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Romanında Yabancılaşma1 Defamiliarization in Penelope Fitzgerald’S Novel “The Bookshop”
SDÜ FEN-EDEBİYAT FAKÜLTESİ SOSYAL BİLİMLER DERGİSİ, AĞUSTOS 2020, SAYI: 50, SS. 115-124 SDU FACULTY OF ARTS AND SCIENCES JOURNAL OF SOCIAL SCIENCES, AUGUST 2020, No: 50, PP. 115-124 Makale Geliş | Received : 08.05.2020 Makale Kabul | Accepted : 12.08.2020 Penelope Fitzgerald’ın “Sahaf”* Romanında Yabancılaşma1 Defamiliarization in Penelope Fitzgerald’s Novel “The Bookshop” Yeşim Sultan AKBAY Arş. Gör. Yeşim Sultan AKBAY, Süleyman Demirel Üniversitesi, Fen-Edebiyat Fakültesi, Batı Dilleri ve Edebiyatı Bölümü, İngiliz Dili ve Edebiyatı Ana Bilim Dalı, [email protected]. ORCID Numarası ORCID Numbers: 0000-0001-8170-8219 Beture MEMMEDOVA Doç. Dr. Beture MEMMEDOVA, Süleyman Demirel Üniversitesi, Fen-Edebiyat Fakültesi, Batı Dilleri ve Edebiyatı Bölümü, İngiliz Dili ve Edebiyatı Ana Bilim Dalı, [email protected]. ORCID Numarası ORCID Numbers: 0000-0002-2992-8035 Abstract The aim of the present paper is to reveal how Penelope Fitzgerald (1916-2000), the well-known English writer, employs defamiliarization device in her second novel The Bookshop (1978). Penelope Fitzgerald is mainly known for her distinctive and elegant style, called by many critics the “quiet genius” of the late twentieth-century English fiction. She can also be called the master of the uncanny, or ostranenie (making it strange), as the Russian formalist Viktor Shklovsky defined it. Penelope Fitzgerald brings quite new and original interpretations to the familiar concepts like morality, courage, kindness, help and hope. Through the literary concept of defamiliarization, the reader gains a new awareness of these issues. In her novels, essays, reviews and letters, she surprises the reader by defamiliarizing these well-known notions, loading them with new meaning and surprising the reader with the newly discovered truths which had always been there unnoticed by readers. -
Under Other Eyes Constructions of Russianness in Three Socio-Political English Novels
GALINA DUBOVA Under Other Eyes Constructions of Russianness in Three Socio-Political English Novels ACTA WASAENSIA NO 226 LITERARY AND CULTURAL STUDIES 4 ENGLISH UNIVERSITAS WASAENSIS 2010 Reviewers Professor Joel Kuortti Department of English 20014 University of Turku Finland Professor Anthony Johnson Department of English P.O. Box 1000 90014 University of Oulu Finland III Julkaisija Julkaisuajankohta Vaasan yliopisto Lokakuu 2010 Tekijä(t) Julkaisun tyyppi Galina Dubova Monografia Julkaisusarjan nimi, osan numero Acta Wasaensia, 226 Yhteystiedot ISBN Vaasan yliopisto 978–952–476–310–3 Filosofinen tiedekunta ISSN Englannin kieli 0355–2667, 1795–7494 PL 700 Sivumäärä Kieli 65101 VAASA 211 Englanti Julkaisun nimike Toisen silmin: Venäläisyys kolmessa englantilaisessa yhteiskunnallis-poliittisessa romaanissa Tiivistelmä Merkittäväksi osaksi 1900-luvun englantilaisessa kirjallisuudessa on noussut se tapa, miten kansakuntaan ja kansalliseen identiteettiin liittyvä problematiikka esitetään. Tutkimuksessa tarkastellaan kuinka mielikuva Venäjän kansakunnasta ja sen identiteetis- tä on rakennettu ja esitetty kolmessa englanninkielisessä romaanissa. Tarkasteltavat teok- set ovat Joseph Conradin Under Western Eyes (1911), Rebecca Westin The Birds Fall Down (1966) ja Penelope Fitzgeraldin The Beginning of Spring (1988). Teokset on valittu niiden kuvaaman ajan perusteella sekä niiden yhteiskunnallis- poliittisen taustan vuoksi. Ne sijoittuvat Venäjän vallankumousta edeltävään aikaan ja rakentavat kuvaa kansallisesta toiseudesta, alempiarvoisuudesta -
Amazon, E-Books and New Business Models
AUTHORS GUILD Winter 2015 BULLETIN The Big Grab: T. J. Stiles On How Publishing’s New Math Devalues Writers’ Work Q&A with Executive Director Mary Rasenberger Roxana Robinson on Compassion’s Place in Prose Annual Meeting Report LETTER TO THE EDITOR our timely Q&A with author CJ Lyons was uplift- Bulletin, however, should feature an author who Ying and inspiring (Summer, 2014). Clearly, Lyons’s is beating the odds with guts, grit and innovation. success as an author is due to her winning mindset. Somebody saying Yes, you can! (Not go hide under the That’s what authors need most from the Authors bed.) Lyons did that and it was a refreshing change. Guild. Less doom and gloom. More daring hope and Now give us more. Thanks for your consideration. enthusiasm. With how-to’s. Onward! Sure, industry news is often depressing. Every — Patricia Raybon, Aurora, CO ALONG PUBLISHERS ROW By Campbell Geeslin “ remarkable thing about the novel is that it can with Harper Collins. The first book will be Seveneves, A incorporate almost anything,” wrote Thad due out in May. The novel, PW said, is about “the sur- Ziolkowski in Sunday’s New York Times Book Review. vivors of a global disaster which nearly caused the ex- He directs the writing program at Pratt Institute and is tinction of life on the planet.” the author of a novel, Wichita. The second book, to be written with Nicole The novel, he said, “can contain essays, short sto- Galland, is set for 2017. ries, mock memoirs, screenplays, e-mails—and re- Stephenson has written more than a dozen novels, main a novel. -
University of Groningen Reckless Innocence, Non-Anger And
University of Groningen Reckless Innocence, Non-Anger and Forgiveness Visser, Irene Published in: Brno Studies in English DOI: 10.5817/BSE2020-1-13 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2020 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Visser, I. (2020). Reckless Innocence, Non-Anger and Forgiveness: Moral Knowledge in Penelope Fitzgerald's Fiction. Brno Studies in English, 46(1), 261-277. https://doi.org/10.5817/BSE2020-1-13 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 24-09-2021 Reckless Innocence, Brno Studies in English Volume 46, No. 1, 2020 Non-Anger and Forgiveness: ISSN 0524-6881 | e-ISSN 1805-0867 Moral Knowledge in Penelope https://doi.org/10.5817/BSE2020-1-13 Fitzgerald’s Fiction Irene Visser Abstract This essay contributes to the currently limited academic scholarship on Penelope Fitzgerald’s fiction by exploring affective interpersonal relationships as central themes in her novels In- nocence (1986) and The Beginning of Spring (1988). -
Penelope Fitzgerald Adlington, Hugh
University of Birmingham Penelope Fitzgerald Adlington, Hugh License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Adlington, H 2018, Penelope Fitzgerald. Writers and their Work, Liverpool University Press, Liverpool. Link to publication on Research at Birmingham portal Publisher Rights Statement: Published by Liverpool University Press on 30/07/2018. © Liverpool University Press General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. If you believe that this is the case for this document, please contact [email protected] providing details and we will remove access to the work immediately and investigate. -
Reader's Guide for the Blue Flower and the Bookshop Published By
MARINER BOOKS THE BLUE FLOWER HOUGHTON MIFFLIN COMPANY “A masterpiece. How does she do it?”—A. S. Byatt Friedrich Leopold, Baron von Hardenberg (1772–1801), was born in Oberwiederstadt, Germany, studied law, philosophy, and history, worked A Reader’s Guide as a government auditor at Weissenfels, and — under the pseudonym Novalis—became known as the “prophet of Romanticism.” Best known for his Sacred Songs (1799) and Hymns to the Night (1800), Novalis left unfinished two prose narratives, the more important of which, Heinrich PENELOPE FITZGERALD von Ofterdingen, centers on a mystical young poet in search of a myste- rious blue flower. Penelope Fitzgerald has taken the facts of Novalis’s short life and fashioned a remarkable, poetic novel of irrational love, passionate thought, and the transfiguration of the commonplace. The Blue Flower, chosen nineteen times in England as the 1995 “Book of the Year,” also “No writer is more presents an uncannily convincing view of landscape and life in late-eigh- engaging than teenth-century Saxony — its small towns, universities, estates, and Penelope Fitzgerald.” people, from humble to noble. — Anita Brookner, In her inimitably magical way, Fitzgerald reconstructs Fritz von The Spectator Hardenberg’s formative years, from his childhood in a large family through the death in 1797 of his beloved Sophie von Kühn, as well as the society that he sought to transform and transcend. It is Fritz’s inexplica- ble, impetuous love for the plain, twelve-year-old Sophie, however, that is both focus and fulcrum for this “quite astonishing. masterpiece.” (New York Times Book Review) THE BOOKSHOP “A beautiful book, a perfect little gem.”—BBC “Kaleidoscope” Penelope Fitzgerald’s second novel, her first to be short-listed for England’s prestigious Booker Prize, is set in the small East Anglian town of Hardborough in 1959. -
Ebook Download the Blue Flower
THE BLUE FLOWER PDF, EPUB, EBOOK Penelope Fitzgerald,Candia McWilliam | 320 pages | 01 Aug 2003 | HarperCollins Publishers | 9780006550198 | English | London, United Kingdom The Blue Flower PDF Book But it is not just about the intellectual stuff. So, t I think I had the opposite reaction to this book to many of my Goodreads friends. This is a sad story about a doomed love and short lives. My second reservation concerns the artistic movement of which Novalis is acknowledged to be the founder- German romanticism of the late c. That is so much simpler for a man. We are then thrust back in time after just a few short chapters. I can certainly appreciate books where the characters are all unlikable - but I didn't get the impression that these people really were, historically, that bad - just that Fitzgerald personally regards them with a kind of snide contempt. Do you want to drown? Error rating book. I love something that I do not understand. Namespaces Article Talk. The Blue Flower's elusive magic. Archived from the original on The family depiction of Fritz and his parents and brothers and sisters was funny, entertaining and very endearing and in the few well chosen words so brilliantly written, came alive in this lovely book which I would keep and read again in the future. Within the movement, a number of folk songs used the motif. As I was reading, I had a tantalising sense of meaning and certainty, just a few steps ahead of me, a page further on, not quite in my grasp. -
Moral Knowledge in Penelope Fitzgerald's Fiction
Reckless Innocence, Brno Studies in English Volume 46, No. 1, 2020 Non-Anger and Forgiveness: ISSN 0524-6881 | e-ISSN 1805-0867 Moral Knowledge in Penelope https://doi.org/10.5817/BSE2020-1-13 Fitzgerald’s Fiction Irene Visser Abstract This essay contributes to the currently limited academic scholarship on Penelope Fitzgerald’s fiction by exploring affective interpersonal relationships as central themes in her novels In- nocence (1986) and The Beginning of Spring (1988). I draw on Martha C. Nussbaum’s philo- sophical work, in particular her recent publication Anger and Forgiveness (2016), to shed light on the arresting and unconventional ways in which Fitzgerald’s fiction dramatizes and often subverts commonly held notions of innocence, anger, guilt and forgiveness. This essay argues that Fitzgerald’s art as a novelist is particularly evident in the subtle and ironic manner in which she presents arresting moral insights. Nussbaum’s philosophical explorations of moral knowl- edge provide the theoretical framework that clarifies these innovative and thought-provoking aspects of Fitzgerald’s work. Key words Penelope Fitzgerald; affect; Martha Nussbaum; moral philosophy; contemporary literature The British author Penelope Fitzgerald (1916–2000) is an outstanding but little- known novelist. In the first part of her career she wrote a number of highly ac- claimed biographies and achieved a substantial production of reviews and essays, earning the reputation of an astute literary critic with an extensive knowledge of art. In fiction, she was a late starter. Her first novel,The Golden Child, appeared in 1977, when she was sixty. Her prose fiction was well received by literary critics and authors, who recognized the unique quality of her novels. -
Penelope Fitzgerald: a Life Free
FREE PENELOPE FITZGERALD: A LIFE PDF Hermione Lee | 544 pages | 17 Dec 2014 | Vintage Publishing | 9780099546597 | English | London, United Kingdom The Trials of Penelope Fitzgerald | The New Yorker Offshore won the prize in I prefer The Bookshop. She also wrote three biographies, the first published when she was fifty-eight. If this late and critically acclaimed literary flowering is out of Penelope Fitzgerald: A Life ordinary, it is in perfect accord with a life that included a large element of the absurd. Born Penelope Mary Knox ininto the unwealthy upper-middle class, the future Penelope Fitzgerald was the granddaughter of two bishops. In the order of importance given them by the world, they were Ronald, Roman Catholic convert, priest, biblical scholar and translator, essayist, mystery writer, and assiduous friend to the great; Dillwyn, classics scholar and cryptologist instrumental in cracking Penelope Fitzgerald: A Life German Enigma code; and Wilfred, Anglo-Catholic priest, servant to the poor, and uncompromising ascetic. Penelope Fitzgerald: A Life her mother, Penelope was a graduate of Oxford, and some sort of brilliant literary career seemed on the way for Penelope Fitzgerald: A Life as she emerged from university. Penelope Fitzgerald: A Life worked at the BBC during the war and, for some time after it, wrote radio scripts. Inshe married Desmond Fitzgerald, a charming, dashing man with bright prospects as a barrister who went off to serve in the war. When he returned, however, he had become a heavy drinker and at sea in his mind. In he became editor of the World Review, a cultural magazine with international breadth that Penelope Fitzgerald: A Life distinguished contributors. -
Penelope Fitzgerald
Penelope Fitzgerald: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator Fitzgerald, Penelope, 1916- Title Penelope Fitzgerald Papers Dates: 1912-1988 Extent 8 boxes, 1 oversize flat box, 1 bound mss. (3.36 linear feet) Abstract The papers of this British writer include research notes, manuscript drafts, incoming correspondence, and photographs relating to all of her major works. RLIN Record # TXRC91-A1 Language English. Access Open for research Administrative Information Acquisition Purchase, 1989 Processed by Andra Whitworth, Vonda Totten, 1990 Repository: Harry Ransom Center, University of Texas at Austin Fitzgerald, Penelope, 1916- Biographical Sketch Penelope Knox Fitzgerald was born into a literary family on December 17, 1916, in Lincoln, England. Her father was E. V. Knox, editor of Punch magazine (1932-1949). One of her uncles, Monseigneur Ronald Knox, was well known as a translator of the Bible and a writer of detective stories. Penelope attended Somerville College and, in 1941, married Desmond Fitzgerald with whom she raised three children. Her work experience was varied and included working in the Ministry of Food, for the BBC, in a haunted bookshop in Southwold, and as an English teacher. Her first professional experience in writing came in the 1950s when she worked as an assistant editor for the literary magazine, World Review. She began her writing career as the biographer of Edward Burne-Jones( Edward Burne-Jones: A Biography, 1975) and of her father and his three brothers in The Knox Brothers (1977). Fitzgerald began writing fiction after her husband was diagnosed with cancer in the 1970s, partly in an effort to entertain him through his illness. -
University of Groningen Reckless Innocence, Non-Anger and Forgiveness Visser, Irene
University of Groningen Reckless Innocence, Non-Anger and Forgiveness Visser, Irene Published in: Brno Studies in English DOI: 10.5817/BSE2020-1-13 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2020 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Visser, I. (2020). Reckless Innocence, Non-Anger and Forgiveness: Moral Knowledge in Penelope Fitzgerald's Fiction. Brno Studies in English, 46(1), 261-277. https://doi.org/10.5817/BSE2020-1-13 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum.