The Loft Cinema Film Guide
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MOANA MAORI VERSION Press Release -FINAL
! CASTING BEGINS ON TE REO MAORI LANGUAGE VERSION OF WALT DISNEY ANIMATION STUDIOS’ MOANA Writer Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople) and Moana Actress Rachel House (“Gramma Tala”) Made the Announcement on behalf of the Matewa Media Trust, in Collaboration with The Walt Disney Studios Actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) will Reprise their Roles BURBANK, Calif., June 8, 2017 – Casting has begun on the Te Reo Maori language version of Walt Disney Animations Studios Academy Award®-nominated animated feature Moana. The Maori language version is being created by Taika Waititi’s Matewa Media Trust, in collaboration with The Walt Disney Studios. A Casting announcement was posted by Rachel House and Taika Waititi today on www.adrenalingroup.com/ casting. The recording process will take place over the next few months with actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) reprising their roles. Rob Ruha, multi- award-winning composer and solo artist, has joined the team as both Musical Director and as an integral part of the translation/adaptation team. Release details are to be announced, with the goal to have the film shared both in festivals and on DVD for educational purposes in Aotearoa (New Zealand) and beyond. "It's been a big dream of mine to see mainstream movies translated into te reo Maori,” says Waititi. “For indigenous audiences to hear films in their own language is a huge deal, helping to normalize the native voice and give a sense of identification. -
ROGIER STOFFERS, ASC, NSC Director of Photography
ROGIER STOFFERS, ASC, NSC Director of Photography FEATURES – Partial List BORDERLANDS Eli Roth Lionsgate REDEEMING LOVE DJ Caruso Pure Flix WORK IT Laura Terruso Alloy Entertainment A DOG’S JOURNEY Gail Mancuso Amblin Partners THE HOUSE WITH A CLOCK IN ITS WALLS Eli Roth DreamWorks / Universal EVERY DAY Michael Sucsy Likely Story / MGM DEATH WISH Eli Roth MGM / Paramount Pictures BRIMSTONE Martin Koolhoven N279 Entertainment / Central Park Films Nominated, Best Cinematography, Camerimage (2017) Official Selection, Toronto Film Festival (2016) THE DISAPPOINTMENTS ROOM D.J. Caruso Demarest Films CAREFUL WHAT YOU WISH FOR Elizabeth Allen Rosenbaum Troika Pictures DIRTY WEEKEND Neil LaBute Horsethief Pictures / E1 Entertainment THE SURPRISE Mike van Diem N279 Entertainment / Bristol Media Nominated, Golden Calf for Best Film, Nederlands Film Festival (2015) WHAT IF Michael Dowse CBS / No Trace Camping SOME VELVET MORNING Neil LaBute Tribeca Film / Untouchable Films BRANDED Jamie Bradshaw / Aleksandr Dulerayn Mirumir / Roadside Attractions THE VOW Michael Sucsy Screen Gems / Spyglass NO STRINGS ATTACHED Ivan Reitman Paramount Pictures DEATH AT A FUNERAL Neil LaBute Screen Gems BRANDED Jamie Bradshaw Mirumir THE SECRET LIFE OF BEES Gina Prince-Bythewood Fox Searchlight Pictures LAKEVIEW TERRACE Neil LaBute Screen Gems BALL’S OUT: GARY THE TENNIS COACH Danny Leiner GreeneStreet Films DISTURBIA D.J. Caruso DreamWorks SKG MONGOL: THE RISE OF Sergey Bodrov Picturehouse Entertainment GENGHIS KHAN (Shared Credit) Nominated, Best Cinematographer, European Film Awards (2008) Nominated, Best Foreign Language Film of the Year, Academy Awards (2008) THE BAD NEWS BEARS Richard Linklater Paramount Pictures SCHOOL OF ROCK Richard Linklater Paramount Pictures MASKED AND ANONYMOUS Larry Charles Destiny Productions / Hannibal Pictures ENOUGH Michael Apted Columbia Pictures JOHN Q. -
When Dick and Nan Walden Met at A
the stallions picante jullyen v (*jullyen el jamaal x precious v) and macnificent rs (maclintock v x ravvens skylark). by GARY DEARTH hen Dick and Nan Walden met at a environmental attorney and consultant for over wedding in 1998, Dick was a lifelong fifteen years before she met Dick. Her professional W farmer and rancher, and Nan was a city background also included serving as Chief of Staff to girl. Dick grew up with ranch horses and had been Senator Bill Bradley and counsel to Senator Daniel riding since he was four years old. He attended the Patrick Moynihan. Thacher School in Ojai, California, where horses Nan was a typical horse crazy young girl. “I had are part of the curriculum. While there, he competed Breyer horses complete with handmade blankets in horse shows, gymkhanas, and packed out in the with their names embroidered on them. I read every Sespe wilderness. horse book written, including all the Walter Farley Meanwhile, Nan Stockholm Walden earned books. Dad bought me Shetland and Hackney ponies her B.A. in Environmental Studies from Stanford when I was a girl, but sadly, I had terrible childhood University. Later she graduated from the Stanford asthma,” she said. “When I was in law school at University Law School where she was the Stanford Stanford, I received a series of shots, which were Environmental Law Society President. She was an much improved by then. It changed my life.” KENNEALLY PHOTO KENNEALLY SONADO˜ > 1 < WORLD Dick was skeptical, “Green rider, high-energy horse, she will probably hurt or kill us both,” he thought. -
December 2014 ONECELEBRATEWITHUS Join the Celebration As We Usher in a New Year of Cinema in Iowa City
A COLLABORATION WITH DEC FilmScene Staff THE EYE OPENER 12-21 Joe Tiefenthaler, Executive Director Andy Brodie, Program Director Complete info at www.icfilmscene.org/flam Andrew Sherburne, Sunday, December 14th Associate Director A curated week of new releases and restored classics on literature, art and music. Tickets: $35 for non-members / $25 for members / Emily Salmonson, Series Pass: $30 non-members / $20 members. Regular price for individual shows. $15 for supporting role and leading role members Director of Operations / FREE for Founders Circle and Screen Legend Ross Meyer, Head Projectionist and Facilities Manager Join FilmScene in celebrating the one year Dan DeMarco, Theater Staff anniversary of the opening of our downtown Jon Graf, Theater Staff Aaron Holmgren, Theater Staff cinema with a delicious brunch of chicken & DIALOGUE: Director Q&A NEWLY RESTORED! NEWLY RESTORED! waffles, scrambled eggs with local cheeses, Phil Ochs, Theater Staff MUSIC OF THE BURROUGHS: ROME, OPEN CITY Tony Pomales, Theater Staff beignets, mini donuts, mimosas and a cash MOMENT THE MOVIE (1983) (2014) Dir. Roberto Emily Brown, Projectionist bar. While you eat, be entertained by music (2014) Dir. Kevin Wisor. Dir. Howard Brookner. Rossellini. Legendary Kelly Gallagher, Projectionist from the films of our first year and the Iowa A locally-made feature The first and only doc Italian drama about the Kasia Plazinska, Projectionist premiere of an acclaimed short film. doc exploring the art of made with the Nazi occupation of Board of Directors improvised music, shot full participation of writer Rome and the brave few Michael Finlayson, Chair FILMFOODDRINKSMUSIC in Iowa City. William S. -
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
2021 Product Catalog Welcome to TRS!
2021 Product Catalog Welcome to TRS! TRS has been helping people WEB SITES/MEDIA SITES rebuild their lives and perform better since we started www.trsprosthetics.com operations in 1979. An auto This site illustrates most all of our products, provides accident that caused the technical information, training information, video clips and forced amputation of my left valuable tips, as well as literature and research resources. hand, when I was twenty- View additional product videos on our YouTube channel: two years old, and the lack http://www.youtube.com/user/TRSProsthetics/videos of satisfactory prosthetic technology in that era, Product Images spurred the TRS mission and business formula. TRS technology is illustrated and available for “download” directly from our main website. Select high quality images Now more than forty years later, we continue to innovate, for your personal and professional presentations and down- develop, manufacture and sell prosthetic components load according to your needs. Permission is not required to designed to provide you with the best possible performance. use these images. We are experts in upper extremity sports and recreational prosthetic products. Additionally, we now are developing and manufacturing exciting products that serve persons with PRODUCT EVALUATIONS other physical challenges. Clinical Evaluation Program We are focused on innovation, constantly experimenting with Try our products in a clinical setting arranged by your new and exciting materials and designs that help us get closer prosthetist, therapist or doctor. This program allows you to to duplicating human biomechanics to achieve improved review and evaluate product(s) under the supervision of a bimanual, functional performance in a vast arena of activities. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Videos, Podcasts, TV, Film, Music, Song
APA Referencing 7th edition – References format (7): Videos, Podcasts, TV, Film, Music, Song Publication Formatting instructions Template – Reference Format Type YouTube or Family name of person or name of Hayashi, Y. [Toast It Up]. (2020, February 10. Answering to "How can I become fluent in a video from group that uploaded the video. Then foreign language?" [Video]. YouTube. https://youtu.be/AFnyQnCcJio other online username in title caps in brackets. Then sources or year of publication, month and date in [Source: Video from YouTube social media site] social media parenthesis. Then title of video in letter OR caps and italics with description in brackets. Then name of streaming Cookie Studio. (2019, July 3). Amazon – Making of [Video]. Vimeo. service in title caps. Then URL https://vimeo.com/345947153 Omit the username if it is the same as the author’s or group name [Source: Video from other online social media] Podcast or Family name of executive producer or Hasan. M. (Podcast Host). (2018-present). Deconstructed with Mehdi Hasan [Audio podcast]. single episode host of podcast. Then description in The Intercept. https://theintercept.com/podcasts/deconstructed/ in a podcast parenthesis. Then range of years in series publication in parenthesis. The title of [Source: Podcast from other online podcast website with transcripts] podcast in letter caps and italics with OR description in brackets. Then name of production company. Then URL Reber, S. (Executive Producer). (2020, March 9). The reporters (No. 4) [Audio podcast If single episode, write year, month and episode]. In Verified. Scripps Washington Bureau. https://www.radio.com/media/audio- date of broadcast in parenthesis instead of range of years. -
Billy the Kid and the Lincoln County War 1878
Other Forms of Conflict in the West – Billy the Kid and the Lincoln County War 1878 Lesson Objectives: Starter Questions: • To understand how the expansion of 1) We have many examples of how the the West caused other forms of expansion into the West caused conflict with tension between settlers, not just Plains Indians – can you list three examples conflict between white Americans and of conflict and what the cause was in each Plains Indians. case? • To explain the significance of the 2) Can you think of any other groups that may Lincoln County War in understanding have got into conflict with each other as other types of conflict. people expanded west and any reasons why? • To assess the significance of Billy the 3) Why was law and order such a problem in Kid and what his story tells us about new communities being established in the law and order. West? Why was it so hard to stop violence and crime? As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. This was a time of robberies, range wars and Indian wars in the wide open spaces of the West. Gradually, the forces of law and order caught up with the lawbreakers, while the US army defeated the Plains Indians. As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. -
UNIVERSITY of CALIFORNIA RIVERSIDE in the Land of Perfect
UNIVERSITY OF CALIFORNIA RIVERSIDE In the Land of Perfect Bliss A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Simona Suresh Supekar August 2013 Thesis Committee: Professor Andrew Winer, Co-Chairperson Professor Tod Goldberg, Co-Chairperson Professor Mark Haskell Smith Copyright by Simona Suresh Supekar 2013 The Thesis of Simona Suresh Supekar is approved: Committee Co-Chairperson Committee Co-Chairperson University of California, Riverside Acknowledgements I am indebted to the guidance of Mark Haskell Smith, whose relentless support and spot- on feedback throughout the writing process was crucial to getting this far. I also want to thank Tod Goldberg for accepting me into the program and for his very insightful comments on my work. The smart, thoughtful feedback from Mary Yukari Waters was also instrumental in getting my story where it needed to be. Thanks also to my many colleagues at UCR who provided very valuable comments on my work and whose work I too admire. I am so lucky to have had you as friends in this program, so much so that I copied verbatim the first half of this sentence from the sample acknowledgments page in the thesis review packet. Last, I want to thank my parents Suresh and Shaila Supekar who gave me the stories to tell and the desire to tell them by virtue of just being here, in America, as immigrants who left so much behind in India. And of course, none of my work would be possible without the love—upon which everything is built, really—from my partner Arturo Aguilar, who pushed me to follow my dream and has supported me in every way throughout this journey.