Download Matt Askem Directors Credits In

Total Page:16

File Type:pdf, Size:1020Kb

Download Matt Askem Directors Credits In MATT ASKEM – DIRECTORS CREDITS 15-06-2019 [email protected] Cell +447970 812785 CONCERT/MUSIC FILMS U2 – EXPERIENCE& INNOCENCE TOUR 2018 – LIVE IN BERLIN - PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS U2 – LIVE AT THE HARLEM APOLLO 2018 - PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS & PAUL MORPHOS, PJM PRODUCTIONS TAKE THAT, WONDERLAND 2017 – CINEMA, DVD & TV - PRODUCED BY MATT ASKEM & STEVE KEMSLEY, SASSY FILMS TAKE THAT III 2015, CINEMA, DVD & TV – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS MUSE, LIVE IN ROME’S OLYMPIC STADIUM – 2013 CINEMA, DVD & TV – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS SANTANA, CORAZON LIVE IN MEXICO 2013–LIVE IT TO BELIEVE IT – DVD & TV – PRODUCED BY EMER PATTEN, SPLINTER FILMS SIMPLE MINDS, CELEBRATE LIVE IN GLASGOW 2013 – DVD & TV – PRODUCED BY DANNY O’CONNOR, DOCUMENT GARY BARLOW, SINCE YOU SAW HIM LAST 2013 – DVD & TV – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS ELBOW, LIVE AT JODRELL BANK 2012- DVD & TV – PRODUCED BY SARA MARTIN, LONESOME PINE FATBOY SLIM, BIG BEACH BOOTIQUE 5 2012 – CINEMA & DVD – PRODUCED BY CELIA MOORE, CC-LAB TAKE THAT, PROGRESS LIVE 2011 - DVD & TV – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS FAITHLESS, PASSING THE BATON 2011 - DVD & LIVE CINEMA – PRODUCED BY CELIA MOORE, CC-LAB SIMPLY RED, FAREWELL 2011 - LIVE CINEMA – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS A-HA, ENDING ON A HIGH NOTE 2010 – DVD – PRODUCED BY CELIA MOORE, SERPENT PRODUCTIONS TAKE THAT, THE CIRCUS 2009 – DVD & TV – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS MIKA, LIVE IN CARTOON MOTION 2007 – DVD – PRODUCED BY ANDY HOLLAND, SPIN TV MUSE, H.A.A.R.P 2007 – DVD – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS FAITHLESS, LIVE IN MOSCOW 2007 – DVD – PRODUCED BY CELIA MOORE, CC-LAB TAKE THAT, BEAUTIFUL WORLD 2007 – LIVE CINEMA, DVD & TV – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS PRIMAL SCREAM, RIOT CITY BLUES 2006 – DVD – PRODUCED BY CELIA MOORE, CC-LAB MEL C, BEAUTIFUL INTENTIONS 2006 – DVD – PRODUCED BY CELIA MOORE, CC-LAB PAUL WELLER, LIVE AT THE 100 CLUB 2006 – DVD – PRODUCED BY CELIA MOORE, CC-LAB U2, LIVE AT CROKE PARK, DUBLIN 2005 - BAND ARCHIVE –PRODUCED BY NED O’HANLON, DREAMCHASER ZUCCHERO, ZU AND CO 2004 - DVD & LIVE ON RAI UNO – PRODUCED BY BOLKE LAUTIER, CINE VIDEO GROUP THE CHARLATANS, LIVE AT LAST 2004 – DVD & TV – PRODUCED BY CELIA MOORE, CC-LAB JAMIE CULLUM, LIVE AT BLENHEIM PALACE 2004 – DVD & TV – PRODUCED BY CELIA MOORE, CC-LAB PAUL WELLER, STUDIO 150 2004 – CINEMA, DVD & TV – PRODUCED BY CELIA MOORE, CC-LAB TRAVIS, TRAVIS AT THE PALACE 2003 – DVD – PRODUCED BY CELIA MOORE, CC-LAB PAUL WELLER, LIVE AT BRAEHEAD ARENA 2003 – DVD – PRODUCED BY MARK HURRY, MISSION TELEVISION MORCHEEBA, FROM BRIXTON TO BEJING 2002 – DVD– PRODUCED BY MARK HURRY, MISSION TELEVISION PAUL WELLER, LIVE IN HYDE PARK 2002 – DVD – PRODUCED BY MARK HURRY, MISSION TELEVISION MUSE, HULLABALOO 2002 – CINEMA, DVD & TV – PRODUCED BY MARK HURRY, MISSION TELEVISION EVENTS 2019 CWC – CRICKET WORLD CUP OPENING PARTY – PRODUCED BY AURORA MEDIA 2018, U2 – EXPERIENCE & INNOCENCE TOUR - NORTH AMERICA & EUROPE – PRODUCTION BY JAKE BERRY 2016/17, ADELE – HELLO - WORLD TOUR - PRODUCTION BY RICHARD YOUNG 2017, TAKE THAT – WONDERLAND UK TOUR - PRODUCTION BY CHRIS VAUGHAN 2016. LONDON FASHION AWARDS - PRODUCTION BY INCA 1 2016, BST LONDON – MASSIVE ATTACK - PRODUCTION BY MARK WARD 2016, ELO – UK TOUR - PRODUCTION BY CHRIS VAUGHAN 2015, TAKE THAT, III UK TOUR - PRODUCTION BY CHRIS VAUGHAN 2015, RUGBY WORLD CUP – OPENING CEREMONY PRODUCTION – PRODUCED BY SARA DONALDSON, DONALDSON CREATIVE 2013, GARY BARLOW, SINCE I SAW YOU LAST UK TOUR - PRODUCTION BY CHRIS VAUGHAN 2012, PARALYMPICS CLOSING CEREMONY - BROADCAST DIRECTOR – PRODUCED BY CRAIG GLEDHILL, DONE & DUSTED 2012, PARALYMPICS OPENING CEREMONY – SCREENS/2nd DIRECTOR – PRODUCED BY CRAIG GLEDHILL, DONE & DUSTED 2012, OLYMPIC CLOSING CEREMONY – SCREENS/2nd DIRECTOR – PRODUCED BY IAN STEWART, DONE & DUSTED 2012, OLYMPIC OPENING CEREMONY – SCREENS/2nd DIRECTOR – PRODUCED BY IAN STEWART, DONE & DUSTED 2011, TAKE THAT, PROGRESS LIVE – UK & EUROPEAN TOUR - PRODUCTION BY CHRIS VAUGHAN 2010, STEVIE WONDER, SONGS TRAVELLING – WORLD TOUR - PRODUCTION BY DAVE WRIGHT & PETE EDMUNDS 2009, TAKE THAT, THE CIRCUS UK TOUR- PRODUCTION BY CHRIS VAUGHAN 2007, TAKE THAT, BEAUTIFUL WORLD UK TOUR- PRODUCTION BY CHRIS VAUGHAN TELEVISION & ONLINE 2019 CWC – CRICKET WORLD CUP OPENING PARTY – PRODUCED BY AURORA MEDIA OIALS/ONCE IN A LIFETIME SESSIONS – TLC - UNIVERSAL PICTURES/NETFLIX USA – PRODUCED BY DIONE ORROM FOR NBC UNIVERSAL OIALS/ONCE IN A LIFETIME SESSIONS 2018 – MOBY – UNIVERSAL PICTURES/NETFLIX USA - PRODUCED BY DIONE ORROM FOR NBC UNIVERSAL OIALS/ONCE IN A LIFETIME SESSIONS 2018 – KASABIAN - UNIVERSAL PICTURES/NETFLIX USA PRODUCED BY DIONE ORROM FOR NBC UNIVERSAL OIALS/ONCE IN A LIFETIME SESSIONS 2018 – SNOW PATROL UNIVERSAL PICTURES/NETFLIX USA PRODUCED BY DIONE ORROM FOR NBC UNIVERSAL OIALS/ONCE IN A LIFETIME SESSIONS 2018 – ONE REPUBLIC UNIVERSAL PICTURES/NETFLIX USA PRODUCED BY DIONE ORROM FOR NBC UNIVERSAL 2012, PARALYMPICS CLOSING CEREMONY – PRODUCED BY CRAIG GLEDHILL, DONE & DUSTED HOPE FOR HAITI NOW - TELETHON/ FUNDRAISER - LONDON STUDIO... featuring COLDPLAY, BEYONCÉ, JAY- Z, U2 & RIHANNA, HOSTED BY ROBERT PATTINSON – PRODUCED BY DIONE ORROM & NED O’HANLON MTV, WORLD STAGE - SLASH, MYLES KENNEDY & THE CONSPIRATORS – PRODUCED BY JEZ BREADIN, MTV MTV, WORLD STAGE - BIFFY CLYRO – PRODUCED BY JEZ BREADIN, MTV MTV EMA’S SATELLITE STAGE - ALICIA KEYS – PRODUCED BY JEZ BREADIN, MTV NME AWARDS – featuRing ROYAL BLOOD, THE VACCINES & SUEDE – ONLINE – PRODUCED BY PAUL CORRICK, REALITY MTV, BRAND NEW – ELLA EYRE – PRODUCED BY CELIA MOORE, CC-LAB MTV EMA’S SATELLITE STAGE – IMAGINE DRAGONS – PRODUCED BY CELIA MOORE, MTV AGIT8, 0NE.0RG END POVERTY NOW CAMPAIGN – ONLINE – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS NME AWARDS – featuRing PAUL WELLER & JOHNNY MARR – ONLINE – PRODUCED BY PAUL CORRICK, REALITY MTV, WORLD STAGE - SNOOP LION & THE AFRICAN ALLSTARS – PRODUCED BY JEZ BREADIN, MTV NME AWARDS foR C4 - hosted by ANGELOS - featuRing FOO FIGHTERS – PRODUCED BY CRAIG GLEDHILL, REMEDY PRODUCTIONS TEENAGE CANCER TRUST – featuRing BEADY EYE & BIFFY CLYRO – PRODUCED BY DES MURPHY, TCT ORANGE ROCKCORPS LONDON foR C4 – featuRing MARK RONSON AND PLAN B - PRODUCED BY CELIA MOORE, CC-LAB ORANGE ROCKCORPS MARSEILLE foR M6 – featuRing NAS AND DAMIAN MARLEY - PRODUCED BY CELIA MOORE, CC-LAB ORANGE ROCKCORPS MANCHESTER foR C4 - featuRing SNOOP DOGG - PRODUCED BY CELIA MOORE, CC-LAB TEENAGE CANCER TRUST foR ITV– featuRing THEM CROOKED VULTURES, SUEDE, NOEL GALLAGHER, THE ARCTIC MONKEYS & THE SPECIALS - PRODUCED BY CELIA MOORE, CC-LAB MTV, WORLD STAGE - OZZY OSBOURNE – PRODUCED BY JEZ BREADIN & DEBBIE PHILIPS, MTV NME AWARDS foR C4 - hosted by JARVIS COCKER - featuRing PAUL WELLER – PRODUCED BY GRAIG GLEDHILL, REMEDY PRODUCTIONS 2 ORANGE ROCKCORPS PARIS foR M6 – featuRing BUSTA RHYMES AND KELLY ROWLAND - PRODUCED BY CELIA MOORE, CC-LAB ORANGE ROCKCORPS LONDON foR C4 – featuRing NAS & NELLY - PRODUCED BY CELIA MOORE, CC-LAB ORANGE ROCKCORPS MANCHESTER 2009 foR C4 – featuRing LADY GAGA - PRODUCED BY CELIA MOORE, CC-LAB TEENAGE CANCER TRUST 2009, featuRing STEREOPHONICS AND KASABIAN – PRODUCED BY DES MURPHY, TCT NME AWARDS 2009 foR C4 – Hosted by MARK WATSON – FeatuRing THE CURE – PRODUCED BY CRAIG GLEDHILL, REMEDY PRODUCTIONS SMIRNOFF EXPERIENCE foR C4 - MARK RONSON MEETS DURAN DURAN - PRODUCED BY CELIA MOORE, CC- LAB A-HA, LIVE IN KIEL HARBOUR – ONLINE – PRODUCED BY ANDY DERBYSHIRE, MSN MAGIC NUMBERS, EDEN PROJECT – ONLINE – PRODUCED BY MUSIC ENGINE PAUL WELLER foR ITV 2 – PRODUCED BY ANDY HOLLAND, SPIN TV THE ENEMY foR ITV 2 – PRODUCED BY ANDY HOLLAND, SPIN TV SUGABABES foR ITV 2 – PRODUCED BY ANDY HOLLAND, SPIN TV MTV, BECKS FUSION, featuRing MASSIVE ATTACK – PRODUCED BY JEZ BREADIN, MTV BECKS FUSION foR C4 - CHEMICAL BROTHERS LIVE IN TRAFALGAR SQ – PRODUCED BY DANNY O’CONNOR, DOCUMENT MTV, WORLD STAGE, WHITE STRIPES – PRODUCED BY JEZ BREADIN, MTV JD SET foR C4 -BLACK REBEL MOTORCYCLE CLUB - PRODUCED BY CELIA MOORE, CC-LAB FRANZ FERDINAND, TONIGHT - TV & ONLINE – PRODUCED BY DANNY O’CONNOR, DOCUMENT STEREOPHONICS, WORD GOT AROUND – TV & ONLINE – PRODUCED BY DANNY O’CONNOR, DOCUMENT KAISER CHIEFS, OFF THEIR HEADS – TV & ONLINE – PRODUCED BY DANNY O’CONNOR, DOCUMENT MTV, THE SHAKEDOWN, featuRing JUNIOR SENIOR – PRODUCED BY JEZ BREADIN, MTV MTV, ISLE OF MTV 2003, hosted by JACK & KELLY OSBOURNE - featuRing OUTKAST – PRODUCED BY JEZ BREADIN, MTV MTV WINTERJAM 2003 , hosted by JACKASS – featuRing SUM 41 & GUANO APES – PRODUCED BY JAMES O’BRIEN, MTV MTV, ISLE OF MTV 2002 hosted by ROGER SANCHEZ AND KELIS -featuRing GORILLAZ AND MORCHEEBA – PRODUCED BY JEZ BREADIN, MTV DAMIEN RICE, ABBEY ROAD SESSION- PRODUCED BY CELIA MOORE, CC-LAB MTV, ROCK AM RING 2002, featuRing LENNY KRAVITZ, MACY GRAY & MUSE – PRODUCED BY JEZ BREADIN, MTV MTV, WINTERJAM 2002, featuRing ALIEN ANT FARM & PUDDLE OF MUDD – PRODUCED BY JEZ BREADIN, MTV MTV, IBIZA 2001, featuRing FAITHLESS & BASEMENT JAXX – PRODUCED BY JEZ BREADIN, MTV MTV, WORLD STAGE, MARILYN MANSON – PRODUCED BY JEZ BREADIN, MTV MTV, WORLD STAGE, FOO FIGHTERS – PRODUCED BY JEZ BREADIN, MTV EMINEM, SLIM SHADY LIVE – US PAY–PER-VIEW - PRODUCED BY LORI WHITE , BRUNO WHITE ENTERTAINMENT CINEMA SPECIALS TAKE THAT, WONDERLAND 2017 – CINEMA, DVD & TV- PRODUCED BY MATT ASKEM & STEVE KEMSLEY, SASSY FILMS TAKE THAT, III 2015– LIVE CINEMA, DVD & TV – PRODUCED BY DIONE ORROM, SERPENT PRODUCTIONS & STEVE KEMSLEY, SASSY FILMS MATISSE, THE CUT OUTS 2014- THE TATE MODERN – LIVE
Recommended publications
  • Carrie Undérwo. D's Crossover Dreams >P.35
    Carrie Undérwo. d's Crossover Dreams >P.35 #BXNCTCC 1111111111111111111111111111111111111111111 11/11111 #ßL2408043# APR06 A04 B01 )7 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 9080 -3402 NOV FOR'1ORE THAN 110 YEARS 19 R &B SinerjSongwriter SONY I3 IVI G Turns Jail Time Into Under Fire Over CD Copy- Protection >P.7 Hit Debut Album >P.30 11 N1 Illegal P212 (X) R\' Networks INVADES Face The NEW YORK IVIt,iSic; >P.? The CMAs Take Their Act On The Road >P.32 1 I1_IVI MUSIC', Can `Rent' & `Producers' Revive Soundtrack Biz? $6 99US S8.S9.A >P.27 US $6.99, CAN $8.99 UK £5.50, EURCPE 8.95, JAPAN V2,500 www.billboard.com www.billboard.biz www.americanradiohistory.com KEYSHIA COLE CERTIFIED GOLD DEBUT ALBUM "THE WAY _' IS' TOP SELLIN MALE R &B ARTIST 3 Vibe Award Nomt #1 Video at f - "I Should Have Cheated" Top 5 ringtone sales - "I Should Have Cheated" Top 5 (and gaining) at Urban radio - "I Should Have Cheated" Top 10 arum on Billboard R &B/Hip -Hop Chart TUNE INTO VIBE AWARDS TO SEE KEYSHIA PERFORM "I SHOULD HAVE CHEATED" TUESDAY, NOVEMBER 15TH ON UPN Executive Producers: Ron Fair, Manny Halley, and Keyshia Cole "I Should Have Cheated" AM Produced by: Daron_ Jones and Ron Fair / Written by: Daron Jones and Q. Parker REC Mixed by: Ron Fair and Tal Herzberg Management: Arthur Spivak for The Firm / ".2,U!: AY.1A Fnviili www.americanradiohistory.com YOU CAN'T AFFORD TO MISS THIS BILLBOARD EVENT DIGITAL ENTERTAINMENT 8 MEDIA DEM PO CONLEAENCE m z 2005 Billbearel NOVEMBER 19, 2005 TIE.is a 1.111111111115.1 VOLUME 117, NO.
    [Show full text]
  • (11) Application No. AU 2017249661 B2 AUSTRALIAN PATENT OFFICE
    (12) STANDARD PATENT (11) Application No. AU 2017249661 B2 (19) AUSTRALIAN PATENT OFFICE (54) Title Bifidobacteria for reducing food, energy and/or fat intake (51) International Patent Classification(s) A61K 35/745 (2015.01) A61P7/00 (2006.01) A23L 33/135 (2016.01) (21) Application No: 2017249661 (22) Date of Filing: 2017.04.06 (87) WIPO No: WO17/178316 (30) Priority Data (31) Number (32) Date (33) Country 16165379.5 2016.04.14 EP (43) Publication Date: 2017.10.19 (44) Accepted Journal Date: 2020.03.19 (71) Applicant(s) Dupont Nutrition Biosciences ApS (72) Inventor(s) Stenman, Lotta;Lahtinen, Sampo (74) Agent / Attorney Houlihan2 Pty Ltd, Level 1, 70 Doncaster Road, BALWYN NORTH, VIC, 3104, AU (56) Related Art WO 2015007941 A1 WO 2007043933 A1 WO 2010146568 A2 A. IBARRA ET AL, "Effects of polydextrose on different levels of energy intake. A systematic review and meta-analysis", APPETITE, (2015-04-01), vol. 87, pages 30-37 WO 2016020495 A1 L.K. STENMAN et al., "Potential probiotic Bifidobacterium animalis ssp. lactis 420 prevents weight gain and glucose intolerance in diet-induced obese mice", BENEFICIAL MICROBES, (2014-12-01), vol. 5, no. 4, pages 437 - 445 WO 2016020488 A1 (12) INTERNATIONAL APPLICATION PUBLISHED UNDER THE PATENT COOPERATION TREATY (PCT) (19) World Intellectual Property Organization lllllllllllllllllllllllllllllllllllllllllll^ International Bureau (10) International Publication Number (43) International Publication Date WO 2017/178316 Al 19 October 2017 (19.10.2017) WIPO I PCT (51) International Patent Classification: MD, ME, MG, MK, MN, MW, MX, MY, MZ, NA, NG, A61K35/745 (2015.01) A61P 7/00 (2006.01) NI, NO, NZ, OM, PA, PE, PG, PH, PL, PT, QA, RO, RS, A23L 33/135 (2016.01) RU, RW, SA, SC, SD, SE, SG, SK, SL, SM, ST, SV, SY, TH, TJ, TM, TN, TR, TT, TZ, UA, UG, US, UZ, VC, VN, (21) International Application Number: ZA, ZM, ZW.
    [Show full text]
  • Avec Orange Rockcorps : Sean Paul & 1995 Rejoignent La Programmation Du Concert Du 12 Juillet Au Zénith De Paris Aux Côtés De the Ting Tings
    communiqué de presse Paris, le 25 mai 2012 « Plus de share, plus de show » avec Orange RockCorps : Sean Paul & 1995 rejoignent la programmation du concert du 12 juillet au Zénith de Paris aux côtés de The Ting Tings Pour la quatrième année consécutive, Orange RockCorps va permettre à des milliers de jeunes de s’impliquer dans des projets associatifs. Le principe est simple : 4 heures de volontariat = 1 place pour un concert unique. La philosophie Orange RockCorps : « Tu donnes, Tu reçois ». "PLUS DE SHARE, PLUS DE SHOW" POUR CETTE NOUVELLE ÉDITION Pour faire connaître cette initiative et recruter des volontaires pour l’édition 2012, Orange RockCorps a imaginé un concert inédit : un concert interactif, live et digital du duo anglais The Ting Tings le 25 avril dernier, en plein cœur de Paris. Le concept : plus le public partageait l’événement sur les réseaux sociaux Facebook, Twitter, Foursquare et Instagram, plus le show était spectaculaire. Le public a ainsi pu expérimenter dans la vraie vie la mécanique « Tu donnes, Tu reçois » traduite ici par « + de share = + de show ! ». 1000 personnes étaient présentes Place du Palais Royal : sur le nouveau titre exclusif « Hit Me Down Sonny », en 7 minutes, ce sont plus de 1200 partages qui ont été générés. >> Dès aujourd’hui, une version courte de la vidéo du show est disponible sur les espaces communautaires d’Orange RockCorps pour permettre à tous de vivre ou revivre l’événement et les inviter ainsi à découvrir Orange RockCorps sur Facebook : http://youtu.be/Vu34mPHHQrc Et pour inciter chacun à faire connaître le concept, Orange Rockcorps a réservé un contenu interactif et exclusif qui sera à découvrir une fois le million de vues atteint ! Début juin, l'intégralité du morceau sera disponible sous la forme d'un clip du live.
    [Show full text]
  • (12) United States Patent (10) Patent No.: US 8,257,695 B2 Rautonen Et Al
    US008257695B2 (12) United States Patent (10) Patent No.: US 8,257,695 B2 Rautonen et al. (45) Date of Patent: Sep. 4, 2012 (54) METHOD FORMODULATING SATIETY Backhed, Fredrik, et al., “Host-bacterial mutualism in the human SIGNALING WITH SPECIFIC STRANS OF intestine.” Science (2005) vol. 307 pp. 1915-1920. Backhed, Fredrik, et al., “The gut microbiota as an environmental LACTOBACILLUS ACIDOPHILUS AND factor that regulates fat storage.” PNAS (2004) vol. 101:44 pp. 15710 BACILLUS 15723 Bleau, C., et al., “New Lactobacillus acidophilus isolates reduce the (75) Inventors: Nina Rautonen, Espoo (FI); Heli release of leptin by murine adipocytes leading to lower interferon gamma production.” Clinical and Experimental Immunology (2005) Putaala, Upinniemi (FI); Arthur vol. 140:3 pp. 427-435. Ouwehand, Inkoo (FI); Kirsti Tiihonen, Fosset, Spohie, et al., “Pharmacokinetics and feeding responses to Helsinki (FI); Marta Korczynska, muramyldipeptide in rats.” Physiolgoy & Behavior (2003) vol. 79 pp. Wageningen (NL); Wouter Herman 173-182. Gee, Jennifer M., et al., “Dietary lactitol fermentation increases Noordman, Ede (NL) circulating peptide YY and glucagon-like peptide-1 in rats and humans.” Nutrition (2005) vol. 21:10 pp. 1036-1043. (73) Assignee: DuPont Nutrition Biosciences ApS, Korbonits, M., et al., “Ghrelin and cannabinoid interactions on food Copenhagen (DK) intake.” Endocrine (2005) (Abstract Only). Le Roux, C.W., et al., "Attenuated peptide YY release in obese (*) Notice: Subject to any disclaimer, the term of this subjects is associated with reduced satiety.” Endocrinology (2005) patent is extended or adjusted under 35 pp. 1-22. Lee, Hui-Young, et al., “Human originated bacteria, Lactobacillus U.S.C.
    [Show full text]
  • Using Online Design Manual
    USING ONLINE DESIGN MANUAL 1 walsworthyearbooks.com INTRODUCTION Using Online Design The process for creating that one book that tells the story of your school’s year and captures all the precious memories is constantly evolving. Today, many yearbook staffs build their book entirely online using the power and convenience of the Internet. Walsworth’s Online Design harnesses that power and provides the advanced tools and capabilities you need to build the yearbook you want. This manual will give you an overview of Online Design, cover all the basics and get you well on your way to creating your masterpiece. But it’s just the beginning. Throughout the year, continue to reference the Online Design section at yearbookhelp.com for answers to your questions. 2 walsworthyearbooks.com Contents Using Online Design Section 1 – Getting Started • System requirements 3 • Logging in to Online Design 5 • Creating user accounts and setting permissions 5 • Online Design’s home page 7 • Online Design’s spread color coding 8 • Using the Message Center 8 • Using To-Do’s 10 Section 2 – Getting Organized with Plan Book • Choosing fonts 13 • Setting up color styles 14 • Enter spread details 15 • Assign staff to spreads 17 Section 3 – Working with Photos • Create photo albums 18 • Uploading images 18 • Tagging images 20 • Recommending images 21 • Using the Photo Tray 22 • Searching for photos 22 • ClikArt and Backgrounds 24 Section 4 – Getting to Know Page Editor • Launching a Page Editor session 25 • Page Editor tools and menus 26 • Page Editor palettes 27 •
    [Show full text]
  • Local Housing Strategy 2015-20 for the Vale of Glamorgan
    Vale of Glamorgan Council │Local Housing Strategy І Page 1 FOREWORD I am proud to present to you the new Local Housing Strategy 2015-20 for the Vale of Glamorgan. In the last few years’ changes to the welfare system, the lack of growth in wages, unemployment and the rising cost of living has made life harder for some people in the Vale. We have seen an increasing demand for housing, housing advice and support services as people seek help to find suitable homes, manage their finances and maintain their independence. Against a backdrop of a recession and cuts to public funding, our ability to deliver much needed new homes and keep up with the demand for services has presented many challenges. I am pleased to say the Vale of Glamorgan has embraced these challenges. Since the previous Strategy capital investment in housing has exceeded £117 million, the number of people becoming homeless has reduced and over 3000 homes have been brought up to the Welsh Housing Quality Standard. The Council and partners have developed strong, effective partnerships and worked together with stakeholders and residents to plan and develop solutions specifically for the Vale. Achieving the aims of the strategy won’t be an easy task. Continued strong strategic leadership and stakeholder engagement is vital to future success. Councillor Bronwen Brooks, Cabinet Member for Housing, Building Maintenance and Community Safety Vale of Glamorgan Council │Local Housing Strategy 2015-20 І Page 2 The Local Housing Strategy sets out the long term strategic vision for housing in the Vale. That; All residents in the Vale of Glamorgan have access to good quality, suitable housing and are able to live happily and independently in vibrant, sustainable communities.
    [Show full text]
  • Spring 2007 Curriculum
    Spring 2007 Curriculum ART HISTORY AH 2259.01 The Birth of Romanticism: 1760 - 1820 Dan Hofstadter We shall begin with the first self-conscious stirrings of Romantic art, from about 1760 to 1820. Among the major artists covered will be David, Gericault, Ingres, William Blake, the early Turner, Caspar David Friedrich, and Goya. Readings will be drawn primarily from the poets and philosophers of the period, including Blake, Wordsworth, Diderot, and Rousseau. Our emphasis will be on the intimate relationship between late Neoclassicism and Romanticism, and on how the Romantic impulse originated in sketchbooks, small paintings, diaries, and other highly personal creations. Our principal topics will include the budding interest in chaos, natural phenomena, and spontaneity; the renewal of interest in the Middle Ages; the primacy accorded to the erotic impulse; and the fascination with the demonic and the revolutionary. Prerequisites: None. Credits: 4 Time: M, Th 9:15am - 12noon, Th 6:30pm - 8:20pm (This course meets the second seven weeks of the term.) AH 2286.01 Art in America Since WWII Andrew Spence After WWII, artists in U. S. cities played a major role in the transformation of contemporary art from Modernism to Post Modernism and the present. As a survey, this course looks at several of these artists’ works and their connections to important movements such as Abstract Expressionism, Pop Art, and the proliferation of later movements including Photo Realism, Minimalism, Feminist Art, Process Art, Earth Art, New Image Painting, Neo Expressionism, East Village Art, Identity Art and more. New York City as one of the world-class art centers is used as a focus for retracing these developments in order to gain a closer understanding and appreciation.
    [Show full text]
  • Matt Askem, Directors Credits Without Producers 20 11 15
    MATT ASKEM – DIRECTORS CREDITS CINEMA SPECIALS TAKE THAT, III – LIVE CINEMA, DVD & TV MATISSE, THE CUT OUTS - THE TATE MODERN – LIVE TO CINEMA MUSE, LIVE IN ROME’S OLYMPIC STADIUM – 4K CINEMA, DVD & TV FATBOY SLIM, BIG BEACHBOOTIQUE 5 – CINEMA & DVD FAITHLESS, PASSING THE BATON – CINEMA & DVD SIMPLY RED, FAREWELL – CINEMA MUSE, HAARP – CINEMA, DVD & TV TAKE THAT, BEAUTIFUL WORLD – CINEMA, DVD & TV MUSE, HULLABALOO – CINEMA, DVD & TV EVENTS 2015, RUGBY WORLD CUP – OPENING CEREMONY PRODUCTION 2012, PARALYMPICS CLOSING CEREMONY - BROADCAST DIRECTOR 2012, PARALYMPICS OPENING CEREMONY – SCREENS/2nd DIRECTOR 2012, OLYMPIC CLOSING CEREMONY – SCREENS/2nd DIRECTOR 2012, OLYMPIC OPENING CEREMONY – SCREENS/2nd DIRECTOR CONCERT/MUSIC FILMS TAKE THAT III, CINEMA, DVD & TV MUSE, LIVE IN ROME’S OLYMPIC STADIUM – 4K CINEMA, DVD & TV SANTANA, CORAZON LIVE IN MEXICO–LIVE IT TO BELIEVE IT – DVD & TV SIMPLE MINDS, CELEBRATE LIVE IN GLASGOW – DVD & TV GARY BARLOW, SINCE YOU SAW HIM LAST – DVD & TV ELBOW, LIVE AT JODRELL BANK - DVD & TV FATBOY SLIM, BIG BEACHBOOTIQUE 5 – CINEMA & DVD TAKE THAT, PROGRESS LIVE - DVD & TV FAITHLESS, PASSING THE BATON - DVD & LIVE CINEMA SIMPLY RED, LAST CONCERT - LIVE CINEMA A-HA, ENDING ON A HIGH NOTE – DVD TAKE THAT, THE CIRCUS – DVD & TV MIKA, LIVE IN CARTOON MOTION – DVD MUSE, H.A.A.R.P – DVD FAITHLESS, LIVE IN MOSCOW – DVD TAKE THAT, BEAUTIFUL WORLD – LIVE CINEMA, DVD & TV PRIMAL SCREAM, RIOT CITY BLUES – DVD MEL C, BEAUTIFUL INTENTIONS – DVD PAUL WELLER, LIVE AT THE 100 CLUB – DVD MUSE, HULLABALOO – CINEMA, DVD & TV U2,
    [Show full text]
  • Low Cost, Mass Use: American Engineers and the Metrics of Progress
    GHAT_A_229942.fm Page 289 Saturday, April 21, 2007 8:16 AM History and Technology Vol. 23, No. 3, September 2007, pp. 289–308 Low Cost, Mass Use: American 5 Engineers and the Metrics of Progress Gary Lee Downey TaylorGHAT_A_229942.sgm10.1080/07341510701300387History0734-1512Original2007233000000SeptemberGaryLeedowneyg@vt.edu and& and Article DowneyFrancis (print)/1477-2620Francis Technology 2007 (online) 10 This paper examines initiatives in engineering formation in the USA as, in part, responses to dominant territorial identities defining what counts as progress. The absence of a 15 primary method of engineering formation during the antebellum period suggests that no metric of progress had yet scaled up to a level of dominance. Robert Thurston’s efforts in the 1890s to scale up school-based formation without liberal education did not fit a country that emphasized high-volume production at low costs. The attempts of the Wickenden study in the 1920s to achieve coordination did not fit a country highlighting self-realization 20 through consumption. The 1955 Grinter Report achieved great success when the sudden appearance of Sputnik scaled up a new territorial identity for the USA. Overall, by responding to the evolving metric of low cost, mass use, advocates of engineering formation have designed engineers to serve the country. 25 Keywords: Engineers; Identity; Engineering Education; USA; Engineering Studies The American ‘style’ of engineering that emerged in the 19th century placed more emphasis on reducing labor costs and on economy of construction … and placed less 30 emphasis on strength, permanency, aesthetic appeal, and safety.1 Perhaps the most constant feature of American engineering education has been the demand for change.2 A Question of Fit? 35 In 1893, Cornell University engineering professor Robert Thurston (1839–1903) published the nearly 200-page paper, ‘Technical Education in the United States’, in the Transactions of the American Society of Mechanical Engineering (ASME).3 It was actually more of a report.
    [Show full text]
  • Adding up the UK Music Industry 2011
    Adding up the UK music industry 2011 The big numbers for 2011 • Total UK music industry revenue stable at £3.8bn • Live music revenue reached a record £1.6bn • Digital music sales increased by 20 percent • Business-to-business revenues grew by £18m in total across 2011 The fourth edition of PRS for Music’s combined and this will only increase. • Record label revenues Adding Up the UK music industry paper The live sector saw phenomenal revenues outside CD, DVD and explores the value of the music industry - £1.6bn – the highest for live music since digital services exceeded and its income streams for 2011. we started the Adding Up report. While £200m for the first time Technology plays a vital role in shaping this was largely due to the celebrated the way we now enjoy music on many Take That stadium gigs, this growth types of devices and the music industry – reflects an increased appetite for festivals PRS for Music represents over 95,000 like many others - has had to adapt to and live band experiences. songwriters, composers and music publishers in the UK and protects the rights these changes in formats, consumption of international songwriters through over and usage. These buoyant revenue streams mean 150 arrangements with international bodies. that consumers are using music in fresh The report has been compiled by Nicholas In 2011 we saw Deezer and Apple’s iTunes ways and remodelling the market, which Brookes in co-operation with a number of in the Cloud launch in the UK and we brings with it huge opportunity.
    [Show full text]
  • Simon Bryant FCP / Avid / Premiere Editor
    Simon Bryant FCP / Avid / Premiere Editor Profile Simon is an established and highly sought after editor. Since becoming freelance, he has developed a well-earned reputation as a top music editor, where his capabilities have flourished with live multi-cam shoots from small intimate gigs to massive stadium shows. His Specials Reunion DVD was nominated for the best live coverage award at the UKVMA’s 2011. Simon also edits short, fast paced, slick and heavily visual projects which he enjoys immensely and has a real talent for. He also thoroughly delights in cutting music documentaries, documentaries and other long form programmes. He is keen to develop these types of visually arresting approaches to storytelling further in the future, within quirky long-form, high end short-form projects and beyond. * UKMVA 2011 Award Winner * Nominated UKVMAS Best Live Music Coverage 2010 * WINNER UKVMAS Best Live Music Coverage 2011 * Nominated UKVMAS Best Live Music Coverage 2012 * Nominated for Best TV Show featuring Music at Music Week Awards 2012 * Shortlisted for Nomination at 2013 Emmys Outstanding Picture Editing For Short-Form Segments And Variety Specials * Nominated for Best Music Film 2014 Grammys *Nominated For Best Music Film 2015 Grammys *Nominated UKVMAS Best Live Music Coverage 2015 *WINNER Best Multicamera Programme 2015 Broadcast awards *Nominated UKVMAS Best Live Music Coverage 2016 *Nominated UKVMAS Best Live Music Coverage 2017 *Nominated Best Music programme 2018 Broadcast awards Credits Music Projects “Taylor Swift - Reputation World Tour” 50 camera shoot premiere on Netflix on NYE 2018. Lead Editor Dir Paul Dugdale for Den Of Thieves for Done and Dusted “Paul McCartney Live from the Cavern” Offline Editor Dir Paul Dugdale for Done and Dusted “Christine and The Queens - Live for Apple Music” Offline Editor.
    [Show full text]
  • Lot 1 12 X ROLLING STONES VINYL LP RECORDS. All Presented Here in VG++/Ex Conditions with Titles As Follows: - Still Life X 2 - Some Girls - the Best Of
    Cottees Auctions - Rock & Pop Memorabilia in conjunction with Modern Interiors & Collectables. - Starts 09 Nov 2019 Lot 1 12 x ROLLING STONES VINYL LP RECORDS. All presented here in VG++/Ex conditions with titles as follows: - Still Life x 2 - Some Girls - The Best Of... - Tattoo You - Under Cover - It's Only Rock 'n' Roll - Love You Live - Steel Wheels - Black & Blue - Emotional Rescue plus a zipped copy of Sticky Fingers. All albums released on the Rolling Stones Label. Estimate: 80 - 100 Fees: 21.60% inc VAT for absentee bids, telephone bids and bidding in person 25.2% inc VAT for Live Bidding and Autobids Lot 2 PINK FLOYD ALBUMS X 8. Super quality set of records here from The Floyd kicking of with 'Wish You Were Here' on a blue colour pressed German Harvest 1C 064 96 918 - 'Meddle' on Harvest SHVL 795 - 'Animals' on SHVL 815 - 'A Nice Pair' on SHDW 403 - 'A Saucerful Of Secrets' on Fame FA 3163 - 'Relics' on MFP 50397 - 'The Wall' (With Booklet) on SHDW 911. The last album is a copy of 'Wish You Were Here' on SHVLP 814 complete with it's black plastic outer sleeve still intact. All records are in VG++/Ex condition. Estimate: 80 - 120 Fees: 21.60% inc VAT for absentee bids, telephone bids and bidding in person 25.2% inc VAT for Live Bidding and Autobids Lot 3 ROLLING STONES SELECTION OF 8 VINYL LP RECORDS. This set consists of originals and reissues. The following 3 albums are reissues starting with a Holland press of Beggars Banquet on Decca 6835113 - Out Of Our Heads on Decca SKL 4733 & Rolling Stones No.
    [Show full text]