Download Issue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
										Recommended publications
									
								- 
												  A Closer Look at Argus Books' 1930 the Lives of the Twelve CaesarsIn the Spirit of Suetonius: A Closer Look at Argus Books’ 1930 The Lives of the Twelve Caesars Gretchen Elise Wright Trinity College of Arts and Sciences Duke University 13 April 2020 An honors thesis submitted to the Duke Classical Studies Department in partial fulfillment of the requirements for graduation with distinction for a Bachelor of Arts in Classical Civilizations. Table of Contents Acknowledgements 1 Abstract 2 Introduction 3 Chapter I. The Publisher and the Book 7 Chapter II. The Translator and Her “Translation” 24 Chapter III. “Mr. Papé’s Masterpiece” 40 Conclusion 60 Illustrations 64 Works Cited 72 Other Consulted Works 76 Wright 1 Acknowledgements First and foremost, this project would never have existed without the vision and brilliance of Professor Boatwright. I would like to say thank you for her unwavering encouragement, advice, answers, and laughter, and for always making me consider: What would Agrippina do? A thousand more thanks to all the other teachers from whom I have had the honor and joy of learning, at Duke and beyond. I am so grateful for your wisdom and kindness over the years and feel lucky to graduate having been taught by all of you. My research would have been incomplete without the assistance of the special collections libraries and librarians I turned to in the past year. Thank you to the librarians at the Beinecke and Vatican Film Libraries, and of course, to everyone in the Duke Libraries. I could not have done this without you! I should note that I am writing these final pages not in Perkins Library or my campus dormitory, but in self-isolation in my childhood bedroom.
- 
												  Psychedelics: Unp AckedW I N T E R 2 0 2 0 : V O L U M E 1 S O C I E T Y A N D G E N E T I C S PSYCHEDELICS: UNPACKED IS PSILOCYBIN A T H E WHAT IS VIABLE MEDICAL PSILOCYBIN'S PATH TREATMENT? I S S U E S TO LEGALIZATION? Find out on page 4! Find out on page 28! R E A D Y TRIP? F O R Y O U R 2 Editor's Note 4 Is Psilocybin a Viable Medical Treatment? THE SCIENCE 14 Neuroscience of Depression and Anxiety 18 Antidepressants: A Current Analysis THE HISTORY 20 Psychedelics; Neuroscience of the Brain Part 1: The Shamanic 24 Part 2: The Science/Political 26 What is Psilocybin's Path to 28 Legalization? THE SOCIAL/CULTURAL 35 Unpacking Recreational Psychedelic Culture 36 How Psychedelics Have Influenced the Mainstream 01 PSYCHADELICS: UNPACKED LETTER FROM THE EDITORS Dear Distinguished Reader, By association with the countercultural When you hear the word psychedelics, it is likely that strong preconceptions will come to mind. Terms like communities that threatened the status quo, “drug,” “addict,” and “illegal” may spring to the forefront. Or psychedelics came to represent a threat to the maybe “trip,” “hallucinations” and “adventure” do. But dominant narrative, and thus have been painted as what about words like “medicine” or “treatment?” The idea dangerous. LSD was linked to addiction through of using psychedelics as potential treatment for mental mass manipulation by the government demanding illness was actually tested as early as the 1950s (Read colleges to report any activities and findings more about this history on page 26), and promising results associated with the drug.
- 
												  Galba 5 B.C.? - 69 A.D75 AD GALBA 5 B.C.? - 69 A.D. Plutarch translated by John Dryden Plutarch (46-120) - Greek biographer, historian, and philosopher, sometimes known as the encyclopaedist of antiquity. He is most renowned for his series of character studies, arranged mostly in pairs, known as “Plutarch’s Lives of the Noble Grecians and Romans” or “Parallel Lives.” Galba (75 AD) - A study of the life of the Roman Emperor, Galba. GALBA IPHICRATES the Athenian used to say that it is best to have a mercenary soldier fond of money and of pleasures, for thus he will fight the more boldly, to procure the means to gratify his desires. But most have been of opinion, that the body of an army, as well as the natural one, when in its healthy condition, should make no efforts apart, but in compliance with its head. Wherefore they tell us that Paulus Aemilius, on taking command of the forces in Macedonia, and finding them talkative and impertinently busy, as though they were all commanders, issued out his orders that they should have only ready hands and keen swords, and leave the rest to him. And Plato, who can discern use of a good ruler or general if his men are not on their part obedient and conformable (the virtue of obeying, as of ruling, being, in his opinion, one that does not exist without first a noble nature, and then a philosophic education, where the eager and active powers are allayed with the gentler and humaner sentiments), may claim in confirmation of his doctrine sundry mournful instances elsewhere, and, in particular, the events that followed among the Romans upon the death of Nero, in which plain proofs were given that nothing is more terrible than a military force moving about in an empire upon uninstructed and unreasoning impulses.
- 
												  The Psychedelic Poster Art and Artists of the Late 1960SFocus on Topic The Psychedelic Poster Art and Artists of the late 1960s by Ted Bahr Bahr Gallery New York, USA 46 Focus on Topic The stylistic trademarks of the 1960s To advertise these concerts, both promoters turned to Wes Wilson at Contact Printing, who had been laying psychedelic poster were obscured and disguised out the primitive handbills used to advertise the Mime lettering, vivid color, vibrant energy, flowing Troupe Benefits and the Trips Festival. Wilson took organic patterns, and a mix of cultural images LSD at the Festival and was impacted by the music, from different places and periods -- anything to the scene, and the sensuous free-love sensibilities of confuse, enchant, thrill, and entertain the viewer. the hippie ethos. His posters quickly evolved to match the flowing, tripping, improvisational nature of the The style was also tribal in the sense that if you developing psychedelic music -- or “acid rock” -- and could decipher and appreciate these posters his lettering began to protrude, extend, and squeeze then you were truly a member of the hippie into every available space, mimicking and reflecting the subculture – you were hip, man. totality of the psychedelic experience. His early style culminated in the July 1966 poster for The Association which featured stylized flame lettering as the image The psychedelic poster movement coincided with the itself, a piece that Wilson considered to be the first rise of hippie culture, the use of mind-altering drugs like truly psychedelic poster. LSD, and the explosion of rock and roll. San Francisco was the center of this universe, and while prominent psychedelic poster movements also developed in London, Detroit, Los Angeles, and Austin, Bay Area artists both initiated and dominated the genre.
- 
												  An Interdisciplinary Approach to Psychedelics Jody Roun [email protected]Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2018 Under the Influence: An Interdisciplinary Approach to Psychedelics Jody Roun [email protected] Follow this and additional works at: https://scholarship.rollins.edu/mls Part of the Alternative and Complementary Medicine Commons, Art Education Commons, Art Practice Commons, Cognitive Neuroscience Commons, Digital Humanities Commons, Fine Arts Commons, Interdisciplinary Arts and Media Commons, Neurosciences Commons, Other Arts and Humanities Commons, Painting Commons, Pharmacology Commons, and the Theory and Philosophy Commons Recommended Citation Roun, Jody, "Under the Influence: An Interdisciplinary Approach to Psychedelics" (2018). Master of Liberal Studies Theses. 82. https://scholarship.rollins.edu/mls/82 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Under the Influence: An Interdisciplinary Approach to Psychedelics A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies By Jody Alise Roun May 2018 Mentor: Dr. Suzanne Woodward Reader: Dr. Robert Smither Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida Under the Influence: An Interdisciplinary Approach to Psychedelics By Jody Alise Roun May 2018 Project Approved: ______________________________________
- 
												  The Madness of Isolation in Suetonius' “Caligula” and “Nero”University of Kentucky UKnowledge Lewis Honors College Capstone Collection Lewis Honors College 2020 ‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero” Maya Menon University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/honprog Part of the Ancient History, Greek and Roman through Late Antiquity Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Menon, Maya, "‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero”" (2020). Lewis Honors College Capstone Collection. 50. https://uknowledge.uky.edu/honprog/50 This Article is brought to you for free and open access by the Lewis Honors College at UKnowledge. It has been accepted for inclusion in Lewis Honors College Capstone Collection by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero”   Maya Menon MCL 495-001: Capstone Dr. Matthew Wells December 2, 2020 Menon 2 The emperors Gaius Caesar ‘Caligula’ (r. 37-41 CE) and Nero (r. 54-68 CE) are regarded as some of Rome’s most infamous and notorious rulers due to their erratic, destructive, and complex behaviors. In his biographical work The Lives of the Caesars, the literary artist Gaius   Suetonius Tranquillus (c. 69-122 CE) provides a concise, informative, and illustrative depiction of the reigns of these two emperors. Suetonius’ particular literary technique and style used in the narration for both Nero and Caligula contributes to an enduring legacy of madness and depravity that has been influential in our understanding of these two rulers well into the modern age.
- 
												  FOR IMMEDIATE RELEASE August 27, 2018Contact: Amy Schreiber Executive Assistant for Advancement and Administration 260. 422. 6467, ext. 334 [email protected] FOR IMMEDIATE RELEASE August 27, 2018 Solo exhibition by Chuck Sperry, legendary rock poster artist, opens September 15 Including a sister exhibition of work from the psychedelic era opening September 8 [Fort Wayne, IN] ̶ The Fort Wayne Museum of Art is pleased to announce dual exhibitions exploring the intersection of art, music, and journalism, and their influence by the psychedelic era of the 1960s. On September 8, FWMoA will open Litmus Test: Works on Paper from the Psychedelic Era, followed by the opening of All Access: Exploring Humanism in the Art of Chuck Sperry a week later on September 15. The Psychedelic Era was, among many things, a cultural frontier for colors and imagery. Music, politics, and drugs ignited an unprecedented expansion of art revolving around these elements. From Berkeley College to the Grande Ballroom in Detroit, young idealists organized and the art of the era came to fruition. This exhibition will be our bridge to that time, showcasing a psychedelic era works on paper. The poster work and ephemera of Gary Grimshaw and the photography of Leni Sinclair will showcase the art that poured from that time and place. Blotter sheets from Mark Mothersbaugh, H.R. Giger, S. Clay Wilson, Chuck Sperry, and more will represent the creative fuel for many of the artists of the time. Also featured will be the work of the poster artists of the time: Wes Wilson, Victor Moscoso, Stanley Mouse, Rick Griffin, and Alton Kelley.
- 
												  Suddenly That SummerJuly 2012 Suddenly That Summer By Sheila Weller It was billed as “the Summer of Love,” a blast of glamour, ecstasy, and Utopianism that drew some 75,000 young people to the San Francisco streets in 1967. Who were the true movers behind the Haight-Ashbury happening that turned America on to a whole new age? Photograph by Jim Marshall/Digital colorization by Lorna Clark/Permission of Jim Marshall L.L.C. FREE FOR ALL The Charlatans perform in Golden Gate Park. In a 25-square-block area of San Francisco, in the summer of 1967, an ecstatic, Dionysian mini-world sprang up like a mushroom, dividing American culture into a Before and After unparalleled since World War II. If you were between 15 and 30 that year, it was almost impossible to resist the lure of that transcendent, peer-driven season of glamour, ecstasy, and Utopianism. It was billed as the Summer of Love, and its creators did not employ a single publicist or craft a media plan. Yet the phenomenon washed over America like a tidal wave, erasing the last dregs of the martini-sipping Mad Men era and ushering in a series of liberations and awakenings that irreversibly changed our way of life. The Summer of Love also thrust a new kind of music—acid rock—across the airwaves, nearly put barbers out of business, traded clothes for costumes, turned psychedelic drugs into sacred door keys, and revived the outdoor gatherings of the Messianic Age, making everyone an acolyte and a priest. It turned sex with strangers into a mode of generosity, made “uptight” an epithet on a par with “racist,” refashioned the notion of earnest Peace Corps idealism into a bacchanalian rhapsody, and set that favorite American adjective, “free,” on a fresh altar.
- 
												  How Nasty Was Nero, Really? the Notorious Emperor Appears to Have Been the Subject of a Smear CampaignThe Ancient World June 14, 2021 Issue How Nasty Was Nero, Really? The notorious emperor appears to have been the subject of a smear campaign. By Rebecca Mead June 7, 2021 A show at the British Museum offers a less sensationalist account of Nero’s reign.Illustration by Bendik Kaltenborn • Nero, who was enthroned in Rome in 54 A.D., at the age of sixteen, and went on to rule for nearly a decade and a half, developed a reputation for tyranny, murderous cruelty, and decadence that has survived for nearly two thousand years. According to various Roman historians, he commissioned the assassination of Agrippina the Younger—his mother and sometime lover. He sought to poison her, then to have her crushed by a falling ceiling or drowned in a self-sinking boat, before ultimately having her murder disguised as a suicide. Nero was betrothed at eleven and married at fifteen, to his adoptive stepsister, Claudia Octavia, the daughter of the emperor Claudius. At the age of twenty-four, Nero divorced her, banished her, ordered her bound with her wrists slit, and had her suffocated in a steam bath. He received her decapitated head when it was delivered to his court. He also murdered his second wife, the noblewoman Poppaea Sabina, by kicking her in the belly while she was pregnant. Nero’s profligacy went beyond slaughtering his nearest and dearest. He spent a fortune building an ornate palace, only to have it burn down, along with the rest of the city of Rome, in a conflagration that lasted for more than a week.
- 
												  Two Wives of Nero: a Political and Prosopographical StudyTWO WIVES OF NERO: A POLITICAL AND PROSOPOGRAPHICAL STUDY by ROBERT N. S. PARKER A Thesis Presented to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of M.A. Department of Classics McGill University July 1986 Montr~al © R. N. S. Parker, 1986 ABSTRACT In the course of his reign, the Emperor Nero was married to three wives in succession. Since a number of women are known to have been politically active during the late Republic and early Empire, it is possible that Nero's wives also exerted political pressure on him. Relying primarily on the best source for the Neronian Principate, Tacitus' Annals XIII-XVI, this thesis will give an account of the evidence pre sented for the lives of the only two wives of Nero with whom Tacitus deals, Claudia Octavia and Poppaea Sabina. There follows, in addition, an estimation of Tacitus• judgment of their lives in light of his general view of women. It will be demonstrated that although both women had the necessary means to mount political pressure, only Poppaea took advantage of her position. ii c RESUME Pendant son regne l 'empereur N~ron s'est mari~ successivement a trois femmes. Avec l'av~nement a Rome d'un certain nombre de femmes politiquement actives~ au cours de cette ~poque, il est permis de pr~tendre que les ~pauses de N~ron ont ~t~ dans la position d'exercer sur celui-ci des pressions politi ques. Bas~e principalement sur la plus importante source issue du principat de N~ron, soit les Annales XIII-XVI de Tacite~ la pr~sente th@se a pour objet de faire un expos~ sur 1 '~vidence de la vie de Claudia Octavie et celle-la de Popp~e Sabina~ qui ~taient les seules ~pauses de N~ron, que.Tacite a trait~e dans son oeuvre.
- 
												  99-114 the Suicides of Otho and Nero in Suetonius MbTHE SUICIDES OF OTHO AND NERO IN SUETONIUS M B Charles (Southern Cross Business School, Southern Cross University) and E Anagnostou-Laoutides (School of Philosophical, Historical and International Studies, Monash University) Both Otho and Nero are usually regarded as ‘bad’ emperors in the historical record, and their conduct is often assimilated. Yet Suetonius’ treatment of their suicides, while cleverly approximating the two events, nevertheless shows clear differences. While Nero appears weak and without resolve, Otho bravely shrugs off his supposed effeminacy and dies a true Roman emperor, more so since his death was intended to preserve the lives of his fellow citizens. Suetonius deliberately composed Otho’s exitus scene in such a way as to leave the reader with a positive impression of the emperor, simultaneously to the detriment of Nero. It is well known that Suetonius placed a good deal of import on the deaths of his imperial subjects, including the omens presaging them, and the precise context in which the emperors met their ends.1 These death-scenes, it follows, are meant to provide a final illumination of the character of his subjects, something very much in keeping with general attitudes in the ancient world towards death.2 Describing a person’s manner of death, to Suetonius and his contemporaries, effectively constituted providing a person’s literary epitaph, distilling much of what we need to remember about that person’s character, with Arand (2002:230-232) even suggesting that the deaths of ‘bad’ emperors offer more scope for literary effect. Given Suetonius’ general propensity to arrange his material so as to cohere with 1 Translations in this article are taken directly or else are adapted from the relevant Loeb editions.
- 
												  UCC Library and UCC Researchers Have Made This Item Openly Available. Please Let Us Know How This Has Helped You. Thanks! DownloUCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Nero and Sporus Author(s) Woods, David Publication date 2009 Original citation Woods, D., 2009. Nero and Sporus. Latomus Revue d'etudes latines, 68(1), pp. 73-82. Type of publication Article (peer-reviewed) Link to publisher's http://users.belgacom.net/latomus/revue.html version Access to the full text of the published version may require a subscription. Item downloaded http://hdl.handle.net/10468/33 from Downloaded on 2021-09-29T01:50:41Z Nero and Sporus The purpose of this paper is to propose a new understanding of the relation - ship between Nero and the young freedman Sporus whom he apparently ‘mar - ried’ sometime during his tour of Greece in AD 66-67. It is generally assumed at present that Nero was motivated by lust, if not love, in this relationship ( 1). This understanding of the relationship assumes that Dio preserves a full and correct explanation of his behaviour when he claims that Nero treated Sporus as he did because of his resemblance to his wife Poppaea Sabina whom he had acciden - tally killed in AD 65 : Kaì ouçtw ge au¬tæn o™ Nérwn e p¬ ójhsen wçste metà tòn jánaton au¬tñv tà mèn prøta gunaîká tina prosferñ oi™ majån ou®san metepémyato kaì e s¢ cen, e p¢ eita kaì paîda a¬peleújeron, oÇn Spóron w¬nómazen, e k¬ te mån, e¬peidæ kaì au¬tòv tñıSıab ínhıp roseåıeki, tá te a¢lla w™v gunaikì au¬tœıe c ¬ rñto kaì proïóntov toû crónou kaì e g¢ hmen au¬tón, kaíper Pujagóraıti nì e x¬ eleujérwıge gamhménov, kaì proîka au¬tøıka tà suggrafæn e¢neime, kaì toùv gámouv sføn dhmosíaıo iç te a¢lloi kaì au¬toì oi™ ¿Rwmaîoi e™årtasan.