In 2011, PARACHUTES Had to Face the Ugly Truth and Realize That a Big Chapter for Them Was Inevitably Coming to an End
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Freezine Pdf0040.Pdf
09/2012 Mighty v osmém vydání zdá se teď být jen zdání jako deštík, co nás zkrápěl každý den, ať kdokoli pěl. Mírný vánek na Čápáku vál kdekdo z nás se hurikánu bál bylo vše však velmi krásné, Mysli naše byly jasné. Ačkoliv jsem předala před časem vedení To však spíše trochu kecám, Mighty Freezinu Anselmovi, pořád na Mighty nikdo není sám, samozřejmě cítím vůči tomuto výjimečnému přítele či přítelkyni, časopisu náklonnost, něžnost a jsem na něj ať morgana či jackyni, tak trochu pyšná. Anselmo s Marcelem si do- každý najde, co hledá, cela dobře vedou, na to, že jsou to jen muži. (někdy až do oběda). Dnes, když můžu oslovit statisíce čtenářů Každopádně štěstí tryská v úvodníku, nevím, jak nejlépe vystihnout ze Čápova letiska. vše, čím mé srdce překypuje. Rozhodla jsem se tedy poctít vás (nás všechny) uměním Bylo to zas velmi hutné nejvyšším: poezií. Mohla bych tuto skvělou Nyní je to trochu smutné, báseň zařadit do své sbírky, která bude brzy ale jelikož to letí, vydána (a bude to bestseller, takže sledujte brzy bude, milé děti, svá oblíbená knihkupectví a včas si toto Mighty číslo nula devět - výjimečné dílo obstarejte). Ale raději ji stačí přečíst několik vět věnuji vám, milí obyčejní mighty lidé. Mám každý měsíc. Tenhle plátek vás (docela) ráda. Vaše Mq pak ohlásí ten velký svátek! DYING Ladrogang presents FETUS 23.9. Klub 007 Strahov THE KLINGONZ (uk/irl), ROCKET DOGZ (cz) Psychobilly rock´n´roll invasion from outter space! 30.9. Klub 007 Strahov Revocation 02.10.2012 Cerebral Bore WARHEAD (jap), FUK (uk, ex-Chaos UK), PORKERIA (usa) ostravaostrava - bbarakBARRÁK This is kick ass punk! Japan vs UK vs Texas! 4.10. -
We Came As Romans (USA) Genre: Metalcore Label: Spinefarm Records Album Titel: We Came As Romans Spielzeit: 33:38 VÖ: 24.07.2015
Band: We Came As Romans (USA) Genre: Metalcore Label: Spinefarm Records Album Titel: We Came As Romans Spielzeit: 33:38 VÖ: 24.07.2015 Deutschland, 30 Grad und ein freier Tag, was bietet sich da mehr an als es sich in der Hängematte gemütlich zu machen und einen Long Player von We Came As Romans anzuhören. Die Band stammt aus Troy Michigan (USA) und im Juli kommt ihr viertes Album auf den Markt. Wieder eine Metalcore Band aus Amerika, bei der sich der ein oder andere die Frage stellt: "Braucht man das"? Klar, viel Neues hat auch diese Formation nicht, aber sie klingen frisch und verstehen es den Hörer zu fesseln. Ihr letztes Album "What We've Grown To Be", welches 2011 erschien, schaffte es auf Platz 20 der US-Billboard Charts. Das neue, selbst betitelte Album, wurde von David Benneth, der auch schon mit Bring Me The Horizon, Paramore und Of Mice And Men gearbeitet hat, aufgenommen und soll nun daran anknüpfen. Schon die ersten Töne des Openers, "Regenerate", sind eine positive Überraschung; da wird Grooviger Beat gepaart mit aggressivem und cleanen Gesängen geboten; womit der erste Kracher fertig ist und man denkt WOW; das war so nicht zu erwarten. Die Amis spielen Metalcore vom feinsten und hier und da erinnert mich das Ganze an Papa Roach meats Soilwork bzw. In Flames. Die zwei Sänger, David Stephens und Kyle Pavone, wechseln gekonnt zwischen Screams und cleanen Gesang. Beide verstehen es ihre Stimme so einzusetzen, dass es zum Song und zur Atmosphäre passt, egal ob gefühlvolle Passagen, wie bei "Memories", oder das aggressive Brüllen, wie bei "Regenerate", es passt einfach zu hundert Prozent. -
Vans Warped Tour Deck
IN PARTNERSHIP WITH WIFI HOTSPOT SPONSORSHIP OPPORTUNITY BRANDED WIFI LOUNGE “Verizon Zone” Pepsi Zone” etc. THE WARPED AUDIENCE///////////////////////////// The Warped fan is a highly sociable, tech savvy and influential young adult. Attendees are utilizing social networking to communicate their concert experiences to friends across the globe. The average attendee has been to Ages 15 ‐25 make up 91% Diversity Warped Tour 3 years and nearly of the VWT audience 90% of festival goers visit the sponsor and non-‐profit village 62% 22% ////////////////////////////////////////// 39% 52% 98% of fans take home everything // WHITE/ // LATINO they get from the tour CAUCASIAN // 15-17 // 18-25 ////////////////////////////////////////// 10% 6% Overall, 82.6% of fans are more Average Age: 17.9 years old likely to purchase or try a sponsor’s product due to their association // AFRICAN- with Warped Tour, indicating // ASIAN AMERICAN positive brand awareness. 47.9% 52.1% // MALE // FEMALE 2015 ROUTING///////////////////////////////////////// 6/19 // Pomona, CA 7/7 //Charlotte, NC 7/24 // Detroit, MI 6/20 // San Francisco, CA 7/8 // Virginia Beach, VA 7/25 // Chicago, IL 6/21 // Ventura, CA 7/9 // Pittsburgh, PA 7/26 // Shakopee, MN 6/23 // Mesa, AZ 7/10 // Camden, NJ 7/27 // Maryland Heights, MO 6/24 // Albuquerque, NM 7/11 // Wantagh, NY 7/28 // Milwaukee, WI 6/25 // Oklahoma City, OK 7/12 // Hartford, CT 7/29 // Noblesville, IN 6/26 // Houston, TX 7/14 // Mansfield, MA 7/30 // Bonners Spring, KS 6/27 // Dallas, TX 7/15 // Darien Center, NY 8/1 // Salt Lake City, UT 6/28 // San Antonio, TX 7/16 // Cincinnati, OH 8/2 // Denver, CO 7/1 // Nashville, TN 7/17 // Toronto, ON 8/5 // San Diego, CA 7/2 // Atlanta, GA 7/18 // Columbia, MD 8/7 // Portland, OR 7/3 // St. -
Live Nation Launches 'National Concert Week' with $20 All-In
Live Nation Launches ‘National Concert Week’ With $20 All-In Ticket Offer Celebrating Kickoff to Summer Season One Week Only – Over 1.5 Million Tickets Available to 2,000+ Summer Shows at NCW.LiveNation.com Starting April 30 LOS ANGELES (Apr 23, 2018) -- Today Live Nation announced ‘National Concert Week’ will take place April 30 through May 8 with an exclusive $20 all-in ticket offer for fans to celebrate the kickoff to its biggest summer season. The deal will include over 1.5 million tickets to 2,000+ shows across Live Nation’s roster of summer tours including Comedy, Country, Hip-Hop, Latin, Metal, Rock, Pop, and more. For one week only, fans can get their hands on the $20 all-in tickets Monday, April 30 at 8:00 am local time at NCW.LiveNation.com, through Tuesday, May 8 at 11:59 pm local time. DJ Khaled shared his excitement about the ticket offer from 45,000 feet, encouraging music fans to nab their tickets to the hottest summer shows. Watch the video HERE. Produced by Live Nation, National Concert Week is a time for artists and fans to celebrate their love of live music. To launch the week, Live Nation will hold a special media event in New York featuring dozens of their touring artists. Talent in attendance talking about their upcoming summer tours will include Paramore, Lindsey Stirling, Bush’s Gavin Rossdale, Jeff Beck, Counting Crows' Adam Duritz, Ann Wilson of Heart, Evanescence’s Amy Lee, Foreigner’s Mick Jones, 3 Doors Down, Bad Company and Free’s Paul Rodgers, Coheed and Cambria, Collective Soul, Pentatonix, O.A.R., Poison, Soul Asylum, Stone Temple Pilots, Styx, Taking Back Sunday, The Cult, The Offspring, Whitesnake, and more. -
Road Notez Abandon Kansas W/Seabird, Clemency ($8 Adv
--------------- Calendar • On the Road --------------- Rob Zombie and Korn will head out on the 2Cellos Oct. 21 Park West Chicago road together once again, this time for the Aaron Carter Oct. 5 Canopy Club Urbana, IL Night Of The Living Dreads tour, starting in Road Notez Abandon Kansas w/Seabird, Clemency ($8 adv. $10 d.o.s.) Oct. 18 HeBrews Fort Wayne Leo November. These artists have joined forces The Academy of St. Martin in the Fields Chamber Ensemble ($35) Nov. 3 Sursa Performance Hall Muncie several times over the years, and the shows CHRIS HUPE Adrian Legg ($17.50) Oct. 7 The Ark Ann Arbor are always regarded as some of the best of Amos Lee w/Kat Edmonson Nov. 8 Chicago Theatre Chicago the year in metal. Only 17 dates have been announced so far, with November 22 in Grand Amos Lee w/Kat Edmonson Nov. 10 Royal Oak Music Theatre Royal Oak, MI Andy McKee ($15-$18) Nov. 15 Taft Theatre Cincinnati Rapids the only regional show. Korn’s newest album, The Paradigm Shift, drops October Andy McKee ($25) Nov. 16 The Ark Ann Arbor 8. Anthony Gomes Nov. 2 C2G Music Hall Fort Wayne While we’re on the subject of big metal tours, Megadeth have confirmed the Super Col- Anthony Jeselnik Oct. 3 Egyptian Room Indianapolis Anthony Jeselnik Oct. 4 Capitol Theater Columbus, OH lider tour, beginning in late November. While Megadeth always put on a great show by Anthony Jeselnik Oct. 5 Ohio Theatre Cleveland themselves, add Fear Factory and Nonpoint to the bill and you’ve got a great package. -
Asking Alexandria New Album Pre Order with Download Asking Alexandria New Album Pre Order with Download
asking alexandria new album pre order with download Asking alexandria new album pre order with download. Artist: Asking Alexandria Album: LP5 DLX Country: USA Genre: Post-Hardcore, Metalcore Quality: Mp3, CBR 320 kbps. Tracklist: 01. Alone In a Room (4:05) 02. Into the Fire (3:57) 03. Hopelessly Hopeful (3:13) 04. Where Did It Go? (3:13) 05. Rise Up (3:07) 06. When the Lights Come On (3:23) 07. Under Denver (4:05) 08. Vultures (3:28) 09. Eve (3:58) 10. I Am One (3:32) 11. Empire (feat. Bingx) (4:16) 12. Room 138 (3:44) 13. Into the Fire (Radio Edit) (3:30) 14. Vultures (Rock Version) (3:26) 15. Where Did It Go? (Hyro Mash Up) (feat. Hyro the Hero) (2:17) 16. Perfect (Live from SiriusXM) (4:31) 17. Rise Up (Demo) (3:19) 18. Alone In a Room (Acoustic Version) (4:25) 19. Alone In a Room (Dex Luthor Remix) (3:17) Asking Alexandria. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £8.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Danny Worsnop, Composer - Asking Alexandria, Composer, MainArtist - Ben Bruce, Composer - James Cassels, Composer. © 2017 Sumerian Records ℗ 2017 Sumerian Records. Danny Worsnop, Composer - Asking Alexandria, Composer, MainArtist - Ben Bruce, Composer - James Cassels, Composer. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Merch Selling Guide
SELLING GUIDE MATT YOUNG MERCH PLEDGE: Welcome to the world of licensed merchandising! It’s diffi cult to express in words my excitement to be here, at WEA, working with the best sales organization in the music biz. In addition to an all new product line, we will now be working with some new accounts. Retailers who do not buy prerecorded music make up half of all the merchandise business. If you think you met some crazy eccentric folks in the CD business, get ready to have some real fun. Every new store will have different buyers, different priorities, different real estate, and any other combination of variables. Fear not, the strength and potential of the new opportunities will outweigh the challenges. You are not alone. I am personally committing myself to each of you. I want you to be 100% comfortable with what you are about to do. If anyone has any uneasiness or lacks confi dence in their knowledge of the product or pitch, I am here for you. I will spend all the time necessary to talk you through any obstacles. Matt Young OFFICE 212.275.2365 CELL 908.930.6712 E-MAIL [email protected] LAST UPDATE: 8.22.08 LAST UPDATE: 1 Merch is nonreturnable as an industry standard. 2 Size Matters. Depending on the type of music a band plays, sales will vary for the different sizes of the apparel. 3 There is no Soundscan or point of sale tracking for merch sale at retail. 4 Merch sales are consistent and sustainable on or off recording cycles. -
Jude the Obscure Official Biography
Jude the Obscure Official Biography Jude the Obscure, circa 2003 Jude the Obscure had a very comfortable place in the Ontario math-core/noisecore scene throughout its existence. I believe they were the first to be called “chaoticore”. Prior to the forming of this band, Grant Freifeld (“Fuzz” on bass), Jason Rice (“Jaundice” on drums) and Chuck Leach (“the Bank”/”Bankenstein” on guitar) played together in a slew of Grimsby, Ontario high school bands, often changing name every few months. When in 1998 they decided to go “heavier”, they asked a guy in their high school who was wearing a Snapcase shirt if he wanted to to be their signer; that was James Long (“Jimbo”). With Jimbo in, Jude the Obscure was born. The final addition was one of Jason’s coworker, Jordan Passfield who was brought in as an experimental guitar player. “A New Life of Painful Sin” demo, 1999 “A New Life of Painful Sin” demo, 1999 Their first show was a house show with Rise Over Run. In 1999 they recorded 3 songs at Scott Bialik’s small basement studio, soundDOME Studio, in Hamilton, live right off the floor. Jude self-released it as their first demo “A New Life of Painful Sin”. Everyone who ever talks about this demo doesn’t speak of it nicely. Nevertheless it is a good representation of what early 2000 metalcore was like. Poster advertising “A Perfect Place” on Punx Without Mohawx Records Their high school friends, Rise Over Run, had gotten signed to the Quebec label Punx Without Mohawx Records, so Jude sent them their demo as well. -
Sum 41 Alive
SSUMUM 4411 AALIVELIVE IS SCREAMO B.S.? FLORIA’S FUEL IAN BLURTON~MINISTRY~THE TEA PARTY~WILDHEARTS CLAIRE STANSFIELD~MOONEY SUZUKI~DFA 1979 THE JERRY CAN The summer is the season of rock. Tours roll across the coun- try like mobile homes in a Florida hurricane. The most memo- rable for this magazine/bar owner were the Warped Tour and Wakestock, where such bands as Bad Religion, Billy Talent, Alexisonfire, Closet Monster, The Trews and Crowned King had audiences in mosh-pit frenzies. At Wakestock, in Wasaga Beach, Ont., Gasoline, Fox Racing, and Bluenotes rocked so hard at their two-day private cottage party that local authorities shut down the stage after Magneta Lane and Flashlight Brown. Poor Moneen didn't get to crush the eardrums of the drunken revellers. That was day one! Day two was an even bigger party with the live music again shut down. The Reason, Moneen and Crowned King owned the patio until Alexisonfire and their crew rolled into party. Gasoline would also like to thank Chuck (see cover story) and other UN officials for making sure that the boys in Sum41 made it back to the Bovine for another cocktail, despite the nearby mortar and gunfire during their Warchild excursion. Nice job. Darryl Fine Editor-in-Chief CONTENTS 6 Lowdown News 8 Ian Blurton and C’mon – by Keith Carman 10 Sum41 – by Karen Bliss 14 Floria Sigismondi – by Nick Krewen 16 Alexisonfire and “screamo” – by Karen Bliss 18 Smash it up – photos by Paula Wilson 20 Whiskey and Rock – by Seth Fenn 22 Claire Stansfield – by Karen Bliss 24 Tea Party – by Mitch Joel -
ÚNOR / 2013 Úvodník S Přelomem Let 2012 a 2013 Vstoupil Časopis, Jehož Prvními Řádky Se Právě Prokousáváte, Do Dalšího Roku Svého Mighty Freezine Fungování
ÚNOR / 2013 Úvodník S přelomem let 2012 a 2013 vstoupil časopis, jehož prvními řádky se právě prokousáváte, do dalšího roku svého Mighty Freezine fungování. Ve snaze zrekapitulovat tříletou cestu, kterou redakce: urazil, sešla se redakční rada u kulatého stolu a metodou Fido, Přemysl Černík, hloubkové analýzy zhodnotila všechna dosavadní čísla. Kubaak, Marcel Musil, Postačí, že mezi výsledky tohoto vyčerpávajícího jednání, Petr Vlček, Vojta Holub, jež přítomná zapisovatelka zaznamenala do čtyřech svazků tloušťky tajných mezinárodních paktů, bylo poukázáno také Kejmy, Anselmo na fakt, že úvodník je stále stejný. Art direkce: Klasický editorial jakékoliv jiné publikace, která ctí Marcel Musil alespoň elementární žurnalistické zásady a obyčeje, má svoje jasně vymezené místo a pravidla – bývá privilegiem Foto: šéfredaktora, který představuje obsah, upozorňuje na ak- Vojta Florian, tuální, důležitá témata, popřípadě sám glosuje jeden nebo Ing. Hromek více problémů, které souvisejí s tematickým zaměřením inzerce: časopisu. Úvodník také obvykle začíná souslovím „vážení Vojtěch Holub čtenáři“, končívá přáním „příjemného čtení“ a celkově je [email protected] především pozůstatkem sebestředné víry šéfredaktorů v to, tel.: 721 269 057 že někdo ze čtenářů stojí o jejich názory. V Mighty zinu se ale úvodník, bůhvíproč, stal podi- Marketingová vným, neuchopitelným patvarem, který s obsahem čísla, spolupráce: nedejbože s hudební tematikou, nijak nesouvisí. Z ak- Marek Vohralík tuálních témat se v něm dočtete přinejlepším o Pornelle, [email protected] přičemž autor pravděpodobně zapomene na Koktu (nehledě tel.: 777 013 049 na to, že si většina z nás myslí, že nejpropíranější obětí bulvárních novinářů je pořád Halina Pawlowská). Bude-li úvodník glosovat například prezidentské volby, okomen- tuje pravděpodobně fatální neúspěch Jany Bobošíkové, mučednický, mesiášský a negativní oidipovský komplex AŽ DOČTEŠ, Tomia Okamury, popřípadě brilantní politologické analýzy PŘEDEJ DÁL. -
Contwe're ACT
Media contacts for Linkin Park: Dvora Vener Englefield / Michael Moses / Luke Burland (310) 248-6161 / (310) 248-6171 / (615) 214-1490 [email protected] / [email protected] / [email protected] LINKIN PARK ADDS BUSTA RHYMES TO 2008 SUMMER TOUR ACCLAIMED HIP HOP INNOVATOR WILL PERFORM WITH LINKIN PARK, CHRIS CORNELL, THE BRAVERY, ASHES DIVIDE ON PROJEKT REVOLUTION MAIN STAGE REVOLUTION STAGE HEADLINED BY ATREYU AND FEATURING 10 YEARS, HAWTHORNE HEIGHTS, ARMOR FOR SLEEP & STREET DRUM CORPS TOUR BEGINS JULY 16 IN BOSTON Los Angeles, CA (June 3, 2008) – Multi-platinum two-time Grammy-winning rock band Linkin Park has announced that acclaimed hip-hop innovator Busta Rhymes will join their Projekt Revolution 2008 lineup. Rhymes and Linkin Park recently collaborated on “We Made It,” the first single and video from Rhymes’ upcoming album, Blessed. By touring together, Linkin Park & Busta are taking a cue from the chorus of their song: “…we took it on the road…”. As recently pointed out in Rolling Stone’s “Summer Tour Guide,” the tour will see nine acts joining rock superstars Linkin Park, who are also offering concertgoers a digital souvenir pack that includes a recording of the band’s entire set. As the band’s co-lead vocalist Mike Shinoda told the magazine, “That puts extra pressure on us to make sure our set is different every night.” The fifth installation of Linkin Park’s raging road show will see them headlining an all-star bill that features former Soundgarden/Audioslave frontman Chris Cornell, electro-rockers The Bravery and Ashes Divide featuring Billy Howerdel, known for his work with A Perfect Circle.