Opened up Paths for a Re-Evaluation of the Art Schools
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Didier Fiúza Faustino Unbuilt
Rua da Manutenção – 80 | 1900-321 Lisbon | Portugal | T_ +351 218624122 / 23 | F_+351 218624124 | E_ [email protected] | www.gfilomenasoares.com DIDIER FIÚZA FAUSTINO UNBUILT MEMORIES 11.01 - 10.03.2018 Didier Fiúza Faustino’s work explores the relation between art and architecture, between body and space, rethinking the established theories of art, design and structure. The artist challenges our conventional ideas and behaviour by designing imagined or unusual objects that confront us with our own physical and mental limits in a new and ever changing social reality. Faustino’s designs, photographs, videos and sculptures show his interest in the body and its fragility, on a physical, as well as a spiritual and political level. He investigates the body as a group and as a system to deconstruct the physical and mental boundaries of both the body and the spectator. Throughout the exhibition, “the different spaces, buildings and objects recentre the body on the basis of the social and political implications of the space, simultaneously alerting people to the dangers of subjectivity and established truths“(1). In doing so, “Unbuilt Memories shows itself as a manifesto for the as yet unestablished possibility of reflecting on the future by excluding the notion of certainty as political and civic dogma, or as the reminiscence of a given past.”(2) 1. Tomorrow’s Shelter (sculpture) The sculpture consist densely structured iron rods, presenting itself as an extreme form of protection. At the same time it is exposed in its nakedness and unfinished appearance. The work offers an incomplete and questioning reflection on the future as it seems to allude to the desperate search for protection and reassurance in an uncertain changing society struggling to construct a future for mankind. -
LAFF 2011: Movie Review "UNFINISHED SPACES" CUBA's ART and REVOLUTION | Tonightatthemovies.Com
LAFF 2011: Movie Review "UNFINISHED SPACES" CUBA'... http://tonightatthemovies.com/indexhold/?p=11859 movies, new movies, films, film Search Custom Search LATEST INTERVIEWS ON THE RED CARPET CONTEST & GIVEAWAYS MOVIE NEWS FAMILY MOVIES AND FUN Select Language ▼ LA FILM FEST COVERAGE LAFF 2011: MOVIE REVIEW “UNFINISHED SPACES” – CUBA’S ART AND REVOLUTION Monday, June 20th, 2011 Written by: Jackson Truax Like many of the film’s showing at this year’s Los Angeles Film Festival, Unfinished Spaces is a feature directorial debut, this one being from the directing team of Alysa Nahmias and Benjamin Murray. Both filmmakers are names to keep an eye out for, as Unfinished Spaces masterfully blends art, history, and politics into a film that offers something TATM COLUMNS for audiences members interested in any or all of the three. The film centers around three architects, artist Ricardo Porro, Venetian-influenced Roberto Gottardi, and urbanist Beyond Subtitles Vittorio Garatti. After the Cuban revolution, Fidel Castro commissions the three to design “the most beautiful of art Indie Kid Ryan schools in the world.” They do just that, and the buildings become the bustling National Art Schools and a Spotlight on film revolutionary paradise, only to be closed and condemned when the revolution became Sovietized, all before being completed. Not Without My comic PLAY IT AGAIN, SAM DVD’S Much of the success of Unfinished Spaces comes from Nahmias and Murray’s ability to tightly focus their energy and & MORE story into 84 compelling minutes, and being willing to not only constantly take the viewer into a new place This Week In Film: Trailers & dramatically, but someplace they may not have expected to go. -
Paradores, Pousadas Y Habaguanex. La Rehabilitación En El Marco De La Hotelería Pública
Cuadernos de Turismo, nº 35, (2015); pp. 379-398 Universidad de Murcia ISSN: 1139-7861 eISSN: 1989-4635 DOI: 10.6018/turismo.35.221661 PARADORES, POUSADAS Y HABAGUANEX. LA REHABILITACIÓN EN EL MARCO DE LA HOTELERÍA PÚBLICA María José Rodríguez Pérez Universidad Politécnica de Madrid RESUMEN El artículo relaciona tres modelos de hotelería pública de ámbito internacional desde el punto de vista de la intervención patrimonial. Por una parte, los paradores y las pousadas, con una gran tradición a sus espaldas, y por otra, los hoteles Habaguanex, uno de los más recientes ejemplos de actuación pública en la industria hotelera. La puesta en común de sus características y criterios determina la peculiar evolución que ha tenido la rehabilitación en cada uno de ellos, y enfatiza la convergencia en el binomio patrimonio-turismo, aún hoy reconocido como fórmula sostenible de gestión patrimonial. Palabras clave: Habaguanex, hotel, parador, patrimonio, pousada, rehabilitación, turismo. Paradores, Pousadas and Habaguanex. Restoration in the public hotel industry ABSTRACT The article relates three international models of public hotel from the point of view of heritage intervention. On the one hand, paradores and pousadas, with a long tradition, and on the other hand, Habaguanex hotels, one of the most recent examples of public intervention in the hotel industry. Sharing their characteristics and criteria determines the unique evolution of restoration in each of them and highlights the convergence of the relationship between heritage and tourism, which is till today considered as a sustainable way of heritage management. Key words: Habaguanex, hotel, parador, heritage, pousada, restoration, and tourism. Recibido: 25 de noviembre de 2013 Devuelto para su revisión: 20 de marzo de 2014 Aceptado: 30 de abril de 2014 Escuela Técnica Superior de Arquitectura de Madrid. -
L'architettura Tra Eteronomia E
L’ARCHITETTURA TRA ETERONOMIA E DOSSIER AUTOGENERAZIONE Luigi Alini, [email protected] Dipartimento di Ingegneria Civile e Architettura, Università degli studi di Catania, Italia Introduzione «Non ho mai lavorato nell’esal- atelier di Brera del 1988 e gli interni dell’Hotel Gallia del 1989. tazione tecnocratica, alla risolu- “La vera architettura si autogenera”1: un approccio che si conso- zione di un problema costruttivo e basta. Ho sempre cercato di lida negli anni della collaborazione con Raúl Villanueva in Ve- interpretare lo spazio della vita dell’uomo» (Vittorio Garatti). nezuela e trova compimento a Cuba nel progetto delle Scuole Vittorio Garatti (Milano, 6 aprile 1927) è certamente uno degli d’Arte, dove Garatti ricorre ad una pluralità di strumenti non ultimi testimoni di una stagione “eroica” dell’architettura italia- confinabili rigidamente al mondo dell’architettura. na. Nel 1957 si laurea in architettura al Politecnico di Milano Nel 1957 a Caracas entra in contatto con Ricardo Porro e Ro- con una tesi che propone il ridisegno di una porzione del centro berto Gottardi. Sarà Ricardo Porro, rientrato a Cuba nel 1960, storico di Milano: l’area compresa fra piazza della Scala, via Bro- a coinvolgere Vittorio Garatti e Roberto Gottardi nel progetto letto, via Filodrammatici ed i giardini dell’ex edifico Olivetti di delle Escuelas Nacional de Arte. via Clerici. I tre giovani architetti saranno protagonisti di una felice stagio- Sono gli anni in cui Ernesto Nathan Rogers si afferma come una ne de “l’architettura della Rivoluzione”, saranno attraversati da delle principali personalità della cultura milanese. Garatti fa quell’energia “rivoluzionaria” che Ricardo Porro ha definito “re- propria la critica espressa da Rogers all’omologazione del “lin- alismo magico”. -
Las Escuelas Nacionales De Arte and the Cuban Revolution
86TH ACSA ANNUAL MEETING AND TECHNOLOGY CONFERENCE 339 Identities in Conflict - Las Escuelas Nacionales de Arte and the Cuban Revolution JOHN A. LOOMIS City College of CUNY Constructing a revolutionary identity was one of the cultural tectural practice in Cuba prior to the revolution, there were goals of the Cuban Revolution. Yet the first work of architec- distinct efforts among the more progressive Cuban modern- ture, Las Escuelas Nacionales de Arte (National Art Schools, ists to address the cultural specificity of the island. As early 1961-65), that sought to develop a critical architectural as 1941 the Agrupacibn TCcnicade Estudios Contemporineos expression of identity, generated a level of controversy that had been founded to pursue the discussion of contemporary contributed to the project's partial abandonment and the issues of architecture and urbanism, with the specific mission redirection of architecture in revolutionary Cuba. to engage these issues with Cuba's environmental and cul- The intellectual discourse that provides a framework for tural context. After the quema de 10s Viiiola2 in 1947, the the definition of identity in Cuba - cubanidad - predates the faculty of architecture at the Universidad de La Habana Cuban Revolution and has 19thcentury origins in the writings departed from its Beaux-Arts origins to embrace a more of Jose Marti whose progressive view of race relations recog- modernist doctrine, while at the same time consciously seek- nized the African as well as Spanish contributions to Cuban ing to integrate values from the island's own arquitectura culture. In the 1930's two schools of thought emerged criolla. Parallel to the regionalist and vernacular interests that regarding identity, the negristas and the hispanicistas. -
Open to the Public
1 '•^Ctf^' o • *uJ *r • • »'* • $m l'í'^^i* 5^ && wr&M -5 ^ *•*«*"* M K *• f A» JBMM JT REDISCOVERING CUBA'S II B Vi r NATIONAL ART SCHOOI •rrnitn.,/-.' .'Y^XÍ' '!lmr> Proud supporters of the WORLD MONUMENTS WATCH The World Monuments Fund and founding sponsor American Express created the World Monuments Watch in 1996. American Express has committed through 2005, $10 million dollars over ten years, to fund preservation projects. For the past five years, TRAVEL + LEISURE Magazine, has devoted a special section to raise awareness of and funds for the World Monuments Watch. We are proud to be a part of the cause and each year donate ten percent of all net advertising revenue generated through the special section to the World Monuments Fund. TRAVEL + LEISURE WORLD MONUMENTS WINTER 2002/2003 FEATURES Destruction and Hope The state of Afghanistan's ancient monuments 16 Chronicle in Stone A Manueline masterpiece reborn Abode of the Gods Sacred shrines of Kathmandu 26 Castro's Dream Rediscovering Cuba's National Art Schools Catalysts for Change Private trusts as critical tools in preservation Building New Delhi The British capital of India was built as a garden-city, world-renowned for its civic grace Next Stop: Mongolia Restoring the Bogd Khan Palace in Ulaanbaatar DEPARTMENTS From the President From Ihc Ftlilor News Ex [ibris Expedition:South America ON THE COVER Thirteenth-century Masjid-i-Jami (Great or Friday Mosque), Herat, Afghanistan © Sabrina and Roland Michaud World Monuments ICON (ISSN 1539-4190) is published quarterly by the World Monuments Fund», 95 Madison Avenue, New York, NY 10016, tel .1 646-424-9594, fax >1 646-424-9593, e-mail ¡con<°>wmf.org. -
EUSEBIO LEAL SPENGLER. Nació En La Habana, El 11 De Septiembre
EUSEBIO LEAL SPENGLER. Nació en La Habana, el 11 de septiembre de 1942. Doctor en Ciencias Históricas de la Universidad de La Habana, Master en Estudios sobre América Latina, el Caribe y Cuba, Especialista en Ciencias Arqueológicas. Historiador de la Ciudad de La Habana, Presidente de la Comisión Nacional de Monumentos, Presidente del Comité Cubano de ICOM y Presidente de Honor del Comité Cubano del ICOMOS, Decano de la Facultad del Colegio Universitario San Gerónimo de La Habana, Titulo de Profesor de Mérito de la Universidad de La Habana. Dr. Honoris Causa en: Arquitectura del lnst. Politécnico José Antonio Echeverría de Cuba; en Filosofía y Letras de la Universidad de Atenas, Grecia; en Teología de la Universidad Nacional y Capodistriana de Atenas, Grecia; en Arquitectura de la Universidad de Ferrara, Italia; en Arquitectura de la Universidad de la Rep. Oriental del Uruguay; en Arquitectura de la Universidad Ricardo Palma, Lima, Perú; en Arquitectura de la Universidad Central, Santiago de Chile; Por la Obra de la Vida de la Universidad Veracruzana, Veracruz, México. Académico de Número de la Academia Cubana de la Lengua. Correspondiente de la Real Española. Profesor Titular de la Cátedra de Filosofía y Letras de la Universidad de La Habana. Es Miembro: del Consejo Científico de la Universidad de La Habana; del Consejo Científico de la Facultad de Artes y Letras de la Universidad de La Habana; de la Academia Cubana de la Historia; de Honor de la Academia de Ciencias de Cuba; de Honor de la Unión de Historiadores de Cuba; de Honor del CICOP (Centro Inter. -
Restrictions on Travel to Cuba Hearing
S. HRG. 107–361 RESTRICTIONS ON TRAVEL TO CUBA HEARING BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED SEVENTH CONGRESS SECOND SESSION SPECIAL HEARING FEBRUARY 11, 2002—WASHINGTON, DC Printed for the use of the Committee on Appropriations ( Available via the World Wide Web: http://www.access.gpo.gov/congress/senate U.S. GOVERNMENT PRINTING OFFICE 78–446 PDF WASHINGTON : 2002 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate 21-JUN-2000 13:00 May 02, 2002 Jkt 000000 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 U:\13HEAR\2003\78446.XXX DORISJ PsN: DORISJ COMMITTEE ON APPROPRIATIONS ROBERT C. BYRD, West Virginia, Chairman DANIEL K. INOUYE, Hawaii TED STEVENS, Alaska ERNEST F. HOLLINGS, South Carolina THAD COCHRAN, Mississippi PATRICK J. LEAHY, Vermont ARLEN SPECTER, Pennsylvania TOM HARKIN, Iowa PETE V. DOMENICI, New Mexico BARBARA A. MIKULSKI, Maryland CHRISTOPHER S. BOND, Missouri HARRY REID, Nevada MITCH MCCONNELL, Kentucky HERB KOHL, Wisconsin CONRAD BURNS, Montana PATTY MURRAY, Washington RICHARD C. SHELBY, Alabama BYRON L. DORGAN, North Dakota JUDD GREGG, New Hampshire DIANNE FEINSTEIN, California ROBERT F. BENNETT, Utah RICHARD J. DURBIN, Illinois BEN NIGHTHORSE CAMPBELL, Colorado TIM JOHNSON, South Dakota LARRY CRAIG, Idaho MARY L. LANDRIEU, Louisiana KAY BAILEY HUTCHISON, Texas JACK REED, Rhode Island MIKE DEWINE, Ohio TERRENCE E. SAUVAIN, Staff Director CHARLES KIEFFER, Deputy Staff Director STEVEN J. CORTESE, Minority Staff Director LISA SUTHERLAND, Minority Deputy Staff Director SUBCOMMITTEE ON TREASURY AND GENERAL GOVERNMENT BYRON L. -
Exploring Havana, Cuba Schedule By
EXPLORING HAVANA, CUBA OCTOBER 23–28, 2015 The Harvard Alumni Association is operating this educational program under the General License authorized by the Office of Foreign Assets Control (OFAC). This program differs from more traditional trips in that every hour must be accounted for. Each day has been structured to provide meaningful interactions with Cuban people or educational or cultural programming. Please note that Stanford University intends to fully comply with all requirements of the General License. Travelers must participate in all group activities. Each individual is required to keep a copy of their final program which could be requested by OFAC officials at any point in the next five years. Please note that we fully expect this program to change so that we can accommodate the changing schedules of the people meeting with the group. The below program includes examples of speakers and visits but there may be other guests and visits added as we develop the program. We will have an updated itinerary later this spring. STUDY LEADER: To be announced GROUP SIZE: 12 to 25 guests PRICING: $4,695 per person double occupancy / $795 single supplement FRIDAY, OCTOBER 23 SCHEDULE BY DAY HAVANA Depart Miami on a charter flight to Havana. This short B=Breakfast, L=Lunch, D=Dinner flight takes about 45 minutes. Upon arrival in Havana proceed through immigration THURSDAY, OCTOBER 22 and collect your luggage. Your local Cuban guide and INDEPENDENT ARRIVALS IN MIAMI your tour manager will be waiting for you outside in the arrivals area. Since the flight to Havana may depart early in the morning on Friday, October 23 we suggest you arrive The first stop will be at the iconic Hotel Nacional. -
Lo Mejor De Cuba En La XVI Edición De La FIL
U N I V E R S I D A D D E G U A D A L A J A R A Nueva época II • Año 2 • $ 3.50 Núm. 278 • 2 de diciembre de 2002 Lo mejor de Cuba en la XVI edición de la FIL En el Pabellón, la bandera de Cuba abarca una gran extensión del montaje preparado por el pintor cubano Waldo Saavedra FOTO: ADRIANA GONZÁLEZ Inició la fiesta de los libros en Guadalajara y con de los más notables exponentes de la creación y el ella, la ola cubana que se ha volcado desde el sábado pensamiento latinoamericanos del siglo XX. 30 de noviembre por toda la ciudad, con una La Feria Internacional del Libro, organizada por delegación de más de 600 personas, quienes durante la Universidad de Guadalajara, en Expo 2002 esta semana compartirán su literatura, música y Guadalajara, ofrece en esta ocasión la exhibición de arte. más de 80 mil títulos y más de 600 actividades La FIL, en su edición XVI, otorgó el premio Juan académicas, artísticas y culturales a las Rulfo al poeta cubano Cintio Vitier, por su aproximadamente 400 mil personas que espera humanismo, elemento que lo ha convertido en uno como visitantes. Gaceta ❖ 2 2 de diciembre de 2002 EDITORIAL Universitaria Criterio México en la prensa cubana Universidad de Guadalajara Ahora, en el año 2002, cuando la Feria Internacional del Libro de Guadalajara, México, DIRECTORIO en su edición XVI tiene a Cuba como país invitado de honor, podemos reiterar que la amistad entre México y Cuba es permanente e indestructible, porque sus pueblos asisten Rector general: Lic. -
The Meaning of Italian Culture in the Latin American Architecture Historiography
CADERNOS 19 ROBERTO SEGRE The Meaning of Italian Culture in the Latin American Architecture Historiography. An Autobiographical Essay. ROBERTO SEGRE The Meaning of Italian Culture in the Latin American 291 Architecture Historiography. An Autobiographical Essay. Roberto Segre Picture: Meindert Versteeg (2010) The first years he decision of writing an autobiographical narrative is a difficult task, as- Tsuming as guideline the meaning of Italy and its culture, for seven decades dedicated to the history of Architecture. It gives the impression that telling your own life story is somehow associated with an egocentric, self-recognition content; with the illusion of an idea that personal experiences would be useful to eventual readers. However, at the same time, there is in the world a persis- tent and intense desire of knowing the individualities that through their work contributed to the development of culture and ideas that had some influence on the social development; those who fought for transforming reality by gen- erating new empirical contents, interpretations, discoveries and experiences that could be embraced by future generations. Therefore, reaching an advanced age, we feel the need of stopping, of looking back to the past and following the singer Paolo Conte’s suggestion: “dai, dai, via, via, srola la pellicola”, and thus, reviewing the most significant moments of life: the discoveries during travels, the contact with the masters, the aesthetic and architectonic experiences. Un- doubtedly some autobiographies are still paradigmatic, such as the ones by F.L. Wright and Oscar Niemeyer; or the more intimate and personal ones by Peter Blake, V.G. Sebald or Eric Hobsbawm. -
Rpi Fidel.Pdf" URL Reconocimiento-No Comercial-Sin Derivadas CC BY-NC-ND Licencia
Política Internacional (Edición especial nov 2017) Titulo Castro, Raúl - Autor/a; Leal Spengler, Eusebio - Autor/a; Betto, Frei - Autor/a; Hart Autor(es) Dávalos, Armando - Autor/a; Borón, Atilio - Autor/a; Rodríguez, Arleen - Autor/a; Lapsley, Michel - Autor/a; Labañino, Ramón - Autor/a; Vasapollo, Luciano - Autor/a; Suárez Salazar, Luis - Autor/a; Pichs Madruga, Ramón - Autor/a; Blanco, Katiuska - Autor/a; Serrano, Nina - Autor/a; Almeida, Beto - Autor/a; Salim, Lamrani - Autor/a; La Habana Lugar ISRI Editorial/Editor 2017 Fecha Colección Revolución cubana; Castro, Fidel; Política; Economía; Historia; Cuba; Temas Libro Tipo de documento "http://biblioteca.clacso.edu.ar/Cuba/isri/20171130015629/rpi_Fidel.pdf" URL Reconocimiento-No Comercial-Sin Derivadas CC BY-NC-ND Licencia http://creativecommons.org/licenses/by-nc-nd/2.0/deed.es Segui buscando en la Red de Bibliotecas Virtuales de CLACSO http://biblioteca.clacso.edu.ar Consejo Latinoamericano de Ciencias Sociales (CLACSO) Conselho Latino-americano de Ciências Sociais (CLACSO) Latin American Council of Social Sciences (CLACSO) www.clacso.edu.ar EN HOMENAJE AL COMANDANTE FIDEL CASTRO RUZ LÍDER DE LA REVOLUCIÓN CUBANA Edición dedicada al Comandante en Jefe y Líder de la Revolución Cubana Fidel Castro Ruz, paradigma y leyenda por siempre. “¿Quién dice que Fidel ha muerto? Fidel está y estará por siempre entre nosotros, porque los hombres así no mueren nunca, su vida de leyenda, de gigante, crece y crecerá con los días y la historia”. A. Hart La Habana, Cuba,Edición Especial , Noviembre de 2017 ISRI POLITICA INTERNACIONAL EN HOMENAJE AL COMANDANTE FIDEL CASTRO RUZ LIDER DE LA REVOLUCIÓN CUBANA EDICIÓN ESPECIAL Noviembre de 2017 INSTITUTO SUPERIOR de RELACIONES INTERNACIONALES RAÚL ROA GARCÍA Ministerio de Relaciones Exteriores República de Cuba 01-06 Inicio.pmd 1 26/08/2017, 14:41 Directora: Emb.