DOCSLIB.ORG

JEFF SOLOMON 323.350.5035 [email protected] Updated 12.2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JEFF SOLOMON 323.350.5035 Jefsolo@Gmail.Com Updated 12.2016 JEFF SOLOMON 323.350.5035 [email protected] Updated 12.2016 Education University of Southern California, Ph.D. in English Literature, with Graduate Certificate in Gender Studies, 2008 University of Southern California, M.A. in English Literature, 2002 University of California–Irvine, M.F.A. in English (Fiction), 1993 University of Pennsylvania, B.A., cum laude in English, with distinction, 1989 Employment University of Southern California, Lecturer, Gender Studies and English Departments, 2012-16 University of Puget Sound, Visiting Assistant Professor, English Department, 2011-12 St. Olaf College, Visiting Assistant Professor, English Department, 2009-11 University of Redlands, Lecturer, Creative Writing Department, 2009, 2013 Fellowships and Awards Andrew J. Kappel Prize for Best Article of the Year, Twentieth-Century Literature, 2009 Pushcart Prize nomination, “The Third Breast of Hilda Von Why,” SPECS, 2009 “Final Summer” Fellowship, Department of English, University of Southern California, 2008 James Prize for best essay by a graduate student, ”Homosexuality Has No Humanist Value: Truman Capote and the Trillings,” Department of English, University of Southern California, 2006 Christopher Isherwood Foundation Fellow, Huntington Library, 2005 Edward W. Moses Award (best fiction by a USC graduate student), “Best Friend,” 2005 USC-Bogaziçi University Summer Institute Fellow (Fulbright), Istanbul, Turkey, 2005 English Department Dissertation Fellowship, USC, 2004–2005 USC Lambda Alumni Graduate Research Award, 2002 Edward W. Moses Award (best fiction by a USC graduate student), “Bohemian Acts: Overture,” 2001 Provost’s Fellowship, USC, 2000–2001, 2001–2002 Publications Book So Famous and So Gay: The Fabulous Potency of Truman Capote and Gertrude Stein. University of Minnesota Press, forthcoming May 2017. SOLOMON CV 2 Articles “Broadly Queer and Specifically Gay: The Celebrity and Career of Gertrude Stein.” In Literary Careers in the Modern Era, eds. Guy Davidson and Nicola Evans. Palgrave Macmillan, 2015: 77-95. “Gertrude Stein, Opium Queen: Notes on an Unlikely Embrace,” Journal of Lesbian Studies 17.1 (2013): 7-24. “Capote and the Trillings: Homophobia and Literary Culture at Mid-Century,” Twentieth–Century Literature 54.2 (2009): 129-165. [Winner of the Andrew J. Kappel Prize for Best Article of the Year.] “Young, Effeminate, and Strange: Early Photographic Portraits of Truman Capote," Studies in Gender and Sexuality 6.3 (2005): 293–326. “Monster and Critic, Teacher and Writer: A Roundtable Discussion on Difference, Fear, and Creation,” Santa Monica Review 17.2 (2005): 148–177. “Down South in Peckerwood: Auntie Mame and Anti-Mom,” The Queer South on Screen, edited by Tison Pugh [Solicited, anticipated 2017 publication]. Shorter pieces and reviews “The Truman Show.” Review of Truman Capote: A Literary Life at the Movies, by Tison Pugh. The Gay and Lesbian Review 23.3 (May-June 2015): 43-44. “Husbands and Other Lovers.” Review of Foolish Hearts: New Gay Fiction, eds. Lambert and Cochrane. The Gay and Lesbian Review 20.1 (September- October 2014): 44. “J’accuse: The Heath Anthology Erases Gay Writers,” essay, The Gay and Lesbian Review 19.1 (January-February 2012): 27-29. “How Whitman Seduced Us with a Photograph,” essay, The Gay and Lesbian Review 17.4 (July-August 2010): 43. “Review of Jaime Hovey’s A Thousand Words: Portraiture, Style, and Queer Modernism,” Women’s Studies: An Interdisciplinary Journal 36.6 (2007): 455- 457. “Art Imitates Life: The Importance of Gay Characters in Teen Serial Dramas,” Frontiers [Los Angeles] 20.25 (2002): 50–52. Short Stories “Best Friend,” short story, Best Gay Stories 2009. Maple Shade, NJ: Lethe Press, 2009. 15-23. Reprint, Harrington Gay Men’s Literary Quarterly 9.1 (2007): 57– 67. “The Third Breast of Hilda Von Why,” short story, SPECS 1 (2008): 27–34. Nominated for Pushcart Prize, 2009. “A Boy Abroad,” short story, The Loudest Voice. CA: Figueroa Press (2010): 111- 119. Reprint, Harrington Gay Men’s Literary Quarterly 8.3 (2007): 61–69. Conferences and Papers “Seedy Pleasures: Theodore Payne, Southern California Native Plants, and Modernity,” Modernist Studies Association, Pasadena, Nov. 2016. “Portraits: Gertrude Stein and Truman Capote.” Invited speaker, @sea reading series, Poetic Research Bureau, Los Angeles, 2015. “Young, Effeminate, and Strange: The Debut of Truman Capote.” Invited speaker, LGBTQ Research Consortium, San Diego State University, 2015. SOLOMON CV 3 “Truman Capote, Public Masturbation, and the Conflict between Queer and Gay." "The Coming of Age of LGBTQ Studies: Past, Present, and Future Directions" (conference), San Diego State University, 2015. “Allan Ginsberg’s Howl,” Invited Speaker, Skirball Cultural Center, Los Angeles, 2015. “Phantasmal Glamour and Erotic Nostalgia in Breakfast at Tiffany's: Fiction, Film, and the Dorm Room Wall." Pacific Ancient and Modern Languages Association, Honolulu, 2010. “Girls’ School: Effeminacy, Female Critics, and Gay Authors.” Invited Speaker, Feminist Studies Colloquium Series, University of Minnesota, Minneapolis, 2009. “Hitler, Homosexuality, and Truman Capote: Diana Trilling’s Axis of Evil,” Northeastern Modern Languages Association, Philadelphia, 2006. Research and Teaching Interests Gender & Queer Studies, American Literature 1865–present, Creative Writing Teaching Experience I developed all courses, except where indicated. Lecturer in Gender Studies and English, University of Southern California, 2012-present Gender Studies and Literature “Gender Conflict in Cultural Contexts.” Examines social and cultural conflicts through the lens of gender via the transformation of U. S. society from the 1950s through the Sexual Revolution to the 1980s. Spring 2017 (scheduled). “Girls Gone Wild: A Century of Misbehavior.” Investigates women who rebel against expectations of proper conduct in twentieth-century U.S. fiction and film, and shifting hegemonic expectations and constraints. Seminar, Fall and Spring 2016, Fall and Spring 2015; lecture, Fall 2014. “Secrets of the American Short Story.” Investigates the aesthetic transformations of the American short story since 1900. Seminar, Spring 2016, Fall and Spring 2015, Fall 2014; lecture, Spring 2015. “Defining the Bohemian.” Investigates the cultural construction of the bohemian in the United States through figures such as Stein, Hemingway, Josephine Baker, the Beats, Kenneth Anger, and Jaime Hernandez. Lecture, Fall 2014. Creative Writing “Introduction to Fiction Writing.” Seminar, Spring 2014, Fall 2016. “Narrative Writing.” A workshop in fiction and creative non-fiction, Fall 2015. “Introduction to Creative Writing.” Fiction, poetry, and creative non-fiction for non-majors. Fall 2012, Fall 2013, Spring 2013. Lecturer in English, Mt. St. Mary’s College, 2013 “The Study of the Novel.” Includes Charlotte Brontë, Beecher Stowe, Crane, Danielewski, Fitzgerald, Forster, Morrison, Woolf. Fall 2013. SOLOMON CV 4 Visiting Assistant Professor of English, University of Puget Sound, 2011-2012 “Studies in Twentieth-Century American Literature: Passing Fancy.” The varieties of passing: race, class, gender, and sexual orientation. Senior seminar, Spring 2012. “Studies in Lesbian and Gay Literature: Invert, Pervert, Bull Dagger, Queen.” Cross-listed in Gender Studies. Twentieth-century U.S. literature and visual narratives by and about lesbians, gay men, the transgendered, and other queers. Seminar, Fall 2011. “Survey of American Literature II, 1865 to the Present: Canon Fodder.” Both the standard narratives of the American literature and the battles fought over the canon. Lecture, Spring 2012. “Nuclear Family Meltdown!” (First-year seminar.) Students explore how the “traditional” image of family held by Americans is an uncommon reality. Spring 2012, Fall 2011. Visiting Assistant Professor of English, St. Olaf College, 2009-2011 “Topics in American Racial and Multicultural Literature: Cultures of Desire 1945- present.” Cross-listed in Women’s Studies. How class, ethnicity, race, and sexual orientation configure representations of desire in post-1945 U.S. literature. Seminar, Spring 2011, Fall 2009. “Topics in Multicultural Literature: Cultures of Modernity.” Cross-listed in Women’s Studies. The writing and relationships between four modernist communities: Lesbian Paris, the Harlem Renaissance, Bloomsbury, and Modernist Japan. Seminar, Fall 2010. “Topics in Literary History: Canon Fodder—American Literature, 1960-present.” Major authors and literary movements, and the values and definitions that deem these “major.” Lecture, Spring 2011. “Topics in Visual Culture: Image, Sequence, Story.” In literature, graphic novels, photographic books, serial television drama, and film. Lecture, Fall 2010, Spring 2010. Independent Studies —“Twentieth-Century Lesbian Literature.” Fall 2010. —“Tales of a City on a Hill: Armistead Maupin in Print and on Screen.” Spring 2010. Lecturer in Creative Writing, University of Redlands, 2009, 2013 “Non-Fiction Workshop I.” Fall 2013. “Fiction Workshop I.” Spring 2009 Lecturer and Teaching Assistant, University of Southern California, 2003–2008 Selected classes. “Gender Conflict in Cultural Contexts.” Teaching Assistant for Professor Sherry Velasco. 2 sections, Fall 2008. “Girls Gone Wild!” A first-year honors seminar on “inappropriate” women in twentieth-century literature and film. Spring 2007, Spring 2005. SOLOMON CV 5 “Defining the Bohemian.” A first-year honors seminar exploring the “bohemian” in twentieth-century literature and film. Spring 2004. “Culture and Values.”
Load more

Recommended publications
  • 1 Breakfast at Tiffany's Truman Capote, 1958 I Am Always Drawn Back To
    1 Breakfast at Tiffany's surrounded by photographs of ice-hockey stars, there is always a large bowl of fresh Truman Capote, 1958 flowers that Joe Bell himself arranges with matronly care. That is what he was doing when I came in. I am always drawn back to places where I have lived, the houses and their "Naturally," he said, rooting a gladiola deep into the bowl, "naturally I wouldn't have neighborhoods. For instance, there is a brownstone in the East Seventies where, got you over here if it wasn't I wanted your opinion. It's peculiar. A very peculiar thing during the early years of the war, I had my first New York apartment. It was one room has happened." crowded with attic furniture, a sofa and fat chairs upholstered in that itchy, particular red "You heard from Holly?" velvet that one associates with hot days on a tram. The walls were stucco, and a color He fingered a leaf, as though uncertain of how to answer. A small man with a fine rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman head of coarse white hair, he has a bony, sloping face better suited to someone far ruins freckled brown with age. The single window looked out on a fire escape. Even so, taller; his complexion seems permanently sunburned: now it grew even redder. "I can't my spirits heightened whenever I felt in my pocket the key to this apartment; with all its say exactly heard from her. I mean, I don't know.
    [Show full text]
  • Annie Hall: Screenplay Pdf, Epub, Ebook
    ANNIE HALL: SCREENPLAY PDF, EPUB, EBOOK Woody Allen,Marshall Brickman | 128 pages | 21 Feb 2000 | FABER & FABER | 9780571202140 | English | London, United Kingdom Annie Hall: Screenplay PDF Book Photo Gallery. And I thought of that old joke, you know. Archived from the original on January 20, Director Library of Congress, Washington, D. According to Brickman, this draft centered on a man in his forties, someone whose life consisted "of several strands. Vanity Fair. Retrieved January 29, The Guardian. Archived from the original on May 10, All the accolades and praise encouraged me to pick up this script. Archived from the original on December 30, Rotten Tomatoes. And I'm amazed at how epic the characters can be even when nothing blockbuster-ish happens. Annie and Alvy, in a line for The Sorrow and the Pity , overhear another man deriding the work of Federico Fellini and Marshall McLuhan ; Alvy imagines McLuhan himself stepping in at his invitation to criticize the man's comprehension. Retrieved March 23, How we actually wrote the script is a matter of some conjecture, even to one who was intimately involved in its preparation. It was fine, but didn't live up to the hype, although that may be the hype's fault more than the script's. And I thought, we have to use this. It was a delicious and crunchy treat for its realistic take on modern-day relationships and of course, the adorable neurotic-paranoid Alvy. The Paris Review. Even in a popular art form like film, in the U. That was not what I cared about Woody Allen and the women in his work.
    [Show full text]
  • Review of Capote's in Cold Blood
    Themis: Research Journal of Justice Studies and Forensic Science Volume 1 Themis: Research Journal of Justice Studies and Forensic Science, Volume I, Spring Article 1 2013 5-2013 Review of Capote’s In Cold Blood Yevgeniy Mayba San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/themis Part of the American Literature Commons, Criminal Law Commons, and the Criminology and Criminal Justice Commons Recommended Citation Mayba, Yevgeniy (2013) "Review of Capote’s In Cold Blood," Themis: Research Journal of Justice Studies and Forensic Science: Vol. 1 , Article 1. https://doi.org/10.31979/THEMIS.2013.0101 https://scholarworks.sjsu.edu/themis/vol1/iss1/1 This Book Review is brought to you for free and open access by the Justice Studies at SJSU ScholarWorks. It has been accepted for inclusion in Themis: Research Journal of Justice Studies and Forensic Science by an authorized editor of SJSU ScholarWorks. For more information, please contact [email protected]. Review of Capote’s In Cold Blood Keywords Truman Capote, In Cold Blood, book review This book review is available in Themis: Research Journal of Justice Studies and Forensic Science: https://scholarworks.sjsu.edu/themis/vol1/iss1/1 Mayba: In Cold Blood Review 1 Review of Capote’s In Cold Blood Yevgeniy Mayba Masterfully combining fiction and journalism, Truman Capote delivers a riveting account of the senseless mass murder that occurred on November 15, 1959 in the quiet rural town of Holcomb, Kansas. Refusing to accept the inherent lack of suspense in his work, Capote builds the tension with the brilliant use of imagery and detailed exploration of the characters.
    [Show full text]
  • Driving Truman Capote: a Memoir
    Theron Montgomery Driving Truman Capote: A Memoir On a calm, cool April afternoon in 1975, I received an unexpected call from my father on the residence First Floor pay phone in New Men’s Dorm at Birmingham-Southern College. My father’s voice came over the line, loud and enthused. “Hi,” he said, enjoying his surprise. He asked me how I was doing, how school was. “Now, are you listen- ing?” he said. “I’ve got some news.” Truman Capote, the famous writer of In Cold Blood, would be in our hometown of Jacksonville, Alabama, the next day to speak and read and visit on the Jacksonville State University campus, where my father was Vice-President for Academic Affairs. It was a sudden arrangement Capote’s agent had negotiated a few days before with the school, pri- marily at my father’s insistence, to follow the author’s read- ing performance at the Von Braun Center, the newly dedicat- ed arts center, in Huntsville. Jacksonville State University had agreed to Capote’s price and terms. He and a traveling companion would be driven from Huntsville to the campus by the SGA President early the next morning and they would be given rooms and breakfast at the university’s International House. Afterwards, Capote would hold a luncheon reception with faculty at the library, and in the afternoon, he would give a reading performance at the coliseum. My father and I loved literature, especially southern liter- ature, and my father knew I had aspirations of becoming a writer, too. “You must come and hear him,” he said over the phone, matter-of-fact and encouraging.
    [Show full text]
  • ZOIZ SEP 2L P 3: 2 I STATE of KANSAS Ex Rei
    ~~ . ~ ~~~, ~ \' CL c ~~ ~~ :;S. :1IS , RIC r cou~n IN THE DISTRICT COURT OF SHAWNEE COUNTY KANSAS LJ JUDIC IAL DIST. CIVIL ACTION ' rn?:::Ktl.. K5 ZOIZ SEP 2l P 3: 2 I STATE OF KANSAS ex reI. ) DEREK SCHMIDT, ATTORNEY ) GENERAL, ) ) Plaintiff, ) ) vs. ) Case No. 12 CV I GS3 ) 1)W(S«(;It\. ~ RONALDNYE, ) JOYCE NYE, TERRI HURLEY, and ) GARY MeAVOY, individually and ) d/b/a VINTAGE MEMORABILIA, ) ) Defendants. ) ) Filed Pursuant to K.S.A. Chapter 60 VERIFIED PETITION FOR DECLARATORY JUDGMENT AND OTHER TEMPORARY AND PERMANENT RELIEF COMES NOW The State of Kansas on relation of Derek Schmidt, duly elected, qualified and acting Attorney General, and brings this action seeking a declaratory judgment that the State is, in fact and by law, the owner of Kansas Bureau of Investigation investigative file materials relating to the murder of members of the Clutter Family in Holcomb, Kansas in November, 1959, and related relief, including but not limited to the orders of this Court directing the return and delivery by defendants of any such materials to and into the custody of the State, and prohibiting, temporarily and permanently, the sale, publication, replication and distribution thereof by defendants, or any of them, as hereinafter more fully provided. In support thereof, the State alleges the following, verified upon oath: PETITION OF THE STATE OF KANSAS FOR DECLARATORY JUDGMENT AND OTHER RELIEF, page 1 Parties to the Action 1. The Kansas Attorney General is authorized to bring this action on behalf of the State of Kansas, as relator for the Kansas Bureau of Investigation and the State Records Board.
    [Show full text]
  • In Cold Blood: Truman Capote in Holcomb, Kansas
    In Cold Blood: Truman Capote in Holcomb, Kansas Writer Truman Capote (1924-1984) traveled to Holcomb, Kansas, in 1959 after reading in the New York Times about the murder of four members of the Clutter family in their home in the rural farming community. Capote was accompanied by two friends, fellow novelist Harper Lee and Sandy M. Campbell, a fact checker at the New Yorker. Capote’s aim was to research the case, interview the investigators and others in Holcomb, and write about the crime and investigation. In Cold Blood, initially published as a four-part series in the New Yorker in 1965, was called a “non-fiction novel.” Though he employed conventions of novelistic writing, Capote claimed the work was completely true; quotations, he said, came directly from his interviews. Nevertheless, many have questioned the reality of Capote’s work and his use of creative license to imagine unknowable details. Capote’s involvement with law enforcement officials and with the men ultimately convicted of the crime, some speculate, may have colored the stories they shared with the writer. Snapshots Sandy Campbell took during his trip to Holcomb with Capote and Lee show the two writers with Alvin Dewey, the lead detective on the case from the Kansas Bureau of Investigation, along with his wife. Photos from the trip include images of the travelers and their hosts posing tourist-style around town and outside the Clutter home, where the crime took place. Truman Capote, In Cold Blood, New Yorker, September 1965; In Cold Blood: A True Account of a Multiple Murder and its Consequences, New York: The Modern Library, 1965; photographs from the Donald Windham and Sandy M.
    [Show full text]
  • Notes on the Author
    To Kill A Mockingbird Nelle Harper Lee 1926-2013 F404: TA-1 Tuesday 11:50-1:15 Instructor: Donna Carducci Macurdy [email protected] 1 Agenda F404 –TKM– Fall 2013 1. Format for class: Day 1 & Day 2: Lecture/Video – Background Information (Author/Time Period) Days 3-8: Lecture Notes on Chapters Discussion Small Groups Viewing Film TKM 2. Handout: * Syllabi/Reading Schedule 3. Lecture: • Notes on Author: Harper Lee * Viewing: Chapter 1: New York (Lee’s response to the Novel) Excerpt from: Hey Boo: Harper Lee and To Kill A Mockingbird A documentary produced & written by Mary Murphy • Notes on: Novel – To Kill A Mockingbird • Characters; Setting; Critical Response; Literary Term * Viewing: American Masters: Critical Response from Hey Boo Documentary 2 Early Life • Born Nelle Harper Lee on April 28,1926 in Monroeville, Alabama • Youngest of Amasa & Frances Finch Lee’s children – Father was a former newspaper editor and proprietor, who had served as a state senator and practiced as a lawyer in Monroeville Alabama – Amasa once defended two black men accused of killing a white storekeeper; both men, a father and son, were hanged • Direct descendent of Robert E. Lee • 1944 Entered Huntingdon College in Montgomery 3 Law School • 1945-1949 Studied Law at University of Alabama – Spent a year at Oxford as a Fulbright Scholar – At Alabama Lee wrote columns, feature stories, and satires for the university newspaper and literary publications • 1949 - Six months before finishing her studies, Lee went to New York to pursue a literary career – Considered
    [Show full text]
  • Funny Feelings: Taking Love to the Cinema with Woody Allen
    FUNNY FEELINGS: TAKING LOVE TO THE CINEMA WITH WOODY ALLEN by Zorianna Ulana Zurba Combined Bachelor of Arts Wilfrid Laurier University, Waterloo, Ontario, 2004 Masters of Arts Brock University, St. Catherines, Ontario, 2008 Certificate University of Toronto, Toronto, Ontario, 2009 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture. Toronto, Ontario, Canada, 2015 ©Zorianna Zurba 2015 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University and York University to lend this dissertation to other institutions or individuals for the purpose of scholarly research I further authorize Ryerson University and York University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Funny Feelings: Taking Love to the Cinema with Woody Allen Zorianna Zurba, 2015 Doctor of Philosophy in Communication and Culture Ryerson University and York University Abstract This dissertation utilizes the films of Woody Allen in order to position the cinema as a site where realizing and practicing an embodied experience of love is possible. This dissertation challenges pessimistic readings of Woody Allen’s film that render love difficult, if not impossible. By challenging assumptions about love, this dissertation opens a dialogue not only about the representation of love, but the understanding of love.
    [Show full text]
  • ANALYSIS in Cold Blood (1965) Truman Capote (1924-1984) “Capote Has, in Short, Achieved a Work of Art. He Has Told Exceedingl
    ANALYSIS In Cold Blood (1965) Truman Capote (1924-1984) “Capote has, in short, achieved a work of art. He has told exceedingly well a tale of high terror in his own way. But, despite the brilliance of his self-publicized efforts, he has made both a tactical and a moral error... By insisting that ‘every word’ of his book is true he has made himself vulnerable to those readers who are prepared to examine seriously such a sweeping claim.” Philip K. Tomkins Esquire (1966) “’Nonfiction novel’ is Truman Capote’s coinage in connection with In Cold Blood (1965), and his appropriation of such an incestuous phrase could well have been connected to his difficulties in writing fiction.... [Tom] Wolfe in The New Journalism demonstrates how fictional techniques may be adapted by journalists, to create the new form....roving back and forth in time; interior monologue, even stream of consciousness (all invented by the writer); composite characterization--the use of types to produce an individual; simultaneity of event (employed most effectively by Capote in In Cold Blood, where killers and their victims are paralleled); the invention of a supporting cast as filler.... One of the essential ingredients of the new journalism is that the author offers himself as an equivalent of the subject, or takes on a vicarious persona...Capote for the killers in In Cold Blood... Despite all its critical kudos and Capote’s vast claims for it, [the story] would have come to us better as fiction.... “A Time to Die [by Tom Wicker] makes Capote’s In Cold Blood, despite its fine writing and careful attention to detail, seem clinical and insignificant...
    [Show full text]
  • Introductory Remarks—Annie Hall
    INTRODUCTORY REMARKS—ANNIE HALL There is a theory, sometimes called the ‘small world theory,’ but more often referred to as ‘six degrees of separation,’ which states that any two people in the world can be connected by a chain of no more than five intermediary acquaintances. One of the interesting sidelights to this evening’s event is the several examples right here. The first of course is me. Woody Allen and I were in the same high school graduating class, and I believe, we were together in one or two mathematics or English classes. I would like to say I knew him well, but there were many talented and accomplished students in the school and he did not stand out. After high school our paths diverged. He became famous and wealthy and was sought after by many beautiful women. I didn’t become rich and famous……… So, everybody here is separated from Woody Allen by only two degrees of separation. But there’s more. My wife grew up in a neighborhood of NY called Astoria. The local bakery, called Walken’s Bakery was owned by the Walken family, whose younger son, Chris, a bit younger than my wife, often helped at the counter. So, we are all also two degrees removed from Christopher Walken, a very interesting and somewhat enigmatic actor who has a significant role in tonight’s film as Diane Keaton’s brother. And, finally, in case you still don’t believe what a really small world this is, our young friend Erica, currently living here in Minsk, will return in a few months to her parents’ apartment in Manhattan, which is only a few streets away from----- the residence of Woody Allen.
    [Show full text]
  • THE GRASS HARP the Grass Harp Began Life in 1951 As a the Score Is a Constant Delight, with One Concert Version of His Musical Grossing- Novel by Truman Capote
    THE GRASS HARP The Grass Harp began life in 1951 as a The score is a constant delight, with one concert version of his musical Grossing- novel by Truman Capote. Broadway pro- tuneful number after another. Claibe er’s (also written with Stephen Cole). ducer Saint Subber was taken with the Richardson was a wonderful and mostly When he brought me The Grass Harp I novel and asked Capote to do a stage unsung composer who should have been jumped at it – it was important to him to adaptation. Capote, who was still strug- a major name on Broadway. Kenward have it in print and sounding as it always gling as a young author, agreed. Directed Elmslie’s lyrics are enchanting and the should have sounded. But it’s now been by Robert Lewis, Capote’s play version whole thing retains the Capote flavor. out of print for almost two decades so it of The Grass Harp opened at the Mar- The original LP had to drop a song due was time to bring it back and I know that tin Beck Theatre on March 27, 1952, to time constraints, but it was restored would make him happy. Claibe passed in where it had a brief run of only thirty-six for the original CD release on Painted early 2003. His final song was written with performances. In the cast were Mildred Smiles. Then I reissued it on Varese me – I wanted to do a revue of my “What Natwick, Ruth Nelson, Jonathan Harris, Sarabande at the request of Claibe, who If” parodies and I couldn’t think of anyone Sterling Holloway, and Alice Pearce.
    [Show full text]
  • Europe in the Writings of Truman Capote Or the Steps to the Creation of the Nonfiction Novel
    EUROPE IN THE WRITINGS OF TRUMAN CAPOTE OR THE STEPS TO THE CREATION OF THE NONFICTION NOVEL Emilio Cañadas Rodríguez Universidad Camilo José Cela Last 25th August 2004, we celebrated the 20th anniversary of the death of the American writer Truman Capote and simultaneously, in the following months, two milestones in his literary career: the fortieth anniversary of Truman Capote’s publication of the first lines of his masterpiece: In Cold Blood1 and the forty-fifth anniversary of the publication of Local Color, where the author gives a very personal and distinctive portrait of Europe; a kind of reportage of a post-war continent that now, years after, has just lived the expansion of the European Community last 1st of May. Due to the celebration of these events in the following months, it is the aim of this research to study the connexion between Truman Capote and Europe: his vision, his opinion, his writings, travels and, furthermore, the importance and the transcendent role of Europe as the root for the non-fiction novel in the making of In Cold Blood. Europe has always been a recurrent topic in the history of American Literature. As a starting point for our issue, we think first of Henry James, who sent his characters to Europe searching, looking for the land of experience, looking for the “tree of knowledge”, a place to learn and a place to be refilled with that experience and that knowledge2. We think of Washington Square and how Dr. Sloper believed 1 Although the book itself was published at the turn of the year 1965, the appearance of chapters or parts of the story in The New Yorker started after the summer of 1965.First chapter on the 25th September 1965.
    [Show full text]