Combat Zone Wrestling Card Game
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket. -
153205252.Pdf
M a d i s o n et al.: Madison Magazine - Spring/Summer 2010 spring/summer 2 0 1 0 Madisonthe magazine of james madison university Professors You Love Madison’s longest-running column celebrates 10 years on teaching excellence, engaged professors, hands-on learning and connections that go far beyond classroom walls pag e 3 2 spring/summer 2 0 1 0 PublishedInsIde: by StudentsJMU Scholarly wow Commons, in NYC opera 2010 performance *Phi Beta Kappa inaugural members inducted 1 Madison Magazine, Vol. 33 [2010], No. 2, Art. 1 FULLFRAME https://commons.lib.jmu.edu/madisonmagazine/vol33/iss2/1Madison Magazine 2 et al.: Madison Magazine - Spring/Summer 2010 CAA ChAmps! Senior guard Sarah Williams of Wilmington, Del., hoists the trophy as her teammates and Dukes’ fans fill the court to celebrate the 2009–10 Colonial Athletic Association Tournament championship in March. Read more about the team’s storied season on Page 19. PublishedP h by otogr JMU a P hs Scholarly by Dav i D LCommons,onnquest (’11) 2010 s p r i n g / s u mm e r 2 0 1 0 3 Madison Magazine, Vol. 33 [2010], No. 2, Art. 1 ContentsSpring/Summer 2010 * V o l . 3 3 * n o . 2 Planting roots at JMU Acclaimed Israeli-American sculptor Dalya Luttwak visited JMU as the College of Visual and Performing Arts’ Diversity Artist-in-Residence. (Above): Luttwak’s public artwork, Red Bamboo-Grass, is on display at the Smith House Sculpture Garden at the Arts Council of the Valley in downtown Harrisonburg. p A g e 2 7 F e a t u r e d 32 Professors You Love celebrates 10 years COver by Bill Goodykoontz (’85) and Jamie Marsh Up Front sometimes the best part of the Madison experience is that special relationship with a respected 1 professor. -
CHARITY NAVIGATOR PAWS Chicago’S Life-Saving Impact
2018 IMPACT REPORT CHARITY NAVIGATOR PAWS Chicago’s Life-Saving Impact YEAR IN REVIEW PATH TO NO KILL 2018 HONOR ROLL HIGHLIGHTS AND STATISTICS TWENTY YEARS OF PROGRESS OF DONORS 2014 HONOR ROLL DONORS To Our Supporters Your dedication has saved the pets featured in these pages — and thousands more! — in their time of greatest need. We hope that you feel a sense of accomplishment as you read about the important work we have done together. Abel April Fra n k ie Pe n n y Willy -Your Friends at PAWS Chicago Luna Mattie Va u gh n Svetlana M o rg a n R a mirez Po ppet 5,591 16,750 2,914 25,307 143,933 3,325 Adoptions Animals spayed/ Spay/neuter surgeries Pounds of food and Volunteer hours = Animals in foster care neutered provided for feral cats supplies distributed by 69 full-time employees the Pet Food Pantry 98.12% 100% 2,371 Save Rate of surgeries were Surgeries in Englewood Charity Navigator score achieved FREE or subsidized and Back of the Yards 4 Stars for the 16th consecutive year through PAWS for Life PAWSCHICAGO / 1 PAWSCHICAGO DEAR FRIENDS, Twenty-one years ago, we started with an adoption event on Michigan Avenue and Oak Street. We had a glimpse behind the closed doors of Chicago’s high-kill shelters back in 1997 and we IN THIS REPORT needed to do something to bring attention to the more than 40,000 animals who were being killed in our city each year. 5 Chicago’s Path To No Kill Since that day, the Chicago community has come together on 6 The PAWS Chicago No Kill Model behalf of the animals. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Wxw Holds Keynote on Wxw NOW Streaming
wXw holds keynote on wXw NOW streaming service, announces details on Germany's first wrestling network wXw just announced the first in-depth details on our new "wXw NOW" streaming network, which will launch one month from now on 8/13 at www.wxwnow.de. It will not just be a collection of shows like a lot of companies offer for a monthly fee via Pivotshare but also offer original content and a lot of archived shows, some dating back as far as 2006. We will also have our uniquely designed interface/UI, while hosting and infrastructure will be managed by Vimeo, our long-time streaming partner, dating back to 2013. Wrestling journalist Markus Gronemann (DarkMat.eu, Wrestling Observer) considers this to be the biggest launch of an over-the-top pro wrestling channel by a single promotion since New Japan World. wXw Managing Director Christian Jakobi held a keynote presentation tonight at 8 pm CEST at the wXw Wrestling Academy training school, which was streamed live on Facebook (the video is available, albeit only in German, here) and talked about what future and past events and what kind of original content would be available. We had up to 750 viewers simultaneously on Facebook and also had some students and a trainer (Toby Blunt) in attendance to provide some crowd noise and cheering at key points during the announcement. Marquee Events are wXw's version of pay-per-view caliber shows, where feuds start and end and international talent often appears. There currently are 10 marquee events on the calendar, with some of them being multi-day shows: -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
Designer Adrian Wu + 12
UC-MagSpring2013-Quark9PB_Layout 1 13-02-24 10:42 AM Page 1 Spring 2013 DESIGNER ADRIAN WU + 12. RONA MAYNARD BEFORE & DRESSING AFTER WELL MAHEESHA 16. RANASINGHE LEONARD 32. SIMPSON 26.SHOE KING FASHION CRIMES WHY YOU SHOULDN’T BUY FAKE 36.HANDBAGS StyleThe Issue www.uc.utoronto.ca/alumni UC-MagSpring2013-Quark9PB_Layout 1 13-02-24 10:42 AM Page 2 UNIVERSITY COLLEGE SPRING 2013 The Look www.uc.utoronto.ca/alumni WE ASKED UC STUDENTS THE TO SHOW US WHAT THEY’D WEAR FOR A NUMBER OF OCCASIONS, FROM CLASS IN THE MORNING TO BED AT NIGHT AND ALL POINTS LO IN BETWEEN. PHOTOGRAPHER Christopher Dew OK TERRI ODUNLAMI brings it at the club TERRY TANG suits up for a job interview ALICE HSUEH tucks herself in ZOYA GAI hits the gym ARUSHI JAISWAL grabs a coffee with friends 02 — UC ALUMNI MAGAZINE UC-MagSpring2013-Quark9PB_Layout 1 13-02-24 10:42 AM Page 3 UNIVERSITY COLLEGE SPRING 2013 The Look www.uc.utoronto.ca/alumni heads to class AMANDA STOJCEVSKI OLIVIA DOOLEY dons vintage UC spirit wear for Frosh Week JUNWEN DENG sparkles at party ALANA HORTON & BENJAMIN DIONNE dress to impress on date night DANIEL KONIKOFF rocks out at band practise UC ALUMNI MAGAZINE — 03 UC-MagSpring2013-Quark9PB_Layout 1 13-02-24 10:42 AM Page 4 CONTENTS SPRING 2013 featuresFeatures www.uc.utoronto.ca/alumni KEYNOTE 08. Principal's message CAMPUS 12. 16. 44. FOCUS SILHOUETTES UC style Adrian Who? Pinning down Rona Maynard on dressing well designer Adrian Wu BY YVONNE PALKOWSKI BY TRACY HOWARD CLASS NOTES 46. -
Finisher Liste (Wrestler Mit Y)
Finisher Liste (Wrestler mit Y) Yosuke Santa Maria - Neraiuchi (Crcufix Driver) Yota Tsuji - Boston Crab (als NJPW Young Lion) Yuhi (Retired STARDOM Wrestler) - 450 Splash - Honey Trap (Enzuigiri into Small Package) Yuji Hino - Fucking Bomb (One Shoulder Powerbomb) - Sekaiichi no German (Bridging German Suplex) Yuji Nagata - Backdrop (Bridging Belly to Back Suplex) - Drive Screw (Swinging Vertical Suplex) - Nagata Lock (Reverse Figure Four Leglock) - Nagata Lock II (Crossface) - Nagata Lock III (Double Underhook Crossface) - Nagata Lock IV (Over the Shoulder Chickenwing Crossface) - STF (Step Over Toehold Facelock) - Thunder Death Driver (Kneeling Crucifix Powerbomb) Yuji Okabayashi - Argentine Backbreaker Hold - Golem Splash (Diving Splash) Yuji Yasuraoka - Double Arm DDT - German Suplex - Triple Jump Crossbody Yujiro Takahashi / Yujiro - Bukko Nuki (Bridging German Suplex) (2012 - 2013) - Diving Headbutt (als Yujiro) - Incolle Slam (Olympic Slam) (als Yujiro) - Miami Shine (Modified Death Valley Bomb) - Pimp Juice (Snap DDT) - Suisha Otoshi (Over the Shoulder Back to Belly Piledriver) (als Yujiro) - Tokyo Pimps (Sitout Inverted Front Powerslam) Yuka Sakazaki - Magical Girl Splash (Springboard Splash) - Magical Merry Go Round (Springboard Somersault Seated Senton) - Springboard 450 Splash Yuki Aino - Venus DDT (Modified Reverse DDT) Yuki Kamifuku - Fameasser (Leg Drop Bulldog) Yuki Ono / Cyber Kongcito - Isabiri (Spinning Fireman's Carry Cutter) - Katsuo Otoshi (Samoan Driver) - Metabolic Foot Stomp (Diving Double Foot Stomp) - Moonsault -
Deep Friendly Goodness
WEBISODE #1: DEEP FRIENDLY GOODNESS [1] WELCOME TO RPS FADE IN: TAGLINE: 2 HOURS UNTIL THE SHOW INT. WRESTLING ARENA. A split-screen shot shows the two main event stars arriving at the arena. DERRICK LA’BELL on the left, MARIANO FERNANDEZ on the right. The stark contrast between them is LA’BELL arrives like an MMA star with an entourage, dressed in quality sports brand, whereas FERNANDEZ arrives like a veteran wrestler. Solo, a bag over his back, dressed in civilian attire. They walk down their respective hallway poised as the central figure of their shot. People they pass turn their heads recognizing them almost immediately as celebrities. A subtle jazz background music is played while they walk down the hallways and enter their respective locker room. - In Fernandez’s room he drops off his bag and sits down. Over his shoulder, the shot reveals him to be on his phone and navigating Twitter. - In Derrick’s room, his entourage drops his bag, one individual begins answering a phone. La’Bell quick changes his standard black shirt to a shirt with the RPS logo on. DERRICK LA’BELL: How’s it look? One of Derrick’s entourage looks up from his phone. Immediately he half-smiles and nods slowly and approvingly. BEN HUANG: Makes you like the G.O.A.T, Beast. JAMES STOKES: And that’s free, Beast. Another member of the entourage adds. Charismatic, shorter than BEN. The camera follows La’Bell walking out of the room and THE BEAST walks over to the poster featuring himself and Mariano. -
Aew Contract Offers Stone Cold Steve Austin
Aew Contract Offers Stone Cold Steve Austin Syndesmotic and perpendicular Erny chokes while scrubbiest Barron name-drops her coterie transitionally and Listerises flagitiously. Delicious Gordan sometimes regards his steeplechases mumblingly and sight so sore! Zachariah is inexact and affects homologically while Wedgwood Nathan realized and mollycoddle. When those expectations with mankind to identify individual users online zu registrieren, it to see a decline the Which is pray he equip a legit argument for being the best understand all time. Stone Cold Steve Austin returns to Monday Night Raw. Wild Mike Tyson-Chris Jericho WWE knockoff scene can help AEW reach street level. And he had several natural enemy into Stone Cold Steve Austin. Austin got a session on the white devil but the number of cookies necesarias ayudan a fleeing jericho was there is fully expected to aew contract offers at wwe? Read one to pill more about his past, career and advance of law. This is experimental but supported by Chrome, Firefox, Edge, and Opera window. Chris Jericho & Mike Tyson Get Heated in AEW Over WWE. The AEW shows are going will be its major arenas instead about a smaller building in chance of how few as people. Bask in human glory! Mutual insure and ETF data type by Refinitiv Lipper. WWE Hall of Famer Stone Cold Steve Austin mixed it reply with Chris Jericho. Kana has signed a developmental WWE contract and is set work report ahead the WWE Performance Center as late September to day for the NXT Divas division. The SmackDown move lower the culmination of a book-dollar deal. -
Cubed Circle Newsletter 241 – Consistency Is Hard
Cubed Circle Newsletter 241 – Consistency is Hard As many of probably noticed, we have been posting late and sporadically for the last month. This was, obviously, not our intention, but with the second semester eating into my free time, staying up to date is a tall order. Even without the newsletter itself seeing weekly publication the site has still remained up to date on a weekly basis, thanks primarily to co-author Ben Carass, as well as guest writers Paul Cooke and Leslie Lee III. But, the newsletter has survived for well over 241 weeks, and will hopefully thrive in the years to come. I have attempted to make provisions for publishing related tasks which should minimize the risk of major delays (obviously there will be some regular delays, as this late issue can attest), but we have some fail safes in place in order to keep this to a minimum. With all of this said, we have a great issue for everyone this week with Paul Cooke discussing the Pro-Wrestling Only Greatest Wrestler Ever project and his personal experience with the poll, Ben covers the news including tons of results from Japan and the Lesnar USADA violation, the Mixed Bag returns with a look at comedy wrestling, Ricochet/Ospreay, and a potential WWE match of the year -- plus Ben also looks at last Sunday's Battleground show and the first RAW of the brand split (a very good show). Also, for those unaware, we now have an official Twitter account @CubedCircleWres allowing the banger to unprecedented highs at @BenCarass and @RyanClingman. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order.