Architecture Glossary Ashlar - Squared Stones, Or Sometimes Wood Shaped to Look Like Squared Stones That Faces a Building
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BUILDING CONSTRUCTION NOTES.Pdf
10/21/2014 BUILDING CONSTRUCTION RIO HONDO TRUCK ACADEMY Why do firefighters need to know about Building Construction???? We must understand Building Construction to help us understand the behavior of buildings under fire conditions. Having a fundamental knowledge of buildings is an essential component of the decisiondecision--makingmaking process in successful fireground operations. We have to realize that newer construction methods are not in harmony with fire suppression operations. According to NFPA 1001: Standard for FireFighter Professional Qualifications Firefighter 1 Level ––BasicBasic Construction of doors, windows, and walls and the operation of doors, windows, and locks ––IndicatorsIndicators of potential collapse or roof failure ––EffectsEffects of construction type and elapsed time under fire conditions on structural integrity 1 10/21/2014 NFPA 1001 Firefighter 2 Level ––DangerousDangerous building conditions created by fire and suppression activities ––IndicatorsIndicators of building collapse ––EffectsEffects of fire and suppression activities on wood, masonry, cast iron, steel, reinforced concrete, gypsum wallboard, glass and plaster on lath Money, Money, Money….. Everything comes down to MONEY, including building construction. As John Mittendorf says “ Although certain types of building construction are currently popular with architects, modern practices will be inevitably be replaced by newer, more efficient, more costcost--effectiveeffective methods ”” Considerations include: ––CostCost of Labor ––EquipmentEquipment -
Gable Shed Building Guide by John Shank, Owner of Shedking, LLC 2016
Shedking's Gable Shed Building Guide by John Shank, owner of shedking, LLC 2016 This shed building guide should be used in conjunction with the gable shed plans available at my website shedking.net . These sheds can be used to build storage sheds, chicken coops, playhouses, tiny houses, garden sheds and much more! I have tried to make this guide as simple as possible, and I have tried to make my building plans as comprehensive and easy as possible to follow and understand. If at any time anything presented in the plans or building guide is not clear to you please contact me at [email protected]. As I always advise, please get a building permit and have your plans inspected and gone over by your local building inspector. Many counties in the United States do not require a permit for structures under a certain square footage, but it is still very wise to get the advise of your local building department no matter what the size of the structure. Email: [email protected] 1 Copyright 2016shedking.net If after purchasing a set of my plans and you want to know if they are good for your county, I won't be able to answer that question! All my plans are written utilizing standard building practices, but I cannot write my plans so that they satisfy every local building code. Safety is and should be your number one concern when building any outdoor structure. Table of Contents Disclaimer....................................................................................................................3 Wooden Shed Floor Construction.....................................................................................4 -
FRAMING GUIDELINES Cutting, Notching, and Boring Lumber Joists Joist Size Maximum Maximum Maximum Hole Notch Depth End Notch 2X4 None None None
FRAMING GUIDELINES Cutting, Notching, and Boring Lumber Joists Joist Size Maximum Maximum Maximum Hole Notch Depth End Notch 2x4 None None None 2x6 11/2 7/8 13/8 2x8 23/8 11/4 17/8 2x10 3 11/2 23/8 2x12 33/4 17/8 27/8 In joists, never cut holes closer than 2 inches to joist edges, nor make them larger than 1/3 the depth of the joist. Also, don’t make notches in the middle third of a span, where the bending forces are greatest. They should also not be deeper than 1/6 the depth of the joist, or 1/4 the depth if the notch is at the end of the joist. Limit the length of notches to 1/3 of the joist’s depth. Use actual, not nominal, dimensions. (“Field Guide to Common Framing Errors,” 10/91) Hole-Cutting Rules for Wood I-Joists Min. Distance from Inside Face of Support to Near Edge of Hole Do not cut holes larger Distance between hole Depth TJI/Pro 2” 3” 4” 5” 6” edges must be 2x (min.) than 11/2" in cantilever length of largest hole; 91/2” 150 1’-0” 1’-6” 3’-0” 5’-0” 6’-6” applies also to 11/2" holes 250 1’-0” 2’-6” 4’-0” 5’-6” 7’-6” L 2 x L 117/8” 150 1’-0” 1’-0” 1’-0” 2’-0” 3’-0” 250 1’-0” 1’-0” 2’-0” 3’-0” 4’-6” 350 1’-0” 2’-0” 3’-0” 4’-6” 5’-6” 550 1’-0” 1’-6” 3’-0” 4’-6” 6’-0” 14” 250 1’-0” 1’-0” 1’-0” 1’-0” 1’-6” 350 1’-0” 1’-0” 1’-0” 1’-6” 3’-0” 550 1’-0” 1’-0” 1’-0” 2’-6” 4’-0” 11/2" holes can be cut 16” 250 1’-0” 1’-0” 1’-0” 1’-0” 1’-0” anywhere in the web (11/2" knockouts Leave 1/8" (min.) of 350 1’-0” 1’-0” 1’-0” 1’-0” 1’-0” provided 12" o.c.) web at top and Min. -
Descriptions of Common Historical Architectural Styles
NEW HAMPSHIRE ARCHITECTURE: COMMON HISTORIC STYLES AND BUILDING TYPES GEORGIAN (1725-1790) Typical Character Defining Features: Balanced design with classical details Gable or gambrel roof Large, brick center chimney (though high style examples may have twin chimneys) Broad center entrance, often with transom light over doorway, sometimes with a double leaf door Small (12/12, 9/6, 6/9) sash; windows placed close to the eaves; often without blinds or shutters; heavily molded casings Clapboard siding Low granite foundations FEDERAL (1780-1840) Typical Character Defining Features : Balanced design with classical details, more delicate than Georgian High style (usually urban) often has three stories Low-profile gable or hipped roof, high style may have balustrade at roof edge Twin brick chimneys Elaborate center entrance often with fan light and side lights Palladian window, 6/6 sash windows Brick or clapboard exterior, sometimes just brick ends GREEK REVIVAL (1830-1870) Typical Character Defining Features : Heavy design with classical details; high style examples r are temple-like, with free-standing columns along facade Gable roof with cornice returns or full pediment Thin, spindly (stove) chimney Side hall entry, often with projecting portico or recessed entry with full- length side lights and transom at main entry 6/6 sash windows, often with shutters or blinds Heavy trim, wide corner boards sometimes with pilasters N.B.: Often used for churches. New Hampshire Preservation Alliance ~ www.nhpreservation.org 1 GOTHIC -
Architectural Variations in Residences and Their
ARCHITECTURAL VARIATIONS IN RESIDENCES AND THEIR EFFECTS ON ENERGY GENERATION BY PHOTOVOLTAICS A Thesis Presented to The Academic Faculty by Sandra Catalina Caballero In Partial Fulfillment of the Requirements for the Degree Master of Science in High Performance Buildings in the School of Architecture Georgia Institute of Technology August 2011 ARCHITECTURAL VARIATIONS IN RESIDENCES AND THEIR EFFECTS ON ENERGY GENERATION BY PHOTOVOLTAICS Approved by: Dr. Fried Augenbroe, Advisor School of Architecture Georgia Institute of Technology Dr. Russell Gentry School of Architecture Georgia Institute of Technology Dr. Jason Brown School of Architecture Georgia Institute of Technology Date Approved: 07.07.2011 To my family, Elizabeth Cardona, J. Joaquin Caballero and Carlos Caballero ACKNOWLEDGEMENTS I would like to especially thank my mother, father, and brother without whose guidance and support I would not be here. I wish to also thank Professor Fried Augenbroe, for assisting me during this whole process of getting my degree and thesis. iv TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv LIST OF TABLES vii LIST OF FIGURES viii LIST OF SYMBOLS AND ABBREVIATIONS ix SUMMARY x CHAPTER 1 Introduction 1 1.1. Study Overview 1 1.2. Methodology 2 2 Typologies by radiation level: Case Studies 4 2.1. Log House: Seattle, WA 5 2.2. Gambrel House: New York City, NY 9 2.3. Conch House: Miami, FL 11 2.4. Desert House: Phoenix, AZ 13 3 The Photovoltaic Effect 17 3.1. First Generation 18 3.2. Second Generation 19 3.3. Third Generation 20 4 Analysis: Energy Performance vs. Return of Investment Comparison 23 4.1. -
Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
A Concise Dictionary of Middle English
A Concise Dictionary of Middle English A. L. Mayhew and Walter W. Skeat A Concise Dictionary of Middle English Table of Contents A Concise Dictionary of Middle English...........................................................................................................1 A. L. Mayhew and Walter W. Skeat........................................................................................................1 PREFACE................................................................................................................................................3 NOTE ON THE PHONOLOGY OF MIDDLE−ENGLISH...................................................................5 ABBREVIATIONS (LANGUAGES),..................................................................................................11 A CONCISE DICTIONARY OF MIDDLE−ENGLISH....................................................................................12 A.............................................................................................................................................................12 B.............................................................................................................................................................48 C.............................................................................................................................................................82 D...........................................................................................................................................................122 -
Glossary of Architectural Terms Apex
Glossary of Architectural Terms Apex: The highest point or peak in the gable Column: A vertical, cylindrical or square front. supporting member, usually with a classical Arcade: A range of spaces supported on piers capital. or columns, generally standing away from a wall Coping: The capping member of a wall or and often supporting a roof or upper story. parapet. Arch: A curved construction that spans an Construction: The act of adding to a structure opening and supports the weight above it. or the erection of a new principal or accessory Awning: Any roof like structure made of cloth, structure to a property or site. metal, or other material attached to a building Cornice: The horizontal projecting part crowning and erected over a window, doorway, etc., in the wall of a building. such a manner as to permit its being raised or Course: A horizontal layer or row of stones retracted to a position against the building, when or bricks in a wall. This can be projected or not in use. recessed. The orientation of bricks can vary. Bay: A compartment projecting from an exterior Cupola: A small structure on top of a roof or wall containing a window or set of windows. building. Bay Window: A window projecting from the Decorative Windows: Historic windows that body of a building. A “squared bay” has sides at possess special architectural value, or contribute right angles to the building; a “slanted bay” has to the building’s historic, cultural, or aesthetic slanted sides, also called an “octagonal” bay. If character. Decorative windows are those with segmental or semicircular in plan, it is a “bow” leaded glass, art glass, stained glass, beveled window. -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Palladio's Influence in America
Palladio’s Influence In America Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources 2008 marks the 500th anniversary of Palladio’s birth. We might ask why Americans should consider this to be a cause for celebration. Why should we be concerned about an Italian architect who lived so long ago and far away? As we shall see, however, this architect, whom the average American has never heard of, has had a profound impact on the architectural image of our country, even the city of Baltimore. But before we investigate his influence we should briefly explain what Palladio’s career involved. Palladio, of course, designed many outstanding buildings, but until the twentieth century few Americans ever saw any of Palladio’s works firsthand. From our standpoint, Palladio’s most important achievement was writing about architecture. His seminal publication, I Quattro Libri dell’ Architettura or The Four Books on Architecture, was perhaps the most influential treatise on architecture ever written. Much of the material in that work was the result of Palladio’s extensive study of the ruins of ancient Roman buildings. This effort was part of the Italian Renaissance movement: the rediscovery of the civilization of ancient Rome—its arts, literature, science, and architecture. Palladio was by no means the only architect of his time to undertake such a study and produce a publication about it. Nevertheless, Palladio’s drawings and text were far more engaging, comprehendible, informative, and useful than similar efforts by contemporaries. As with most Renaissance-period architectural treatises, Palladio illustrated and described how to delineate and construct the five orders—the five principal types of ancient columns and their entablatures. -
Ornament and European Modernism: from Art Practice to Art History
Ornament and European Modernism: from art practice to art history Review of: Ornament and European Modernism. From Art Practice to Art History, by Loretta Vandi (ed.), New York and London: Routledge, 2018, 198 pp., 38 colour & b/w illus. £110,00, ISBN: 978-1-138-74340-3 Ariane Varela Braga After a rejection that lasted almost one century, ornament has made a comeback that is no longer possible to ignore. This renewed interest in ornamental and richer decorative forms has spread from architecture to design, fashion and the visual arts in general. Ornament seems to have finally regained its place among the arts and has become once again a matter of reflection and experimentation, involving various materials and media. Adolf Loos’ aggressive condemnation in Ornament und Verbrechen (1910) appears now a long way off. This renewed interest has not left untouched the field of art and architectural history. Since the 1990s, and even more so since the beginning of this new century, studies have multiplied all over the world, involving an ever broader temporal and cultural panorama. This has led to numerous publications on the use, function and history of ornament, as well as the promotion of new editions of historical treatises, drawings and pattern books, in both printed and digital versions.1 These studies, which seem to increase every year,2 have not been limited to the Western arts, but 1 A recent example in this sense is Sabina de Cavi, ed, Giacomo Amato. I disegni di Palazzo Abatellis. Architettura, arredi e decorazione nella Sicilia Barocca, Roma: De Luca Editori d’Arte, 2017.