DOCSLIB.ORG

Town End Country Larry Doby May

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Town End Country Larry Doby May WEEK'S PLETE TELEVISION PROGRAMS THE UND NORTH JERSEY'S ONLY WEEKLY PICTORIAL MAGAZINE Townend Country ß'- '.• •:.•;:•....:5•':.?•.:•.,.--..::..,•.;,,.•..... •.?-• ??:•:•.,.: ß:•'/i .:' ß LarryDoby May Try Re•urn •o Big Leagues .. amous Families Exploding Your Pocketbooks Air Needs Clearing 'Complete hort Story GOLDEN ANNIVERSARY DECEMBER 4, 1960 VOL 'XXII, No.49 •35 STRAIGHT ST. (Cor. 20th Ave.) PATERSON, N.J. ......... .-.:i.iiMUI•• 4-7880 ..... .. Bedrooms-- Bedding FreeDecorating Dining•oo.ms ¾• •• Appliances ZITO STUDIOS COMMERCIAL-. NEWS .. PORTRAIT RUSSELL ZITO, Photographer SWarthmore 6-0104 CHRISTMAS SEASON BEGINS Never one to. keep still, Mayor Dillistin pulls the switch officially setting into opera- 10-16 Fair Lawn Averow Fair Lawn, N.J. tion the new Christmas lights along Market S.ttreet between . Ha'milton Street and the Erie Railroad overpass..Ceremonies were held under the sponsorship of th.e Market Street Asso- ß ciation of P•rterson and some of t-he association's members are shown with the mayor. .. 9 I. PARRILLO TheMan from Equitable askS-. Willyou leave your family a home -or a mortgage? L 1'#[ ODDSthat youwffi die beforeyou pay o• your mortgageare 16 timesgreater than the chanceyour housewill catchezra. Yet, mostprudent families wouldn'tthink o[ beingwithout fire insurance. Why be withoutmortgage insurance? Equitable'sremarkable mortgage repayment insur- anceplan protectsyour family against forced sale... lossof savings...or lossof home. Costsare low for this basicprotection. For full informationcall... I. PARRILLO 200 EAST RIDG•OOD AVIg• RIDGK'WOOD, N.J. GI 5-3•.2 GI 4-9891 ONE GRAND CELEBRATION -- It was one thousand and one days on "Truth or Consequences" for Bob Barker, after he ernceed his 1,000th program in the NBC-TV Network Monday- through-Friday daytime audience-participationseries recently. Letthe man from Equitable bHncj you peace of mind Barker, with the assistance of pretty Marlanna Hi!l, telephones hl•friend• ta t•-II th•m abaut th• festive event- Page Two .. ß . ß ß Published Weekly by 170-172 Butler Street Paterson, N. ,I. LArnbt• 5-I•41 VINCENT S. PAR•, Publisher VINCENT N. PARRILIa, Managing Editor Entered as Second Class matter August 24, 1926, at the Post Office at P-aO•r•, N. $., under the act of March 3, 1879. DECEMBER 4, 1960 • VOL. XXXII, No. 49 ß SingleCopy 10 Cents .,•j•_. •2 $4.00 a Year by Mail CONTENTS CIVIL DEFENSE D.%l PROCLAIMED -- Mayor-elect FEATURES Frank X. Graves, Jr. (left), Paterson Municipal Disaster Control director, receives proclamation _setting aside Pearl Harbor Day, December 7, as National Civi• Defense Larry Doby May Try Return to Big Leagues Day in Paterson, from Mayor William-H. Dillistin. The mayor signed the p,'oclamation this past week-,_ To_• and Country Dining 6, 7 Famous Families ......... The Last Minstrel -•.•A Complete Short Story 14 ßFamous American Taverns _ 15 DEPARTMENTS Editorials 8 }i CompleteTelevision ___11-12-13 , ON THE COVER •.ames•. •weene¾(center) was recently honored at the an- nual Past Grand Marshal, Paterson district, dinner as he cele- bratedhis fiftieth anniversary as a memberof the association. Mr. Sweeney, who holds a Iif.etime term as president, was pre- sented with a watch by the Most Reverend Thomas A. Boland, ß . Archbishopof Newark. Taking part in the presentationwas 'GOLDENCHILD' --Stephen Douglass(left) and Patricia the Most ReverendJames A. McNulty, Bishopof Paterson Newa¾, as California settlers in the 1840s, greet their newborn i child in a scenefrom GoldenChild," original opera on the "Hall {•ght). Mr. Sweeneywas for manyyears the Catholiceditor of Fame" ,colorcast of. Friday, Dec. 16, on N B½-T¾. Judy Sanford i•' theold Sunday Chronicle, when the 'newspaper had its offi- (center) plays-their daughter. Jerome Hines and Brenda Lewis ees• on Wash'mgton Street in Paterson. " . <.•.,, ,•. portray a couple who defend the family from a group of un- .. .f. rlend..!y-.min_•r:s: .......- ..................... IE CBRO1VICLE PageThr•o NEW OPPORTUNITY" THE DRIVER'S SunnyHunny Developed Women'sTravel ,Authority ForSmall Businessmen When Sunny Hunny Inc. was organized, a new opportunity for Check Your Radiator small businessmenwas developed. Basically, Sunny Hunny Inc. with headquartersat 223 Arch If you're a woman getting your Street, Philadephia,.Pa., consistsof a chain of restaurants, each family ready for winter-don't for- of which is owned by an individual holding a franchise from the get your family car. First item of parent company.As a memberof a large'organization,the fr.anchi•e The back-seat driver is gener- business-the radiator. These tips ally considered a nuisance in an •ill help women know what needs holder can have the advantages •1oing. of big businesswhile still operat- automobile, but a properly-train- ing' his own small business. ed passenger can function as Sunny Hunny Inc. is the brainchild of Richard E. Ru- part of a smooth-working team dolph, a thirty-eight year old to make driving safer and more Philadelphia businessman, who pleasant for all in the car. has aready becomeknown for his The trick is for passengers to organization and development of successful business enterprises work with the driver, not against The Sunny llunny Restaurants him. By assuming some of the are at present located primarily responsibilities of the driver, a in the Northeast part of the passenger can be an asset for country. Since one of the services FM safety. of the parent company to the in- This does not imply that a pas- ß ß dividual restaurant owners is Richard E. Rudolph the distribution of processed Fhirt•-½iglityear old RichardE. senger should tell a driver how foods served in each restaurant, to drive. It does imply that he it is essential that the restau- Rud.!l,h, president of Sunny In mozt areas, anti-freeze is a ]!ttnn.•. Ira'. was born in Phila- assumes some of the duties of r•nt• be located x•ithin easy. wintertime "must." However, just delphia, Pa., and attended the being alert to read conditions. having the radiator filled with •upply distance. local public schoolsin the area. anti-freeze isn't enough, according Since its inception in 1959, the Married to the former Florence For example, passengers can to Shell 0il's automotive experts. Sunny Hunny Restaurants have {ill,let, he residesin Elkins Park, help keep an eye out for danger- Allied parts of the car should be proved their popularity with con- •ith hi. wife and family, consist- ous-driving situations out of the in good repair. •umers and their money making So have the service station at- in• of two daughters.He currently driver's line of vision. They can ability for both the individual directs the de•tinic• of a fire tendant check the cylinder head franchise owner and the parent alarm franrhise. a commercial keep a watch to the rear for cars and bolts and gaskets to see that company. They are desi ned tO which will overtake and pass the they are leak-proof. Ask him to serve some people at the counter, refrigeration bu•_in½•, a chain.of fr.•,en ctt.•tard lands, a financ• inspect the hot water heater and but are meant, primarily, to sup- car they are riding in. They can all connections. The thermostat ply quick chicken or seafood company, a managementeonsu]- watch for dangers from the side should be replaced if it is not platters to take out. Their spe- tation service, a collection agency, when approaching-intersections. •orking rightß If the water pump a real estate organization, in ad- cial feature is the Sunny Hunny When driving in unfamiliar shows signs of leaking, have it re- Cooker which deep fries under dition to the Sunny Hunny paired or replaced. pressure, thereby preserving the Shoppes, a series of one-man areas, passengers can help the A leaky or weak radiator hose flavor and natural succulence of restaurants, specializing in frozen driver by being alert for direc- and hose clamps should be re- chicken and seafood. the foods. ti.on signs and route markings. placed to prevent your car from A potential owner of a Sunny gradually losing anti-freeze. All Hunny franchise applies to the it. The corporation provides a They can read road maps and act gaskets, expansion plugs, and as co-pilots on long-distance drain cocks should be examined company. To show he is earnest gala grand opening, the promo- in his intentions, he pays a fran- tion and advertisinL necessary trips, leaving the driver free to for leakage. And don't forget the to attract customers to the new radiator itself. chise fee of $4,000 and. must concentrate on his driving. count on another $1,000 for oper- restaurant. Careful records are Before having the anti-freeze The essence .of being an aid to added, have the cooling system ating.expenses. If he is approved kept by both the owner and the cleaned out. If ruht or dirt appears for a Sunny ttunny franchise, h company to assessthe best hours a driver is to pass on information in the drained water, the cooling then has the services of the com- to keep open, the techniques to in calm, measured ,tones which be used to foster an increase in system should be cleaned with a pany to help him choose a site, give him information, but do not radiator flush. build and equip it for him as trade and in other ways obviate well as train him to properly run difficulties and insure success. distract him. The passenger who suddenly shouts, "Look out!", • ' does nothing but startle and un- nerve a driver. NATIONAL -: CIVIL The good driving co-pilot keeps alert enough to anticipate dan- DEFENSE .¾ gerous driving situations and DAY passes the informa.tion to the driver calmly and in plenty Peace time to allow him to avoid them.
Load more

Recommended publications
  • Film Noir Timeline Compiled from Data from the Internet Movie Database—412 Films
    Film Noir Timeline Compiled from data from The Internet Movie Database—412 films. 1927 Underworld 1944 Double Indemnity 1928 Racket, The 1944 Guest in the House 1929 Thunderbolt 1945 Leave Her to Heaven 1931 City Streets 1945 Scarlet Street 1932 Beast of the City, The 1945 Spellbound 1932 I Am a Fugitive from a Chain Gang 1945 Strange Affair of Uncle Harry, The 1934 Midnight 1945 Strange Illusion 1935 Scoundrel, The 1945 Lost Weekend, The 1935 Bordertown 1945 Woman in the Window, The 1935 Glass Key, The 1945 Mildred Pierce 1936 Fury 1945 My Name Is Julia Ross 1937 You Only Live Once 1945 Lady on a Train 1940 Letter, The 1945 Woman in the Window, The 1940 Stranger on the Third Floor 1945 Conflict 1940 City for Conquest 1945 Cornered 1940 City of Chance 1945 Danger Signal 1940 Girl in 313 1945 Detour 1941 Shanghai Gesture, The 1945 Bewitched 1941 Suspicion 1945 Escape in the Fog 1941 Maltese Falcon, The 1945 Fallen Angel 1941 Out of the Fog 1945 Apology for Murder 1941 High Sierra 1945 House on 92nd Street, The 1941 Among the Living 1945 Johnny Angel 1941 I Wake Up Screaming 1946 Shadow of a Woman 1942 Sealed Lips 1946 Shock 1942 Street of Chance 1946 So Dark the Night 1942 This Gun for Hire 1946 Somewhere in the Night 1942 Fingers at the Window 1946 Locket, The 1942 Glass Key, The 1946 Strange Love of Martha Ivers, The 1942 Grand Central Murder 1946 Strange Triangle 1942 Johnny Eager 1946 Stranger, The 1942 Journey Into Fear 1946 Suspense 1943 Shadow of a Doubt 1946 Tomorrow Is Forever 1943 Fallen Sparrow, The 1946 Undercurrent 1944 When
    [Show full text]
  • XXXI:4) Robert Montgomery, LADY in the LAKE (1947, 105 Min)
    September 22, 2015 (XXXI:4) Robert Montgomery, LADY IN THE LAKE (1947, 105 min) (The version of this handout on the website has color images and hot urls.) Directed by Robert Montgomery Written by Steve Fisher (screenplay) based on the novel by Raymond Chandler Produced by George Haight Music by David Snell and Maurice Goldman (uncredited) Cinematography by Paul Vogel Film Editing by Gene Ruggiero Art Direction by E. Preston Ames and Cedric Gibbons Special Effects by A. Arnold Gillespie Robert Montgomery ... Phillip Marlowe Audrey Totter ... Adrienne Fromsett Lloyd Nolan ... Lt. DeGarmot Tom Tully ... Capt. Kane Leon Ames ... Derace Kingsby Jayne Meadows ... Mildred Havelend Pink Horse, 1947 Lady in the Lake, 1945 They Were Expendable, Dick Simmons ... Chris Lavery 1941 Here Comes Mr. Jordan, 1939 Fast and Loose, 1938 Three Morris Ankrum ... Eugene Grayson Loves Has Nancy, 1937 Ever Since Eve, 1937 Night Must Fall, Lila Leeds ... Receptionist 1936 Petticoat Fever, 1935 Biography of a Bachelor Girl, 1934 William Roberts ... Artist Riptide, 1933 Night Flight, 1932 Faithless, 1931 The Man in Kathleen Lockhart ... Mrs. Grayson Possession, 1931 Shipmates, 1930 War Nurse, 1930 Our Blushing Ellay Mort ... Chrystal Kingsby Brides, 1930 The Big House, 1929 Their Own Desire, 1929 Three Eddie Acuff ... Ed, the Coroner (uncredited) Live Ghosts, 1929 The Single Standard. Robert Montgomery (director, actor) (b. May 21, 1904 in Steve Fisher (writer, screenplay) (b. August 29, 1912 in Marine Fishkill Landing, New York—d. September 27, 1981, age 77, in City, Michigan—d. March 27, age 67, in Canoga Park, California) Washington Heights, New York) was nominated for two Academy wrote for 98 various stories for film and television including Awards, once in 1942 for Best Actor in a Leading Role for Here Fantasy Island (TV Series, 11 episodes from 1978 - 1981), 1978 Comes Mr.
    [Show full text]
  • His Girl Friday (1940)
    Conversations about great films with Diane Christian & Bruce Jackson HOWARD HAWKS (30 May 1896, Goshen, Indiana—26 December 1977, Palm Springs, California, aftermath of a fall) directed 47 films (and was producer on most of them) and wrote 24 screenplays. The last film he directed was Rio Lobo 1970; his first was Road to Glory 1926. Some of the others were: Man's Favorite Sport? (1964), Hatari! (1962), Rio Bravo (1959), Land of the Pharaohs (1955), Gentlemen Prefer Blondes (1953), I Was a Male War Bride (1949), A Song Is Born (1948), Red River (1948), The Big Sleep (1946), To Have and Have Not (1944), Sergeant York (1941), Only Angels Have Wings (1939), Bringing Up Baby (1938), Come and Get It (1936), Barbary Coast (1935), Twentieth Century (1934), Scarface (1932), and The Dawn Patrol (1930). He won an honorary Oscar in 1975. BEN HECHT (28 February 1894, New York City—18 April 1964, NYC, HIS GIRL FRIDAY (1940). 92 min thrombosis) wrote or co-wrote 128 screenplays, half of them uncredited. Produced and directed by Howard Hawks Some of them are Cleopatra (1963), Mutiny on the Bounty (1962), Walk on Based on the play, “The Front Page,” by Ben Hecht the Wild Side (1962), A Farewell to Arms (1957), Miracle in the Rain and Charles MacArthur (1956), The Court-Martial of Billy Mitchell (1955), The Man with the Screenplay by Charles Lederer Golden Arm (1955), Guys and Dolls (1955), Rope (1948), The Miracle of Cinematography by Joseph Walker the Bells (1948), Ride the Pink Horse (1947), Kiss of Death (1947), Duel in the Sun (1946), Notorious (1946), Gilda (1946), Spellbound (1945), Cary Grant ...Walter Burns Lifeboat (1944), The Outlaw (1943), Gone with the Wind (1939), Wuthering Rosalind Russell ...Hildegaard 'Hildy' Johnson Heights (1939), Stagecoach (1939), Angels with Dirty Faces (1938), Ralph Bellamy ...Bruce Baldwin Barbary Coast (1935), Viva Villa! (1934), Scarface (1932), and The New Gene Lockhart ...Sheriff Peter B.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • Notes on Film Noir Author(S): Paul Schrader Source: Film Comment, Vol
    notes on film noir Author(s): Paul Schrader Source: Film Comment, Vol. 8, No. 1 (SPRING 1972), pp. 8-13 Published by: Film Society of Lincoln Center Stable URL: http://www.jstor.org/stable/43752885 Accessed: 16-02-2018 15:07 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Film Society of Lincoln Center is collaborating with JSTOR to digitize, preserve and extend access to Film Comment This content downloaded from 160.39.38.192 on Fri, 16 Feb 2018 15:07:58 UTC All use subject to http://about.jstor.org/terms Paul Schräder is editor of Cinema (Los Angeles) and medium cool seems naive and romantic. As and author of Transcendental Style on Film, soon the current polical mood hardens, filmgoers and to be published by University of California Press. filmmakers will find the film noir of the late Forties This article originated as program notes for a series increasingly attractive. The Forties may be to the of seven film noir, screened as part of the first Los Seventies what the Thirties were to the Sixties. Angeles International Film Exposition , November Film noir is equally interesting to critics. It offers 1971.
    [Show full text]
  • Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
    Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S.
    [Show full text]
  • January 28, 2014 (Series 28: 1) Josef Von Sternberg, UNDERWORLD (1927, 80 Minutes)
    January 28, 2014 (Series 28: 1) Josef von Sternberg, UNDERWORLD (1927, 80 minutes) Academy Award—1929—Best Writing, Original Story: Ben Hecht Directed by Josef von Sternberg Written by Howard Hawks (scenario) and Ben Hecht (story) Produced by B.P. Schulberg Cinematography by Bert Glennon Second Unit Director Henry Hathaway Presenters Jesse L. Lasky and Adolph Zukor George Bancroft...'Bull' Weed Evelyn Brent...'Feathers' McCoy Clive Brook…Rolls Royce Wensel Fred Kohler...'Buck' Mulligan JOSEF VON STERNBERG (b. Jonas Sternberg, May 29, 1894 in Vienna, Austria-Hungary [now Austria]—d. December 22, 1969 (age 75) in Hollywood, Los Angeles, California) directed 35 films, including 1957 Jet Pilot, 1953 Ana-ta-han, 1952 Macao, 1946 Duel in the Sun, 1941 The Shanghai Gesture, 1939 Sergeant Madden, 1938 The Great Waltz, 1937 I, Claudius (unfinished), 1935 Crime and Punishment, 1935 The Devil Is a Favorite Sport?, 1962 Hatari!, 1959 Rio Bravo, 1955 Land of the Woman, 1934 The Scarlet Empress, 1932 Blonde Venus, 1932 Pharaohs, 1953 Gentlemen Prefer Blondes, 1952 Monkey Shanghai Express, 1931 An American Tragedy, 1931 Business, 1952 The Big Sky, 1949 I Was a Male War Bride, 1948 Dishonored, 1930 Morocco, 1930 The Blue Angel, 1929 A Song Is Born, 1948 Red River, 1946 The Big Sleep, 1944 To Thunderbolt, 1928 The Docks of New York, 1928 The Dragnet, Have and Have Not, 1943 The Outlaw, 1943 Air Force, 1941 1928 The Last Command, 1927 Underworld, 1927 Children of Ball of Fire, 1941 Sergeant York, 1940 His Girl Friday, 1939 Divorce, 1926 A Woman of the Sea, and 1925 The Salvation Only Angels Have Wings, 1938 Bringing Up Baby, 1936 Come Hunters.
    [Show full text]
  • Descriptive and Normative Norms in Film Adaptation: the Hays Office and the American Film Noir Patrick Cattrysse
    Document generated on 10/01/2021 7:29 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Descriptive and Normative Norms in Film Adaptation: The Hays Office and the American Film Noir Patrick Cattrysse La Critique cinématographique Article abstract Volume 6, Number 2-3, Spring 1996 The study of the normative and descriptive rules of adaptation in the American film noir replaces the usual textual analysis with an intersystemic analysis of URI: https://id.erudit.org/iderudit/1000978ar the process of adaptation. Avoiding in this way an evaluation of the accuracy of DOI: https://doi.org/10.7202/1000978ar the film with respect to the novel makes it possible to examine how certain social norms and certain narrative models will determine the passage from the See table of contents written text to the screen. Publisher(s) Cinémas ISSN 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Cattrysse, P. (1996). Descriptive and Normative Norms in Film Adaptation: The Hays Office and the American Film Noir. Cinémas, 6(2-3), 167–188. https://doi.org/10.7202/1000978ar Tous droits réservés © Cinémas, 1996 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research.
    [Show full text]
  • The Philosophy of Film Noir
    University of Kentucky UKnowledge American Popular Culture American Studies 1-27-2005 The Philosophy of Film Noir Mark T. Conard Marymount Manhattan College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Conard, Mark T., "The Philosophy of Film Noir" (2005). American Popular Culture. 19. https://uknowledge.uky.edu/upk_american_popular_culture/19 Conard The Philosophy of Film Noir Continued from front flap FILM/PHILOSOPHY The Philosophy Opening with an examination of what The constitutes noir cinema, the book of Film Noir interprets the philosophical elements Edited by Mark T. Conard consistently present in the films— “The Philosophy of Film Noir is an intellectually seductive, hard- Foreword by Robert Porfirio themes such as moral ambiguity, reason boiled romp through a world of moral murkiness, femme fatales, versus passion, and pessimism. The Philosophy contributors to the volume also argue and desperately lonely protagonists. The philosophers in this A drifter with no name and no past, that the essence and elements of noir easy-to-read collection provide us with a colorful backdrop for driven purely by desire, is convinced have fundamentally influenced movies seeing the dark films with clearer eyes.” of by a beautiful woman to murder her outside of the traditional noir period. husband.
    [Show full text]
  • Newby Ely Deaf Movie Collection RITDSA.0037
    Newby Ely deaf movie collection RITDSA.0037 Acc. 2010:66 & 2011:77 Created by Erin Dinolfo Acc. 2010:66 Box 1: Deaf TV/Film Characters, VHS 1. The First Texan (1956, USA. 78 min. 2/23/93) 2. Body Parts (1991, 88 minutes. Horror) 3. Deaf History: a. Preservation of ASL (1997, 78 minutes) b. Lorna Doone Country (11 minutes) 4. DVD. a. Providence (4/19/2002, deaf girl, CS) b. “Great Expectations” Marilu Henner 5. The Three Stooges (1934-1945) 2/3-2/5/93 a. Men in Black, Three Little Pigskins, Pardon My Scotch, Disorder In My Court, Healthy Wealthy and Dumb, Mutts to You, Saved by the Belle, Boobs in Arms, Loco-Boy Makes Good, What’s the Matador, Matri-Phony, Sock-A-Bye-Baby, Dizzy Detectives, Spook Louder, If A Boy Meets a Body, Restless Knights, We Want Our Mummy, Yes We Have No Bonanza. 6. Andrew Byrne’s A-Z Stories, “Professions”, 1998, 50 minutes 7. Andrew Byrne’s Number Stories “Animals”, 998, 20 minutes 8. Sound and Fury, 2000, 80 minutes 9. The Practice, Life Sentence, 5/21/00, Marlee Matlin. 10. When Justice Fails (1998, USA, 95 minutes), Marlee Matlin 11. Hollywood Squares- game show with Marlee Matlin, 1 hour and 14 minutes, January 2002 12. Miss VAD Pageant, Edited Version? 13. Spin City, “Deaf Becomes Her” (Marlee Matlin and Michael J. Fox, 30 minutes, 3/18/1997 14. ER: “The Storm” (60 minutes, cc) comms, Marlee Matlin. Originally aired 2/11/1999 15. Hollywood Squares: College Tournament. 2/11/01; 2/12/02; 2/13/02; 2/14/02; 2/15/02.
    [Show full text]
  • Scarface (1932), the Most Ferocious of That Era's Gangster Films
    September 9, 2003 (VII:3) HOWARD HAWKS. 30 May 1896, Goshen, Indiana—26 December 1977 (aftermath of falling over his dog). Began as an actor in silents, producer for nearly all his films. From Leonard Maltin’s Film Encyclopedia: “It would not be imprudent to label Hawks the greatest American director who is not a household name. Yet his films continue to enchant audiences everywhere and but for a very few exceptions (Ford, Welles, Hitchcock), his is the name most often cited by modern filmmakers as an influence. His visual style is clean, uncluttered, almost invisible; and unlike many directors who preferred to work in one or two genres, Hawks did them all. His best films celebrate "the group": professionals bound together by camaraderie and their work, to whom the ultimate compliment is "you're good." Another reason Hawks' films seem so fresh is that the women are just as smart, tough, and fast-talking as the men, sometimes more so; indeed, he staged scenes with dialogue that always sounded natural and real. This was immediately apparent in his first sound film, The Dawn Patrol (1930), in which the actors "talked," rather than emoting in the then normal style of early talkies, and in Scarface (1932), the most ferocious of that era's gangster films. Hawks defined the then-new subgenre of screwball comedy with his frenetic Twentieth Century (1934), SCARFACE: THE SHAME OF A NATION which made Carole Lombard a star. Later in the decade he helmed three masterpieces (1932, 93 min. Caddo & United with Cary Grant: the definitive screwball comedy, Bringing Up Baby (1938), the mail- Artists) National Film Registry 1994 pilot adventure Only Angels Have Wings (1939), and the breathless "Front Page" remake Paul Muni...
    [Show full text]
  • FILM NOIR 1 Page 1 of 14
    FILM NOIR 1 Page 1 of 14 FILM NOIR Film Noir (literally 'black film or cinema') was coined by French film critics (first by Frank Nino in 1946) who noticed the trend of how 'dark', downbeat and black the looks and themes were of many American crime and detective films released in France following the war, such as The Maltese Falcon (1941), Murder, My Sweet (1944), Double Indemnity (1944), and Laura (1944). It was a style of black and white American films that first evolved in the 1940s, became prominent in the post-war era, and lasted in a classic "Golden Age" period until about 1960 (marked by the 'last' film of the classic film noir era, Orson Welles' Touch of Evil (1958)). Important Note: Strictly speaking, film noir is not a genre, but rather the mood, style, point-of-view, or tone of a film. It is also helpful to realize that 'film noir' usually refers to a distinct historical period of film history - the decade of film-making after World War II, similar to the German Expressionism or the French New Wave periods. However, it was labeled as such only after the classic period - early noir film-makers didn't even use the film designation (as they would the labels "western" or "musical"), and were not conscious that their films would be labeled noirs. Titles of many film noirs often reflect the nature or tone of the style and content itself: Dark Passage (1947), The Naked City (1948), Fear in the Night (1947), Out of the Past (1947), Kiss Me Deadly (1955), etc.
    [Show full text]