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Alabama Literary Review 2011
Alabama Literary Review 2011 volume 20 number 1 TROY UNIVERSITY Alabama Literary Review Editor William Thompson Fiction Editors Jim Davis Theron Montgomery Poetry Editor Patricia Waters Webmaster Ben Robertson Cover Design Heather Turner Alabama Literary Review is a state literary medium representing local and national submissions, supported by Troy University and Troy University Foundation. Published once a year, Alabama Literary Review is a free service to all Alabama libraries and all Alabama two- and four-year insti- tutions of higher learning. Subscription rates are $10 per year, $5 for back copies. Rates are subject to change without notice. Alabama Literary Review publishes fiction, poetry, and essays. Pays in copies. Pays honorarium when available. First Serial Rights returned to author upon publication. Manuscripts and editorial or business correspon- dence should be addressed to Alabama Literary Review, 254 Smith Hall, Troy University, Troy, Alabama 36082. Submissions will not be returned nor queries answered unless accompanied by a stamped, self-addressed envelope. Please allow two or three months for our response. 2010 Alabama Literary Review. All rights reserved. ISSN 0890-1554. Alabama Literary Review is indexed in The American Humanities Index and The Index of American Periodic Verse. CONTENTS Daniel Tobin from From Nothing . .1 April Lindner Seen From Space . .6 Robert B. Shaw Back Home . .8 Loren Graham Country Boy . .18 Octobers . .19 Letters . .20 Zakia Khwaja Nastaliq . .21 Robert B. Shaw Dinosaur Tracks . .22 “Pity the Monsters!” . .23 Stephen Cushman The Red List . .25 Enrique Barrero Rodríguez / John Poch Hoy quisiera, por fin, sobre el desbrozo . .55 Today I wanted, finally, beyond the removal . -
1 Breakfast at Tiffany's Truman Capote, 1958 I Am Always Drawn Back To
1 Breakfast at Tiffany's surrounded by photographs of ice-hockey stars, there is always a large bowl of fresh Truman Capote, 1958 flowers that Joe Bell himself arranges with matronly care. That is what he was doing when I came in. I am always drawn back to places where I have lived, the houses and their "Naturally," he said, rooting a gladiola deep into the bowl, "naturally I wouldn't have neighborhoods. For instance, there is a brownstone in the East Seventies where, got you over here if it wasn't I wanted your opinion. It's peculiar. A very peculiar thing during the early years of the war, I had my first New York apartment. It was one room has happened." crowded with attic furniture, a sofa and fat chairs upholstered in that itchy, particular red "You heard from Holly?" velvet that one associates with hot days on a tram. The walls were stucco, and a color He fingered a leaf, as though uncertain of how to answer. A small man with a fine rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman head of coarse white hair, he has a bony, sloping face better suited to someone far ruins freckled brown with age. The single window looked out on a fire escape. Even so, taller; his complexion seems permanently sunburned: now it grew even redder. "I can't my spirits heightened whenever I felt in my pocket the key to this apartment; with all its say exactly heard from her. I mean, I don't know. -
Annie Hall: Screenplay Pdf, Epub, Ebook
ANNIE HALL: SCREENPLAY PDF, EPUB, EBOOK Woody Allen,Marshall Brickman | 128 pages | 21 Feb 2000 | FABER & FABER | 9780571202140 | English | London, United Kingdom Annie Hall: Screenplay PDF Book Photo Gallery. And I thought of that old joke, you know. Archived from the original on January 20, Director Library of Congress, Washington, D. According to Brickman, this draft centered on a man in his forties, someone whose life consisted "of several strands. Vanity Fair. Retrieved January 29, The Guardian. Archived from the original on May 10, All the accolades and praise encouraged me to pick up this script. Archived from the original on December 30, Rotten Tomatoes. And I'm amazed at how epic the characters can be even when nothing blockbuster-ish happens. Annie and Alvy, in a line for The Sorrow and the Pity , overhear another man deriding the work of Federico Fellini and Marshall McLuhan ; Alvy imagines McLuhan himself stepping in at his invitation to criticize the man's comprehension. Retrieved March 23, How we actually wrote the script is a matter of some conjecture, even to one who was intimately involved in its preparation. It was fine, but didn't live up to the hype, although that may be the hype's fault more than the script's. And I thought, we have to use this. It was a delicious and crunchy treat for its realistic take on modern-day relationships and of course, the adorable neurotic-paranoid Alvy. The Paris Review. Even in a popular art form like film, in the U. That was not what I cared about Woody Allen and the women in his work. -
Truman Capote Papers [Finding Aid]
Truman Capote Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2011 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms011026 LC Online Catalog record: http://lccn.loc.gov/mm81047043 Prepared by Manuscript Division Staff Collection Summary Title: Truman Capote Papers Span Dates: 1947-1965 ID No.: MSS47043 Creator: Capote, Truman, 1924-1984 Extent: 70 items ; 8 containers ; 3.2 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Author and dramatist. Chiefly literary manuscripts, including notebooks, journals, drafts, and manuscripts of prose fiction, dramas and screenplays, and other writings. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Brando, Marlon. Capote, Truman, 1924-1984. Capote, Truman, 1924-1984. Breakfast at Tiffany's; a short novel and three stories. 1958. Capote, Truman, 1924-1984. In cold blood : a true account of a multiple murder and its consequences. 1965. Capote, Truman, 1924-1984. Other voices, other rooms. 1948. Subjects American fiction. American literature. Drama. Fiction. Literature. Motion picture plays. Musicals. Short stories. Occupations Authors. Dramatists. Administrative Information Provenance The papers of Truman Capote, author and dramatist, were given to the Library of Congress by Capote in 1967-1969. Processing History The papers of Truman Capote were arranged and described in 1968 and 1997. -
Review of Capote's in Cold Blood
Themis: Research Journal of Justice Studies and Forensic Science Volume 1 Themis: Research Journal of Justice Studies and Forensic Science, Volume I, Spring Article 1 2013 5-2013 Review of Capote’s In Cold Blood Yevgeniy Mayba San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/themis Part of the American Literature Commons, Criminal Law Commons, and the Criminology and Criminal Justice Commons Recommended Citation Mayba, Yevgeniy (2013) "Review of Capote’s In Cold Blood," Themis: Research Journal of Justice Studies and Forensic Science: Vol. 1 , Article 1. https://doi.org/10.31979/THEMIS.2013.0101 https://scholarworks.sjsu.edu/themis/vol1/iss1/1 This Book Review is brought to you for free and open access by the Justice Studies at SJSU ScholarWorks. It has been accepted for inclusion in Themis: Research Journal of Justice Studies and Forensic Science by an authorized editor of SJSU ScholarWorks. For more information, please contact [email protected]. Review of Capote’s In Cold Blood Keywords Truman Capote, In Cold Blood, book review This book review is available in Themis: Research Journal of Justice Studies and Forensic Science: https://scholarworks.sjsu.edu/themis/vol1/iss1/1 Mayba: In Cold Blood Review 1 Review of Capote’s In Cold Blood Yevgeniy Mayba Masterfully combining fiction and journalism, Truman Capote delivers a riveting account of the senseless mass murder that occurred on November 15, 1959 in the quiet rural town of Holcomb, Kansas. Refusing to accept the inherent lack of suspense in his work, Capote builds the tension with the brilliant use of imagery and detailed exploration of the characters. -
A Christmas Memory Winter Song
A CHRISTMAS MEMORY By Truman Capote -paired with- WINTER SONG By Merideth Kaye Clark & Brandon Woolley Directed by Brandon Woolley November 24 – December 30, 2018 In the Ellyn Bye Studio Artistic Director | Marissa Wolf Managing Director | Cynthia Fuhrman Music Director Scenic Designer Costume Designer Mont Chris Daniel Meeker Paula Buchert Hubbard Lighting Designer Sound Designer Stage Manager Sarah Hughey Casi Pacilio Janine Vanderhoff Production Assistant Alexis Ellis-Alvarez Featuring Merideth Kaye Clark & Leif Norby Accompanied by Mont Chris Hubbard Original Underscore Music by Mont Chris Hubbard Arrangements by Merideth Kaye Clark & Mont Chris Hubbard Performed without intermission. Videotaping or other photo or audio recording of this production is strictly prohibited. If you photograph the set before or after the performance, please credit the designers if you share the image. The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Season Superstars: Tim & Mary Boyle Umpqua Bank LCC Supporting Season Sponsors: RACC Oregon Arts Commission The Wallace Foundation Artslandia Arts Tax Show Sponsors: The Shubert Foundation NW Natural Delta Air Lines Dr. Barbara Hort Studio Sponsor: Mary & Don Blair What She Said Sponsors A Celebration of Women Playwrights Ronni Lacroute Brigid Flanigan Diana Gerding Mary Boyle FROM ARTISTIC DIRECTOR MARISSA WOLF Welcome to the holiday season at Portland Center Stage at The Armory! It’s drizzly outside, but warm and bright inside our theater. We hope you’ll enjoy grabbing a hot drink and cozying up with us for these spirited, playful holiday shows. -
Driving Truman Capote: a Memoir
Theron Montgomery Driving Truman Capote: A Memoir On a calm, cool April afternoon in 1975, I received an unexpected call from my father on the residence First Floor pay phone in New Men’s Dorm at Birmingham-Southern College. My father’s voice came over the line, loud and enthused. “Hi,” he said, enjoying his surprise. He asked me how I was doing, how school was. “Now, are you listen- ing?” he said. “I’ve got some news.” Truman Capote, the famous writer of In Cold Blood, would be in our hometown of Jacksonville, Alabama, the next day to speak and read and visit on the Jacksonville State University campus, where my father was Vice-President for Academic Affairs. It was a sudden arrangement Capote’s agent had negotiated a few days before with the school, pri- marily at my father’s insistence, to follow the author’s read- ing performance at the Von Braun Center, the newly dedicat- ed arts center, in Huntsville. Jacksonville State University had agreed to Capote’s price and terms. He and a traveling companion would be driven from Huntsville to the campus by the SGA President early the next morning and they would be given rooms and breakfast at the university’s International House. Afterwards, Capote would hold a luncheon reception with faculty at the library, and in the afternoon, he would give a reading performance at the coliseum. My father and I loved literature, especially southern liter- ature, and my father knew I had aspirations of becoming a writer, too. “You must come and hear him,” he said over the phone, matter-of-fact and encouraging. -
ZOIZ SEP 2L P 3: 2 I STATE of KANSAS Ex Rei
~~ . ~ ~~~, ~ \' CL c ~~ ~~ :;S. :1IS , RIC r cou~n IN THE DISTRICT COURT OF SHAWNEE COUNTY KANSAS LJ JUDIC IAL DIST. CIVIL ACTION ' rn?:::Ktl.. K5 ZOIZ SEP 2l P 3: 2 I STATE OF KANSAS ex reI. ) DEREK SCHMIDT, ATTORNEY ) GENERAL, ) ) Plaintiff, ) ) vs. ) Case No. 12 CV I GS3 ) 1)W(S«(;It\. ~ RONALDNYE, ) JOYCE NYE, TERRI HURLEY, and ) GARY MeAVOY, individually and ) d/b/a VINTAGE MEMORABILIA, ) ) Defendants. ) ) Filed Pursuant to K.S.A. Chapter 60 VERIFIED PETITION FOR DECLARATORY JUDGMENT AND OTHER TEMPORARY AND PERMANENT RELIEF COMES NOW The State of Kansas on relation of Derek Schmidt, duly elected, qualified and acting Attorney General, and brings this action seeking a declaratory judgment that the State is, in fact and by law, the owner of Kansas Bureau of Investigation investigative file materials relating to the murder of members of the Clutter Family in Holcomb, Kansas in November, 1959, and related relief, including but not limited to the orders of this Court directing the return and delivery by defendants of any such materials to and into the custody of the State, and prohibiting, temporarily and permanently, the sale, publication, replication and distribution thereof by defendants, or any of them, as hereinafter more fully provided. In support thereof, the State alleges the following, verified upon oath: PETITION OF THE STATE OF KANSAS FOR DECLARATORY JUDGMENT AND OTHER RELIEF, page 1 Parties to the Action 1. The Kansas Attorney General is authorized to bring this action on behalf of the State of Kansas, as relator for the Kansas Bureau of Investigation and the State Records Board. -
In Cold Blood: Truman Capote in Holcomb, Kansas
In Cold Blood: Truman Capote in Holcomb, Kansas Writer Truman Capote (1924-1984) traveled to Holcomb, Kansas, in 1959 after reading in the New York Times about the murder of four members of the Clutter family in their home in the rural farming community. Capote was accompanied by two friends, fellow novelist Harper Lee and Sandy M. Campbell, a fact checker at the New Yorker. Capote’s aim was to research the case, interview the investigators and others in Holcomb, and write about the crime and investigation. In Cold Blood, initially published as a four-part series in the New Yorker in 1965, was called a “non-fiction novel.” Though he employed conventions of novelistic writing, Capote claimed the work was completely true; quotations, he said, came directly from his interviews. Nevertheless, many have questioned the reality of Capote’s work and his use of creative license to imagine unknowable details. Capote’s involvement with law enforcement officials and with the men ultimately convicted of the crime, some speculate, may have colored the stories they shared with the writer. Snapshots Sandy Campbell took during his trip to Holcomb with Capote and Lee show the two writers with Alvin Dewey, the lead detective on the case from the Kansas Bureau of Investigation, along with his wife. Photos from the trip include images of the travelers and their hosts posing tourist-style around town and outside the Clutter home, where the crime took place. Truman Capote, In Cold Blood, New Yorker, September 1965; In Cold Blood: A True Account of a Multiple Murder and its Consequences, New York: The Modern Library, 1965; photographs from the Donald Windham and Sandy M. -
Notes on the Author
To Kill A Mockingbird Nelle Harper Lee 1926-2013 F404: TA-1 Tuesday 11:50-1:15 Instructor: Donna Carducci Macurdy [email protected] 1 Agenda F404 –TKM– Fall 2013 1. Format for class: Day 1 & Day 2: Lecture/Video – Background Information (Author/Time Period) Days 3-8: Lecture Notes on Chapters Discussion Small Groups Viewing Film TKM 2. Handout: * Syllabi/Reading Schedule 3. Lecture: • Notes on Author: Harper Lee * Viewing: Chapter 1: New York (Lee’s response to the Novel) Excerpt from: Hey Boo: Harper Lee and To Kill A Mockingbird A documentary produced & written by Mary Murphy • Notes on: Novel – To Kill A Mockingbird • Characters; Setting; Critical Response; Literary Term * Viewing: American Masters: Critical Response from Hey Boo Documentary 2 Early Life • Born Nelle Harper Lee on April 28,1926 in Monroeville, Alabama • Youngest of Amasa & Frances Finch Lee’s children – Father was a former newspaper editor and proprietor, who had served as a state senator and practiced as a lawyer in Monroeville Alabama – Amasa once defended two black men accused of killing a white storekeeper; both men, a father and son, were hanged • Direct descendent of Robert E. Lee • 1944 Entered Huntingdon College in Montgomery 3 Law School • 1945-1949 Studied Law at University of Alabama – Spent a year at Oxford as a Fulbright Scholar – At Alabama Lee wrote columns, feature stories, and satires for the university newspaper and literary publications • 1949 - Six months before finishing her studies, Lee went to New York to pursue a literary career – Considered -
Funny Feelings: Taking Love to the Cinema with Woody Allen
FUNNY FEELINGS: TAKING LOVE TO THE CINEMA WITH WOODY ALLEN by Zorianna Ulana Zurba Combined Bachelor of Arts Wilfrid Laurier University, Waterloo, Ontario, 2004 Masters of Arts Brock University, St. Catherines, Ontario, 2008 Certificate University of Toronto, Toronto, Ontario, 2009 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture. Toronto, Ontario, Canada, 2015 ©Zorianna Zurba 2015 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University and York University to lend this dissertation to other institutions or individuals for the purpose of scholarly research I further authorize Ryerson University and York University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Funny Feelings: Taking Love to the Cinema with Woody Allen Zorianna Zurba, 2015 Doctor of Philosophy in Communication and Culture Ryerson University and York University Abstract This dissertation utilizes the films of Woody Allen in order to position the cinema as a site where realizing and practicing an embodied experience of love is possible. This dissertation challenges pessimistic readings of Woody Allen’s film that render love difficult, if not impossible. By challenging assumptions about love, this dissertation opens a dialogue not only about the representation of love, but the understanding of love. -
ANALYSIS in Cold Blood (1965) Truman Capote (1924-1984) “Capote Has, in Short, Achieved a Work of Art. He Has Told Exceedingl
ANALYSIS In Cold Blood (1965) Truman Capote (1924-1984) “Capote has, in short, achieved a work of art. He has told exceedingly well a tale of high terror in his own way. But, despite the brilliance of his self-publicized efforts, he has made both a tactical and a moral error... By insisting that ‘every word’ of his book is true he has made himself vulnerable to those readers who are prepared to examine seriously such a sweeping claim.” Philip K. Tomkins Esquire (1966) “’Nonfiction novel’ is Truman Capote’s coinage in connection with In Cold Blood (1965), and his appropriation of such an incestuous phrase could well have been connected to his difficulties in writing fiction.... [Tom] Wolfe in The New Journalism demonstrates how fictional techniques may be adapted by journalists, to create the new form....roving back and forth in time; interior monologue, even stream of consciousness (all invented by the writer); composite characterization--the use of types to produce an individual; simultaneity of event (employed most effectively by Capote in In Cold Blood, where killers and their victims are paralleled); the invention of a supporting cast as filler.... One of the essential ingredients of the new journalism is that the author offers himself as an equivalent of the subject, or takes on a vicarious persona...Capote for the killers in In Cold Blood... Despite all its critical kudos and Capote’s vast claims for it, [the story] would have come to us better as fiction.... “A Time to Die [by Tom Wicker] makes Capote’s In Cold Blood, despite its fine writing and careful attention to detail, seem clinical and insignificant...