The Queer Art of Failure
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Painting Identity: the Disconnect Between Theories and Practices of Art by the LGBTQ Community
Painting Identity: The Disconnect Between Theories and Practices Of Art by the LGBTQ Community Meg Long Advisor: Sarah Willie-LeBreton May 7,2012 2 Table of Contents Acl(nowledgements ........................................................................... 3 1. Introduction .............................................................................. 4 2. Perspectives on Racial and Sexual Identity in Modem and Contemporary Art .......................................................................................... 10 3. Influence of Self Identity for Contemporary Artists .......................................... 33 4. Discourse Analysis: Art and Sexual Identity ......................................... 55 5. Conclusion .................................................................................76 Worl(s Cited .............................................................................. 84 Appendix A ............................................................................... 86 Appendix B ............................................................................... 87 3 Acknowledgements First and foremost, thank you to my father for his endless support throughout this process; as always in life, I would be lost without him. Likewise, thank you to my mother for her energy and encouragement. I also cannot be appreciative enough of my advisor, Professor Sarah Willie-LeBreton for helping me in more ways than I can enumerate, even when my process was dubious at best. Thank you to the participants who shared their stories -
Feminism and Queer in Art Education Educationeminism and Queer in Art
Anniina Suominen & Tiina Pusa (Eds.) F Aalto-ADA 7/2018 Aalto-ADA 7/2018 Feminism and Queer in Art Education eminism and Queer in Art Education This book presents critical contemporary queer and feminist scholarship emerging from the Department of Art. The edited book’s authors are Finnish and international graduate and doctoral students from different programs as well as faculty who have approached issues of gender and sexuality through art, art education, queer and feminist theories. There Feminism is no such book in art education in Finland and the presented topics are altogether very and under researched (in Finland). In international comparison, the book presents highly relevant, contemporary, critical, and artistic approaches Queer to issues that are either largely silenced and 1st that evidence systemic institutional, political in and cultural discrimination. FAQ Art Education 9HSTFMG*ahjjib+ 9HSTFMG*ahjjib+ ISBN 978-952-60-7998-1 BUSINESS + ISBN 978-952-60-7999-8 (pdf) ECONOMY ISSN 1799-4853 ISSN 1799-4861 (electronic) ART + DESIGN + Aalto University ARCHITECTURE School of Arts, Design and Architecture SCIENCE + Department of Art TECHNOLOGY shop.aalto.fi www.aalto.fi CROSSOVER DOCTORAL DISSERTATIONS Larissa Haggrén Heta Huttunen Verna Kuutti Jemina Lindholm Jani Nummela Tiina Pusa Abdullah Qureshi Aapo Raudaskoski Anniina Suominen Feminism and Queer in Art Education 1st FAQ Aalto University publication series ADA 7/2018 School of Arts, Design and Architecture Aalto ARTS Books Helsinki, Finland shop.aalto.fi © Anniina Suominen -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Queer Methods and Methodologies Queer Theories Intersecting and Social Science Research
Queer Methods and Queer Methods and Methodologies Methodologies provides the first systematic consideration of the implications of a queer perspective in the pursuit of social scientific research. This volume grapples with key contemporary questions regarding the methodological implications for social science research undertaken from diverse queer perspectives, and explores the limitations and potentials of queer engagements with social science research techniques and methodologies. With contributors based in the UK, USA, Canada, Sweden, New Zealand and Australia, this truly Queer Methods international volume will appeal to anyone pursuing research at the and Methodologies intersections between social scientific research and queer perspectives, as well as those engaging with methodological Intersecting considerations in social science research more broadly. Queer Theories This superb collection shows the value of thinking concretely about and Social Science queer methods. It demonstrates how queer studies can contribute to Research debates about research conventions as well as offer unconventional research. The book is characterised by a real commitment to queer as Edited by an intersectional study, showing how sex, gender and sexuality Kath Browne, intersect with class, race, ethnicity, national identity and age. Readers will get a real sense of what you can write in by not writing University of Brighton, UK out the messiness, difficulty and even strangeness of doing research. Catherine J. Nash, Sara Ahmed, Goldsmiths, University of London, UK Brock University, Canada Very little systematic thought has been devoted to exploring how queer ontologies and epistemologies translate into queer methods and methodologies that can be used to produce queer empirical research. This important volume fills that lacuna by providing a wide-ranging, comprehensive overview of contemporary debates and applications of queer methods and methodologies and will be essential reading for J. -
Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai
Copyright © 2012 by Katherine Boo All rights reserved. Published in the United States by Random House, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York. RANDOM HOUSE and colophon are registered trademarks of Random House, Inc. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Boo, Katherine. Behind the beautiful forevers : life, death, and hope in a Mumbai undercity / Katherine Boo. p. cm. eISBN: 978-0-679-64395-1 1. Urban poor—India—Mumbai. I. Title. HV4140.M86B66 2011 305.5’690954792—dc23 2011019555 www.atrandom.com v3.1 For two Sunils and what they’ve taught me about not giving up Cover Title Page Copyright Dedication PROLOGUE between roses PART ONE undercitizens 1. Annawadi 2. Asha 3. Sunil 4. Manju PART TWO the business of burning 5. Ghost House 6. The Hole She Called a Window 7. The Come-Apart 8. The Master PART THREE a little wildness 9. Marquee Effect 10. Parrots, Caught and Sold 11. Proper Sleep PART FOUR up and out 12. Nine Nights of Dance 13. Something Shining 14. The Trial 15. Ice 16. Black and White 17. A School, a Hospital, a Cricket Field AUTHOR’S NOTE ACKNOWLEDGMENTS About the Author July 17, 2008—Mumbai Midnight was closing in, the one-legged woman was grievously burned, and the Mumbai police were coming for Abdul and his father. In a slum hut by the international airport, Abdul’s parents came to a decision with an uncharacteristic economy of words. The father, a sick man, would wait inside the trash-strewn, tin-roofed shack where the family of eleven resided. -
Does That Look Gay? Framing Queer Identity in Extended Sensibilities: Homosexual Presence in Contemporary Art
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Does that look gay? Framing Queer Identity in Extended Sensibilities: Homosexual Presence in Contemporary Art Sarah Peskin Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Museum Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Peskin, Sarah, "Does that look gay? Framing Queer Identity in Extended Sensibilities: Homosexual Presence in Contemporary Art" (2018). Senior Projects Spring 2018. 304. https://digitalcommons.bard.edu/senproj_s2018/304 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Does that look gay? Framing Queer Identity in Extended Sensibilities: Homosexual Presence in Contemporary Art Senior Project Submitted to The Division of Arts of Bard College by Sarah Rose Peskin Annandale-on-Hudson, New York May 2018 “Keys are an understood signifier for homosexual activity. A key chain worn on the right side of the body indicates that the wearer wishes to play a passive role during a sexual encounter. -
Title: How Has Queer Theory Influenced the Ways We Think About Gender?
Azienda Ospedaliera Nazionale Working Paper of Public Health “SS. Antonio e Biagio e Cesare Arrigo” nr. 12/2016 Title: How has queer theory influenced the ways we think about gender? Author: Piantato, G.1 Type: Original article Keywords: gender 1 Ma Gender Studies, SOAS, London UK Gender theory and the study of Asia, Africa and the Middle East E-mail: [email protected] 1 Azienda Ospedaliera Nazionale Working Paper of Public Health “SS. Antonio e Biagio e Cesare Arrigo” nr. 12/2016 ABSTRACT In this paper I am going to explore the contributions and complications produced by the development of queer theory, with reference to our understanding of gender. Firstly, I will give a brief introduction of the concept of queer and its evolution into an authentic theory of queerness. Then, I am going to concentrate on the encounter between queer theory and traditional feminism, highlighting the theoretical differences that result from this confrontation. After that, I will analyse the peculiarity of queer theory and its attempt to give an alternative notion of gender and to defeat the dichotomy between hetero/homosexuality by introducing a wider spectrum of possible sexual identities, mentioning also the importance that Judith Butler’s work Gender Trouble (1990) had in this process. Finally, I will give a practical example of the application of queerness by referring to the experiences of Brazilian transgendered prostitutes, symbol of ‘deviation’ from normative gender expectations. The aim of my analysis is to demonstrate the way in which queer theory not only influenced, but also gave the possibility to change and rethink how we approach the concept of gender, by introducing a wide range of implications that had been excluded by the previous gender discourse. -
Queer Activism Think Tank Executive Summary
Queer Activism Think Tank Executive Summary Throughout the 2013-14 Academic Year the Queer Activism & Social Justice Think Tank met to learn about, discuss, and practice engaging in queer activism work that was grounded in equity and social justice. The group came to know itself as QATT and was made up of 11 people, 9 undergraduate students at the University of Utah and 2 instructors. We spent Friday mornings together all year in our classroom in the Honors College where we grappled with theory, tried our hands at planning direct action activism, built strong friendships, developed ourselves as leaders, connected with the local community, and critically reflected on each of these practices. As such we believe our learning outcomes (so far) are as follows (note that we also discuss various research topics, class activities, and experiences in this section): • We have developed a deeper understanding of queer theory, and believe that we can now utilize it to push our thinking as activists so that we are more creative and inclusive, and less tied to the rigid ideas associated with mainstream gay movements. We also know much more about the historical evolution of LGBT activism, as well as the current work being done. We have studied the work of authors such as Noreen Giffney, Dean Spade, Susan Talburt, Michael Signorile, and Kimberlé Crenshaw. We learned about the history of LGBT students on university campuses in the United States and how this history is connected to a larger LGBT US history – we also learned how to be critically reflective in regard to history and what’s not presented to us. -
Public Image Ltd. the Flowers of Romance Mp3, Flac, Wma
Public Image Ltd. The Flowers Of Romance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Flowers Of Romance Country: Germany Released: 1981 Style: Avantgarde, Experimental MP3 version RAR size: 1622 mb FLAC version RAR size: 1725 mb WMA version RAR size: 1222 mb Rating: 4.1 Votes: 303 Other Formats: RA MP1 APE WAV AHX MIDI DTS Tracklist Hide Credits Four Enclosed Walls A1 4:44 Lyrics By, Music By – Lydon*, Levene*, Atkins* Track 8 A2 3:15 Lyrics By, Music By – Lydon*, Levene* Phenagen A3 2:38 Lyrics By, Music By – Lydon*, Levene* Flowers Of Romance A4 2:50 Lyrics By, Music By – Lydon*, Levene* Under The House A5 4:30 Lyrics By, Music By – Lydon*, Levene*, Atkins* Hymie's Him B1 3:16 Music By – Lydon*, Levene* Banging The Door B2 4:47 Lyrics By, Music By – Lydon*, Levene*, Atkins* Go Back B3 3:45 Lyrics By, Music By – Lydon*, Levene* Francis Massacre B4 3:31 Lyrics By, Music By – Lydon*, Levene* Companies, etc. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Virgin Records Ltd. Distributed By – Ariola Record Company – Ariola Eurodisc GmbH Printed By – Mohndruck Graphische Betriebe GmbH Pressed By – Sonopress Credits Engineer – Nick Launay Producer – Public Image Limited Notes Blue on white labels Had one sided 12x12 white on black lyrics insert [On back sleeve:] Im Ariola-Vertrieb Printed in Western Germany by Mohndruck Graphische Betriebe GmbH, Gütersloh ℗+© 1981 Virgin Records Ltd [On label:] Ariola-Eurodisc GmbH, München [Category on sleeve:] 203 410-320 [Category on labels:] 203 410 Barcode -
The Red Album 4 the Editor's Letter
Volume 04 — Issue 02 Neighbourhood Life + Global Style Neighbourhood Seeing red Life Rosy cheeks Style Fireworks Music Ruby rockers Culture Brick city + The Fashion Special The red album 4 The editor's letter AVAILABLE AT BELLEROSE Publisher and editor-in-chief I don’t really like red as a colour. I find it aggressive, sometimes Nicholas Lewis even distasteful. It is loud and primitive and leaves nothing to the imagination. Be it in fashion, interiors or even urban architecture, red Editor is often nothing more than a faux pas, a wrong-footed attempt to make Randa Wazen a statement which often ends with squints and eyesores for all. Red is a colour that works well on paper, but somewhat falls short in practice. Design Red. It does sound nice on paper. As nice as the red-tinted stories, facetofacedesign features and interviews we have lined up for you in this edition. + pleaseletmedesign To begin with, there’s the piece we did on anger management, the Writers profile of snake-breeding hybrid hero Sebastien Rien as well as the Vincent Dechamps editorial nod given to slasher movies. There’s the feature on Brussels' Rozan Jongstra notorious devil den Le Bar Rouge, and the series capturing boxers Nicholas Lewis seconds after stepping off the ring. There’s also the explosive fashion Philippe Pourhashemi story, and the visual document on Flanders' standard-setting red brick Stijn Verlinden houses. Randa Wazen On the music front, we spoke with Eagles of Death Metal frontman Photographers/Illustrators Jesse Hughes, skyped London's Autokratz and Paris' My Sister Klaus 354 Photographers as well as gave a disposable camera to Belgium's Vermin Twins. -
"Appearing Differently: Abstraction's Transgender
David J. Getsy in Conversation with William J. Simmons 39 William J. Simmons: Queer art has often been predicated on the literal nature of LGBTQ themes and bodies, following the idea that representation is a Appearing form of liberation. How does the representation of politics differ from the politics of representation? David Getsy: The history of queer practices in art has been wrapped up with a desire to testify to the existence of those who love and live dif- Diferently ferently. This means that both art and its histories have tended to be preoccupied with the production of evidence. This compulsion to make evident has its roots in the late nineteenth- Abstraction’s century construction of sexuality as a means to categorize people based on their erotic or romantic gravitations. In this history, regulations of sexual acts gave way to a wider monitoring of individuals’ ways of living. The agents both of oppression and of resistance positioned what we have come to call “sexuality” as being more than carnal. Rather, it came Transgender and to delimit an interrelated set of nonnormative attitudes toward desire, family, and one’s relation to the social. One way this played out historically was in the emergence of medical and legal formulations of homosexual (and later LGB) identity that could be posited, defined, and identified— Queer Capacities whether that be to attack or to defend them. No less than those who would be prejudiced against them, pro-LGB activists and cultural workers, that is, tended to pursue a model of identity that privileged shared experience, coherence, and visibility. -
Fracture: Failure As a Path to Utopia in Queer Art and Life
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design 5-9-2015 Fracture: Failure as a Path to Utopia in Queer Art and Life Charles D. Snyder Jr Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Snyder, Charles D. Jr, "Fracture: Failure as a Path to Utopia in Queer Art and Life." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/art_design_theses/175 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. FRACTURE: FAILURE AS A PATH TO UTOPIA IN QUEER ART AND LIFE By CHARLES DOUGLAS SNYDER, JR. Under the Direction of Constance Thalken, MFA ABSTRACT Reproductive Futurism is the pervasive structuring of politics and society around securing of the future through fealty to a figurative Child. The primary means of the Child’s proliferation is the normalizing of hetero-reproduction, which privileges heterosexuality with validity and meaning. Fracture represents a body of work that illustrates my personal break with these normalizing structures, and through embracing my queer sexuality a refusal of the figurative Child and the future it represents. The work articulates the role sex played in my failure to adhere to (liberation from) normative relational structures, and proposes potential new configurations of bodies and filial bonds born from that failure.