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BAND BIO In a time when most music is manipulated, copied, pasted and auto tuned in digital recording studios, the question that always begs to be answered now more than ever is, "But, can they play it live?" Well, Poison can and always have. But, in the case of Poison, to just expect the music to sound good live is to short change the entire phenomenon. While nothing replaces actually being at an open air concert, today's technology does allow us to capture the experience like never before. Hi Def cameras, state of the art lighting, mind-blowing camera stabilizers and top notch recording technology now can capture the action like never before. Live, Raw & Uncut is like a journey into the radical world of Poison's live show. Professional performing musicians are never satisfied with their entire performance and so many of these recorded concerts are performed and recorded several times to find the best of the batch. Not so in the case of Live, Raw & Uncut. Poison decided that what you get live is what you get on the DVD. So, what do you get? Passion! Fun! Fury! Intensity! All in all, you get what you get at a Poison concert! What don't you get? You get no predictability and Poisonlikes it that way! Playing live is what Poison is all about. The music acts as a soundtrack to their live show. If you are an avid Poisonfan, this gem is a must have for your collection. If you have never seen Poison live, you'll be convinced that this is a band to be reckoned with. Recorded live in St. Louis on the Poison 2007 Summer tour, Live, Raw & Uncut serves as time travel through Poison's 21-plus year career. All the hits are here: From their first hits, "Talk Dirty To Me," "Ride The Wind," and "Fallen Angel," to remakes like "Your Momma Don't Dance"and "What I Like About You," to their power ballad hits like "Every Rose Has It's Thorn"and "Somethin' To Believe In," along with heavy rockers like "Look What The Cat Dragged In." Yes, Poison is alive, well and most certainly "Live, Raw & Uncut". Enjoy the experience!!! Poison Bret Michaels: Vox, Acoustic Guitars & Harp Rikki Rockett: Drums, Percussion & Backin' Vox CC DeVille: Guitars & Backin' Vox (Lead Vox on "I Hate Every Bone") Bobby Dall: Bass 'N' Backin' Vox .

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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SATURDAY, MARCH 28, 2015 RITZ-CARLTON MEMBERS GOLF CLUB SARASOTA, FLORIDA ! benefitting Forty Carrots Family Center ! ! FEATURING THE FIFTH ANNIVERSARY ENTERTAINER BRET MICHAELS GOOD BEGINNINGS LAST A LIFETIME The earliest years of a child’s life offer the greatest opportunity to provide experiences that have positive lifelong impact. Forty Carrots Family Center helps children reach their full potential and become contributing members of society by providing exceptional early childhood education and by giving families the tools they need, through parenting education, to raise their children in healthy, safe homes. This essential combination is key to the agency’s 21 years of success. Thanks to the generosity of individuals, businesses and foundations in the community, eighty-four percent (84%) of families served by Forty Carrots receive FREE services. This year we will provide more than 1,200 FREE Parenting Education classes and Mental Health services at 27 partner locations from the teen Parent Program at North Port High School to the library in Palmetto. You can help Forty Carrots to continue reaching families from all walks of life, especially those at great risk. To ﬁnd out how you can be a part of Good Beginnings That Last a Lifetime, please call 941-365-7716. Investments made today improve a child’s early years to assure a stronger community for the future. Fireﬂy Gala has developed a stellar reputation, growing each year! Guests experience a delectable dinner and auction on the lawn at The Ritz-Carlton Members Golf Club, followed by an intimate concert by Bret Michaels with full arena lighting! ! ! 2011: KC and the Sunshine Band 2012: Blondie 2013: Pat Benatar 2014: The Go-Go’s ! 2015 Bret Michaels Bret Michaels, born March 15, 1963, in Butler, Pennsylvania, is the lead singer in the glam-metal band Poison, whose hits include “Talk Dirty to Me” and “Every Rose Has Its Thorn.” Bret has also starred in several reality TV shows, including The Celebrity Apprentice.
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