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Haitian Voudoun and the Matrix
The Ghost in the Machine : Haitian Voudoun and the Matrix Steve Mizrach William Gibson's Count Zero It would seem that there are no two things more distinct than the primal, mystic, organic world of Haitian Voudoun, and the detached, cool, mechanical world of the high-tech future. Yet William Gibson parlayed off the success of his first SF cyberpunk blockbuster Neuromancer to write a more complex, engaging novel in which these two worlds are rapidly colliding. In his novel Count Zero, we encounter teenage hacker extraordinaire Bobby Newmark, who goes by the handle "Count Zero". Bobby on one of his treks into cyberspace runs into something unlike any other AI (Artificial Intelligence) he's ever encountered - a strange woman, surrounded by wind and stars, who saves him from "flatlining". He does not know what it was he encountered on the net, or why it saved him from certain death. Later we meet Angie Mitchell, the mysterious girl whose head has been "rewired" with a neural network which enables her to "channel" entities from cyberspace without a "deck" - in essence, to be "possessed". Bobby eventually meets Beauvoir, a member of a Voudoun/cyber sect, who tells him that in cyberspace the entity he actually met was Erzulie, and that he is now a favorite of Legba, the lord of communication... Beauvoir explains that Voudoun is the perfect religion for this era, because it is pragmatic : "It isn't about salvation or transcendence. What it's about is getting things done". Eventually, we come to realize that after the fracturing of the AI Wintermute, who tried to unite the Matrix, the unified being split into several entities which took on the character of the various Haitian loa, for reasons that are never made clear. -
William Gibson Fonds
William Gibson fonds Compiled by Christopher Hives (1993) University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Biographical Sketch o Scope and Content o Notes File List Catalogue entry (UBC Library catalogue) Fonds Description William Gibson fonds. - 1983-1993. 65 cm of textual materials Biographical Sketch William Gibson is generally recognized as the most important science fiction writer to emerge in the 1980s. His first novel, Neuromancer, is the first novel ever to win the Hugo, Nebula and Philip K. Dick awards. Neuromancer, which has been considered to be one of the influential science fiction novels written in the last twenty-five years, inspired a whole new genre in science fiction writing referred to as "cyberpunk". Gibson was born in 1948 in Conway, South Carolina. He moved to Toronto in the late 1960s and then to Vancouver in the early 1970s. Gibson studied English at the University of British Columbia. He began writing science fiction short stories while at UBC. In 1979 Gibson wrote "Johnny Mnemonic" which was published in Omni magazine. An editor at Ace books encouraged him to try writing a novel. This novel would become Neuromancer which was published in 1984. After Neuromancer, Gibson wrote Count Zero (1986), Mona Lisa Overdrive (1988), and Virtual Light (1993). He collaborated with Bruce Sterling in writing The Difference Engine (1990). Gibson has also published numerous short stories, many of which appeared in a collection of his work, Burning Chrome (1986). Scope and Content Fonds consists of typescript manuscripts and copy-edited, galley or page proof versions of all five of Gibson's novels (to 1993) as well as several short stories. -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
The Machineries of Uncivilization: Technology and the Gendered Body
The Machineries of Uncivilization: Technology and the Gendered Body in the Fiction of Margaret Atwood and William Gibson by Annette Lapointe A thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of DOCTOR OF PHILOSOPHY Department of English, Film, and Theatre University of Manitoba Winnipeg Copyright © 2010 by Annette Lapointe For Patricia Lapointe reader, teacher, literary guide my mom Table of Contents Acknowledgements iv Abstract v Introduction Factory Girl @ the Crossroads 1 Chapter 1 Cyborg Pathology: Infection, Pollution, and Material Femininity in Tesseracts 2 15 Chapter 2 Girls on Film: Photography, Pornography, and the Politics of Reproduction 56 Chapter 3 Meat Puppets: Cyber Sex Work, Artificial Intelligence, and Feminine Existence 96 Chapter 4 Manic Pixie Dream Girls: Viral Femininity, Virtual Clones, and the Process of Embodiment 138 Chapter 5 Woman Gave Names to All the Animals: Food, Fauna, and Anorexia 178 Chapter 6 The Machineries of Uncivilization: Gender, Disability, and Cyborg Identity 219 Conclusion New Maps for These Territories 257 Works Cited 265 iii Acknowledgements Many thanks to Dr. Mark Libin, my dissertation adviser, for all of his guidance in both my research and my writing. Dr Arlene Young guided me to a number of important nineteenth century texts on gender and technology. My foray into disability studies was assisted by Dr. Nancy Hansen and by Nadine Legier. melanie brannagan-frederiksen gave me insight into the writings of Walter Benjamin. Patricia Lapointe read every draft, provided a sounding board and offered a range of alternate perspectives. The Histories of the Body Research Group guided me through to literary and non-literary approaches to body studies. -
3 Sprawl Space
3 Sprawl Space The New Shorter Oxford English Dictionary lists the following under “sprawl”: 1 v.i. Orig., move the limbs in convulsive effort or struggle; toss about. Now, lie, sit, or fall with the limbs stretched out in an ungainly or awkward way; lounge, laze. […] b Of a thing: spread out or extend widely in a straggling way; be of untidily irregular form […]. (New Shorter OED 1993) The second part of the entry refers to the transitive verb, for which the agency has shifted semantically and lies elsewhere, as “sprawl(ing)” is inflicted on something, and “usu[ally] foll[owed] by out” (ibid.), sig- nalling the expansiveness of the motion. As a noun, “sprawl” also oc- curs in combination with “urban” (meaning “Of, pertaining to, or con- stituting a city or town”) which renders “urban sprawl” as “the uncon- trolled expansion of urban areas” (ibid.). Considering the etymology, one might think that the notion of “sprawl” has relaxed with regard to living subjects as actants. When it comes to things, however, dead matter comes to life, things seem to appropriate agency and expand, taking up more space; or they already are where they should not be. The resulting form is a disorderly one that deviates from an established order: “Sprawl” usually refers to an outward movement and is not perceived as very pleasant or becoming. In short, most of the above may already explain why “sprawl” is of in- terest to cyberpunk and to William Gibson in particular: matter ac- quires lifelike agency and potentially decenters the subject; it moves in space and upsets a given order; it is messy. -
Download Count Zero Sprawl Trilogy Pdf Book by William Gibson
Download Count Zero Sprawl Trilogy pdf ebook by William Gibson You're readind a review Count Zero Sprawl Trilogy book. To get able to download Count Zero Sprawl Trilogy you need to fill in the form and provide your personal information. Book available on iOS, Android, PC & Mac. Gather your favorite ebooks in your digital library. * *Please Note: We cannot guarantee the availability of this file on an database site. Ebook File Details: Original title: Count Zero (Sprawl Trilogy) Series: Sprawl Trilogy 246 pages Publisher: Ace; Reprint edition (April 1, 1987) Language: English ISBN-10: 0441117732 ISBN-13: 978-0441117734 Product Dimensions:4.2 x 0.7 x 6.9 inches File Format: PDF File Size: 15937 kB Description: A stylish, streetsmart, frighteningly probable parable of the future from the New York Times bestselling author of Neuromancer.A corporate mercenary wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him, for a mission more dangerous than the one he’s recovering from: to get a defecting chief of R&D—and... Review: As per usual, half the punctuation is missing because of crappy OCR, but even worse, every single one of the full line breaks which indicate a scene change are systematically removed. So you read a line of dialogue and then the very next line is being said hours later, or in a different frame of reference, etc., and doesnt make sense until you think... Book Tags: count zero pdf, mona lisa pdf, lisa overdrive pdf, william gibson pdf, science fiction pdf, sprawl trilogy pdf, must -
Get PDF / Sprawl Trilogy, Including: Neuromancer, Count Zero, Mona
N1UXZJQ8HGI9 » Doc » Sprawl Trilogy, Including: Neuromancer, Count Zero, Mona Lisa Overdrive, New Rose Hotel,... Get Kindle SPRAWL TRILOGY, INCLUDING: NEUROMANCER, COUNT ZERO, MONA LISA OVERDRIVE, NEW ROSE HOTEL, THE SPRAWL, BURNING CHROME (SHORT STORY COLLECTION), BOB Unknown. Paperback. Condition: Brand New. In Stock. Download PDF Sprawl Trilogy, Including: Neuromancer, Count Zero, Mona Lisa Overdrive, New Rose Hotel, the Sprawl, Burning Chrome (Short Story Collection), Bob Authored by Hephaestus Books Released at - Filesize: 3.67 MB Reviews It is great and fantastic. It can be writter in easy phrases and never hard to understand. You will not really feel monotony at at any time of your respective time (that's what catalogues are for concerning if you request me). -- Michel Halvorson This book is indeed gripping and interesting. It really is rally exciting throgh studying period. Its been written in an extremely easy way and is particularly merely soon after i finished reading this book through which in fact changed me, affect the way i think. -- Aisha Lemke TERMS | DMCA ZDEUSWIAAO8A » Book » Sprawl Trilogy, Including: Neuromancer, Count Zero, Mona Lisa Overdrive, New Rose Hotel,... Related Books Goodnight. Winnie (New York Times Best Books German Youth Literature Prize Choice Award most(Chinese Edition) H3 language New Curriculum must-read Books: Crime and Punishment(Chinese Edition) The new era Chihpen woman required reading books: Chihpen woman Liu Jieli financial surgery(Chinese Edition) YJ] New primary school language learning counseling language book of knowledge [Genuine Specials(Chinese Edition) Genuine] teachers in self-cultivation Books --- the pursue the education of Wutuobangbao into in J57(Chinese Edition). -
PDF Download Mona Lisa Overdrive Ebook, Epub
MONA LISA OVERDRIVE PDF, EPUB, EBOOK William Gibson | 308 pages | 05 Oct 1998 | Bantam Doubleday Dell Publishing Group Inc | 9780553281743 | English | New York, United States Mona Lisa Overdrive PDF Book Her father has sent her to live in London while the Yakuza war is going on. Like its predecessor, there are different threads of stories which are closely tied to one another, and takes place seven years after its predecessor. Home 1 Books 2. While the first two books were connected only by the shared universe and minor characters, the third actively borrows from the previous ones. He's the author, we are the readers. Apparently, three-quarters of humanity was jacked in, watching the show. Concepts introduced and threads left dangling from both books are dealt in this one, favourite characters make an appearance, and the story is so much better than Count Zero. But the most awesome thing is the human thread through the whole trilogy. And behind the intrigue lurks the shadowy Yazuka, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes. The novel connects the trilogy into one connected flow, fifteen years after Neuromancer and eight years after Count Zero. It all comes together. Aug 26, Dale rated it liked it. One of them touched PLAY and she slid into the Angie- world, pure as any drug, slow saxophone and limo-glide through some European city, That's not to say that there aren't plenty of SF predicted futures for the world that involve a sort of Utopian society where experiences are increasingly shared and cooperative than individually ring-fenced and private, but it's very easy to discredit them on the grounds of communist and socialist critique and all the heavy baggage that comes along with that. -
Mona Lisa Overdrive by William Gibson VERSION
Mona Lisa Overdrive by William Gibson VERSION 1.1 (Feb 23 00). If you find and correct errors in the text, please update the version number by 0.1 and redistribute. The Smoke The ghost was her father's parting gift, presented by a black-clad secretary in a departure lounge at Narita. For the first two hours of the flight to London it lay forgotten in her purse, a smooth dark oblong, one side impressed with the ubiquitous Maas-Neotek logo, the other gently curved to fit the user's palm. She sat up very straight in her seat in the first-class cabin, her features composed in a small cold mask modeled after her dead mother's most characteristic expression. The surrounding seats were empty; her father had purchased the space. She refused the meal the nervous steward offered. The vacant seats frightened him, evidence of her father's wealth and power. The man hesitated, then bowed and withdrew. Very briefly, she allowed the mask her mother's smile. Ghosts, she thought later, somewhere over Germany, staring at the upholstery of the seat beside her. How well her father treated his ghosts. There were ghosts beyond the window, too, ghosts in the stratosphere of Europe's winter, partial images that began to form if she let her eyes drift out of focus. Her mother in Ueno Park, face fragile in September sunlight. The cranes, Kumi! Look at the cranes! And Kumiko looked across Shinobazu Pond and saw nothing, no cranes at all, only a few hopping black dots that surely were crows. -
Polish Journal for American Studies Yearbook of the Polish Association for American Studies
Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 12 (Autumn 2018) Special Issue (Re)Examining William Gibson Edited by Paweł Frelik and Anna Krawczyk-Łaskarzewska Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 12 (Autumn 2018) Special Issue (Re)Examining William Gibson Edited by Paweł Frelik and Anna Krawczyk-Łaskarzewska Warsaw 2018 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Izabella Kimak, Mirosław Miernik, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Katherine E. Bishop, Ewa Kujawska-Lis, Keren Omry, Agata Zarzycka TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Photo by Viktor Juric on Unsplash ISSN 1733-9154 eISSN 2544-8781 PUBLISHER Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 160 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents Paweł Frelik Introducing William Gibson. Or Not ...................................................................... 271 Lil Hayes The Future’s Overrated: How History and Ahistoricity Collide in William Gibson’s Bridge Trilogy ............................................................. 275 Zofia Kolbuszewska -
Cognitive Prosthesis and Possibilities of Technological Singularity in Post-Human Society Delineated in William Gibson's Writing
Literary Endeavour (ISSN 0976-299X) : Vol. X : Issue: 4 (July, 2019) www.literaryendeavour.org 27 04 COGNITIVE PROSTHESIS AND POSSIBILITIES OF TECHNOLOGICAL SINGULARITY IN POST-HUMAN SOCIETY DELINEATED IN WILLIAM GIBSON'S WRITING Abhijeet Bhandwalkar, Assistant professor, Department of English, Rajarshi Shahu Mahavidyalaya, Latur Abstract: Technological singularity is one of the most debated topics of the Anthropocene era. It denotes uncontrollable and non-reversible growth of a technology, especially Artificial Intelligence and the domination and control over post-humans by sentient Artificial Intelligence. Ray Kurzweil one of the leading futurologist of the 21st century and prominent figure in the prediction of future possibilities of Artificial Intelligence in upcoming future. He represents very positive view of the exponential possibilities and believes that the singularity will multiply our effective intelligence by billion folds. William Gibson's cyberpunk Science Fiction represent exactly antithesis of Kurzweil's optimistic views of the technological singularity. His novels represent the post-humans as a pawn or agent for AIs like Wintermute, Neuromancer, Idoru, and Voodoo (the fracture remains of AIs). These AIs represents the Technological Singularity and uses almost every character to carry out its plan. His work represents exponential possibilities as inevitability for the survival post-humans rather than improving the intelligence. The exponential cognitive prosthesis used by the post-humans such as Turner, Molly, Angela and other. The AIs offers this prosthesis for its evolutionary improvement and advancement rather than to improve the intelligence of the post-humans. Exactly opposite to Ray Kurzweil's optimistic view of exponential possibilities, William Gibson represents perilous possibilities of artificial intelligence which uses post- humans as exponential aid and erases the existence of the entity that try to surpass the AIs. -
Boundaries in Cyberpunk Fiction: William Gibson's Neuromancer Trilogy, Bruce Sterling's Schismatrix, and Neal Stephenson's Snow Crash
BOUNDARIES IN CYBERPUNK FICTION: WILLIAM GIBSON'S NEUROMANCER TRILOGY, BRUCE STERLING'S SCHISMATRIX, AND NEAL STEPHENSON'S SNOW CRASH by Michelle Toerien Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts at the University of Stellenbosch Supervisor: Mr. R. Goodman March 2000 Stellenbosch University http://scholar.sun.ac.za Declaration: I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety, or in any part, submitted it at any university for a degree. Signature: Date: Stellenbosch University http://scholar.sun.ac.za ABSTRACT Cyberpunk literature explores the effects that developments in technology will have on the lives of individuals in the future. Technology is seen as having the potential to be of benefit to society, but it is also seen as a dangerous tool that can be used to severely limit humanity's freedom. Most of the characters in the texts I examine wish to perpetuate the boundaries that contain them in a desperate search for stability. Only a few individuals manage to move beyond the boundaries created by multinational corporations that use technology, drugs or religion for their own benefit. This thesis will provide a definition of cyberpunk and explore its development from science fiction and postmodern writing. The influence of postmodern thinking on cyberpunk literature can be seen in its move from stability to fluidity, and in its insistence on the impossibility of creating fixed boundaries. Cyberpunk does not see the future of humanity as stable, and argues that it will be necessary for humanity to move beyond the boundaries that contain it.