Advance Trade Information BOOKS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Killer Queen
MELODY HARMONY The word setting is mainlysyllabic throughout TONALITY Queen liked to use adventurous chord sequences The melody has a wide range (goes very high and very low!) The song uses several altered or extended chords (such as 7ths and The main tonality for the piece is Eb Major (this is unusual The guitar solo borrows ideas from the chorus and verse sections of the song 11ths) because it’s a hard key to play in on the guitar!) The backing vocals use words and vocalisations (like oohs and aahs!) The key changes (modulates) during the song. Most of the chords are in root position, but there are some chord The melody is often conjunct, but with some wide angular leaps, including inversions. intervals of 6ths and octaves. The chorus is in Bb major There is a circle of 5ths chord progression in the chorus In the chorus the melody is harder to spot on it’s own because of the backing There are points where the tonality is not clear (“tonal The modulations to different keys are shown by perfect cadences vocal harmonies ambiguity”) - like in the first verse which starts with a C minor The song starts with a C minor chord—(you can’t tell that the piece is in The vocal part sometimes uses falsetto. chord, making the key signature unclear. Eb major until the chord is played half way through the verse—this is The vocal part also includes spoken text The vocal part contains a slide upwards (on the word “queen”) The chord sequences move quickly through different key Some parts of the chord sequence contain a faster harmonic rhythm The length of the melodic phrases are often uneven (like when the extra 6/8 bar signatures—for example in the first half of the chorus the (like one chord every beat on “guaranteed to blow your mind”) is added) chord sequence moves quickly through D minor and C major. -
RADIAL VELOCITIES in the ZODIACAL DUST CLOUD
A SURVEY OF RADIAL VELOCITIES in the ZODIACAL DUST CLOUD Brian Harold May Astrophysics Group Department of Physics Imperial College London Thesis submitted for the Degree of Doctor of Philosophy to Imperial College of Science, Technology and Medicine London · 2007 · 2 Abstract This thesis documents the building of a pressure-scanned Fabry-Perot Spectrometer, equipped with a photomultiplier and pulse-counting electronics, and its deployment at the Observatorio del Teide at Izaña in Tenerife, at an altitude of 7,700 feet (2567 m), for the purpose of recording high-resolution spectra of the Zodiacal Light. The aim was to achieve the first systematic mapping of the MgI absorption line in the Night Sky, as a function of position in heliocentric coordinates, covering especially the plane of the ecliptic, for a wide variety of elongations from the Sun. More than 250 scans of both morning and evening Zodiacal Light were obtained, in two observing periods – September-October 1971, and April 1972. The scans, as expected, showed profiles modified by components variously Doppler-shifted with respect to the unshifted shape seen in daylight. Unexpectedly, MgI emission was also discovered. These observations covered for the first time a span of elongations from 25º East, through 180º (the Gegenschein), to 27º West, and recorded average shifts of up to six tenths of an angstrom, corresponding to a maximum radial velocity relative to the Earth of about 40 km/s. The set of spectra obtained is in this thesis compared with predictions made from a number of different models of a dust cloud, assuming various distributions of dust density as a function of position and particle size, and differing assumptions about their speed and direction. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
Top 5 Underrated Queen Songs Laura Ballinger Explores the Joys Of
Top 5 Underrated Queen Songs Laura Ballinger explores the joys of Queen’s lesser-known tracks Everyone knows the Queen classics, ‘Bohemian Rhapsody’ and ‘Killer Queen’ to name just two. But what about those songs that are less well known and equally as good? Here’s a list of five of Queen’s most underrated songs, with the albums they feature on. 1. One Vision (A Kind of Magic) In top position comes ‘One Vision’. It starts with a slow motion, sci-fi sound, building into a funky beat and a classic Brian May guitar solo. The lyrics are memorable and catchy, with a fun back story as to why they became so iconic. When the band recorded this, they played around with the lyrics, finding alternative versions of ‘one vision’ which would fit the number of syllables. Some examples include, ‘John Deacon’, ‘One sex position’, then drifting into ones that didn’t quite fit, like ‘one shrimp’ and ‘one clam’. They actually settled on ‘fried chicken’ and, if you listen closely, it’s the final line in the song. Despite the comedic aspect, this song has quite a serious and meaningful undertone. It was written following Queen’s performance at Live Aid in 1985 and depicts the joining together of millions of people, united with the ‘one vision’ of making a better world for everyone. For this reason, it makes the top of the list. 2. Death on Two Legs (Dedicated To…) (A Night at the Opera) As one of Queen’s heavier songs, it’s not for everyone. -
MEDLEY Peter Buck, Michael Mills and Michael Stipe
Shinyg Happy People Words and Music by William Berry, MEDLEY Peter Buck, Michael Mills and Michael Stipe Shiny happy people laughing. WE WILL ROCK YOU (No wrong, no right, I’m gonna tell you there’s no black and no white. Buddy you’re a boy, make a big noise Meet me in the crowd, people, people. No blood, no stain. playing in the street, gonna be a big man someday, Throw your love around, love me, love me. All we need is) you got mud on your face, you big disgrace, Take it into town, happy, happy. one worldwide vision. kicking your can all over the place. Put it in the ground where the fowers grow. One fesh, one bone, one true religion. Gold and silver shine. We will, we will rock you! One voice, one hope, one real decision. We will, we will rock you! Gimme one night, gimme one hope. Shiny happy people holding hands. We will, we will rock you! Shiny happy people holding hands. We will, we will rock you! 1 2 Shiny happy people laughing Just gimme. Just gimme. CRAZY LITTLE THING CALLED LOVE One man, one bar, one day. One man, one night, hey, hey, Everyone around, love them, love them. Just gimme, Put it in your hands, take it, take it. This thing called love I just can’t handle it, There’s no time to cry, happy, happy. this thing called love I must get around to it, gimme, gimme, gimme fried chicken! Put it in your heart where tomorrow shines. -
Brian May Plays “God Save the Queen” from the Roof of Buckingham Palace to Commemorate Queen Elizabeth II’S Golden Jubilee on June 3, 2002
Exclusive interview Brian May plays “God Save the Queen” from the roof of Buckingham Palace to commemorate Queen Elizabeth II’s Golden Jubilee on June 3, 2002. © 2002 Arthur Edwards 26 Astronomy • September 2012 As a teenager, Brian Harold May was shy, uncer- tain, insecure. “I used to think, ‘My God, I don’t know what to do, I don’t know what to wear, I don’t know who I am,’ ” he says. For a kid who didn’t know who he was or what he wanted, he had quite a future in store. Deep, abiding interests and worldwide success A life in would come on several levels, from both science and music. Like all teenagers beset by angst, it was just a matter of sorting it all out. Skiffle, stars, and 3-D A postwar baby, Brian May was born July 19, 1947. In his boyhood home on Walsham Road in Feltham on the western side of Lon- science don, England, he was an only child, the offspring of Harold, an electronics engineer and senior draftsman at the Ministry of Avia- tion, and Ruth. (Harold had served as a radio operator during World War II.) The seeds for all of May’s enduring interests came early: At age 6, Brian learned a few chords on the ukulele from his father, who was a music enthusiast. A year later, he awoke one morning to find a “Spanish guitar hanging off the end of my bed.” and At age 7, he commenced piano lessons and began playing guitar with enthusiasm, and his father’s engineering genius came in handy to fix up and repair equipment, as the family had what some called a modest income. -
Queen 39 Live Killers Bass Transcription Sheet Music
Queen 39 Live Killers Bass Transcription Sheet Music Download queen 39 live killers bass transcription sheet music pdf now available in our library. We give you 2 pages partial preview of queen 39 live killers bass transcription sheet music that you can try for free. This music notes has been read 3939 times and last read at 2021-09-27 23:16:26. In order to continue read the entire sheet music of queen 39 live killers bass transcription you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Bass Guitar Tablature, Double Bass, Easy Piano Ensemble: Musical Ensemble Level: Beginning [ READ SHEET MUSIC ] Other Sheet Music Queen Spread Your Wings Live Killers Accurate Bass Transcription Whit Tab Queen Spread Your Wings Live Killers Accurate Bass Transcription Whit Tab sheet music has been read 5215 times. Queen spread your wings live killers accurate bass transcription whit tab arrangement is for Early Intermediate level. The music notes has 3 preview and last read at 2021-09-27 08:45:45. [ Read More ] 39 Live Killers Queen John Deacon Complete And Accurate Bass Transcription Whit Tab 39 Live Killers Queen John Deacon Complete And Accurate Bass Transcription Whit Tab sheet music has been read 2960 times. 39 live killers queen john deacon complete and accurate bass transcription whit tab arrangement is for Beginning level. The music notes has 2 preview and last read at 2021-09-27 16:50:19. [ Read More ] Queen John Deacon Dreamers Ball Live Killers Complete And Accurate Bass Transcription Whit Tab Queen John Deacon Dreamers Ball Live Killers Complete And Accurate Bass Transcription Whit Tab sheet music has been read 4720 times. -
'Killer Queen' (From the Album Sheer Heart Attack)
Queen: ‘Killer Queen’ (from the album Sheer Heart Attack) (For component 3: Appraising) Background information and performance circumstances ‘Killer Queen’ was written by Freddie Mercury and featured on Queen’s third studio album Sheer Heart Attack released in November 1974. Freddie Mercury was born Farrokh Bulsara on 5 September 1946 in Stone Town, Sultanate of Zanzibar (now Tanzania) and grew up in India, where he was educated at St Peter’s Boys School and took up the piano at the age of 7. At the age of 17 his family moved to Middlesex, England. Queen was formed in London in 1970 with singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bassist John Deacon. Sheer Heart Attack and A Night at the Opera (1975) brought them international success. ‘Killer Queen’ was the first single from the album and it is one of the few songs where Freddie Mercury wrote the lyrics first, which are about an upper-class prostitute. ‘Killer Queen’ reached number 2 in the British charts and provided them with their first top 20 hit in the US, peaking at number 12 on the Billboard singles chart. The song won Freddie Mercury his first Ivor Novello Award. Performing forces and their handling The vocal part is performed by Freddie Mercury and is a high male voice – tenor. ‘Killer Queen’ uses lead and backing vocals, piano, overdubbed with a honky-tonk (jangle) piano, four electric guitars, bass guitar and drum kit. Guitars and vocals are overdubbed to create a richer colour. The guitars use techniques such as slides, bends, pull-offs and vibrato. -
The Winonan - 1970S
Winona State University OpenRiver The inonW an - 1970s The inonW an – Student Newspaper 10-3-1979 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan1970s Recommended Citation Winona State University, "The inonW an" (1979). The Winonan - 1970s. 245. https://openriver.winona.edu/thewinonan1970s/245 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 1970s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. WINONAN Winona State University The Student Voice Vol. LVI, Number 3 October 3, 1979 Ice arena skating toward voters by Mike Killeen direction could delay or possibly Ice Facility Task Committee on the a great deal of credibility," Bone Association — have pledged over stop any plans for the arena. arena and see if they were within said. "A qualified outside agency $40,000 of the precommitted reve- A bond issue in early December the line. "We use them to advise us said that the figures were valid." nues. That figure represents over 50 could decide if the Ice Age comes to The general obligation bonds that on all of our bond issues," City percent of the projected first-year Winona by 1981. would be used would cost 1.02 Manager Dave Sollenberger said. "The bottom line of the report revenue. million dollars and would be spread was that the arena could be self- On Dec. 4, Winona voters will over a 19-year period. -
Bakalářská Práce 2012
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury -
Group 3: Jennifer Day, Xander Jarnow, Duke Mcghee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen
Queen Group 3: Jennifer Day, Xander Jarnow, Duke McGhee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen: There are a lot of reasons that we, as a group, decided to do our project on Queen. Queen is an extremely well-known band across multiple generations, so it is an artist that we can talk to almost anyone anywhere about. Additionally, they were an influence to many artists after them. Finally, they released over 15 albums that showed a very impressive musical range and an awe-inspiring amount of talent. Queen: Overview Queen was one of the most popular and successful rock groups during the 1970s and 80s, with a very unique, experimental style and sound, Queen has remained one of the best selling artists of all time. The band began its formation in 1967, when the guitarist Brian May and the drummer Roger Taylor joined with Tim Staffell to form a rock group named Smile. When Tim Staffell left the group, May and Taylor joined forces with Freddie Mercury and a bass player named John Deacon, resulting in the core version of the band in 1970. Queen was famous for bright, glam, “pomp-rock” and put on energetic shows. Freddie Mercury in particular was known for his flamboyant style. Their sound was a very produced and incorporated elements of glam rock, heavy metal, hard rock, and harmony. After the tragic death of Freddie Mercury the band added new members and continued performing Even today their songs remain popular, for example, “We Are the Champions,” “Another One Bites the Dust,” “Bohemian Rhapsody,” and “We Will Rock You” are still played often.