DOCSLIB.ORG

Carmel Pine Cone, July 18, 1918

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Carmel Pine Cone, July 18, 1918 a. Z t t Year. * i.5 o ISSUED EOERY THURSDAY clje Copy,5cenrs J Devoted to the interests of'C ^eLbv-th e-S ^bble^B each , Carmel Highlands, Carmel; Valley V O L . IV , N U M . 24 J U L Y 18, 1918 CARMEL-BY-THE-SEA. CAL. While You All Americans Are Regularly The Vou Lobeii Sels family aud N. O. Mor-eaud family departed Can Serve party, whose homes arc up uear for their Berkeley home on Sunday Employed Sacramento, are here for at least a morning. Phyllis Overstreet ac­ three months’ stay. They have companied them. She will return — and can save a in time for school opening. taken the Norwood houses. little money every Rev. I.. E Learned, rector of Mr. aud Mrs. S. J. W y a t t and month, why not Every man, woman and their four boys are away ou a fruit- All Saints Church at. Pasaden, is j prepare tor the in. child in this country, who picking campiug tour. They may here w ith his fa m ily . T h e y t.hor- ongnly eujov their annual Garmel wants to serve the coun­ not return until the Fall. j evitable ‘rainy day’ sojourns. Oil, lint the streets are try, can serve it and serve No wonder the political candi­ | by having ait ac- hard ou the machine. it in a very simple and ef­ dates advertise in the Pine Ouie. | count with the fective way, says Secre­ There are over four hundred voters Dr. F. O. Edwards, oestopathic tary McAdoo. iu C armelo Precinct. physician, of San Jose, who, with j FIRST NATIONAL his wife was here recently, will Mis. Alice V. Cotton aud her | B A N K ? spend this week-eud here. J his daughter, Miss Laura, came down That service is to lend time friends will accompany them j All funds so in from Sau Francisco on Sunday. your money to the gov­ on the trip. Tlie former has been ill for some vested now will be- ernment. Every 25 cents time, but is now on'the road to Robert Wniters formerly of the | c m e a safeguard loaned to the government health Carmel Valiev, lias rented a cot- against the uncer­ is a help at this time and Mr. Lewis B. Avery aud family 'lie fo/wt tainty of the future practically every man. are occupying a laige house over He ««* «*«PV placa alone for very long. woman and child, by on tlie Eighty Acre Tract. They making some trifling sac­ will be here about three weeks. Sunday is the sabbath day, no 4 P E R C E N T PAID rifice, some denial of a Mr. Avery is assistant superinten­ matter where people happen to be. On Interest accounts pleasure, or giving up dent of the Oakland schools. Tlie large number of vacationers now here, iiave attended in large some indulgence, can ren­ M rs. Stephen Rogers and John weeks r t t,.« der the government that E t > j lirst ! regular services at the historic support. Tom Reunion, drove down from, Sau Jose on Sunday lor a brief Cl,rmel Mtsstou. Ncitionnl Jean Jacques Pfister, a Swiss W e sell U. S. Thrift and visit . artist of San Francisco, is tile Dunk Miss Odessa Guichard is here W ar Savings Stamps guest of George J. Seideneck. He j trout Ben Lomond for a six weeks’ will lie here several weeks. "C ar­ j MONTEREY, CAL. i visit with her sister. mel is glorious,” says lie. Bank of Monterey Mr. aud Mrs. William G. Stein- U n d e r U . S. G o v e r n ­ A critic who lias read advance J Hietz,' with Mr. and Mrs. M cNally, ment Supervision M o n te re y S a v . B a n k sheets of Mari' Austin’s new book, are occupying the saxe cottage. •Same llld’g Saule Maungeiu’t " L’lie Young Woman Citizen,” Mr. Steinmetz is with the business sais of it: "It does for the pro­ department of tlie S. F. Examiner, spective woman voter what Liop- and Mr. McNally has been con­ innu’s "Preface to Politics has nected with the Oakland Traction T h e Woodland Dancers done for man.” Co. for many years. N o t a S la c k e r The annual praise service of the The new Rendtorff bungalow ou Carmel Missionary Society will be On Saturday evening, Jiih 20. Cartnelo Avenue is rapidly near­ held at 2 :30 next Wednesday after­ at 9 o'clock, Jeannette Hoaglaud To dispel the implication that ing completion. Carmel has at noon, at tlie I'resbi teriau Chapel, with her Wood laud Dancers will William Graham Murray is a mil­ Vintes this year been taxed to cap corner Eighth and Dolores streets. appear on t h c Forest 1 Ileal rt* itary -slacker,” it should be pub acit v to house visitors, so that the Interesting speakers from Asilomar Stage. A splendid program has lislied, in justice to the ruling erection of additional liottses is a will be present. The public is distinct gain to the community. been arranged. The dancers have man, that Sheriff Nesbitt lias re cordiallv invited. been rehearsing for many weeks, ceived legal papers from New Lord and Lady Barton are here No fooling! Mouterev will be a and the affair promises to even a York proving conclusively that. from Santa Barbara. They are drv, drv town from Saturday next greater artistic success than last Murray is 32 years old—over the registered at La Plava. until the end of tlie war, ^ e year’s charming event. American draft age. closing order will extend to Pebb e Don’t forget the Red Cross The dances for this season in­ Also, having made application Beach Cottage and Del Monte. dance at Arts and Crafts Hall clude an exquisite pastoral by a for and received first American A cruel war, mates; a cruel war. group of vouug girls, a stately citizenship papers, thereby fore­ tonight. gavotte, flower dances, aud several swearing his Britisii allegiance, he solo dances by Miss Hoaglaud, is not liab le to service in the B rit­ whose work uesds no introduction isii annv or navy. to G unnel. Climax Furniture Co. Reserved seats are ou sale at the Carmel Bakery. General admis­ Social Dance T h e Big Store in Monterey on Franklin Street sion. 50c.; reserved seats, $1. ARTS AND CRAFTS HALL $ 1 5 ,0 0 0 ‘=>“T O C K The affair will he repeated ou Moudav evening for the benefit of OF EVERYTHING FOR THE HOME. IT’S THE the Red Gross, T o n i g h t ONLY PLACE TO BUY HOME THINGS. COME B E N E F IT OF AND SEE US, ANYHOW. The production of “ The Carmel Red Cross Eco n o m y Satisfaction Tents of the Arabs, ” scheduled for the end of July, has been e v e r y b o d y c o m e GREEN TRADING STAMPS ___ ____ abandoned. Admission 25c. S3oooc=:~~~nonBu a u jOBiCE — i o e 3 o » = = = = i p c i o i . — C a rm e l jCalifornia Faces Sugar Famine S u m m e r School of Art FIFTH SEASON Under auspices of Carmel Club I Individual Saving Will Avert It of Arts and Crafts JULY 9 TO AUGUST 31. 19181 U. S. Food Administration Urges Every Patriotic Person to Cut Down the Con- jj IVl. De Neale Morgan sumption of Sugar That Serious INSTRUCTOR Condition May Be Avoided C lasses in Nothing short of rigid economy in the use of sugar in the OILS, WATER COLORS, PASTEL'] homes will prevent exhaustion of California’s supply before August 1. BLACK AND WHITE California's sugar ration for July for all purposes is approxi­ mately 12,000,000 pounds less than normal. Far furtherinform ation apply Housewives are warned that it ls highly unpatriotic as well bb a violation of the law punishable by fine and imprisonment to have M. De NEALE MORGAN on hand a supply of sugar in excess of three pounds for each mem- Studio Lincoln St. be of the household. For instance, if there are four in the family Near Ocean Ave. the maximum supply would be 12 pounds or the allowance for 30 days. This, however, does not Include sugar designed for canning. CARMEL-BY-THE-SEA F o r the latter purpose 25 pounds may be secured at a time by signing a certificate in which the purchaser agrees to use the sugar ■or canning purposes. Not mo;e than this amount should be in J. E. B i: c K. M. ,l any household at any one time except by special permission of the Office at Carm el-l>y - tbe-^ TAKE THIS OFF THE TABLE local administration. Pharmacy. Carmel. (>!• All y;~ar purchased for canning will be carefully checked and if it Is ! £nd purchased what a p p e a r s to be an excessive supply he will be called upon s o I O S t the street, J?1 10th, Black purse, containing coin. Fit” leave at Pine Cone; reward Wanted N u r s e r y . ::: e rn ess f® two small boys. Reside^ M^Hford. Ore. Address.' tors have been assigned to the work checki g the food control bill. Their names will also F. Corning K enlv. Carnk to a fine of *5000 or two years’ imprisonment, or both, under the food com L ( ) S t E.n v e lo p e contat 1,6 The" neeTfor strict conservation of sugar are as Imperative for the present V the «* wh«J , , .
Load more

Recommended publications
  • THE DONALDSONVILLE CHIEF. a Wide-Awake Home Newspaper-Published Every Saturday-Subscription Price, $2 a Year
    THE DONALDSONVILLE CHIEF. A Wide-Awake Home Newspaper-Published Every Saturday-Subscription Price, $2 a Year. VOLUME XLVII. DONALDSONVILLE, LA., SATURDAY, SEPTEMBER 1, 1917. NUMBER . which this guardian arm of the gov - CHRISTMAS IN ernment operates. J THE CAMPS. ARMY A FINE SCHOOL. Miss Corinne Griffith, who make Red Cross Preparing Gifts for Ameri- her Teaches a Boy Many Lessons Valu- NEWS OF THE PHOTOPLAYS bow as a screen star in this pro - ca's Soldiers Everywhere. duction, able Throughout Life. A~tti************************************t*kI is a New Orleans girl, an< bwas reared in a convent in that city The American Red Cross with its By this time the fathers and moth- AESULTS OFIRST CALLSUMMARIZED She is only twenty three million members Attractions at the Gem. rext Week's Bill at the Grand. years old, and ha; has just com- ers of Ascension know the names of been in motion pictures pleted plans for the Christmas cheer some Dalton in "The Sunday-Harold Lockwood but eighteer of the young men from this par- Number of men summoned..........278 Louis Lamonica, Today-Dorothy in "Th months. Although she began with of every soldier and sailor in the na- ish who are to be members of the new Hohen Solms. Yukon," and a comedy, Hidden Spring," and a Big V comedy out practical Failed to report.......... .... 25 Joseph E. Thomassie, St. Amant: Flame of the Monday-Kathlyn stage experience, hei tional service. Many of the men who army. They are probably thinking ", Janitor's Vengeance. Williams an<1 natural talent is so great that alread3 will be in the cantonments and Aliens, subjects of Germany.......
    [Show full text]
  • Tom Mix Achieved an Authentic Taste of Cowboy Americana He Was Never ·Able to Capture Again
    BUDDINI WISTIRN STIR During his years, 1910-1917, at Selig-Polyscope, Tom Mix achieved an authentic taste of cowboy Americana he was never ·able to capture again. by Roberts. Birchard .Tom Mix's early years read very much like a Mark Twain odyssey, heavily salted with strains of Ho­ ratio Alger, Jr. Born January 6, 1880 at Mix Run, Clearfield County, Pennsylvania, Tom was the son of Ed and Elizabeth Mix. His father had been a member of the famed 7th Cavalry, but throughout Tom's youth he was employed as stablemaster for Pennsylvania industrialist, J. E. Du Bois. Tom, of course, learned to ride almost be­ fore he could walk. At age eighteen, Tom left home. He would later say, with tongue in cheek no doubt, that he left because he couldn't stand the smell of the animals in his father's stable; but in reality, he had been indentured to Du Bois's foundry, and the prospects of factory life did not appeal to him. Tom Mix's military record has long been a matter of dispute, but it would seem that he did serve in Cuba du1r­ ing the Spanish-American War, and that he saw action in the Philippine Insurrection and was a member of the American Expeditionary Force sent to China in the• Boxer Rebellion. Wounded at the battle of Tien Tsin, he was shipped home and mustered out of the service: After his hitch in the Army, Tom drifted to the South­ west, where he found work as a bartender, a cowboy, a lawman in a series of nbn-permanent construction camps, and finally as a Wild West show performer, be­ coming the foreman of the famed Miller Brothers' 101 Ranch Show in 1906.
    [Show full text]
  • Jeanie Macpherson
    Jeanie Macpherson Also Known As: Jeanie MacPherson, Jeannie MacPherson Lived: May 18, 1888 - August 26, 1946 Worked as: director, film actress, screenwriter Worked In: United States by Jane Gaines Jeanie Macpherson is best known as Cecil B. DeMille’s screenwriter since she collaborated exclusively with the director-producer from 1915 through the silent era and into the sound era, in a working relationship lasting fifteen years. Like many other women who became established as screenwriters, she began her career as a performer, first as a dancer and then as an actress. Her numerous acting screen credits begin in 1908, and nearly thirty of the short films she appeared in for the Biograph Company, most directed by D. W. Griffith, are extant. At Universal Pictures, Macpherson began to write, but due to a fluke she also directed the one film that she wrote there— a one-reel Western, The Tarantula (1913), according to a 1916 Photoplay article (95). Although Anthony Slide cannot confirm the success of the film, both he and Charles Higham retell the story that when the film negative was destroyed by accident, the actress was asked to reshoot the entire motion picture just as she recalled it since the original director was unavailable (Slide 1977, 60; Higham 1973, 38). There are several versions of how Jeanie Macpherson, out of work after The Tarantula, was hired by DeMille at the Jesse L. Lasky Feature Play Company. The most elaborate version is from Higham, who describes Macpherson’s attempt to get an acting job as involving a series of battles between the two while the director was shooting Rose of the Rancho (1914) (38–40).
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • Early Classical Hollywood Cinema 1900'S-In The
    Early Classical Hollywood Cinema 1900’s-In the early 1900s, motion pictures ("flickers") were no longer innovative experiments/scapist entertainment medium for the working-class masses/ Kinetoscope parlors, lecture halls, and storefronts turned into nickelodeon. Admission 5 cents (sometimes a dime) - open from early morning to midnight. 1905-First Nickelodean -Pittsburgh by Harry Davis in June of 1905/few theatre shows in US- shows GREAT TRAIN ROBBERY Urban, foreign-born, working-class, immigrant audiences loved the cheap form of entertainment and were the predominent cinema-goers Some of the biggest names in the film business got their start as proprietors, investors, exhibitors, or distributors in nickelodeons.:Adolph Zukor ,Marcus Loew, Jesse Lasky, Sam Goldwyn (Goldfish), the Warner brothers, Carl Laemmle, William Fox, Louis B. Mayer 1906-According to most sources, the first continuous, full-length narrative feature film (defined as a commercially-made film at least an hour in length) was Charles Tait's biopic of a notorious outback bushranger, The Story of the Kelly Gang (1906, Australia)- Australia was the only country set up to regularly produce feature-length films prior to 1911.- 1907-Griffith begins working for Edision- Edwin S. Porter's and Thomas Edison's Rescued From the Eagle's Nest (1907)/ Griffith- Contributing to the modern language of cinema, he used the camera and film in new, more functional, mobile ways with composed shots, traveling shots and camera movement, split-screens, flashbacks, cross-cutting (showing two simultaneous actions that build toward a tense climax), frequent closeups to observe details, fades, irises, intercutting, parallel editing, dissolves, changing camera angles, soft-focus, lens filters, and experimental/artificial lighting and shading/tinting.
    [Show full text]
  • Women in Silent Cinema
    ANNETTE FÖRSTER WOMEN IN THE SILENT CINEMA Histories of Fame and Fate FRAMING FILM EYE FILMMUSEUM WOMEN IN THE SILENT CINEMA FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of EYE Filmmuseum. With this series, Amsterdam University Press and EYE aim to support the academic research community, as well as practitioners in archive and restoration. SERIES EDITORS Giovanna Fossati, EYE Filmmuseum & University of Amsterdam, the Netherlands Leo van Hee, EYE Filmmuseum Frank Kessler, Utrecht University, the Netherlands Patricia Pisters, University of Amsterdam, the Netherlands Dan Streible, New York University, United States Nanna Verhoeff, Utrecht University, the Netherlands EDITORIAL BOARD Richard Abel, University of Michigan, United States Jane Gaines, Columbia University, United States Tom Gunning, University of Chicago, United States Vinzenz Hediger, Goethe University Frankfurt, Germany Martin Koerber, Deutsche Kinemathek, Germany Ann-Sophie Lehmann, University of Groningen, the Netherlands Charles Musser, Yale University, United States Julia Noordegraaf, University of Amsterdam, the Netherlands William Uricchio, Massachusetts Institute of Technology, United States Linda Williams, University of California at Berkeley, United States ANNETTE FÖRSTER WOMEN IN THE SILENT CINEMA Histories of Fame and Fate AMSTERDAM UNIVERSITY PRESS Published by EYE Filmmuseum / Amsterdam University Press Cover illustration: Top: Nell Shipman in baree, son of kazan (fragment, see page 329) Middle: Musidora, publicity portrait (fragment, see page 136) Bottom: Adriënne Solser in an unidentified film (fragment, see page 98) Cover design and lay-out: Magenta Ontwerpers, Bussum Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press.
    [Show full text]
  • The Recut Trailer As Networked Object Anticipation and Nostalgia in the Youtube Era
    The recut trailer as networked object Anticipation and nostalgia in the YouTube era Kathleen Williams A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of the Arts and Media Faculty of Arts and Social Sciences March 2014 ! ! PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Williams First name: Kathleen Other name/s: Amy Abbreviation for degree as given in the University calendar: PhD School: School of the Arts and Media Faculty: Faculty of Arts and Social Sciences Title: The recut trailer as networked object: Anticipation and nostalgia in the YouTube era Abstract 350 words maximum: (PLEASE TYPE) Recut trailers have been uploaded to YouTube since its launch in 2005 and remain one of the site's most popular forms of video. Recut trailers can involve a number of practices: some trailer creators shoot original footage for a film that will never exist, others splice together existing footage to bypass the typical path of feature film promotion, while some seek to change the genre of an existing film. The recut trailer adopts the form of an advertisement and yet does not advertise an end product. This study analyses recut trailers uploaded to YouTube in the period of 2005-2012. This dissertation contributes to the limited literature available on the film trailer by arguing that the recut trailer should be considered as a networked object. I map the traces and residues left by the recut trailer on YouTube, as well as the spatial, temporal and textual connections that they make to feature films, cinematic space, and online cultures and practices.
    [Show full text]
  • MADERECORD SPEED Ten Yards Away the Girl Sat by the with Telling Effect Window in the Living Room
    but he only sat sullenly at the end of OLD LONDON the piazza, his chin on his hands, star- Purifies Blood JOURNAL ing out into the dusk. MADERECORD SPEED Ten yards away the girl sat by the With Telling Effect window in the living room. She was GAZETTE 13 MOST VENERABLE ‘Watchful of Her THEIR FIRST LOVE alone, too; her father had gone out BRITISH NEWSPAPER. Annette Kellerman Tells upon some errand, and her mother Gives Conscious Evidence of Race With Death. was making up accounts in the kitch- Waiting” Its Direct Action. By H. M. EGBERT. en. From the corner of the window she could just see the Barton end of Publication Has for Two Hundred and Keeping watch on the The two had one in the piazza. She had a book in her Fifty Years Officially With Human Companion and Miscel* houses formed Chronicled hand, not reading. appetite the digestion laneous Collection of Fish She Shot more spacious days, but where the but she was the History of the Island stout brick chimney reared itself She had been trying hard not to Through Broken Wall of the liver and bowels will Empire. through the center of the frame build- cry, and she was exceedingly angry, Gla6s Their Inclosure. ing a brick wall had been built in, ex- because it was not about Frank Bar- enable you to quickly detect Modern newspaper enterprise has tending the roof, ton—and yet it was, too, in a sort of Annette Kellerman tells an Interest from the cellar to somewhat dwarfed the importance ol and converting the home two.
    [Show full text]
  • 1 Jeanie Macpherson May 18, 1888
    Jeanie Macpherson May 18, 1888 - August 26, 1946 Also: Jeanie MacPherson Worked as : director, film actress, screenwriter The United States Jeanie Macpherson is best known as Cecil B. DeMille’s screenwriter since she collaborated exclusively with the director-producer from 1915, through the silent era and into the sound era, in a working relationship lasting fifteen years. Like many other women who became established as screenwriters, she began her career as a performer, first as a dancer and then as an actress. [Fig. 1 Jeanie Macpherson, early screen role BYU. WFP-MAC16 ] Her numerous acting screen credits begin in 1908, and nearly thirty of the short films she appeared in for the Biograph Company, most directed by D.W. Griffith, are extant. At Universal Pictures, Macpherson began to write, but due to a fluke she also directed the one film that she wrote there—a one-reel western, The Tarantula (1913), according to a 1916 Photoplay article (95). Although Anthony Slide cannot confirm the success of the film, both he and Charles Higham retell the story that when the film negative was destroyed by accident the actress was asked to reshoot the entire motion picture just as she recalled it since the original director was unavailable (Slide 1977, 60; Higham 1973, 38). [Fig. 2 Jeanie Macpherson d/w/a The Tarantula (1913) AMPAS. WFP-MAC18] There are several versions of how after Jeanie Macpherson, out of work after The Tarantula, was hired by DeMille at the Jesse L. Lasky Feature Play Company. The most elaborate version is from Higham who describes Macpherson’s attempt to get an acting job as involving a series of battles between the two while the director was shooting Rose of the Rancho (1914) (38 – 40).
    [Show full text]
  • Kathlyn Williams
    Kathlyn Williams Also Known As: Kathleen Williams Lived: May 31, 1888 - September 24, 1960 Worked as: director, film actress, screenwriter Worked In: United States by Mark Garrett Cooper Kathlyn Williams began work in motion pictures as an actress with Biograph in New York. “I was playing in stock,” she recounted to Photoplay in 1917. “One week when I was not working someone called me up from the Biograph studio and asked if I would work two days for them. I was dreadfully insulted at first, but I went out of curiosity expecting to be offered about fifty cents a day.” To her amazement, D. W. Griffith paid her ten dollars for each day’s work (77). Williams told Photoplay that she performed in three Biograph titles, but in combination, Paul Spehr and the American Film Institute catalog credit her with a total of five, with release dates beginning in 1909. Sources agree that she joined the Selig Polyscope Company in 1910 and quickly became the company’s leading actress. From the start, she played an action heroine, although she was also featured in dramatic roles. In 1913-14 she starred in the Adventures of Kathlyn, generally regarded as the first serial with “hold-over” suspense. While with Selig, she wrote scenarios for at least five titles, one of which, The Leopard’s Foundling (1914), written by Maibelle Heikes Justice, the Selig release notes credit her with directing. In 1916 she began her second marriage, to Charles Eyton, described in most biographies as a Paramount executive, but likely general manager of the Oliver Morosco Photoplay Company, which released through distributor Paramount at the time.
    [Show full text]
  • Media, Popular Culture, and the American Century
    media, popular culture, and the american century Edited by kingsley bolton and jan olsson den här boken är utgiven med en creative commons-licens: Erkännande, Icke-kommersiell, Inga bearbetningar 3.0. media, popular culture, and the american century Edited by kingsley bolton and jan olsson national library of sweden p. o. box 5039, 102 41 stockholm, sweden ©the authors & national library of sweden 2010 designed by jens andersson/www.bokochform.se printed in sweden by fälth & hässler, 2010 issn 1654-6601 isbn 978-0-86196-698-1 MEDIEHISTORISKT ARKIV 20 contents 7 introduction: Jan Olsson and Kingsley Bolton (eds.) mediated america: americana as hollywoodiana part 1: cinema and americanization 35 Jan Olsson, italian marionettes meet cinematic modernity 62 Joel Frykholm, “a red-blooded romance”; or, americanizing early multi-reel feature cinema: the case of the spoilers 101 Meredith C. Ward, song of the sonic body: noise, the audience, and early american moving picture culture 125 Kingsley Bolton, constructing the global vernacular: american english and the media part 2: americans at the margins 155 Esther Sonnet, you only live once: repetitions of crime as desire in the films of sylvia sidney, 1930–1937 185 Peter Stanfield, punks! topicality and the 1950s gangster bio-pic cycle 216 Ann-Kristin Wallengren, importing evil: the american gangster, swedish cinema, and anti-american propaganda part 3: american dreams/american nightmares 227 Corrado Neri, sun yu and the early americanization of chinese cinema 249 Gregory Lee, if america were really china or how christopher columbus discovered asia 270 Michael Renov, civil rights on the screen part 4: america goes digital 285 Lisa Parks, goodbye rabbit ears: visualizing and mapping the u.s.
    [Show full text]
  • INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo­ Graph and Reproduce This Manuscript from the Microfilm Master
    INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner.
    [Show full text]