Fall Newsletter 2018 Benjamin Panciera
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Connecticut College Digital Commons @ Connecticut College Friends of the Connecticut College Library Friends of the Connecticut College Library Newsletter Fall 2018 Fall Newsletter 2018 Benjamin Panciera Follow this and additional works at: https://digitalcommons.conncoll.edu/fol This Article is brought to you for free and open access by the Friends of the Connecticut College Library at Digital Commons @ Connecticut College. It has been accepted for inclusion in Friends of the Connecticut College Library Newsletter by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. F2018RIENDS of the CONNEI CT CUT COLLEGE LIBRARY FallCHARLES E. SHAIN LIBRARY Newsletter ❦ GREER MUSIC LIBRARY ❦ LINDA LEAR CENTER FOR SPECIAL COLLECTIONS & ARCHIVES FOUR HUNDRED MILES OF THE CONNECTICUT RIVER CELEBRATES CHARLES CHU On September 28, the Charles Chu from memory, Chu elected to paint his its source in northern New Hampshire. Asian Art Reading Room in the Shain adopted American surroundings: wisteria, In so doing, he elevated the Connecticut Library played host to a very special wild berries, plovers, squirrels, bald River to be New England’s equivalent exhibition opening. Four Hundred eagles, not to mention the campus of of China’s Yangtze: both the heart and Miles of the Connecticut River celebrates Connecticut College. the backbone of the region. Exhibition the 100th anniversary of the birth curator Yibing Huang compares Chu’s of Charles Chu, former professor of memorialization of the New England Chinese at Connecticut College and landscape to the work of the Hudson the first curator of the Chu-Griffis River School a century and a half earlier, Collection of Asian Art. The opening “Whereas the artists of the Hudson River was attended by Professor Chu’s friends, School in the 19th century utilized the family, colleagues and students. They European oil techniques to emphasize the shared stories about the inspiration effects of light and to depict the rugged behind some of the paintings and Hudson river scenery as a romantic memories of impromptu post-dinner symbol of the sublimity of a newborn painting parties. nation, Charles answered his own The exhibition features paintings challenge and charted the Connecticut from both Chu-Griffis and the Chu River with ambition and confidence. He family’s private collection as well as simultaneously demonstrated his deep photographs from the College Archives immersion in the great ink tradition of showing Professor Chu as a teacher and Chinese landscapes and also his own artist. The centerpiece of the exhibition masterful, studied attention to the is a 23-foot-long hand scroll depicting geographic grandeur and minute details the entire length of the Connecticut specific to the Connecticut River. By River. In addition, there are 24 smaller doing so, Charles proved his Americanness scrolls spanning nearly four decades of and his gratitude and commitment to his Chu’s career. adopted homeland, but all in his unique Charles Chu was an entirely self- art language and spirit.” taught master of traditional Chinese ink This brings us to the central work The exhibition will be open to the painting and calligraphy, both during his in the exhibition, the hand scroll. It is public until the end of the fall semester. career as a professor and especially after modeled on the famous Qing dynasty The scroll of the 400 Miles of the his retirement from teaching in 1984. hand scroll by an anonymous artist, Ten Connecticut River is considerably longer Like many of his fellow painters in exile Thousand Miles of the Yangtze River. than the largest display case in the library from their native China (Professor Chu But unlike the exiled painters Zhang so that in order to show it in its entirety, left his home in 1945 to pursue graduate Daqian and Pu Ru who provided their every week one foot of the right-hand side study in the United States), Chu relied own response to the great painting by of the painting has to be rolled up, while on the subjects long familiar to Chinese repainting the landscape of the Yangtze a foot of the left-hand side is unfurled. In painting, like flowers, birds, animals, from memory, Chu adapted the original this way, repeat visitors to the exhibition and landscapes. Unlike his Chinese- vision and technique to capture the four will be able to make a three-month American contemporaries who continued hundred miles of the Connecticut River journey up the river through the entire to paint their beloved Chinese subjects from its mouth in Old Saybrook back to length of New England. CIVIL WAR ONLINE Over the past year, Lear Center of the Union’s disastrous defeat at the staff, working together with student Battle of Olustee and Cornelius Gold’s assistants, have been selecting letters experiences working in the military from collections of correspondence bureaucracy at Hilton Head. Finally, written by Connecticut soldiers during the nine letters from Pennsylvania, the Civil War. They are being included Maryland, and Washington, D.C. include in a substantial digital exhibition William Smith’s harrowing account of documenting soldiers’ activities and the aftermath of the Battle of Gettysburg experiences in battlefields, camps, and Homer Curtis’s descriptions of the hospitals, and headquarters from Capitol in wartime. Gettysburg to Key West and from New The next phase of the project will Orleans to Richmond. The exhibition contain letters from Connecticut, where is organized by region, depicting on friends and family describe their concerns an interactive historical map where and political sentiments at home for and Connecticut soldiers were and providing against the war. The project will conclude The Friends of the Connecticut College links to their letters with complete with letters from Virginia, where most Library transcriptions. Connecticut soldiers whose letters http://www.conncoll.edu/information- The work is happening in phases, survive in the Lear Center spent the bulk services/friends-of-the-library/ with four exhibition modules already of their service. These letters include completed. The eleven letters from eyewitness accounts of the Union defeat W. Lee Hisle Louisiana include William Ingram’s at Fredericksburg, the siege of Petersburg, Vice President for Information Services and descriptions of illness ravaging the the fall of Richmond, the Appomattox Librarian of the College Union camps (Ingram would later die Campaign, and the reaction to Lincoln’s Benjamin Panciera of malaria) and Charles McCracken’s assassination. We will complete this phase Ruth Rusch Sheppe ‘40 Director of the Lear complaints about corruption among in stages with a goal of having all of the Center for Special Collections and Archives Union contractors. The five letters letters selected, digitized, and transcribed and Newsletter Editor from the Gulf Coast by Cornelius by summer of 2020. Pages will then Gold describe the Union blockade of be added so that users can browse the Charles E. Shain Library Confederate ports and give an account letters by subject or author and view the Greer Music Library of the reaction when the news of the end letters along a timeline. The partially Connecticut College of the war reached Mobile. The seven completed exhibition can be seen here: 270 Mohegan Avenue letters from South Carolina and Georgia http://lc-digital.conncoll.edu/neatline/ New London CT contain Romulus Loveridge’s description fullscreen/civil-war. 06320-4196 This and other issues of the Friends of the Library Newsletter may be viewed online at http://digitalcommons.conncoll.edu/fol/ This newsletter was designed by Susan Lindberg. October 2018 EXHIBITS SHAIN LIBRARY EXHIBITION AREA An American Vision: Rockwell Kent, 1882-1971, November 5, CHARLES CHU ASIAN ART READING ROOM 2018-January 18, 2019 Rockwell Kent is one of the most important and influential 400 Miles of the Connecticut River: Celebrating the Centenary of book illustrators of the 20th century. Known for his bold Charles Chu, September 28-December 21, 2018 modernism, (see cover story) Kent illustrated a wide variety of UMMINGS RT ALLERY books, ranging C A G from classics to Loose Leafs and Bindings: Book Arts and Prints, January children’s literature 22-March 1, 2019 to progressive The Friends of the Library will be supporting an exhibition and political tracts, with two gallery talks in the Cummings Art Gallery this winter. particular emphasis Loose Leafs and Bindings: Book Arts and Prints will feature on depictions of works by Connecticut book artist Emily Larned, Italian graphic nature. Early in novelist and student of pop culture Daniele Marotta, students his career, Kent from ART 235 (Artists’ Books), ART 202 (Intaglio Printing), also worked as and from the artists’ books collection of the Linda Lear Center. an architectural Daniele Marotta will lecture about graphic novels in the illustrator and Charles Chu Asian Art Reading Room on Tuesday, February among his last 19, at 4:30. Emily Larned will speak in the Cummings gallery commissions on February 20 at 4:15, followed by a reception and viewing of was a series of the exhibition. drawings for the newly planned Connecticut LINDA LEAR CENTER EXHIBITION AREA College. These Encountering Nature: Exploring the Natural World in Children’s illustrations and a selection of works from across his career Literature, August 20-December 21, 2018 will be displayed. This exhibit showcases how children were encouraged to interact with and explore nature in America and Britain from the 19th to the 20th century. It features educational materials EW ACQUISITIONS such as identification books thatencouraged children to N observe the world around them and works from the Nature In response to increased interest from students and faculty, Study Movement in America, a popular educational model the Linda Lear Center has been building ephemera during the Progressive Era that aimed to reconcile scientific collections relating to observation with personal and spiritual experiences of nature.