, cello PROGRAM PROGRAM FRANZ JOSEPH HAYDN String Quartet No. 5 in D Major, Op. 64, The Lark FRANZ JOSEPH HAYDN String Quartet No. 5 in D Major, Op. 64, The Lark I. Allegro moderato I. Allegro moderato II. Adagio cantabile II. Adagio cantabile III. Menuetto (Allegretto) III. Menuetto (Allegretto) IV. Finale (Vivace) IV. Finale (Vivace) LUDWIG VAN BEETHOVEN Allegro ma non tanto from String Quartet No. 4 LUDWIG VAN BEETHOVEN Allegro ma non tanto from String Quartet No. 4 in C Minor, Op. 18 in C Minor, Op. 18 FRANZ JOSEPH HAYDN Presto (Scherzando) from String Quartet No. 4 FRANZ JOSEPH HAYDN Presto (Scherzando) from String Quartet No. 4 in D Major, Op. 20 in D Major, Op. 20 VARIOUS A selection of pop music VARIOUS A selection of pop music Visit austinsymphony.org/events for upcoming events. Visit austinsymphony.org/events for upcoming events. ———————————————— ———————————————— The Austin Symphony Orchestra wishes to thank The Hartman Family Foundation The Austin Symphony Orchestra wishes to thank The Hartman Family Foundation for making the Concerts in the Park possible. for making the Concerts in the Park possible. -
English Translation of the German by Tom Hammond
Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p. -
110991 Bk Menuhin 8/03/2005 02:15Pm Page 4
110991 bk Menuhin 8/03/2005 02:15pm Page 4 Producer’s Note ADD The Mendelssohn D minor concerto, recorded two days after Menuhin gave the world première public performance Great Violinists • Menuhin 8.110991 of the work in Carnegie Hall, was apparently only released in the United States. Fourteen months later, EMI re-recorded it in London, this time with Adrian Boult at the podium. The earlier version (which marked Menuhin’s first conducting credit on records) disappeared, and has not been available in any form since the 1950s. It has been transferred here from the best portions of three first edition RCA LPs. Menuhin’s recording of the composer’s more famous E minor concerto with Furtwängler conducting has been more readily available in the succeeding decades; yet the master tape is fraught with problems that can be heard MENDELSSOHN from its first (1952) LP release on RCA Victor through EMI’s CDs. What sounds like a tape tracking or bias problem during the original recording session causes the highs to go in and out during the tuttis. In addition, Violin Concerto in E minor occasional grittiness and electronic clicks can be heard on all editions. EMI waited two years to release it in Europe, perhaps in the hope that Menuhin and Furtwängler would re-record it with better sonic results. This transfer was Violin Concerto in D minor made from a French EMI LP pressing. While this was Menuhin’s second recording of the Mendelssohn E minor, the version of the Bruch concerto presented here was already his third attempt on disc. -
For Immediate Release September 14, 2009 Contact
For Immediate Release September 14, 2009 Contact: Sung-Hee Park [email protected] 212.636.2680 CHRISTIE’S TO OFFER A RANGE OF EARLY 17TH CENTURY STRINGED INSTRUMENTS TO CONTEMPORARY GUITARS IN FINE MUSICAL INSTRUMENTS SALE IN OCTOBER Pieter Rombouts Ferdinando Gagliano Gibson Incorporated A Tenor Viola da Gamba A Violin, Naples, 1750 A Solid-Body Electric Guitar, Les Paul Custom Amsterdam, 1708 Estimate: $100,000-120,000 Kalamazoo, MI, circa 1953 Estimate: $10,000-15,000 Estimate: $15,000-25,000 Fine Musical Instruments October 13, 2009 New York- Christie's fall Fine Musical Instruments sale on October 13 will present an extensive range of instruments ranging from 17th century viols from the Erich Lachmann Collection to more contemporary guitars and amplifiers, including a rare C.F. Martin 000-42 model. The sale also offers a classical selection of violins, cellos and bows, leading with a 1750 violin by Ferdinando Gagliano of Naples, and a 1929 violoncello by Carl Becker of Chicago. Guitars Commencing the auction is an extensive range of classical to fretted guitars from recognized makers such as Fender, Gibson and C.F. Martin. Highlights will include an iconic Gibson solid-body electric guitar, Les Paul Custom, circa 1953 (illustrated above- estimate: $15,000-25,000); an early 1952 Fender solid-body electric guitar, Telecaster (estimate: $18,000-26,000); and a 1959 Fender electric guitar, Esquire (estimate: $10,000-15,000). In addition, the sale features a particularly strong selection of over 40 guitar amplifiers from Fender, Gibson and Valco dating from the 1930s to present today. -
ARSC Journal XXV I I 1994
JEFFREY HOLLANDER The Artistry of Myra Hess: Recent Reissues Dame Myra Hess-Vol. I Pearl GEMM CD 9462 Jin, Felix Salmond, 'cello), Brahms: Piano [Pearl I] (69'40") Trio in C Major, op. 87 (with Jelly d'Aranyi, Contents: Bach: French Suite no. 5, BWV violin, Gaspar Cassad6, 'cello) 816: Gigue; Schubert: Sonata in A Major, D. 664; Schubert: Rosamunde, 'Ballet Music' Dame Myra Hess (1890-1965) EMI CDH 7 (arr. Ganz); Beethoven: Sonata in A Major, 63787 2 [EM!] (75'57") op. 69 (with Emanuel Feuermann, 'cello); Contents: Beethoven: Piano Sonata in E Chopin: Nocturne in F-sharp Major, op. 15, Major, op. 109; Piano Sonata in A-flat no. 2; Mendelssohn: Song without Words in Major, op. 110; Scarlatti: Sonata in C A-flat Major, op. 38, no. 6; Brahms: Minor, K. 11/L. 352; Sonata in G Major, K. Capriccio in B Minor, op. 76, no. 2; Dvorak: 14/L. 387; Beethoven: Fur Elise; Bagatelle Slavonic Dance in C Major, op. 46, no. 1 in E-flat Major, op. 126, no. 3; (with Hamilton Harty, piano); Debussy: Mendelssohn: Song without Words in A Images, Book II, 'Poissons d'or'; Preludes, Major, op. 102, no. 5; Granados: Goyescas Book I, 'La fille aux cheveux de Jin' and no. 4, 'La maja y el ruiseiior'; Brahms: 'Minstrels'; Bach: Chorale, 'Jesu, Joy of Waltz in A-flat Major, op. 39, no. 15; Man's Desiring' (arr. Hess) Intermezzo in C Major, op. 119, no. 3; J.S. Bach: Toccata, Adagio, and Fugue, BWV Dame Myra Hess-Vol. II Pearl GEMM CD 564: Adagio (arr. -
Download Booklet
PIANISTS, PSYCHIATRISTS AND PIANO CONCERTOS Sergei Rachmaninov (1873-1943) Piano Concerto No. 2 in C minor, Op. 18 “I play all the right notes, but not necessarily in the right order.” That flat-G-C-G, whereas his right could easily encompass C (2nd finger!)-E 1 Moderato 11. 21 2 Adagio sostenuto 12. 03 was how Eric Morecambe answered the taunt of conductor ‘Andrew (thumb)-G-C-E. 3 Allegro scherzando 11. 51 Preview’ (André Previn), who was questioning his rather ‘unusual’ treat- Yet although Rachmaninoff appeared to be a born pianist, he had ment of the introductory theme of Edvard Grieg’s Piano Concerto. set his heart on a career as composer and conductor. Only after fleeing Edvard Grieg (1843-1907) Nowadays, the sketch from the 1971 Christmas show of the famous from Russia following the outbreak of the revolution, did he realise that Piano Concerto in A minor, Op. 16 comedy duo Morecambe and Wise has attained cult status and can be he would not be able to earn a living as a composer, that his lack of tech- 4 Allegro molto moderato 13. 43 viewed on the Internet. Many years later, Previn let slip that taxi-drivers nique would impede a career as a conductor, and that the piano could 5 Adagio 6. 34 still regularly addressed him as ‘Mr Preview’. In fact, the sketch was not well play a much larger role in his life. The many recordings (including 6 Allegro moderato molto e marcato 10. 51 the first to parody Grieg’s indestructible concerto: that honour belongs all his piano concertos and his Paganini Rhapsody) that form a resound- to Franz Reizenstein, with his Concerto Popolare dating from 1959. -
Introduction
A tanulmány és bibliográfia els ő publikációja / First publication of the study and the bibliography: http://zti.hu/mza/e0404.htm (2014. július 1. / 1 July 2014) Ferenc János Szabó The Performance Practice of Classical Music in Hungary. Institutions, Schools and Personalities (Translated by Andor Kelenhegyi) Introduction Hungarian musical performance practice have started to become an independent stream of art in the musical culture of Hungary during the 19th century, partly due to influential musicians, partly due to institutions established as a result of their work. This era is epitomized by two such standard-bearers, Ferenc Erkel and Ferenc Liszt, who as pianists, conductors and also as teachers have set out the bases of institutions which influence Hungarian musical culture up to the present day. They took active part in establishing the National Theatre in 1837; the Budapest Philharmonic Orchestra in 1853; the Liszt Academy of Music in 1875, and the Hungarian State Opera in 1884. While Erkel participated mostly as a pianist and as a conductor, Ferenc Liszt was first only occasionally present, as a homecoming virtuoso. In his late years, however, he spent one third of his time in Budapest as a piano teacher and a conductor, enriching Hungarian musical life. The Academy of Music organized by them continues to educate talented musicians up until today. Thus, despite the changing framework, the tradition still survives. Naturally, events and inventions of the 20th century contributed much to the institutional background laid down in the 19th century. One of the novelties was the startup of the Hungarian Radio, which has been broadcasting music programs since its inauguration (December 1 1925) thus, providing opportunities for talented youngsters as well as for well- established artists to perform. -
Boston Symphony Orchestra Concert Programs, Season 112, 1992-1993
One Hundred and Twelfth Season 1992-93 BOSTON SYMPHONY ORCHESTRA k*\ i SEIJI OZAWA, MUSIC DIRECTOR THE ART OF SEI KO Bracelets, cases, and casebacks finished in 22 karat gold. E.B. HORN i Jewelers Since 1839 429 WASHINGTON ST. BOSTON 02108 617-542-3902 • OPEN MON. AND THURS. TIL 7 " "(.'' :' '.'.'.''.'.V '« -:..'" » " Seiji Ozawa, Music Director One Hundred and Twelfth Season, 1992-93 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Nina L. Doggett R. Wdlis Leith, Jr. Peter A. Brooke Dean Freed Mrs. August R. Meyer James F. Cleary Avram J. Goldberg Molly Beals Millman John F. Cogan, Jr. Thelma E. Goldberg Mrs. Robert B. Newman Julian Cohen Julian T. Houston Peter C. Read William F. Connell Mrs. BelaT. Kalman Richard A. Smith Wdliam M. Crozier, Jr. Allen Z. Kluchman Ray Stata Deborah B. Davis Harvey Chet Krentzman Trustees Emeriti Vernon R. Alden Archie C. Epps Irving W. Rabb Philip K. Allen Mrs. Harris Fahnestock Mrs. George R. Rowland Allen G. Barry Mrs. John L. Grandin Mrs. George Lee Sargent Leo L. Beranek Mrs. George I. Kaplan Sidney Stoneman Mrs. John M. Bradley Albert L. Nickerson John Hoyt Stookey AbramT. Collier Thomas D. Perry, Jr. John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R.