Sharp Sans Display No.2

Sharp Sans Display No.2 Designed By Lucas Sharp In 2015 Available In 20 Styles, Licenses For Web, Desktop & App 1 All Caps Roman POWELLPERALTA Black — 50pt BANZAI PIPELINE Extrabold — 50pt BALI INDONESIA Bold — 50pt MICKEY MUÑOZ Semibold — 50pt TSUNAMI WAVE Medium — 50pt MALIA MANUEL Book — 50pt MIKE STEWART Light — 50pt WESTWAYS CA Thin — 50pt TYLER WRIGHT Ultrathin — 50pt FREIDA ZAMBA Hairline — 50pt Sharp Sans Display No.2 2 All Caps Oblique ROBERT WEAVER Black oblique — 50pt DENNIS HARNEY Extrabold oblique — 50pt PAUL HOFFMAN Bold oblique — 50pt NATHAN PRATT Semibold oblique — 50pt BOB SIMMONS Medium oblique — 50pt MIKE PARSONS Book oblique — 50pt JAMIE O'BRIEN Light oblique — 50pt JACK LONDON Thin oblique — 50pt KAVE KALAMA Ultrathin oblique — 50pt CRAIG STECYK Hairline oblique — 50pt Sharp Sans Display No.2 3 All Caps Roman Lubalin Ligatures JOYCE HOFFMAN Black (Lubalin Ligatures) — 50pt FRED HEMMINGS Extrabold (Lubalin Ligatures) — 50pt MATADOR BEACH Bold (Lubalin Ligatures) — 50pt OAHU WAVE INT. Semibold (Lubalin Ligatures) — 50pt DREW KAMPION Medium (Lubalin Ligatures) — 50pt ROB MACHADO Book (Lubalin Ligatures) — 50pt HEATHER CLARK Light (Lubalin Ligatures) — 50pt PAPAKOLEA BAY Thin (Lubalin Ligatures) — 50pt MIKE PARSONS Ultrathin (Lubalin Ligatures ) — 50pt LAIRD HAMILTON Hairline (Lubalin Ligatures) — 50pt Sharp Sans Display No.2 4 Title Case Roman Hawaii Five-O Black — 50pt Playa Del Rey Extrabold — 50pt Fuerteventura Bold oblique — 50pt Sunny Garcia Semibold — 50pt Zephyr Team Medium — 50pt The Dogbowl Book — 50pt Pismo Beach Light — 50pt Keep Surfing Thin — 50pt Tripple Crown Ultrathin — 50pt Board Master Hairline — 50pt Sharp Sans Display No.2 5 Title Case Oblique Monterrico Bay Black Oblique — 50pt Playa Conchal Extrabold Oblique — 50pt Santa Barbara Bold Oblique — 50pt Buenaventura Semibold Oblique — 50pt Stinson Beach Medium Oblique — 50pt Playa Brasilito Book Oblique — 50pt Golden Sands Light Oblique — 50pt Half Moon Bay Thin Oblique — 50pt Cayos Sapote Ultrathin Oblique — 50pt Mesoamerica Hairline Oblique — 50pt Sharp Sans Display No.2 6 Title Case Roman Bayer Alternates OahuBlack (Bayer HawaiiAlternates) — 55pt Waimea Bay Extrabold (Bayer Alternates) — 55pt Muizenberg Bold (Bayer Alternates) — 55pt North Shore Semibold (Bayer Alternates) — 55pt San Bartolo Medium (Bayer Alternates) — 55pt The Wedge Book (Bayer Alternates) — 55pt Tradewinds Light (Bayer Alternates) — 55pt Waimanalo Thin (Bayer Alternates) — 55pt Seal Beach Ultrathin (Bayer Alternates) — 55pt Leo Carrillo Hairline (Bayer Alternates) — 55pt Sharp Sans Display No.2 7 All Caps & Title Case Roman HAWAI'I TAHITI NUI BIG WAVE 2016 Big wave tour victory at Santos Black — 23pt 54TH ST & NEWPORT BEACH, ECHO Between jetties 52 and 56, 54th Extrabold — 23pt EHUKAI BEACH PARK ON PUPUKEA On O'ahu's notorious North Shore Bold — 23pt COSTA DA CAPARICA IN ALMADA Off Portugal's coast, near Lisbon Semibold — 23pt NORTHERN SAN DIEGO COUNTY Trestles,a series of great breaks Medium — 23pt ZICATELA & THE MEXICAN PIPELINE In the town of Puerto Escondido Book — 23pt WHANGAMATA, NEW ZEALAND An ideal estuary entrance bar Light — 23pt PADANG PADANG, AND PIPELINE The World's finest reef breaks. Thin — 23pt PE'AHI CHALLENGE CONTEST Paddle-in competition in Hawaii Ultrathin — 23pt STEEP DROPS, HEAVY WIPEOUTS Todos Santos Surf Contest Mexico Hairline — 23pt Sharp Sans Display No.2 8 All Caps & Title Case Oblique HUMAN INFLUENCE ON SURF BREAKS Coastline altered by human activities Black Oblique — 23pt BREAKING & WATER SURFACE WAVES Four types of breaking water waves Extrabold Oblique — 23pt OUTER BANKS IN NORTH CAROLINA Made up of permanent rocky reefs Bold Oblique — 23pt BACKWASH AND SIDEWASH WAVES Reflected from a rockface or wall Semibold Oblique — 23pt LONG SHORE DRIFT MOVES SAND Forming a barrier of sand onshore Medium Oblique — 23pt THE MODERATE RISK RIP CURRENT Wave conditions are dangerous Book Oblique — 23pt 80 KM LONG STRETCH OF COAST Beach was named "Shell Beach" Light Oblique — 23pt SHALLOW WATER IS RICH IN FISH And a famous bottlenose dolphin Thin Oblique — 23pt ENCINITAS LIFEGUARD SERVICES Contact office, Windansea Beach Ultrathin Oblique — 23pt SAN ONOFRE & IMPERIAL BEACH About a mile north of Crystal Pier Hairline Oblique — 23pt Sharp Sans Display No.2 9 Text Sizes, Mixed Weights 18pt ‒ Mixed Weights Big Wednesday is a 1978 American coming of age film directed by John Milius. Co-written by Milius and Dennis Aaberg, it is loosely based on their own experiences at Malibu and a short story Aaberg had published in a 1974 Surfer Magazine entitled No Pants Mance. 14pt / 20 ‒ Mixed Weights The picture stars Jan-Michael Vincent, William Katt, and Gary Busey as California surfers facing life and the Vietnam War against the backdrop of their love of surfing. Their surfing lives are traced from the summer of 1962 to their attempts of dodging the Vietnam War draft in 1965 including faking insanity, homosexuality, and all manner of medical ailments, and to the end of their innocence in 1968 when one of their friends is killed in Vietnam. 11pt / 17 ‒ Mixed Weights The three make the difficult transition to adulthood with parties, surf trips, marriage, and the war. The friends reunite years later, after Barlowe has served time in Vietnam, for the "Great Swell of '74." With this reunion, the transition in their lives becomes the end point of what the 1960s meant to so many as they see that the times have changed, and what was once a time of innocence is gone forever. Raised in Southern California, Milius made Big Wednesday as an homage to the time he spent in Malibu during his youth. 8pt / 12 ‒ Mixed Weights 6pt / 10 ‒ Mixed Weights Milius and his friends George Lucas and Steven Spielberg famously When I did Big Wednesday my first impressions were that I was going to do this coming-of- agreed to exchange a percentage point of Big Wednesday, Star age story with Arthurian overtones about surfers that nobody took seriously, their troubled lives made larger than life by their experience with the sea. And that’s what the movie is. It Wars and Close Encounters of the Third Kind prior to the release of never strayed from that. There was a lot of pressure to make it more like Animal House, the three films throughout 1977-78. Spielberg in particular was cer- but the movie has a huge following now because it did have loftier ambitions. It wasn’t tain that Big Wednesday was going to be a box office hit, opining it just a story about somebody trying to ride the biggest wave or something. That’s not was like "American Graffiti meets Jaws", two of the decade's most enough. - John Millius successful films. Sharp Sans Display No.2 10 Distinctions Between Sharp Sans Display Families Sharp Sans Display No.2 Sharp Sans Display No.1 90º Terminals Angled Terminals True Obliques True Italics Sharp Sans Display No.1 Open Type features Lubalin Capitals CALIFORNIA DREAMING Bayer Lowercase Sharp Sans Display No.2 11 Black & Black Oblique 90pt ENDLESS 40pt The Endless Summer is a seminal 1966 surf movie. Its title comes from an idea 30pt If one had enough time and money it would be possible to follow the summer around the world, making it endless. 18pt The concept of the film was born through the suggestion of a travel agent to Bruce Brown during the planning stages of the film. The travel agent suggested that a flight from Los Angeles to Cape Town, South Africa. Sharp Sans Display No.2 12 Black & Black Oblique 18pt Bruce Brown follows two surfers, Mike Hynson and Robert August, on a surfing trip around the world. Despite the balmy climate of their native California, cold ocean currents make local beaches inhospitable during the winter. They travel to the coasts of Australia, New Zealand, Africa, Tahiti and Hawaii in a quest for new surf spots and introduce locals to the sport. 14pt / 20 Los Angeles to Cape Town, South Africa and back would cost $50 more than a trip circumnavigating the world. After which, Bruce came up with the idea of following the summer season by traveling around the world. The narrative presentation eas- es from the stiff and formal documentary of the 1950s and early 1960s to a more casual and fun-loving personal style filled with sly humor. The surf rock soundtrack to the film was provided by The Sandals. 11pt / 17 The "Theme to the Endless Summer" was written by Gaston Georis and John Blakeley of the Sandals. It has become one of the best known film themes in the surf movie genre.When the movie was first shown, it encouraged many surfers to go abroad, giving birth to the "surf-and-travel" culture, with prizes for finding "uncrowded surf", meeting new people and riding the perfect wave. It also introduced the sport, which had become popular outside of Hawaii and the Polynesian Islands in places like California and Australia, to a broader audience. 8pt / 12 6pt / 10 Bruce Brown started surfing in the early 1950s. He took still photo- In the winter of 1958, Brown went back to Hawaii to film the North Shore's big surf. On graphs to show his mother what the draw of the sport was. While the plane ride over, the novice filmmaker read a book about how to make movies. Brown said, "I never had formal training in filmmaking and that probably worked to my advan- serving in the United States Navy on Oahu years later, he used an 8 mm tage". By 1962, he had spent five years making one surf film per year. He would shoot movie camera to photograph surfers from California. Once Brown got during the fall and winter months, edit during the spring and show the finished product back to the state, he edited his footage into an hour-long film. Surfer during the summer.

Load more