AN EXCAVATION SETS HISTORY STRAIGHT • ARCHAEOLOGY WINS at CAESARS a Quarterly Publication of the Archaeological Conservancy
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AN EXCAVATION SETS HISTORY STRAIGHT • ARCHAEOLOGY WINS AT CAESARS american archaeologySPRING 2001 american archaeologyVol. 5 No. 1 a quarterly publication of The Archaeological Conservancy FOUR PROFESSIONALS TELL HOW THEY DO IT enter our photo contest see page 3 for details $3.95 HELP PRESERVE A WINDOW INTO THE PAST Join The Archaeological Conservancy and become a member of the only national non-profit organization preserving the country’s endangered archaeological sites. Your support will help save America’s cultural heritage before it’s lost forever. As a Conservancy member, you’ll receive American Archaeology, which will keep you up to date on the latest discoveries, news, and events in archaeology in the Americas. You’ll also learn about the Conservancy’s current preservation projects. To join the Conservancy, simply fill out ✃ the form below and return it to us. Sign me up! I want to become a member of The Archaeological Conservancy at the following level: ________________________________________________________________ ❑ $25 Subscribing ❑ $100 Contributing Name (please print) ❑ $50 Supporting ❑ $1,000 Life ______________________________________ ❑ Enclosed is a check. Address ❑ Charge my gift to: ______________________________________ ❑ VISA ❑ MasterCard ❑ AmEx City State Zip __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ /__ __ Send Payment To: Account Number Exp. The Archaeological Conservancy 5301 Central Avenue NE, Suite 402 ______________________________________ Albuquerque, NM 87108 Signature (505) 266-1540 Conservancy membership starts at $25. Contributions are tax deductible to the full extent allowed by law. Please make your check payable to The Archaeological Conservancy. SP01A american archaeology a quarterly publication of The Archaeological Conservancy Vol. 5 No. 1 spring 2001 COVER FEATURE PHOTOGRAPHING 21 ARCHAEOLOGICAL SITES Four exceptional photographers show their work and give insights on how to take remarkable pictures. 11 LEGENDS OF ARCHAEOLOGY: SAVING THE SERPENT BY BRADLEY LEPPER Amazed and puzzled by Serpent Mound, Frederick W. Putnam was determined to excavate and preserve it. 14 HITTING AN ARCHAEOLOGICAL JACKPOT BY MARIA BRADEN Caesars’s plan to build a grand casino in Indiana resulted in a huge archaeological project. 29 RIGHTING HISTORY BY CHERYL PELLERIN Thomas Jefferson conducted American archaeology’s first excavation. Working at a Monacan Indian village that may be the same site as Jefferson’s, Jeffrey Hantman’s archaeology is informing history. 34 PLEASURE GARDENS, ALCOHOL ENEMAS, 2 Lay of the Land AND CHOCOLATE-COVERED TAMALES BY ROB CRISELL 3 Letters Ancient Americans knew how to party. 5 Events 40 new acquisition: 7 In the News GATEWAY TO THE MID-ATLANTIC Amateur Archaeologist Finds Rare The Maddox Island site on Maryland’s Eastern Shore is Wisconsin Rock Art • Rethinking the the Conservancy’s 200th acquisition. Mesa Verde Migrations • Ancient South Carolina Petroglyphs Discovered 42 new acquisition: GUARANTEEING THE FUTURE OF THE 44 Field Notes LAKE KORONIS MOUNDS The Conservancy acquires a 2,000-year-old 46 Expeditions group of mounds in Minnesota. 48 Reviews 43 new acquisition: PRESERVING A RARE CADDOAN COVER: One of Mesa Verde National Park’s most MOUND IN TEXAS spectacular ruins, Cliff Palace, at sunset. The Conservancy’s latest POINT acquisition is photograph by Jerry Jacka one of only two documented Caddo ash mounds. american archaeology 1 Lay of the Land Seeing the Art in Archaeology efore there was history, there was featured photographers find beauty in art. From the dawn of human exis- the ruins of past cultures. B tence the urge for artistic expres- Too often when we think of ar- sion has always existed. We now have chaeology, we think only of science a 50,000-year-old flute, and we all and history. Let’s also take the time to know the wonderful Lascaux cave enjoy the aesthetic. Not everyone can paintings of 30,000 years ago. In our draw the ruins like an artist, but any- News section, we report on a startling body can take a photograph. But it’s a find in Wisconsin of extensive cave skill that takes thought and practice, paintings. Among my favorite works and we hope all our readers will use POORE are the wonderful 1840s drawings of our experts’ advice to improve your Maya ruins by Frederick Catherwood. pictures. When you have digested the D A R R E N In this issue we focus on the art instructions, you’ll be ready to take of the archaeological photographer. some pictures and enter our photo From the jungles of Mesoamerica to contest. We are really looking forward the deserts of southern California, our to some great entries. MARK MICHEL, President MORE THAN JUST A TOUR... THE CROW CANYON EXPERIENCE. LET CROW CANYON BE YOUR GUIDEFOR A UNIQUE AND INTIMATE ADVENTURE THROUGH TIME. EXPERIENCE THE ARCHAEOLOGY AND CULTURES OF THE AMERICAN SOUTHWEST AND THEWORLD WITH RENOWNED AND ENGAGING SCHOLARS IN AWAY THE CASUAL TOURIST CAN NOT. NATIVE ALASKA: UNEARTHING THE PAST, PRESERVING THE FUTURE AUGUST 5-12, 2001 FOUR CORNERS COUNTRY: ARCHAEOLOGY AND NATIVE PEOPLES OF THE COLORADO PLATEAU SEPTEMBER 8-16, 2001 RETURN TO CARRIZO MOUNTAIN: THE KAYENTA CONNECTION SEPTEMBER 16-22, 2001 CROW CANYON ARCHAEOLOGICAL CENTER 23390 ROAD K . CORTEZ, COLORADO 81321 (800) 422-8975 WWW.CROWCANYON.ORG CCAC’s programs and admission practices are open to applicants of any race, color, nationality, or ethnic origin. 2 spring • 2001 Letters A Researcher Gets His Due In 1950, an expedition spon- I just finished reading “Fishing in the sored by the Texas Historical Society Editor’s Corner Desert” in the Winter issue and I found the fort’s location by following Do you love to take photographs of arti- have to say, Bravo! I had the pleasure clues in Henri Joutel’s journal. Evans, facts, ruins, and rock art? If you do, of meeting Jay von Werlhof on sev- then associate director of the Society’s here’s your chance to win a prize and eral occasions and he’s guided me Memorial Museum, pinpointed the get your pictures published in American through the southern California site’s location, and with a small crew, Archaeology. In our Fall issue, we will desert to view geoglyphs and fish worked there for four months, firmly announce the winners of our contest traps. He is such a wonderful and establishing the site’s identification as and publish the winning photographs. The first prize winner will receive a dedicated man. One need only chat Fort St. Louis. During the following check for $150, the second prize winner with him a few minutes to realize his decades, the site became a magnet for $75, and the third prize winner $25. love for the desert and dedication to trophy hunters, leading to the disco- All winners receive a gift membership. his research. While I have heard very of one of the cannons buried Good luck. about the fish traps, it was a treat to there by the Spanish in 1689. News Contest Rules: All photographs must have get to read about them. Thank you of this discovery prompted the Texas archaeological subjects, such as ruins, for including this article on Jay and Historical Commission to begin their mounds, artifacts, or rock art. The dead- his research. current and admirable operation. line for entries is July 2, 2001. Contes- Sandy Kennedy John Graves tants must be amateur photographers. Anaheim, California Glen Rose, Texas Submissions must be limited to five photographs or fewer. Submissions will The Real Discoverers of the Article Doesn’t Prove Cannibalism not be returned unless they include Fort St. Louis Site? It is necessary to prove statements a self-addressed stamped envelope. I enjoyed “La Salle, La Belle, and the and facts, and not simply state opin- Photographs can be slides or prints, color or black and white. Digital submis- Lone Star State” in the Fall issue, but ions. It’s too bad this was not done in sions will not be accepted. All photo- the Texas Historical Commission’s the Winter issue News article “Prehis- graphs must be labeled with the apparent intention to take credit for toric Colorado Site Shows Evidence photographer’s name. Please include the discovery of Fort St. Louis with- of Cannibalism.” Are you not aware information that identifies the picture out mention of the pioneer work of the widespread criticism of Malar and tells where and when it was taken, done at the site by Glen Evans and and Billman’s work for its lack of sci- and the name of the photographer.No his crew does not sit well with me. entific method, such as the use of photographs may have been previously their own invented but untested published. American Archaeology has method for detecting myoglobin, or the right to publish the winning photo- Sending Letters to graphs in its Fall issue without compen- did you choose to ignore the criti- American Archaeology sating the photographers over and cism? Whatever the answer, the im- American Archaeology welcomes your above the aforementioned prize money. letters. Write to us at 5301 Central pression the article gives is that can- Send submissions to: Avenue NE, Suite 402, Albuquerque, NM nibalism is proven, a conclusion American Archaeology 87108-1517, or send us e-mail at many of us involved with archaeolog- Attn: Photography Contest [email protected]. ical research in the Southwest would 5301 Central Avenue NE, Suite 402 We reserve the right to edit and Albuquerque, NM 87108 publish letters in the magazine’s Letters dispute. department as space permits. Please Peter Bullock, Project Director and include your name, address, and telephone Staff Archaeologist, Museum of New number with all correspondence, including Mexico’s Office of Archaeological e-mail messages. Michael Bawaya, Editor Studies, Santa Fe, New Mexico american archaeology 3 WELCOME TO ® THE ARCHAEOLOGICAL 5301 Central Avenue NE, Suite 402 CONSERVANCY! Albuquerque, NM 87108-1517 • (505) 266-1540 www.americanarchaeology.org he Archaeological Conservancy is the only national non-profit Board of Directors organization that identifies, Earl Gadbery, Pennsylvania, CHAIRMAN Olds Anderson, Michigan • Cecil F.