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“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams. -
The Temptations and the Four Tops
Nicole'a Macris Nicole'[email protected] 410-900-1151 For Immediate Release THE TEMPTATIONS AND THE FOUR TOPS coming to The Modell Lyric on October 26! Tickets go on sale Friday, April 26th at 10am (BalBmore, MD – April 19) The TEMPTATIONS and The FOUR TOPS together on one stage for one night only at The Modell Lyric on Saturday, October 26 at 7:30pm! THE TEMPTATIONS are notable for their success with Motown Records during the 60’s and 70’s and have sold 10’s of millions of albums, making them one of the most successful groups in music history! For over 40 years The Temptaons have prospered, with an avalanche of smash hits, and sold-out performances throughout the world! “The crowds are bigger, the sales are sizzling,” says one industry report. “The outpouring of affection for this super-group has never been greater”. Beyond their unique blend of voices and flashy wardrobe, The Temptaons became known for their sharp choreography known as “The Temptaon Walk” which became a staple of American style, flair, flash and class and one of the defining legacies of Motown Records. Millions of fans saw the Temptaons as cultural heroes. The group had thirty seven, Top 40 hits to their credit, including fi\een Top 10 hits, fi\een No 1 singles and seventeen No 1 albums spanning from the mid-1960’s to the late 80’s in addiBon to a quartet which soared to No. 1 on the R &B charts. The song Btles alone summon memories beyond measure to include; “The Way You Do The Things You Do,” “My Girl,” “Ain’t Too Proud To Beg,” “I Wish It Would Rain,” “I Can’t Get Next To You”, “Get Ready”, “Just My ImaginaDon (Running Away With Me),” “Ball of Confusion”, “Papa Was A Rollin’ Stone.” “Beauty is Only Skin Deep”, “Cloud Nine,” “Psychedelic Shack”, “Runaway Child”, “Since I Lost My Baby”, “Treat Her Like a Lady” to name a few…. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
A Songbook May.2017
ARTIST TITLE SONG TITLE ARTIST 4:00 AM Fiona, Melanie 12:51 Strokes, The 3 Spears, Britney 11 Pope, Cassadee 22 Swift, Taylor 24 Jem 45 Shinedown 73 Hanson, Jennifer 911 Jean, Wyclef 1234 Feist 1973 Blunt, James 1973 Blunt, James 1979 Smashing Pumpkins 1982 Travis, Randy 1982 Travis, Randy 1985 Bowling For Soup 1994 Aldean, Jason 21875 Who, The #1 Nelly (Kissed You) Good Night Gloriana (Kissed You) Good Night (Instrumental Version) Gloriana (you Drive Me) Crazy Spears, Britney (You Want To) Make A Memory Bon Jovi (Your Love Keeps Lifting Me) Higher And Higher McDonald, Michael 1 2 3 Estefan, Gloria 1 2 3 4 Feist 1 Thing Amerie 1 Thing Amerie 1 Thing Amerie 1,2 Step Ciara & Missy Elliott 1,2,3,4 Plain White T's 10 Out Of 10 Lou, Louchie 10,000 Towns Eli Young Band 10,000 Towns (Instrumental Version) Eli Young Band 100 Proof Pickler, Kellie 100 Proof (Instrumental Version) Db Pickler, Kellie 100 Years Five For Fighting 10th Ave Freeze Out Springsteen, Bruce 1-2-3 Estefan, Gloria 1-2-3-4 Sumpin' New Coolio 13 Is Uninvited Morissette, Alanis 15 Minutes Atkins, Rodney 15 Minutes (Backing Track) Atkins, Rodney 15 Minutes Of Shame Cook, Kristy Lee 15 Minutes Of Shame (Backing Track) B Cook, Kristy Lee 16 at War Karina 16th Avenue Dalton, Lacy J. 18 And Life Skid Row 18 And Life Skid Row 19 And Crazy Bomshel 19 Somethin' Wills, Mark 19 You and Me Dan + Shay 19 You and Me (Instrumental Version) Dan + Shay 19-2000 Gorillaz 1994 (Instrumental Version) Aldean, Jason 19th Nervous Breakdown Rolling Stones, The ARTIST TITLE 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls 2 Becomes 1 Spice Girls 2 Faced Louise 2 Hearts Minogue, Kylie 2 Step DJ Unk 20 Good Reasons Thirsty Merc 20 Years And 2 Husbands Ago Womack, Lee Ann 21 Questions 50 Cent Feat. -
AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past. -
Habeas Corpus
41st Season • 394th Production SEGERSTROM STAGE / OCTOBER 15 - NOVEMBER 21, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents HABEAS CORPUS BY Alan Bennett SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN COMPOSER/SOUND DESIGN/MUSICAL DIRECTOR Christopher Acebo Shigeru Yaji Geoff Korf Paul James Prendergast DIALECT COACH CHOREOGRAPHER PRODUCTION MANAGER STAGE MANAGER Philip D. Thompson Ken Roht Jeff Gifford *Randall K. Lum DIRECTED BY Bill Rauch HONORARY PRODUCERS Haskell & White LLP Presented by special arrangement with Samuel French, Inc. Habeas Corpus • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Arthur Wicksteed .................................................................... Hal Landon Jr.* Mrs. Swabb ...................................................................................... Jane Carr* Muriel Wicksteed ................................................................ Caitlin O’Connell* Dennis Wicksteed ................................................... Christopher Liam Moore* Constance Wicksteed .......................................................... Kate A. Mulligan* Canon Throbbing ................................................................ Daniel T. Parker* Sir Percy Shorter ........................................................................... Patrick Kerr* Lady Rumpers .................................................................... Lynnda Ferguson* Felicity Rumpers ..................................................................... Lynsey -
Highline Wins National Honor
the ThunderWord Highline College | February 4, 2016 | Volume 53, Issue 14 Highline wins national honor By Taylor Lee The Aspen Institute Col- list before,” said Kari Cantey, and equity are the three catego- Staff Reporter lege Program works to improve the associate director of Com- ries used in their research, Can- colleges’ understanding and munications and Grant Writing tey said. Highline was named as one capacity to teach and graduate at Highline. “While part of my job is to of the top 150 community col- students. The Aspen Prize is “Certain awards must be help in writing grants, a large leges in the nation by an educa- awarded every two years. The applied for, this was not one part of it is to tell the great sto- tional organization last week. Institute is based out of Wash- of them,” Cantey said. “This ries about Highline,” she said. This nomination allows ington, D.C. is only the first round. We are “If you want a welcoming envi- Highline to compete for a $1 Eight other community now eligible to apply for the As- ronment for all people, its hard million prize. Ten finalists will colleges in Washington were pen Prize for Community Col- to beat Highline.” be selected in fall of 2016. The among the top 150, including lege Excellence.” “So many students from all 10 finalists will be visited by Olympic College and Pierce “This award is based on data The Aspen Institute to deter- College. collection,” she said. mine a winner. “We have not been on this Performance, improvement See Award, page 12 Alvin Goode Teenagers’ tobacco dreams may go Program helps up in smoke as legislators support bill both By Adam Horner 10 cigarette smokers first tried Staff Reporter smoking by age 18. -
JOE TEXAS SHOOTS STRAIGHT RJ Vandygriff
The Official Publication of the Western Music Association Crosshairs: JOE TEXAS SHOOTS STRAIGHT R.J. Vandygriff “The Cowboy Ain’t Dead Yet!” Jeneve Rose Mitchell on American Idol DOES WESTERN PROUD Spreading the Word - Arts in Arizona PAGE 8 Wrappin’ItUp – Festivals Everywhere! PAGE 18 Something New! Lasso the Past PAGE 26 Founder Bill Wiley Founder BillOfficers Wiley From The President... Steve Taylor, President Rick Huff,Officers Executive V.P. Rick Huff,Robert Executive Fee, V.P. ATTENTION WMA Membership and Friends: V.P. GeneralRobert Fee, Counsel It is with deep regret that the WMA Board of Directors has accepted the resigna- DianeV.P. General Scott, TreasurerCounsel Rich Dollarhide, tion of Steve Taylor from the Board and as President of our organization. Steve has Secretary served the WMA as President for more than 10 years. He has served the Associa- Executive Director tion faithfully because of his own commitment to its mission. His leadership will Marsha Short be sorely missed but we know you will join us in wishing Steve and Terri well as Board of Directors they continue their own musical journey. An Interim President will be appointed Joe Brown Richard Dollarhide by the Board of Directors to serve until November. at which time the new President Robert Fee Juni Fisher will be elected. Belinda Gail Jerry Hall Howdy To All: Rick Huff Robert Lorbeer Marvin O’Dell From time to time a board member will be asked, Theresa O’Dell “What does the WMA do for me?” It is a good ques- Michael Roehm David Rychener tion, and there is an answer, but when the answer is Diane Scott Steve Taylor given, it is usually followed up with a similar question, Board of Advisors “What can you do for the WMA?” That is another good Rex Allen, Jr., Chairman Hal Spencer,Board of Co-ChairmanAdvisors Rex Allen, Jr., Chairman question but it can sometimes the response is a blank Cheryl Rogers Barnett Hal Spencer, Co-Chairman look. -
By Jane Austen Kyle Donnelly
48th Season • 455th Production SEGERSTROM STAGE / SEPTEMBER 9 - OCTOBER 9, 2011 Marc Masterson Paula Tomei ARTiSTiC DiRECTOR MAnAGinG DiRECTOR David Emmes & Martin Benson FOUNDING ARTiSTiC DiRECTORS presents Pride and Prejudice by Jane Austen Adapted for the stage by Joseph Hanreddy and J.R. Sullivan Kate Edmunds Paloma H. Young Lap Chi Chu SCEniC DESiGn COSTUME DESiGn LiGHTinG DESiGn Michael Roth Sylvia C. Turner Adam Flemming ORiGinAL MUSiC/MUSiC DiRECTiOn CHOREOGRAPHER ASST. SCEniC DESiGn/ PROjECTiOn COORDinATOR Ursula Meyer & Eva Barnes Joshua Marchesi Jamie A. Tucker* DiALECT COACHES PRODUCTiOn MAnAGER STAGE MAnAGER Directed by Kyle Donnelly Tom and Marilyn Sutton & Jean and Tim Weiss Honorary Producers Corporate Producer Pride and Prejudice • SOUTH COAST REPERTORY • P1 CAST OF CHARACTERS (in order of appearance) The Girl ............................................................................................ Claire Kaplan* Lady Lucas/Mrs. Gardiner ..................................................................... Eva Barnes* Mrs. Bennet ............................................................................................. Jane Carr* Mr. Bennet ...................................................................................... Randy Oglesby* Catherine (Kitty) Bennet ............................................................. Elizabeth Nolan* Lydia Bennet ........................................................................................ Amalia Fite* Elizabeth Bennet ................................................................................ -
August 3, 2012 Volume CXXXVI, Issue 36 Hitsville, U.S.A
Ankur Patankar and Greg Funka | Photo Illustration Seventy-Five Cents Chautauqua, New York The Offi cial Newspaper of Chautauqua Institution | Friday, August 3, 2012 Volume CXXXVI, Issue 36 Hitsville, U.S.A. ZOLLI Zolli explores THE TEMPTATIONS impact of our digital selves on the world RABAB AL-SHARIF Staff Writer With origins in the small town of Camden, Maine, the THE FOUR TOPS global innovation network PopTech could be considered a distant cousin of Chautau- qua Institution, said Andrew Zolli, the organization’s ex- ecutive director and curator. THE LOVE OF WHAT WE’RE DOING, THE LOVE “We bring the world’s creative community to this FOR THE MUSIC, IT KEEPS YOU YOUNG small town in much the same Lawrence Payton Jr. way that Chautauqua brings some of the world’s best thinkers and leaders to its community,” he said. MARY DESMOND original Top, Lawrence Pay- said. “The audience — I want- bum Meet the Temptations. In This morning, Zolli will Staff Writer ton. “We feed off each other ed to take them on the road 1964, their fame spread with close Week Six’s lecture plat- like that, and it really comes with me.” release of the pop single, “My form on “Digital Identity” at he Temptations and out good for the fans, because The Temptations and the Girl.” 10:45 a.m in the Amphithe- the Four Tops, reign- we’re always pushing enve- Four Tops both emerged in Since the 1960s, the Temp- ater. His lecture will focus on ing kings of Motown lopes.” the heart of Motown music in tations, led by founder Otis the intersection between our Tmusic, will light up the stage Tonight is not the fi rst time Detroit during the 1960s, the Williams, with an ever- digital selves and real world at 8:15 p.m. -
Eisemann Center Presents Christmas the Cowboy Way with Riders in the Sky and the Quebe Sisters Tue, Dec
For Immediate Release Media Contact: Sarah Nesbit 972-744-4612 or [email protected] EISEMANN CENTER PRESENTS CHRISTMAS THE COWBOY WAY WITH RIDERS IN THE SKY AND THE QUEBE SISTERS TUE, DEC. 17, 2019 at 7:30 PM RICHARDSON, TX – Eisemann Center Presents Riders In The Sky with The Quebe Sisters in Christmas the Cowboy Way at the Eisemann Center, 2351 Performance Drive in Richardson, Texas on Tuesday, December 17, 2019 at 7:30 pm in the Hill Performance Hall. 42 years ago, Ranger Doug, Too Slim and the late Windy Bill Collins played that first date on the bitter cold evening of November 11th, 1977 at Herr Harry’s Frank N’ Stein Rathskeller in Nashville, and small listening room dates followed. By August of the following year demand was building, and while Windy Bill left, Woody Paul joined, and the true professional beginnings of the band began at the Kentucky State Fair, where the trio played 10 days for $2500 and bought their own rooms and meals out of that! A first wave followed, including appearances on Austin City Limits; recording contracts with Rounder, then MCA, then Columbia; guest appearances on the Grand Ole Opry leading to membership in 1982; and a three-year run on The Nashville Network with a TV show called “Tumbleweed Theater,” which yet in turn led to a seven-year run on public radio with “Riders Radio Theater. And so the second wave broke, sending the boys to Hollywood to star in “Riders In The Sky” on CBS for a year on Saturday mornings, introducing them to yet another generation. -
WATERBURY, CONN. – Legendary Motown Singing Groups The
FOR IMMEDIATE RELEASE February 21, 2016 CONTACT: Sheree Marcucci Work: (203) 346-2008 Mobile: (203)206-8286 Email: [email protected] THE TEMPTATIONS & THE FOUR TOPS BRING MOTOWN MAGIC TO PALACE THEATER WATERBURY, CONN. – Legendary Motown singing groups The Temptations and The Four Tops unite on stage for an unforgettable evening of live music at the Palace Theater in Waterbury on Sunday, Mar. 20, at 6:30p.m. Tickets for the one night only performance, sponsored by Ion Bank, range from $35 to $85 and can be purchased online at www.palacetheaterct.org, by phone at 203-346-2000, or in person at the Box Office, 100 East Main St. in Waterbury. With successful careers spanning more than five decades, The Temptations and The Four Tops continue to propel popular music with a series of smash hits and sold-out performances across the world. As essential components of the dynamic Motown machine, both groups are responsible for some of music’s most beloved and memorable songs including “My Girl,” “I Can’t Help Myself,” “Just My Imagination (Running Away with Me),” “Ain’t Too Proud to Beg,” “Reach Out I’ll Be There,” “Ain’t No Woman Like the One I’ve Got,” “It’s the Same Old Song” “Papa was a Rollin’ Stone,” and countless others. The groups will perform these popular melodies among other greatest hits during their concert at the Palace Theater. The history of The Temptations is the history of contemporary American pop. Beyond their fabulous singing and avalanche of Motown hits, The Temps became known for their smooth stepping, flawless presentations, and signature “Temptations Walk,” which became a staple of American style, flair, and class.