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University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 8-1986 Wavelength (August 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (August 1986) 70 https://scholarworks.uno.edu/wavelength/61 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 1685 C0550 ' EARL K. LONG LIBRARY ACQUISITIONS DEPARTMENT UNIVERSITY OF NEW ORLEANS NEW ORLEANS LA 70148 - 1mB j~3;W MON-FRI 10AM - 6PM r AMiRtcAHi SAT 11 AM - SPM , EXPRESS j WARRANTY 4417 Bienville Ave. SAlES-SERVICE 488-2673 488-2674 ·----------. BEN CHARGE New Orleans, lA 70119 ~------NOW YOU SEE IT .. ·. ----~-· +--------Also Available-on A&M------ ..........._______ _Disks & Cassette-------. PLEASANT AT MAGAZINE • NEW ORLEANS • 504/897-5015 - -----~~:..-:..:--·--=-=-=...:=-~=~.:.-~-=~ :.: ---=-=-:.-__ The Kurzweil150 MIDI . Expander Of course the Kurzweil1.50 offers full MIDI imple­ IIURZWEIL a a II II iJ ii Introducing the mentation. With OMNI, POLY and MULTI modes, the ~>o a a • • • a () ~ 1111 ••• KurzweillSO, a Kurzweil1.50 will be a leading component in your MIDI • -- maa •all ·- • great performance setup ... And for only $2, 995~ instrument that The Kurzweil MIDIBOARD• lets you bring the Kurzweil Piano and 21. other Kurzweil­ The Kurzweil MIDIBOARD is a powerful master quality sounds on the road or in the studio. It's a rack­ MIDI keyboard controller with unique features, making it mountable, multi-timbral sound source, designed to the best controller for any MIDI device. work with any MIDI controller. It's also a great companion for the KurzweillSO. The The Sounds MIDIBOARD's unique Polyphonic Pressure Sensitivity The Kurzweil1.50 employs Contoured Sound Modeling~ may be used to control the pitch, vibrato depth and chorus to offer sounds such as the Concert Grand Piano, Electric detune of the KurzweillSO, allowing a level of expression Piano, Harpsichord, Jazz and Rock Organs, Electric and previously not available in keyboard instruments. Acoustic Basses, Nylon and Steel-String Guitars. The 22 The MIDIBOARD's 88-key weighted wooden key­ resident sounds are arranged into 60 preset programs, all board has the feel and velocity sensitivity of a concert available at the touch of a button with 16-voice polyphony. grand piano. Dedicated sliders adjust the keyboard's And with more ROM expansion sockets, there's room touch, attack, release, pressure and retrigger sensitivity, to grow! enabling you to fine-tune the MIDIBOARD's feel to your Programmability own playing style. 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"I'm not sure, but I'm almost positive, that all music came from New Orleans." -Ernie K-Doe, 1979 Features Latin Music Lovers ..........24 New Orleans For Sale ...... 28 Departments August News ...... .... ... 6 One Percent .... ...... ... 10 Rock . .......... ........ 12 Film .. ............ ..... 14 Chomp ... ................ 16 R&B ... ......... .... ... 18 U.S. Indies . ............ ... 20 Reviews ................... 22 Listings ......... ..........30 Classifieds .................33 Last Page . ............ .. .34 A1tmlberof NeiWCSik l'llbll<hor. i'<aunun S. Swu Edilor. ConniC Zc•n.oh Aokon\011 Mo«iatr Editor. Gene S<-.r.omuuo Art Oirtctor. ~ Dulin Adurti.sfn,; . E.hL<tbelh Fonl<tme. Eeleen 5t'mcntelh T)poaf"'ptl)'. 0t'f'ln\ Wcn~cr A\\Oetatc' Contributors. Steve Armhn"'cr. han B<l<ll<y. So Gc<><gc 8'}... lk>bCaoaloouo. Rod Colemo~n. C•ml Gm<kly. Gu\a Guc~.:ionc . Ntd . ~bnnello. Bunny Mo~u ht"''· Mclo•.l) Mtnctl, R.cl O hvter, Hammond Scott.IJon'e Street. Dt"<Y Wcbl> Wurrlt'n~th '' rubll\hcd monthl)' m New Orlean,, Telephone: (~04) M9~-2142 Matl 'ub,utpllun,, t~ddre:'' change, 10 Wuo•l•n~rh, P 0 ll"' 15667. New Orlean,, LA 70175. Sub­ ~nptton rale ~12 per )Car burl<Kc) hl't cia.'' ' ub'o4..:nphon' $28 ~r )tilr (donM:'II' ancJ Ct~n.Kia) AO aerm.ul ra1c ill S40 per )'Car fU\C:NJ\), The enure cuntcnt' of Ww'l'n.f(th are copynghted C ltll'lh Wm·rl,.n~tllr Bad. '''UC'' t~re tiVo&llabtt by ""'nllng to Bado. (,,uc,, P () Bo~ I ~7 . New Orlean,, LA 7017S. Becau...e of a hmlll~ 'upply. b.Kl1''ue' OIR: avou labk forS4 C<Kh Plea.\C alk)w .... rc .. ~ech fur prllc.:C\\Inl and dch\'CI)' of ordc:f'\ ~cw Sub\cnb-­ CI" ' ~ti\C t~IIH\Ioo upld\n \loo ctk \ (,.,-n:c;Cipt offi~t 1\\utduc CO OUr • Nmll, ,...,.,.-\:,unrutenLcd 'uNnrt•on lk:panment . hn•gn~.:u,ltlfllC:f".ma)',....yh) I M.O orched.drawnonaU.S bolnl Bcl'au\C (lf tJ.4ll'tlllanl banl pn-.:c"mg t.:hargc,. -.e cannot ac:t.:tpl chtd., '"C'an.dJilln dc.'ll•" or other fon:•~:n currenq. or ~.:ht\.h dra-.n ,,., a h«•gn ~nl . Suh:oot.:nhcf". mu.'t nnllf) u' tmmNt ~Hcl) vf an) chiulgc of ~re" U r'lllllfl(ahon '' nut ~c•"·ed , ma~.u1nc' -.ent to 1nconu1 <llJ. drn.~ -.,II nt.C bt rcrJ ...~ U.S C&blomtf'\ mclude ZIP code. Now Available at all PHILIP GLASS " 100% cotton, b111Ck T-SHIRTS on white only •S, M, I., XL • Hand printed to Oldet ldnllrs· • $8.50 + $1.50 hendllng • Money tHick QUIJIIII/Hd stores SEND CHECK OR MONEY ORDER TO: ALL MAJOR BRANDS e COMPETITIVE PRICES STEVE BAYNES e COMPLETE TEACHING FACILITIES P.O. BOX 850573 NEW ORLEANS, LA 70185-0573 2013 WILLIAMS BLVD. 466-8484 AUGUST • Wtnrele•... 5 FUTURE OF CITY'S UNTAPPED MUSIC BUSINESS LOOKS BRIGHTER ROCK Despite the standing of music in the when Duplantier brought in a Jason DRUMMERS ON New Orleans mystique and its Berry article from Gambit on the TOUR venerable place in the tourist triad, whys and wherefores of the plight "fun, food and music," the busi­ of the music industry in New Poor drummers. Except for Phil ness of music here remains small Orleans. Collins, of course. ThO!f arc gener­ business. "We were really excited," Ram· ally hidden by their own equipment "When people here think of the sey recalled, " I said ' really, why and the other members of the band music business," explained Jan V. isn't there a thriving industry here'!' while on stage. Not only are they Ramsey, president of the New But, I'm not a music business per­ camouflaged during rock shows and Orleans Music and Entertainment son, I'm a real estate consultant almost always lingering in the back­ Association, "they think of clubs, who's a music freak." So Ramsey ground whenever the band meets its Bourbon Street, and parties. and Duplantier went to "music public, but when was the last time "In Nashville they think of rec­ business people" and in a series of you saw Alex Van Halen or Vinnie ording, video production, publish­ meetings, began to understand the Appice on the cover of any music ing. even theme parks." needs of the industry in relation to magazine besides Modem Drum­ So why not Jazzworld or Basin­ those of the business community mer? Unarguably, drummers almost land in New Orleans? A major fac­ and the city.
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  • Recordings by Women Table of Contents

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    '• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem­ CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
  • The Music Center's Study Guide to the Performing Arts

    The Music Center's Study Guide to the Performing Arts

    DANCE TRADITIONAL ARTISTIC PROCESSES ® CLASSICAL 1. CREATING (Cr) Artsource CONTEMPORARY 2. PERFORMING, PRESENTING, PRODUCING (Pr) The Music Center’s Study Guide to the Performing Arts EXPERIMENTAL 3. RESPONDING (Re) MULTI-MEDIA 4. CONNECTING (Cn) ENDURING FREEDOM & THE POWER THE HUMAN TRANSFORMATION VALUES OPPRESSION OF NATURE FAMILY Title of Work: concert at Skyline College near San Francisco. The visual Voice/Dance Improvisation design of the performance was shaped through costumes, Creators: sets and lighting design. Most of McFerrin’s vocals were a Dancer and Choreographer: Tandy Beal b. 1948 spontaneous response to the dancers. Some sections of the Vocal Musician: Bobby McFerrin b. 1950 dancing were set with specific guidelines for the improvisational work. One of the highlights of the television Background Information: production, which is featured in this unit, is an improvised duet Dancer/Choreographer Tandy Beal and Musician/ with Beal and McFerrin where neither knew what the other Composer Bobby McFerrin met in 1975 when he was would do. playing the piano for dance classes at the University of Utah, where she taught. Delighting each other with their Creative Process of the Artist or Culture: improvisational skill, they began to imagine possibilities for Improvisational work is very challenging; it requires a great a joint project. In 1981 both artists were on tour in Europe deal of trust, alertness, and the ability of each performing in many of the same places, but never at the person to respond fully to the other in the present moment. same time. Finally, in London a plan was set in motion for Improvisation is about playing in a serious way.