The Cognition of Civil Servants and Citizens Concerning Policy Resource Allocation in Kaohsiung City in Taiwan
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9D6N Taiwan-E
4+5 Stars days IpohOverland Special arrangement Hotel *JinPin Xiao *Taiyi Eco-Farm nights TAIWAN LongPao *LeoFu Village 9 TAIPEI.NANTOU.XINZHU *Hakka Cuisine Theme Park TAICHUNG.XITOU.KAOSHIUNG *Japanese *Shitou Forest 6 Grill Cuisine Amusement Park D1 IPOH / KUALA LUMPUR Assemble at IpohOverland, transfer to Kuala Lumpur International *Traditional *Shinying Teidao Airport by coach and wait for departure to Taipei. Shao Cuisine Cultural Area D2 MALAYSIA / TAO YUAN (L) Assemble at International Airport and begin with a pleasant Fo Guang Shan: It is the centre of Buddhism in southern Taiwan. flight to Taipei. Upon arrival Taoyuan CKS Airport, welcome by Urban Spotlight Arcade: the City Light Gallery located in experience tour guide and start to explore Taiwan. the Central Park radiates blue neon lights, adding to the National Palace Museum: is an art museum in Taiwan. It is the beauty of the night. national museum of the Republic of China, and has a perma- Sin Jue Jiang Night Market: it is a popular night market nent collection of over 677,687 pieces of ancient Chinese which selling a variety of delicious food and snacks and for artifacts and artworks, making it one of the largest in the world. shopping. 101 Shopping Mall: Shopping at the Taipei 101 is a satisfying Liu He Night Market: most of the hawkers are from Kaoshi- experience especially for those who enjoy checking out the ung, they do provide a great hospitality, and this night market upscale boutiques of all the major international fashion brands starts from evening to early morning, always be crowded and labels. -
Min Group Size : 09 Adult + 01 Tour Leader
Update: 26 DEC 2018 ❖ WE RESERVE THE RIGHT TO COLLECT TOUR FARE / YQ / YR AND AIRPORT TAX DIFFERENCES DUE TO CURRENCY FLUCTUATION. ❖ WE WILL NOT RESPONSIBLE FOR TOUR FARE DIFFERENCE BETWEEN NORMAL & PROMOTION PACKAGES. ❖THE SALE OF THE OUTBOUND PACKAGE AND THE AGENCY SERVICE ARE NOT SUBJECT TO GST. WE WILL ABSORB 6% GST FOR INTERNATIONAL AIRPORT TAX ON TOUR PACKAGES. (PASSENGERS CURRENTLY STAND AT RM32 FOR KLIA2 AND RM65 FOR INTERNATIONAL AIRPORT). ❖MIN GROUP SIZE : 09 ADULT + 01 TOUR LEADER. TOUR LEADER SERVICE WILL BE PROVIDED WITH A MINIMUM GROUP SIZE OF 09 PAXS AND ABOVE. (Except JAPAN Packages --- 15 PAX + 01 TOUR LEADER). ❖THE RATE EXCLUDES TRAVEL INSURANCE & TRANSPORTATION FROM AND TO THE AIRPORT. WE STRONGLY RECOMMEND YOU TO ACQUIRE INSURANCE ON TRIP CANCELLATION, ACCIDENT, INJURY, ILLNESS, FLIGHT DELAY, BAGGAGE LOST, MEDICAL HOSPITALIZATION,ETC Payment Terms NON-Refundable Deposit Requested Upon Seat Confirmation: ➢ All ASIA Packages: RM 800 Per Seat. Except TAIWAN PACKAGE BY CI, JAPAN, KOREA and NORTH KOREA Packages: RM 1,200 Per Seat. ➢ Full Payment: 30 working days before tour departure. And NORTH KOREA packages are based on 50 days before departure. ● Up to 14 days prior to departure date are subjected to availability of accommodation and flight. ● Late bookings request should be accompanied with full payment in advance. CHILD FARE: ❖ By Air Asia Flight (AK / D7) - Half Twin / With Extra Bed - 100% of adult fare / Without Bed - 90% of the adult tour fare. - Infant: AirAsia (AK) - RM 150 per infant. OR AirAsia- X (D7) : RM 330 per infant. ** Exclude Domestic infant fare . ❖ By Other Carrier (VN / KE / CI / NH ) - Half Twin - 100 % of adult fare / With Extra Bed - 85% of the adult tour fare / - Without Bed - 75% of the adult tour fare / Infant - 10% of system fare. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Contemporary Pan-Chinese Cinematic Urbanism in Taiwan and Hong Kong Permalink https://escholarship.org/uc/item/751813hj Author CHEN, YING-FEN Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Contemporary Pan-Chinese Cinematic Urbanism in Taiwan and Hong Kong By Ying-Fen Chen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Margaret L. Crawford, Chair Professor Greig Crysler Professor Weihong Bao Summer 2019 Abstract Contemporary Pan-Chinese Cinematic Urbanism in Taiwan and Hong Kong by Ying-Fen Chen Doctor of Philosophy in Architecture University of California, Berkeley Professor Margret L. Crawford, Chair After World War II, Chinese films shot in Taiwan and Hong Kong began to play a significant role constructing and disseminating images of Chinese culture and its urban environments to pan-Chinese regions of the world and beyond. To comprehend the relationship between those Chinese films and their urban settings, particularly in Taipei and Hong Kong, numerous scholars in the field of Chinese cinematic urbanism engaged in analyses of the highly aestheticized spatial representations in the films, as well as on the cultural negotiation of Chineseness within a context of political tension, and the issues arising from the rapid capitalization of Chinese cities. However, from the 1990s, the global popularity of Hollywood movies threatened the film industry both in Taiwan and Hong Kong. Concurrently, Mainland China rose in stature to supplant Taiwan and Hong Kong as the seat of political, economic, and cultural “Chineseness”. -
Contemporary Pan-Chinese Cinematic Urbanism in Taiwan and Hong Kong
Contemporary Pan-Chinese Cinematic Urbanism in Taiwan and Hong Kong By Ying-Fen Chen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Margaret L. Crawford, Chair Professor Greig Crysler Professor Weihong Bao Summer 2019 Abstract Contemporary Pan-Chinese Cinematic Urbanism in Taiwan and Hong Kong by Ying-Fen Chen Doctor of Philosophy in Architecture University of California, Berkeley Professor Margret L. Crawford, Chair After World War II, Chinese films shot in Taiwan and Hong Kong began to play a significant role constructing and disseminating images of Chinese culture and its urban environments to pan-Chinese regions of the world and beyond. To comprehend the relationship between those Chinese films and their urban settings, particularly in Taipei and Hong Kong, numerous scholars in the field of Chinese cinematic urbanism engaged in analyses of the highly aestheticized spatial representations in the films, as well as on the cultural negotiation of Chineseness within a context of political tension, and the issues arising from the rapid capitalization of Chinese cities. However, from the 1990s, the global popularity of Hollywood movies threatened the film industry both in Taiwan and Hong Kong. Concurrently, Mainland China rose in stature to supplant Taiwan and Hong Kong as the seat of political, economic, and cultural “Chineseness”. To respond to these changes, film industry executives in Taiwan and Hong Kong began to seek new ways to survive, sparking a process in which the relationship between cities and the film industries grew more complex.