2016 WINTER Materials List Course Code Section Course Name Instructor Required Recommended Materials/Equipment Recommended Books/DVDs Acting for Mauricio Camera (phones cameras are ok) AANM ACTA 1 Acting for Animators, by Ed Hooks Animators Hoffman Tripod (optional) Props, if appropriate Wacom Tablet or Cintiq. Medium to large size. Advanced Kevin ADES ACHD 1 Sketchbook for sketching/notes N/A Character Design Blanchard Adobe Photoshop Advanced DCMP SHK2 1 Martin Hall N/A N/A Compositing Advanced Digital Joshua James ADRW ADPT 2 N/A N/A Painting (JJ) Shaw Advanced Digital Joshua James ADRW ADPT 1 N/A N/A Painting (JJ) Shaw 18"x 24" newsprint (rough) Masonite drawing board with clips New Masters Academy- www.newmastersacademy.org/home/ Wolff’s carbon pencil 2B and 4B OR General charcoal 2B and 4B (get *great least 2 charcoal each) tutorial site ADRW ANAT 3 Anatomy Charles Hu Sand pad Pixelovely- http://artists.pixelovely.com/practice-tools/figure- Stanley razor blade or Exacto knife drawing/ *photo reference Kneaded eraser Posemaniacs- http://www.posemaniacs.com/ Kineman- Cottonwood vellum sketchbook (*will purchase from me) Prismacolor http://kineman.com/ *3D skeleton pencil (black, red, white) ADRW ANAT 4 Anatomy Charles Hu SAME AS ABOVE SAME AS ABOVE MATERIAL LIST: Paper Newsprint pad, 18”x24”, smooth or rough. Hardbound sketchbook, 9”x12” DRAWING TOOLS: Conte pastel pencil (1)(sanguine color), (2)(France 1710), (3)Woff's carbon Charcole 2B, Carbothello White pencil Kneaded eraser Stanley razor blade or Exacto knife Sandpaper block Artist chamois, 5” x 7” Box for supplies Drawing board, at least 20” x 26”, with clips Tracing paper (1)pad of 9"x12", (1)sheet of 18” x 24” Prisma color pencils (black, red, white) MATERIALS/EQUIPMENT Notebook (for taking notes) ADRW ANAT 1 Anatomy Edgar Silva BOOK: The Human Figure: An Anatomy for Artists, BOOKS: Any kind of audio recording device is recommended (no video David K. Rubins Figure Drawing: Design and Invention, Michael Hampton recording) Die Gestalt des Menschen, Gottfried Bammes Human anatomy for Artists, Eliot Goldfinger Vilppu Drawing Manual, Glenn Vilppu Bridgman's Complete Guide to Drawing from Life, George B. Bridgman Visualizing Muscles, John Cody Dynamic Anatomy, Burne Hogarth Drawing Hands, Burne Hogarth Drawing The Human Head, Burne Hogarth Strength Training Anatomy, Fredric Delavier The Charles Bargue Drawing Course Any book by Andrew Loomis Atlas of Human Anatomy for the Artist, Stephen Rogers Peck Struttura Uomo Vol. 1, Neri Pozza ODRW ANAT 1 Anatomy (online) Ron Lemen N/A N/A Understanding Video Games: The Essential Introduction (2 Edition) by Simon Egenfeldt-Nielsen, Jonas Heide Smith, Susana Pajares Tosca, 7/28/2012 The Ultimate History of Video Games: From Pong to Pokemon- -The Story Behind the Craze That Touched Our Lives and Changed the World by Steven Kent, 10/2/2001 Greatest Moments in Video Game History by DB Weston, DGAM ANAT 1 Anatomy of Games Max Dayan Pen and paper for note taking 8/7/2012 A Mind Forever Voyaging: A History of Storytelling in Video Games by Dylan Holmes, 12/7/2012 Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration by Ed Catmull, Amy Wallace, 4/8/2014 The Art of Game Design: A Book of Lenses, Second Edition by Jesse Schell, 11/6/2014 Animation and DVFX VFX1 2 Rosa Farre N/A N/A Visual Effects Animation and Stephen DVFX VFX1 1 N/A N/A Visual Effects McClure Notebook (For taking Notes) AGEN ART1 1 Art History 1 Ingrid Steiner Any kind of audio recording device is recommended (no video Consult with Instructor for recommended art history resources recording) Notebook (For taking Notes) AGEN ART2 1 Art History 2 Ingrid Steiner Any kind of audio recording device is recommended (no video Consult with Instructor for recommended art history resources recording) DCMP SHK1 1 Art of Compositing Martin Hall N/A N/A Business of Toni Pace APRD PRDC 1 N/A N/A Production Carstensen APRD CRRL 1 Career Realities Danielle Davis N/A N/A Training DVDs can be checked out at the lab tech office near labs 1-3. Character Notebook (For note taking) DANM CHA1 1 Jason Shum Bring I.D. DVDs can also be purchased at the Gnomon book Animation 1 external hard drive/USB key store or streamed online through www.thegnomonworkshop.com (account required). Notebook/sketchpad The Illusion of Life Character Audio recorder (for lectures) The Animator's Survival Kit DANM CHA2 1 Michael Cuevas Animation 2 Video recorder (for reference when needed, smartphone OK. Video Timing for Animators recording of lectures is prohibited at Gnomon) Simplified Drawing for Planning Animation Training DVDs can be checked out at the lab tech office near labs 1-3. Character William Mirror DANM CHA4 1 Bring I.D. DVDs can also be purchased at the Gnomon book Animation 4 Buckley Headphones store or streamed online through www.thegnomonworkshop.com (account required). DGAM Character Creation for 1 Mark DeDecker N/A N/A CHGM Games Sketchbook (toned preferred) Clipboard Plain copy paper Visual Storytelling with Ian McCaig Vol. 1, 2, 3, 4 ADRW CHDS 1 Character Design Chris Legaspi Graphite pencils, wood or mechanical Art of Kung Fu Panda Kneaded erasers Nira Works: Yasushi Nirasawa 20-30% grey markers Pens, ballpoint or felt Photoshop and Wacom tablet Training DVDs can be checked out at the lab tech office near labs 1-3. Character Marion Sketchbook, pencils, ink-pens, markers (3 different greys/warm or cool ADES CDDE 1 Bring I.D. DVD scan also be purchased at the Gnomon book Development Eisenmann range) Application: Photoshop store or streamed online through the GnomonWorkshop.com (account required). Character Modeling and DMOD CMS1 1 Mark DeDecker N/A N/A Sculpting Character Rigging DRIG CHRP 2 Frank Mueller N/A N/A for Production Character Rigging Chris DRIG CHRP 1 N/A N/A for Production Luckenbach Character Rigging DRIG ICHR 1 Cameron Ward N/A N/A Fundamentals George Bridgman's books on Illustration John Brown'sTraining DVDs can be checked out at the lab tech APRA Character Sculpture Notebook (For taking notes) 1 John Brown office near labs 1-3. Bring I.D. DVDs can also be purchased at MAQT1 1 Sculpture 1 Kit available at the Gnomon Store the Gnomon book store or streamed online through www.thegnomonworkshop.com (account required). Character Sculpture APRA MAQ2 1 John Brown Sculpture 2 Kit available at the Gnomon Store Andrew Loomis, "Drawing the Head" 2 Approx 20 lbs Clay, Armature Wire, StyroFoam, Foam Core Andrew Loomis's "Drawing the Head" Character Sculpture APRA MAQ3 1 John Brown Presentation John Brown's "Sculpting Facial Details for Characters" Volume 3 Board 3" Character DTEX CHTS 1 Texturing and Miguel Ortega N/A N/A Shading Notebook, laptop or iPad (For taking Notes) Cinematography for AVFX CINE 1 Craig Kuehne Any kind of audio recording device is recommended (no video N/A Visual Effects recording)

Please have for our SECOND class meeting: Acrylic Paint (2 ounce tubes / Heavy Body / Liquitex Brand) Colors are: Titanium White, Ivory Black, Cadmium Yellow Light Hue, Cadmium Red Light Hue, Phthalocyanine Blue (Green Shade), Phthalocyanine Green (Blue Shade), Quinacridone Magenta Brushes: One inch flat watercolor brush Two inch coarse bristle brush Watercolor Rounds (short handle): Small (#3 or #4) and Medium (#8 or #9) Various other brushes that may be used in the final Paper: Color Theory and Bristol paper pad - 9 x12, Cold Press (Vellum) Tracing AGEN COLR 1 Robert Pastrana N/A N/A Light paper (9 x 12) One sheet of illustration board (15 x 20) - Cold Press / Heavy Weight (important)! Miscellaneous: Liquitex Brand (NO SUBSTITUTIONS) Blended Fibers Texture Medium Two 32 oz. water buckets Butcher tray (or disposable paper palette), 11 x 14 inches Tupperware or equivalent - sandwich size X-Acto knife and 12 inch metal ruler (with cork or rubber on the back) Artist tape or drafting tape; ½ wide or greater Four Prismacolor Premier pencils (Black, 70% Grey, 50% Grey, 30% Grey) (Any kind of grey is fine, just be consistent) Plastic Palette knife

Commerical DLIT CPRT 1 Production Fred Durand N/A N/A Techniques 11”X14” Cottonwood velum sketchbook $30 Tombaw Black Marker $2.37 Any ball point pen – recommended Zebra F301 BP $3.00 1 sheet of Strathmore charcoal Storm gray tone Costumed Figure Optional: Compact watercolor set and Color markers http://livlily.blogspot.com/2010/11/model-sheets-production- ADRW CSTF 2 Charles Hu paper Drawing Drawing board and large binder clip drawings.html Black Col Erase Prisma colorpencil 30 sheet of 11” X 14” copy paper ( smooth surface ) Any Black charcoal pencil- 2B and 4B. Recommended Black Carbotholo pastel pencil White charcoal pencil Pentel pocket brush pen $12 3 sheets of Canson Mi Teints toned paper. 2 medium Costumed Figure dark color pencils. ADRW CSTF 1 Van Arno Discussed in class. Drawing White color pencil, chalk, or other drawing material. These will not be needed the first week. DVFX HAIR 1 Coth Hair and Fur Luis Cayo N/A N/A DANM Creature Animation Claire Bevin Animals in Motion, Muybridge 1 N/A CHAN 1 Carnes The Animator's Survival Kit, Williams Animals In Motion- Muybridge Creature Animation Mauricio The Animator's Survival Kit- Willliams DANM CRA2 1 N/A 2 Hoffman Cartoon Animation- Preston Blair Timing for Animation- Whitaker and Halas Notebook/sketchbook for thumb-nailing and pre-planning Creature Animation Mauricio Video camera recorder for recording reference (phone cameras are Richard William's the Animator's Survival Kit DANM CHA3 1 3 Hoffman great) Headphones for working in class on dialog scene. Eric Lutha's How to Cheat on Maya 20xx X-sheets (optional) Any Bridgeman anatomy books, or how to draw from life books. Animals Real and Imagined: Fantasy of What Is and ADES CRET 1 Creature Design JP Targete Sketchbooks no smaller then 5"x7 pencil, ink pen. What Might Be Gnomon dvd imaginative illustration with JP Targete DANM Demo Reel: 1 Scott Claus N/A N/A DRAN Animation Stephen DVFX DVFX 1 Demo Reel: Effects N/A N/A McClure DDES CHCR 2 Demo Reel: Games Kyle Mulqueen N/A N/A Demo Reel: DDES CHCR 1 Matt Rosenfeld N/A N/A Generalist Notebook (For taking Notes) Netflix has many excellent documentaries concerning design. I AGEN DESH 1 Design History Ingrid Steiner Any kind of audio recording device is recommended (no video will mention films from time to time available on Netflix that I recording) recommend you watch though this is not required. Digital Matte DCMP MATT 1 Tu Bui N/A N/A Painting Portable laptop and intuos tablet *or Ipad Color and Light by James Gurney ADRW DGPT 1 Digital Painting Chris Legaspi Sketchbook (toned preferred) Framed Ink by Marcos Mateu-Mestre Ballpoint pen or pencil, grey markers, sharpie, portable ruler Graphic LA by Robh Ruppel Photoshop CS 5 or above and a wacom tablet Intuos 3 or above. Bamboo tablets will work, but not recommended since they are missing some features. ADRW DGPT 2 Digital Painting Jason Dunn The Techniques of Dylan Cole Vol. 1 I encourage students to bring their own laptops for still life painting for maximum flexibility. Students can, and have in the past, work on Cintiq tablets, Microsoft surface tablets, and personal laptops. The HDRI-Handbook 2.0 is required course material. It can be purchased from the Gnomon book store or Amazon. Digital Notebook (For taking Notes) DGEN DPHO 1 Christian Bloch E-book version available on Kindle, iBooks, and Photography DSLR (I hear it’s also available to loan at Gnomon) O’Reilly (DRM-free). Hardcopy book is highly recommended and will be signed to increase resale value Any Gnomon Workshop video lecture that covers ZBrush released within the last five years or so. In particular Mark Dedecker's Character modeling video, Maddie Spencer's Intro Students should have access to a computer, digital tablet, ZBrush 4R7, to ZBrush 4 R7 video, Eric Keller's insect modeling video, DMOD PZBR 1 Digital Sculpting Eric Keller Photoshop, and Maya (version 2012 or later). anything by Neville Page, Dominic Qwek's realistic skin painting lecture (polypainting section in particular) . Free tutorials at the ZClassroom by Paul Gaboury and Joseph Drust (www.pixologic.com). Any Gnomon Workshop video lecture that covers ZBrush released within the last five years or so. In particular Mark Dedecker's Character modeling video, Maddie Spencer's Intro Students should have access to a computer, digital tablet, ZBrush 4R7, to ZBrush 4 R7 video, Eric Keller's insect modeling video, DMOD PZBR 2 Digital Sculpting James Schauf Photoshop, and Maya (version 2012 or later). anything by Neville Page, Dominic Qwek's realistic skin painting lecture (polypainting section in particular) . Free tutorials at the ZClassroom by Paul Gaboury and Joseph Drust (www.pixologic.com). DMOD PZBR 3 Digital Sculpting Luis Cayo N/A N/A Digital Sculpting Madeleine Scott OMOD IZBR 2 N/A N/A (online) Spencer The HDRI-Handbook 2.0 is highly recommended as course material. It can be purchased from the Gnomon book store or Notebook (For taking Notes) DDST SETS 1 Digital Sets Christian Bloch Amazon. E-book available on Kindle, iBook, and O’Reilly. DSLR (also available to loan at Gnomon) Hardcopy book is recommended and will be signed to increase resale value Stephen DVFX DYN1 1 Dynamic Effects 1 N/A N/A McClure Stephen DVFX DYN2 1 Dynamic Effects 2 N/A N/A McClure Training DVDs can be checked out at the lab tech office near Notebook (For taking Notes) labs 1-3. DVFX DYN3 1 Dynamic Effects 3 Eric Mancha Any kind of audio recording device is recommended (no video Bring I.D. DVDs can also be purchased at the Gnomon book recording) store or streamed online through the GnomonWorkshop.com (account required) Notebook (For taking notes) DGAM Engine Cinematics and Jesse 1 Any kind of audio recording device is recommended (no video MACH Machinima Baumgartner recording is permitted) DGAM Environment Nathaniel Environment Modeling and Sculpting for Game Production 1 Laptop, tablet, or notebook for taking notes ENVG Creation for Game Stephens Environment Modeling for Games Environment Demetrice Adobe Photoshop ADES ENVD 1 Design Wilson Standard Drawing Materials (optional): Paper/pads, Pens/pencils. Training DVDs can be checked out at the system engineer's near labs 1 Notebook (for taking notes) Espressions and - 3. Bring I.D. DPRG EXSC 1 Michael Harris Any kind of audio recording device is recommended (video recording Scripting DVDs can also be purchased at the Gnomon book store or of lectures is prohibited at Gnomon) streamed on line through www.thegnomonworkshop.com (account required). "Figure Drawing for All It's Worth" - Andrew Loomis ADRW FIGR 4 Figure Drawing April Connors Sketchbook for note taking "Dynamic Figure Drawing" - Burne Hogarth "The Drawing Club Book" - Bob Kato MATERIALS LIST: RECOMMENDED BOOKS: Paper The Human Figure: An Anatomy for Artists, David K. Rubins Newsprint pad 18”x 24,” smooth or rough Die Gestalt des Menschen, Gottfried Bammes Human Anatomy Hardbound sketchbook, 9”x 12” for Artists, Eliot Goldfinger Vilppu Drawing Manual, Glenn DRAWING TOOLS: Vilppu Conte Charcoal pencils, Pierre Noire 2B, Woff's Bridgman's Complete Guide to Drawing from Life, George B. carbon Charcole 2B - *get at least 3 of each* RECOMMENDED MATERIALS/EQUIPMENT Notebook (For taking Bridgman Carbothello White pencil ADRW FIGR 1 Figure Drawing Edgar Silva notes) Visualizing Muscles, John Cody Dynamic Anatomy, Burne Kneaded eraser Any kind of audio recording device is recommended (no video Hogarth Drawing Hands, Burne Hogarth Stanley razor blade or Exacto knife recording is permitted) Drawing The Human Head, Burne Hogarth Strength Training Sandpaper Block Anatomy, Fredric Delavier The Charles Bargue Drawing Artist chamois 5” x 7” Box for supplies Course Drawing board, at least 20” x 26,” with clips Any book by Andrew Loomis BOOK: Atlas of Human Anatomy for the Artist, Stephen Rogers Peck Figure Drawing Design and Invention, Michael Struttura Uomo Vol. 1, Neri Pozza Hampton Required: 3 sheets of Canson Mi Teintes toned Students may start with any materials they are comfortable using. A paper. 2 medium dark color pencils. White color large drawing pad is recommended, as well as some erasable drawing ADRW FIGR 2, 3 Figure Drawing Van Arno N/A pencil, chalk, or other drawing material. These will material. not be needed the first week. AGEN FILM 1 Film History Jay Shindell N/A N/A DGAM UREL 1 Game Creation 1 Kyle Mulqueen N/A N/A

DGAM GCR2 1 Game Creation 2 Kyle Mulqueen N/A N/A Anton Level UP! - by Scott Rogers DGAM GDES 1 Game Design N/A Napierala The Art of Game Design: A Book of Lenses - By Jesse Schell Sketchbook for note taking and sketching ADRW GEST 2 Gesture Drawing April Connors 18" x 24" Newsprint, white paper, conte, colored The Drawing Club by Bob Kato Optional mixed media pencils Universal Principles of Design William Lidwell, Kritina Holden and Jill Butler Principles of Two-Dimensional Design Wucius Wong DGEN GDES 1 Graphic Design Danielle Davis N/A A Primer of Visual Literacy Donis A Dondis Stop Stealing Sheep & Find Out How Type Works Erik Spiekermann Training DVDs can be checked out at the lab tech office near labs 1-3. DMOD Hard Surface 1 David Mooy A computer and Maya! (No video recording is permitted) Bring your student ID. DVDs can also be purchased at the HSM1 Modeling Gnomon bookstore or streamed online through www.thegnomonworkshop.com (account required). OMOD Hard Surface 1 James Schauf N/A N/A HSM1 Modeling (online) DMOD Hard Surface Audio Recorder 2 Max Dayan N/A HSM2 Modeling 2 Note Pad Hard Surface DTEX HSTS 1 Texturing and Eric Miller N/A N/A Shading HD Digital Stephen DVFX DVID 1 N/A N/A Filmmaking McClure Col-erase colored pencils and any graphite pencil students are comfortable with. NO MECHANICAL PENCILS, PLEASE. I suggest regular Dixon Animation from Script to screen, by Shamus Culhane. The History and Principles of AANM PRIN 1 Raul Aguirre Ticonderoga Animator's Animation #2 yellow pencils. Kneaded eraser. 1 sketchbook Survival Kit by Richard Williams specifically for this class, any size the student is comfortable with. OPTIONAL: The VES Handbook of Visual Effects: Industry Standard History of Visual APRD HIST 1 Dane Smith VFX N/A Effects Practices and Procedures DVFX HDFX 1 Houdini Effects Yakov Baytler Notebook (For taking Notes) N/A iO West – 6366 Hollywood Blvd – www.ioimprov.com/west Neon Venus Art Theatre – 7023 Melrose Ave – www.neonvenustheatre.com The Clubhouse – 1607 N Vermont Ave – www.clubhouseimprov.com Now Improv – 4210 Santa Monica Blvd – www.nowimprov.com Improvise: Scene from the Inside Out by Mick Napier UCB – 5919 Franklin Ave & 5419 W Sunset Improvisational Truth in Comedy: The Manual of Improvisation by Halpern, AANM IMAC 1 Mitchell Roche Blvd – www.losangeles.ucbtheatre.com Acting Close, & Johnson Second City – 6560 Hollywood Blvd – www.secondcity.com Impro: Improvisation and the Theatre by Keith Johnstone Nerdist @ Meltdown Comics – 7522 Sunset Blvd – www.meltcomics.com The Groundlings – 7307 Melrose Ave – www.groundlings.com Westside Comedy Theater – 1323 3rd Street Promenade - www.westsidecomedy.com A domain name (yourname.com) Interview and APRD RESU 1 Laura Cosner Subscription to a website platform (we will discuss options in Week 2) N/A Resume Workshop Be prepared to take notes during each class Notebook Introduction to 3D Thumbdrive Introduction to Maya DGEN INTR 2 JC Cornwell with Maya Any kind of audio recording device is recommended (no video UV Mapping 101 recording is permitted) Notebook (For taking Notes) Introduction to Maya 2014: Interface and Workflow with Eric Introduction to 3D DGEN INTR 1 Max Dayan Any kind of audio recording device is recommended (no video Keller with Maya recording UV Mapping 101: Maya UV Techniques with Kevin Hudson Introduction to DCMP COMP 2 Don McCoy N/A N/A Compositing Introduction to DCMP COMP 3 Geoffrey Kater Bring a portable hard drive or thumb drive to carry your assignments. N/A Compositing Introduction to DVFX HDNI 1 Debra Downing N/A N/A Houdini Notebook (For taking Notes) Introduction to Maya 2014: Interface and Workflow with Eric Introduction to OGEN INTR 1 Andrew Keltz Any kind of audio recording device is recommended (no video Keller Maya (online) recording) UV Mapping 101: Maya UV Techniques with Kevin Hudson Anton DGAM LEVL 1 Level Design N/A N/A Napierala Mastering mental ray, by Jennifer O’Connor ISBN: 0470563850 Publisher: Sybex Advanced Maya Texturing and Lighting, by Lee Lanier ISBN: B004S82OE0 Lighting and Rendering Publisher: Sybex DLIT LTR1 1 Fred Durand Paper and pen for note taking with Mental Ray Lighting and Shading with Frederic Durand DVD collection, 5 titles published Publisher: The Gnomon Workshop Digital Texturing and Painting, by Owen Demers ISBN: 0735709181 Publisher: New Riders Lighting and Stephen DLIT LTR2 1 N/A Introduction to Vray by Stephen DeLalla Rendering with V- Ray DeLalla DLIT LOOK 2 Look Devlopment Kerry Graham N/A N/A DLIT LOOK 1 Look Devlopment Miguel Ortega N/A N/A Matchmoving and Stephen DVFX MMIN 1 N/A N/A Integration McClure Motion Capture DANM Mark 1 with Motion N/A N/A MCAP Greenberg Builder DCMP MGPH 1 Motion Graphics 1 Geoffrey Kater N/A N/A 18 inch long gridded ruler (2 inches wide) Mechanical pencil (.05, graphite) 3 Col•erase brand erasable colored pencils - green / blue / orange Simplifying Perspective, by Robert Pastrana ADES PERS 1 Perspective Robert Pastrana White vinyl eraser www.simplifyingperspective.com 30/60/90 degree triangle (8 inches or larger) 45 degree triangle (eight inches or larger) 'Biggie' brand sketchpad - 18 x 24 inches Plastic T-Square - 24 inches Photoshop for OGEN PSCA 1 Craig Elliot N/A N/A Concept Design Photoshop for Michael DGEN PHOT 1 N/A N/A Digital Production Colburn Photoshop CC (you can use an older version, but Instructor Schwartz will be Photoshop for Stephen Precision Photoshop by Lopsie Schwartz (available in all major DGEN PHOT 3 using CC) Digital Production McClure bookstores and online) Notebook -- having a separate place to write notes will help so you don't have to pop out of Photoshop to take notes. Previsualization and The 5 C's of Cinematography DDST PVIZ 1 Brian Pohl N/A Animatics Shot by Shot Pro Design for Movies by Harald Belker ADES PRDT 1 Product Design Mark Hannah N/A Originality in Form Design, by Nick Pugh Gnomon Workshop DVDs Training DVDs can be checked out at the system engineers Notebook (For taking notes) office near Props Weapons and DGAM PROP 1 Nick Reynolds Any kind of audio recording device is recommended (no video labs 1 to 3. Bring I.D. DVDs can also be purchased at the Games recording) Gnomon bookstore or streamed online through www.thegnomonworkshop.com (account required). DVFX RFLW 1 Realflow Eric Mancha N/A N/A

DCMP ROTO 1 Rotoscoping Jay Shindell N/A N/A Training DVDs can be checked out at the lab tech office near Notebook (For taking Notes) labs 1-3. Bring I.D. Scripting for DPRG SCPR 1 Michael Harris Any kind of audio recording device is recommended (video recording DVDs can also be purchased at the Gnomon book store or Production of lectures is prohibited at Gnomon) streamed online through www.thegnomonworkshop.com (account required). Shave and a DVFX SHAV 1 Luis Cayo N/A N/A Haircut ON THE FIRST DAY OF CLASS: Please bring your demo reel or samples of your work In the Blink of an Eye by Walter Murch (e.g. animation, design, artwork or writing samples). Making Movies by Sidney Lumet On Directing Film by David Be prepared to present them! APRA STDV 1 Story Development Scott Claus Mamet The Visual Story by Bruce Block Each week you are required to watch at least one Composing Pictures by Donald W. Graham narrative film, TV or stage production. You will The Art of Pixar Short Films by Amid Amidi report on what you've watched in relation to the subjects discussed in class. Drawing materials and 3x5 post-it notes. Redisharp Directing the Story: Professional storytelling and storyboarding APRA STRY 1 Storyboarding Francis Glebas markers. (dark permanent techniques for live action and animation By Francis Glebas line with no toxic fumes.) Shot by Shot by Steven d. Katz Directing the Story by Francis Glebas Sketchbook, a variety of black pens, and grey-black Framed Ink by Marcos Mateu-Mestre APRA STRY 2 Storyboarding William (Fred) Gago markers. Assignments will be completed with both Professional Storyboarding-Rules of thumb by Sergio Paez & traditional and Digital media. Anson Jew Marion APRA STRY 3 Storyboarding N/A N/A Eisenmann Stephen DMOD SURF 1 Surface Modeling N/A N/A McClure Texture and Ronnald DTEX MARI 1 N/A N/A Painting with Mari Cleland Texturing and DTEX TXM1 1 Matt Rosenfeld N/A N/A Shading 1 Website: Causes of Color www.webexhibits.org/causesofcolor DVDs: Photorealistic Texture Painting with Justin Holt (Gnomon Texturing and DTEX INTP 1 Eric Miller Wacom Tablet and Pen Workshop) Painting Realistic Skin with Justin Holt (Gnomon Shading 2 Workshop) Fred Durand mental ray Lighting and Rendering DVDs (Gnomon Workshop) Texturing and Anton DGAM TEXT 1 N/A N/A Shading for Games Napierala Recommended books will be available on a weekly basis.Training DVDs can be checked out at the lab tech office Shawn near labs 1-3. Bring I.D. ADES VEHC 1 Vehicle Design Notebook (For taking notes) Moghadam DVDs can also be purchased at the Gnomon book store or streamed online through www.thegnomonworkshop.com (account required) 12 manila folders 9 x 12 marker pad white Prismacolor Premier pencil 3 Indigo Blue or black Prismacolor Premier pencils 3 Indigo blue or black Prismacolor Verithin pencils Ball point pen 8.5 x 11 copy paper French curve Gnomon workshop DVDs, How to Draw by Scott Roberston, Visual ellipse guides (timely ellipse set 92TA) ADRW VISC 1 Mark Hannah Rapid Communications 1 10 -50% Warm Grey markers, 80% and black Viz book black thin felt tip (Sharpie, Micron 0.5, Bic razor point) White gouache small paint brush straight edge Black Sharpie chisel 20 sheets of brown colored paper Accordian binder/IItyoa binder/3-ring binder with plastic sleeves, for keeping all weeks of work 1 creative journal Visual ADRW VIS2 1 Mark Hannah N/A N/A Communications 2 Visual Effects DVFX VDES 1 Rosa Farre N/A N/A Design Elemental Magic (The art of Special Effects Animation), DGAM Visual Effects for 1 Jin Yang N/A Joseph VFXG Games 1 Gilland List of required texts will be given during Meet 1; The Empire Strikes Back is available in the Gnomon DVD Sketchbook for notes and ideation. Further materials needed are at the APRD VIST 1 Visual Structure Andrea Adams one can be library for check-out. The Skillful Huntsman is recommended discretion of the student. purchased, rented, or borrowed. for additional world-building research. All entrance/parking fees for field trips - information at www.tarpits.org, www.nhm.org, and www.lazoo.org Moleskine or Cottonwood Arts hard-backed Atlas of Animal Anatomy, Ellenberger ADRW Zoological sketchbook, any size 5x8 or larger (but not too large, 1 Andrea Adams Animals Real and Imagined/The Wildlife of Star Wars, ZOOD Drawing or it'll be difficult to drag around!). Toned-paper or Whitlatch mixed- media sketchbook of decent quality that opens flat is fine. Any drawing tools you're comfortable with are also fine, but charcoal media must be fixed before turning in.