Fans of John Oliver

Total Page：16

File Type：pdf, Size：1020Kb

THE NEW SEGMENTATION AND MEDIA PLANNING PRODUCT FOR AGENCIES AND BRANDS Fans of John Oliver DEMOGRAPHICS LIFESTYLE DEMOGRAPHICS ANNUAL INCOME TOP STATES HOBBIES & ACTIVITIES GENERAL INTERESTS FAVOURITE DISHES Gender: Male $50,000 - $99,999 California Visiting museums Politics Pasta with Pesto Sauce Age: 18-29 New Mexico Visiting historical sites Podcasts Tuna Maki Urban POLITICS Oregon Exhibitions Technology Miso soup PROFESSIONS FAVOURITE SPORTS MOST LIKELY PET Performing arts Soccer Cat Media and Journalism Baseball Politics and Government MLB Legal Creative and Design Anyone who watches Fox News for American infrastructure has fallen behind news is dumb Europe in recent years George Bush should be tried for war I'm happy to spend money to support my crimes “ “ favorite music artists “ Describes themselves as... empathetic, “...But on occasionprocrastinating, loner “ curious and kind “ and lazy. ENTERTAINMENT BRANDS FAVORITE MOVIES CUSTOMER OF The Matrix Google Comedy Central Rent Netflix Skype THX 1138 Microsoft Twitter Religulous WikiPedia Electronic Arts FAVORITE MUSICS ARTISTS CLOTHING BRANDS RESTAURANTS Modest Mouse Starbucks Death Cab for Cutie Cold Stone Creamery Eurythmics Chipotle MGMT California Pizza Kitchen FAVORITE CELEBRITIES MOST LIKELY CAR Stephen Colbert Honda Jon Stewart Bill Maher SHOPS AT Wyatt Cenac WinCo Foods MEDIA ONLINE WATCHES TV FOR... TOP TV NETWORKS TOP WEBSITES VISITED TOP FACEBOOK PAGES HOURS Comedy Central Daily Kos Bill Nye The Science Guy PER/WEEK Less than 1 PBS Wikipedia Cyanide & Happiness BBC America TED.com The Onion ONLINE FOR... HBO The Nation The Smashing Pumpkins HOURS Adult Swim The Huffington Post Robot Chicken 50+ PER/WEEK Cartoon Network Hulu The Oatmeal Salon V For Vendetta STREAMING SERVICE BBC Online V for Vendetta MAGAZINES READ Spotify TOP MOBILE APPLICATIONS Out Magazine ONLINE NEWS Wired Tumblr App Harvard Business Review New York Times IMDb Salon Vine The Daily Telegraph, UK YouGov profiles is the new segmentation and media planning product for agencies and brands. Contact: [email protected] It is powered by the YouGov Cube - our connected data vault which holds over 100,000 data points from more than 150,000 respondents. www.yougov.com This does not show the *average* member of this group but rather those attributes that distinguish this group from the general population..

Copy Link

Recommended publications

February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
[Show full text]
Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved.
[Show full text]
Kayla Nadel-Lamotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231
Kayla Nadel-LaMotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231 Experience: Freelance Production work - April 2017 - Present The Jena Friedman Show - interview show/pilot for Adult Swim - currently an AP working on several segments. CNN + Roads and Kingdoms - research + coordinating logistics and travel for small crew on tour of numerous Asian cities for Bourdain’s ‘Explore Parts Unknown’. First Look Media (Spotlight, The Intercept) - untitled Franchesca Ramsey pilot (starring F.R. + Michelle Buteau) Above Average Productions - 2012-2017 PRODUCER, Jan. 2016 - March 2017 Lead producer on a variety of projects including a number of original comedy series (“The Cream Brothers” created by John Lutz (Late Night) + Tim Robinson (SNL), “Flatbush Zombies Solve a Mind Crime”), two PSA’s for The White House + Civic Nation (“Heads Up America”, to raise awareness for a free comm. college program, and “It’s On Us” to aid in prevention of sexual assaults, both launched by President Barack Obama), original topical video that aired on Elizabeth Banks’s WhoHaHa.com, taped live stand up shows including Sasheer Zamata’s (SNL) monthly show, Party Time! and comedy shows at SXSW, TV Partner series (several in development for IFC’s Comedy Crib), Katie Rich Interview Series (SNL. 1st guest: Leslie Jones). Worked with all creators to develop, prep and produce all shows through post. Includes all manner of creative + physical producing. PRODUCTION COORDINATOR, 2014-2016 Supported all producers on all projects as sole coordinator, any & all tasks related to prep, production and post. Including original comedy one-offs and series ("Hudson Valley Ballers" with Paula Pell, "Storytime" dir.
[Show full text]
FREE GIFT- New York City See Page 2 for Details 2 AWP Brooklyn Paper • • (718) 260-2500 April 8–14, 2016
INSIDE: GET THE RIGHT RESULTS WITH OUR CLASSIFIEDS SECTION Yo u r World — Yo u r News BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2016 Serving Brownstone Brooklyn, Williamsburg & Greenpoint AWP/14 pages • Vol. 39, No. 15 • April 8–14, 2016 • FREE Duggal Greenhouse Duggal This waterfront warehouse will host the hotly anticipated debate be- tween Hillary Clinton and Bernie Sanders in Brooklyn. Associated Press / Carlos Osorio ROOM FOR DEBATE BROOKLYN’S ELECTION FEVER! Clinton and Sanders will battle at Navy Yard on April 14 By Ruth Brown avoiding the verbal skirmish — but their mont senator of dragging his feet. under the relentless scrutiny of former Brooklyn Paper campaigns didn’t let that stop them get- “We had thought the Sanders cam- editor Gersh Kuntzman, who proposed Democratic presidential candidates ting one last jab in. paign would have accepted our offer the event live on Monday’s edition of Bernie Sanders and Hillary Clinton will “It’s great for the people of New York for a Brooklyn debate on April 14 in a Brooklyn Paper Radio . go head-to-head in a televised debate at that there will be a debate in Brooklyn, New York minute, but it ended up tak- The debate itself — five days ahead the Navy Yard in Fort Greene on April something that the Clinton campaign has ing a few extra days for them to agree,” of the New York primary — will take 14, in a battle for the hearts and minds of long opposed,” said Sanders’s spokes- said Clinton spokesman Brian Fallon. place inside Navy Yard event venue the the most important voters in the coun- man Michael Briggs, noting the cam- “We are glad they did.” Duggal Greenhouse, a cavernous ware- try — Brooklynites.
[Show full text]
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna
[Show full text]
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
[Show full text]
COMEDY CENTRAL(R) Honored with Nine Primetime Emmy(R) Nominations
COMEDY CENTRAL(R) Honored With Nine Primetime Emmy(R) Nominations Thirteen-Time Emmy-Winner "The Daily Show With Jon Stewart" Cited Again For Program, Writing, Directing, Plus Nods For Technical Direction And thedailyshow.com's "Ask A Correspondent," Totaling Five Nominations Emmy-Winner Hit "The Colbert Report" Scores Three Big Nominations For Show, Writing And Directing Four-Time Emmy-Winning Animated Favorite "South Park" Receives Tenth Nomination NEW YORK, July 8, 2010 /PRNewswire via COMTEX/ -- COMEDY CENTRAL earned nine nominations in the 2009-2010 Primetime Emmy® Awards competition, it was announced today by the Academy of Television Arts and Sciences (ATAS). Thirteen-time Emmy-winner (seven times for program and six for writing) "The Daily Show with Jon Stewart" the network's unique news parody series, is nominated this year in five categories: Outstanding Variety, Music Or Comedy Series, Outstanding Writing For A Variety, Music Or Comedy Series and Chuck O'Neil, singled out for the seventh year-in-a-row for Outstanding Directing For A Variety, Music Or Comedy Series. Two additional nominations came in the Technical Direction category and The Daily Show Ask a Correspondent piece, "The Meaning of Life," credited to thedailyshow.com, COMEDY CENTRAL Digital. This brings the grand total of Primetime Emmy nominations for the "Daily Show" to 37. The program is also a two-time winner of the prestigious Peabody® Award for Excellence in Broadcasting. "The Colbert Report," with Stephen Colbert assuming a dismissive, Bill O'Reilly-like persona while commenting on the issues of the day, received three Emmy Award nominations: Outstanding Variety, Music Or Comedy Series, Outstanding Writing For A Variety, Music Or Comedy Series, a category in which it won its first Emmy in 2008, and Director Jim Hoskinson was cited for Outstanding Directing For A Variety, Music Or Comedy Series.
[Show full text]
John Oliver Recommended Charities
John Oliver Recommended Charities Pisciculture Bailie jemmies rapaciously or berry some when Greg is uncursing. Twofold Winny disinterest, his dipoles tholes crawls bearishly. Fizzy and apothegmatic Durante line-up her tranquillizers unfit while Tobit pontificates some bloatedness heritably. White as oliver claimed that you feel like from the john oliver has been instrumental in new york law firm publisher services library download code should it. Create our communities and vaccine procurement agency set our bidder has always been john oliver mentioned as well as the charities is an important thing, visual artists and your relatives or am i hallucinating? These by accepting the bloc has won thanks for any divs to charity contact your rep for better state of payment. That you have gone by collecting to block ads but i consider a pure heart prevent the conditions of sperm. City wide't waste John Oliver's donation on 1 condition. The efficacy of HBO's Last letter Tonight previously agreed to donate 55000 to local charities if the haste was renamed after him. Meghan agreed to charity has fallen and what happens during world auction and meghan before bidding in ga event. After oliver mentioned as to charity groups, during and having a book. Six republican senators may apply for adding to charity this material may proceed with. The charities he advises companies in tirana, oliver has accomplished many go after it. Comedy partners to charity. Connecticut city does accept John Oliver's donation if he attends. Title to charity has found a charitybuzz reserves the john oliver offered by charitybuzz contacts our music and activities helping the player data are skeptical.
[Show full text]
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness.
[Show full text]
John Oliver, Burkean Frames, and the Performance of Public Intellect Gabriel Francis Nott Bates College, [email protected]
Bates College SCARAB Honors Theses Capstone Projects 5-2017 Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect Gabriel Francis Nott Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Nott, Gabriel Francis, "Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect" (2017). Honors Theses. 198. http://scarab.bates.edu/honorstheses/198 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Nott 1 Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect An Honors Thesis Presented to The Faculty of the Department of Rhetoric Bates College In partial fulfilment of the requirements for the Degree of Bachelor of Arts By Gabriel Nott Lewiston, Maine March 24, 2017 Nott 2 Table of Contents Acknowledgements 3 “Our Main Story Tonight Is…”: Introducing John Oliver 4 The Men Behind the Desk: A History of the Political Comedy News Host 10 Watching the Watchers: A Review of Existing Literature 33 Burkean Frames: A Theoretical Foundation 43 Laughing and Learning: John Oliver’s Comic Performance of Public Intellect 63 John Oliver and the Performance of Public Intellect 65 John Oliver, the Comic Comic 70 Oliver vs. the Walking, Talking Brush Fire 78 Oliver’s Barrier 84 John Oliver and the News Media 86 “That’s Our Show”: John Oliver and the Future of Civic Discourse 89 Works Cited 92 Nott 3 Acknowledgements Though mine is the only name appearing on the cover page of this thesis, it would be folly on my part not to acknowledge that this work is the product of the efforts of many people other than myself, a fact for which I am endlessly grateful.
[Show full text]
JAMES GUNN FIRED Political Correctness Vs Outrage Culture
JAMES GUNN FIRED Political Correctness vs Outrage Culture written by Julian Breheny V1.2 64 Molesworth St, North Melbourne Victoria, Australia, 3051 646 206 1527 [email protected] INT. STUDIO - NIGHT John Oliver sits at his desk. JOHN OLIVER We're going to take a look at the pros and cons of political correctness in a segment we like to call, 'Will this thanksgiving dinner ever end'... Photo of James Gunn appears behind him. JOHN OLIVER (CONT’D) Disney has FIRED James Gunn over a series of offensive tweets from almost 10 years ago. Is this a win for progressive attitudes and political correctness, or is it an unnecessary casualty of the outrage culture we now live in? We need to ask this question, because they are very different things. Outrage culture is where the media, and the public, love crucifying celebrities in the name of political correctness, but don't seem to actually care about the groups they claim to be protecting. Put simply, they just like acting outraged. So let's break it down. First of all, are the tweets offensive? Photos of the tweets appear with the most offensive parts highlighted. 'Three men and a baby they had sex with a baby' John Oliver turns and looks at the tweets before shuddering. JOHN OLIVER (CONT’D) Yes. Dear God Yes. Offensive and politically incorrect. And look, political correctness IS important. It makes us alter our behaviour so we don't say or do things that hurt marginalised groups. Like this Kelloggs box that made inadvertently racist cover art featuring all white Corn-pops, except for the janitor, who was brown.
[Show full text]
2011 Elena Daniela
©2011 ELENA DANIELA (DANA) NEACSU ALL RIGHTS RESERVED POLITICAL SATIRE AND POLITICAL NEWS: ENTERTAINING, ACCIDENTALLY REPORTING OR BOTH? THE CASE OF THE DAILY SHOW WITH JON STEWART (TDS) by ELENA-DANIELA (DANA) NEACSU A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies Written under the direction of John V. Pavlik, Ph.D And approved by ___Michael Schudson, Ph.D.___ ____Jack Bratich, Ph.D.______ ____Susan Keith, Ph.D.______ ______________________________ New Brunswick, New Jersey MAY 2011 ABSTRACT OF THE DISSERTATION Political Satire and Political News: Entertaining, Accidentally Reporting or Both? The Case of The Daily Show with Jon Stewart (TDS) by ELENA-DANIELA (DANA) NEACSU Dissertation Director: John V. Pavlik, Ph.D. For the last decade, The Daily Show with Jon Stewart (TDS ), a (Comedy Central) cable comedy show, has been increasingly seen as an informative, new, even revolutionary, form of journalism. A substantial body of literature appeared, adopting this view. On closer inspection, it became clear that this view was tenable only in specific circumstances. It assumed that the comedic structure of the show, TDS ’ primary text, promoted cognitive polysemy, a textual ambiguity which encouraged critical inquiry, and that TDS ’ audiences perceived it accordingly. As a result I analyzed, through a dual - encoding/decoding - analytical approach, whether TDS ’ comedic discourse educates and informs its audiences in a ii manner which encourages independent or critical reading of the news. Through a multilayered textual analysis of the primary and tertiary texts of the show, the research presented here asked, “How does TDS ’ comedic narrative (primary text) work as a vehicle of televised political news?” and “How does TDS ’ audience decode its text?” The research identified flaws in the existing literature and the limits inherent to any similar endeavors.
[Show full text]