Szczerbiec (The Jagged Sword) – the Coronation Sword of the Kings of Poland
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From Charlemagne to Hitler: the Imperial Crown of the Holy Roman Empire and Its Symbolism
From Charlemagne to Hitler: The Imperial Crown of the Holy Roman Empire and its Symbolism Dagmar Paulus (University College London) [email protected] 2 The fabled Imperial Crown of the Holy Roman Empire is a striking visual image of political power whose symbolism influenced political discourse in the German-speaking lands over centuries. Together with other artefacts such as the Holy Lance or the Imperial Orb and Sword, the crown was part of the so-called Imperial Regalia, a collection of sacred objects that connotated royal authority and which were used at the coronations of kings and emperors during the Middle Ages and beyond. But even after the end of the Holy Roman Empire in 1806, the crown remained a powerful political symbol. In Germany, it was seen as the very embodiment of the Reichsidee, the concept or notion of the German Empire, which shaped the political landscape of Germany right up to National Socialism. In this paper, I will first present the crown itself as well as the political and religious connotations it carries. I will then move on to demonstrate how its symbolism was appropriated during the Second German Empire from 1871 onwards, and later by the Nazis in the so-called Third Reich, in order to legitimise political authority. I The crown, as part of the Regalia, had a symbolic and representational function that can be difficult for us to imagine today. On the one hand, it stood of course for royal authority. During coronations, the Regalia marked and established the transfer of authority from one ruler to his successor, ensuring continuity amidst the change that took place. -
Dictionnaire Des Épées Célèbres
Dictionnaire des épées célèbres Laurent BONNOT, V3d 2016 'épée est un symbole de pouvoir, auquel on confère souvent une âme et donne un Lnom. e livret vous permettra peut-être de compléter vos savoirs sur l'histoire de célèbres épées (pas toujours) légendaires, telles que les indestructibles Durandal ou Excalibur, et de faire connaissance avec d'autres lames moins connues telles que Courtain, Flamberge ou l'imprononçable mais réelle Szczerbiec. vertissement: deux erreurs (enfin … au moins deux) se sont glissées parmi Aces définitions. Un grand merci à Caroline pour sa relecture et ses corrections éclairées. Publié sur http://bonnot.laurent.free.fr Un commentaire ? Une suggestion ? [email protected] ‹‹ Dictionnaire des épées célèbres – édition 3d déc. 2016 © LB - page 1 / 33 Le catalogue du râ telier 1ère partie : épées de légendes historiques............................................................................4 Le nom de certaines épées est suivi d'un code de trois caractères placé entre crochets: [ART] pour les épées citées dans le mythe arthurien [CEL] pour les épées citées dans la mythologie celtique [HIS] pour les épées ayant réellement existé [MAS] pour les épées citées dans la mythologie anglo-saxonne [MGE] pour la mythologie germanique [MNO] pour la mythologie nordique [ROL] pour les épées citées dans la chanson de Roland Al-Adb, Al-Battar, Al-Ma'thur, Al-Mikhdham, Al-Rasub, Al-Qadib [HIS].................................--)------- 4 Almace [ROL]...............................................................................................................................--)------- -
The Piast Horseman)
Coins issued in 2006 Coins issued in 2006 National Bank of Poland Below the eagle, on the right, an inscription: 10 Z¸, on the left, images of two spearheads on poles. Under the Eagle’s left leg, m the mint’s mark –– w . CoinsCoins Reverse: In the centre, a stylised image of an armoured mounted sergeant with a bared sword. In the background, the shadow of an armoured mounted sergeant holding a spear. On the top right, a diagonal inscription: JEèDZIEC PIASTOWSKI face value 200 z∏ (the Piast Horseman). The Piast Horseman metal 900/1000Au finish proof – History of the Polish Cavalry – diameter 27.00 mm weight 15.50 g mintage 10,000 pcs Obverse: On the left, an image of the Eagle established as the state Emblem of the Republic of Poland. On the right, an image of Szczerbiec (lit. notched sword), the sword that was traditionally used in the coronation ceremony of Polish kings. In the background, a motive from the sword’s hilt. On the right, face value 2 z∏ the notation of the year of issue: 2006. On the top right, a semicircular inscription: RZECZPOSPOLITA POLSKA (the metal CuAl5Zn5Sn1 alloy Republic of Poland). At the bottom, an inscription: 200 Z¸. finish standard m Under the Eagle’s left leg, the mint’s mark:––w . diameter 27.00 mm Reverse: In the centre, a stylised image of an armoured weight 8.15 g mounted sergeant with a bared sword. In the background, the mintage 1,000,000 pcs sergeant’s shadow. On the left, a semicircular inscription: JEèDZIEC PIASTOWSKI (the Piast Horseman). -
Gender-Bending Regalia in the Tomb of Constance of Aragon, Queen of Hungary and Sicily
2018 V From Her Head to Her Toes: Gender-Bending Regalia in the Tomb of Constance of Aragon, Queen of Hungary and Sicily Christopher Mielke Article: From Her Head to Her Toes: Gender-Bending Regalia in the Tomb of Constance of Aragon, Queen of Hungary and Sicily From Her Head to Her Toes: Gender-Bending Regalia in the Tomb of Constance of Aragon, Queen of Hungary and Sicily Christopher Mielke INDEPENDENT SCHOLAR Abstract: This article re-examines József Deér’s claim that the crown uncovered in the tomb of Constance of Aragon (d. 1222) was originally her husband’s. His argument is based entirely on the shape of the crown itself, and ignores the context of her burial and the other idiosyncrasies of Frederick II’s burial provisions at Palermo Cathedral. By examining the contents of the grave of Constance, and by discussing patterns related to the size of medieval crowns recovered from archaeological context, the evidence indicates that this crown would have originally adorned the buried queen’s head. Rather than identifying it as a ‘male’ crown that found its way into the queen’s sarcophagus as a gift from her husband, this article argues that Constance’s crown is evidence that as a category of analysis, gender is not as simple as it may appear. In fact, medieval crowns often had multiple owners and sometimes a crown could be owned, or even worn, by someone who had a different gender than the original owner. This fact demonstrates the need for a more complex, nuanced interpretation of regalia found in an archaeological context. -
The Engineering and Mining Journal 1905-07-06: Vol 80 Iss 1
INDEX hjeEngineering^ Mining Journal VOLUME LXXX. JULY TO DECEMBER 1905 THE ENGINEERING AND MINING JOURNAL INCORPORATED 505 Pearl Street, NEW YORK July 6, 1905. THE ENGINEERING AND MINING JOURNAL. I and subordinate feldspar of any kind, with oidal fractures. When porphyritic this be¬ 2sE>^OINEERING^ or without other minerals. comes porphyritic-perlite (f. n.). 6.. Peridotrtes (f. n.) are granular, igne¬ 4. Pumice (f. n.) is a highly vesicular Mining ^Journal ous rocks "composed of olivine and ferro- glass, white or very light-colored. When magnesian minerals, with little or no feld¬ porphyritic this becomes porphyritic- Rock Classification in the Philippines. spar or other minerals. pumice. The following circular has been issued 7. Pyroxenites (f. n.) are granular, ig¬ REFERENCES. by H. D. McCaskey, Chief of the Mining neous rocks composed of pyroxene, with Reference is suggested in connection Bureau of the Philippines, for the instruc¬ little or no feldspar or other minerals. with the above to the following: tion of field assistants; also for the bene¬ 8. Hornblendites (f. n.) are granular, ig¬ 1. ‘Quantitative Classification of Igne¬ fit of miners, prospectors, teachers, inves¬ neous rocks composed of hornblende, with ous Rocks.’ By Whitman Cross, Joseph tigators and others interested in mining little or no feldspar or other minerals. P. Iddings, Louis V. Pirsson, Henry S, and exploration in the Islands: Division B—Aphanites : Washington. The following system for megascopic* (0) Non-porphyritic. These are divided 2. ‘Geology, Volume I. Geologic Pro¬ and field classification of the igneous into— cesses and their Results.’ By Thomas C. rocks, as proposed by the eminent petro- 1. -
Download Detailed Coronation Crown Instructions and Templates
Getty at Home Coronation Crown A crown is often bestowed as part of the inaugural ceremony (coronation) of a king or a queen as a symbol of honor and regal status. Materials: • Primary: construction paper or card stock, crayons, colored pencils, markers, paints, brushes, scissors, glue, and template (provided). • Optional: stapler, glue gun, decorative stickers, glitter, sequins, tin foil, noodles, The Coronation of the Virgin (detail), cereal, lace, pom poms, pipe cleaners, Jean Bourdichon, about 1480-1490. or cut paper shapes. You can cut or hole punch elements from old greeting cards or wrapping paper for more decorative options. Use your imagination! • Alternative: paper bag, gift bag, flattened cereal box, lightweight cardboard, or foam sheets. Tips for starting: • Gather all materials beforehand. If you don’t have the exact materials, improvise! • Use sheets measuring 8½ x 11 inches or larger for tracing the template Completed coronation crowns • Print the custom Getty crown template. © 2020 J. Paul Getty Trust Getty at Home Coronation Crown Instructions: 1. Print custom Getty template and cut out the three crown segments. 2. Decorate the printed template directly with dry media (like crayons, markers, etc.) and lightweight decorations for best results. Decorating the crown template directly 3. Or, use the template to trace three crown segments on another material like construction paper, cardstock, or cardboard 4. Cut out traced segments and decorate with crayons, markers, paints, decorative stickers, glitter, sequins, tin foil, noodles, cereal, lace, pom poms, pipe cleaners, and/or cut paper shapes. Tracing the template onto another material 5. Glue or staple the three decorated crown segments together to make one long band. -
Westminster Abbey ASERVICE to CELEBRATE the 60TH ANNIVERSARY of the CORONATION of HER MAJESTY QUEEN ELIZABETH II
Westminster Abbey ASERVICE TO CELEBRATE THE 60TH ANNIVERSARY OF THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II Tuesday 4th June 2013 at 11.00 am FOREWORD On 2nd June 1953, the Coronation of Her Majesty Queen Elizabeth II followed a pattern established over the centuries since William the Conqueror was crowned in Westminster Abbey on Christmas Day 1066. Our intention in this Service of Thanksgiving is to evoke and reflect the shape of the Coronation service itself. The Queen’s entrance was marked by the Choirs’ singing Psalm 122—I was glad—set to music for the Coronation of EdwardVII by Sir Hubert Parry. The Queen’s Scholars of Westminster School exercised their historic right to exclaim Vivat Regina Elizabetha! (‘Long live Queen Elizabeth!’); so it will be today. The coronation service begins with the Recognition. The content of this part of the service is, of course, not today what it was in 1953, but the intention is similar: to recognise with thanksgiving the dutiful service offered over the past sixty years by our gracious and noble Queen, and to continue to pray God saveThe Queen. The Anointing is an act of consecration, a setting apart for royal and priestly service, through the gift of the Holy Spirit. The Ampulla from which the oil was poured rests today on the HighAltar as a reminder of that central act. St Edward’s Crown also rests today on the High Altar as a powerful symbol of the moment of Coronation. In today’s Service, a flask of Oil is carried by representatives of the people of the United Kingdom to the Sacrarium, received by theArchbishop and placed by the Dean on the High Altar. -
POLAND Castles Andpalaces
POLAND Castles and Palaces ISBN 978-83-8010-012-1 www.poland.travel EN Castles and Palaces 1 Castles and Palaces castle palace Baltic Coast, Warmia and Masuria Central and Eastern Poland Southern Poland Lower Silesia and Wielkopolska Castles and Palaces 3 Knightly past and aristocratic luxuries Visiting castles and palaces in Poland is a fascinating journey across centuries. They witnessed the country’s complicated past and its many transformations. fter countless wars, partitions and other political and social turbulences, Athe preserved and restored castles and palaces are now part of Poland’s histori- cal heritage. Despite the wartime destruction, priceless monuments of the past remained untouched in many places. Others were restored or reconstructed with such meticulous care that they became works of art no less important than the original structures. By far, the boldest such undertaking was the reconstruction of the Royal Castle in Warsaw. Whether preserved or restored, castles and palaces are full of life these days. They are homes to museums and/or education centres. They are venues for cultural events or out-of- doors Sound and Light events. They function as luxury hotels with spa facilities, while res- taurants in castles and palaces take diners on journeys to the times of hunters’ parties and opulent feasts of the Polish nobility of olden days. ▶ ▶ Many layers of history are still waiting to be discovered. They are hidden either in Medieval strongholds made of earth, stones and wood, or in ruined, but still impressive, fortifications, or in castles of the Teutonic Knights, or in castles rearranged by aristocrats to become family residences, each more opulent than the last. -
Relic Or Icon? the Place and Function of Imperial Regalia*
Chapter 14 Relic or Icon? The Place and Function of Imperial Regalia* Akira Akiyama Even though the studies of Christian and Buddhist art have long had respec- tive traditions, only rarely are their research results compared. This essay at- tempts to take up a comparative religious art historical investigation.1 There is no guarantee that such a comparison will bring about remarkable results; however, through the process of comparing it is possible, by juxtaposing differ- ent perspectives on similar kinds of objects, at least to gain some stimuli, ideas, and expertise vis-à-vis the fields of both Western and Japanese or East Asian art historical research. We thus explore here the regalia of the Holy Roman Empire, Reichskleinodien or Reichsinsignien, and the imperial regalia of Japan, Sanshu-no-Jingi (Three divine objects). Regalia are some of the most popular objects in many cultures, and are often newly made at the coronation of a sovereign. In this respect the imperial regalia of the Holy Roman Empire and of Japan make interesting exceptions, because in both cases they have a long tradition and history. By comparing the dynamics of portable sacred objects— their translation into different local contexts—we discover that regalia func- tion as both relics and icons to differing degrees in various situations. Further still, the ambiguity of place in the series of moves, compounded by issues of visibility, complicates the function of sacred imagery. While relics are prin- cipally not duplicable, but dividable, icons are not dividable, but duplicable. Japanese imperial regalia, in contrast to those of the Holy Roman Empire, have not only a relic-like character, but also an icon-like character. -
Dazzling Desire
VISITOR GUIDE DAZZLING 18/10/2017 14/01/2018 DESIRE Diamonds and their emotional meaning Please return this visitor guide after your visit. Do you want to read the texts again? You can download them from our website (www.mas.be) or buy the publication in the MASshop. Photo credits 13. / 15. © Antwerp, MAS – 32. © Chantilly, Musée Condé – 53. © Vienna, Museum für Völker- kunde (Foto-archiv nr.5125) – 54. © St-Petersburg, Russisch Etnografisch Museum (nr. 850-139) – 56. © Collection Staf Daems – 71. Private collection - 103. © Antwerp, Cathedral – Chapel of Our Lady/Brussels, KIK-IRPA, cliché KN008630 – 126. © Lennik, Kasteel van Gaasbeek – 131. © Antwerp, Royal Museum of Fine Arts (560) / Lucas Art in Flanders – 134. © Rotterdam, Museum Boijmans Van Beuningen, foto: Studio Tromp, Rotterdam – 148. © Vienna, Bundesmobilienverwaltung – Hofburg Wien, Sisi-Museum, Photographer: Gerald Schedy – 153. © Brussels, Archives of the Royal Palace – 160. © Victoria, Royal BC Museum and Archives (193501-001) – 161. / 162. © Washington, Library of Congress, Prints & Photographs Division, Edward S. Curtis Collection – 167. © St-Petersburg, The State Hermitage Museum (GE-1352) – 170. © St-Petersburg, The State Hermitage Museum (ERR-1104) – 171. © London, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017 (RCIN 2153177) – 176. © Geneva, Herbert Horovitz Collection – 179. © Brussels, Chancellery of the prime minister – 184. © bpk – Bildagentur – 185. © Julien Mattia / ZUMA Wire / Alamy Live News – 193. © Tervuren, Royal Museum for Central Afrika, Casimir Zagourski (EP.0.0.3342) – 194. © Washington, Smithsonian Institution, National Museum of African Art (Eliot Elisofon Photographic Archives) – 200. – 204. © Kadir van Lohuizen / NOOR – 205. © Felipe Dana / AP / Isopix – b. / n2. © Antwerp, Hendrik Conscience Heritage Library – c. -
PMA Polonica Catalog
PMA Polonica Catalog PLACE OF AUTHOR TITLE PUBLISHER DATE DESCRIPTION CALL NR PUBLICATION Concerns the Soviet-Polish War of Eighteenth Decisive Battle Abernon, De London Hodder & Stoughton, Ltd. 1931 1920, also called the Miracle on the PE.PB-ab of the World-Warsaw 1920 Vistula. Illus., index, maps. Ackermann, And We Are Civilized New York Covici Friede Publ. 1936 Poland in World War I. PE.PB-ac Wolfgang Form letter to Polish-Americans asking for their help in book on Appeal: "To Polish Adamic, Louis New Jersey 1939 immigration author is planning to PE.PP-ad Americans" write. (Filed with PP-ad-1, another work by this author). Questionnaire regarding book Plymouth Rock and Ellis author is planning to write. (Filed Adamic, Louis New Jersey 1939 PE.PP-ad-1 Island with PE.PP-ad, another work by this author). A factual report affecting the lives Adamowski, and security of every citizen of the It Did Happen Here. Chicago unknown 1942 PA.A-ad Benjamin S. U.S. of America. United States in World War II New York Biography of Jan Kostanecki, PE.PC-kost- Adams , Dorothy We Stood Alone Longmans, Green & Co. 1944 Toronto diplomat and economist. ad Addinsell, Piano solo. Arranged from the Warsaw Concerto New York Chappell & Co. Inc. 1942 PE.PG-ad Richard original score by Henry Geehl. Great moments of Kosciuszko's life Ajdukiewicz, Kosciuszko--Hero of Two New York Cosmopolitan Art Company 1945 immortalized in 8 famous paintings PE.PG-aj Zygumunt Worlds by the celebrated Polish artist. Z roznymi ludzmi o roznych polsko- Ciekawe Gawedy Macieja amerykanskich sprawach. -
Planning for Accession and Coronation
DEPARTMENT OF POLITICAL SCIENCE INAUGURATING A NEW REIGN: PLANNING FOR ACCESSION AND CORONATION BOB MORRIS INAUGURATING A NEW REIGN: PLANNING FOR ACCESSION AND CORONATION Dr Bob Morris The Constitution Unit University College London May 2018 i ISBN: 978-1-903903-82-7 Published by: The Constitution Unit School of Public Policy University College London 29-31 Tavistock Square London WC1H 9QU United Kingdom Tel: 020 7679 4977 Email: [email protected] Web: www.ucl.ac.uk/constitution-unit © The Constitution Unit, UCL, 2018 This report is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. First published May 2018 Front cover image: Nathan Hughes Hamilton; licenced under Creative Commons, https://creativecommons.org/licenses/by/2.0/legalcode ii CONTENTS Preface……………………………………………………………………………….v Executive summary………………………………………………………………….vi 1.1-1.25 Conceptual changes since 1952……………………………………………...1 1.1-1.5 Social…………………………………………………………..1 1.6-1.8 Religion……...………………………………………………....1 1.9-1.10 Political…………………………………………………….....2 1.11-1.14 Geopolitics and security……………………………………..2 1.15-1.23 Constitutional……………………………………………….3 1.24-1.25 Machinery of government…………………………………...5 2.1-2.22 Accession…………………………………………………………………....6 2.1 Demise…………………………………………………………….6 2.2-2.4