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VORTEX Playing Mrs Constance Clarke
THE BIG FINISH MAGAZINE MARCH 2021 MARCH ISSUE 145 DOCTOR WHO: DALEK UNIVERSE THE TENTH DOCTOR IS BACK IN A BRAND NEW SERIES OF ADVENTURES… ALSO INSIDE TARA-RA BOOM-DE-AY! WWW.BIGFINISH.COM @BIGFINISH THEBIGFINISH @BIGFINISHPROD BIGFINISHPROD BIG-FINISH WE MAKE GREAT FULL-CAST AUDIO DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND/OR DOWNLOAD WE LOVE STORIES Our audio productions are based on much-loved TV series like Doctor Who, Torchwood, Dark Shadows, Blake’s 7, The Avengers, The Prisoner, The Omega Factor, Terrahawks, Captain Scarlet, Space: 1999 and Survivors, as well as classics such as HG Wells, Shakespeare, Sherlock Holmes, The Phantom of the Opera and Dorian Gray. We also produce original creations such as Graceless, Charlotte Pollard and The Adventures of Bernice Summerfield, plus the THE BIG FINISH APP Big Finish Originals range featuring seven great new series: The majority of Big Finish releases ATA Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence can be accessed on-the-go via Investigate, Blind Terror, Transference and The Human Frontier. the Big Finish App, available for both Apple and Android devices. Secure online ordering and details of all our products can be found at: bgfn.sh/aboutBF EDITORIAL SINCE DOCTOR Who returned to our screens we’ve met many new companions, joining the rollercoaster ride that is life in the TARDIS. We all have our favourites but THE SIXTH DOCTOR ADVENTURES I’ve always been a huge fan of Rory Williams. He’s the most down-to-earth person we’ve met – a nurse in his day job – who gets dragged into the Doctor’s world THE ELEVEN through his relationship with Amelia Pond. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
The Pandorica Opens / the Big Bang Sample
The Black Archive #44 THE PANDORICA OPENS / THE BIG BANG SAMPLE By Philip Bates Published June 2020 by Obverse Books Cover Design © Cody Schell Text © Philip Bates, 2020 Range Editors: Paul Simpson, Philip Purser-Hallard Philip Bates has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available #32: The Romans by Jacob Edwards #33: Horror of Fang Rock by Matthew Guerrieri #34: Battlefield by Philip Purser-Hallard #35: Timelash by Phil Pascoe #36: Listen by Dewi Small #37: Kerblam! by Naomi Jacobs and Thomas L Rodebaugh #38: The Sound of Drums / Last of the Time Lords by James Mortimer #39: The Silurians by Robert Smith? #40: The Underwater Menace by James Cooray Smith #41: Vengeance on Varos by Jonathan Dennis #42: The Rings of Akhaten by William Shaw #43: The Robots of Death by Fiona Moore This book is dedicated to my family and friends – to everyone whose story I’m part of. CONTENTS Overview Synopsis Introduction 1: Balancing the Epic and the Intimate 2: Myths and Fairytales 3: Anomalies 4: When Time Travel Wouldn’t Help 5: The Trouble with Time 6: Endings and Beginnings -
Doctor Who's Feminine Mystique
Doctor Who’s Feminine Mystique: Examining the Politics of Gender in Doctor Who By Alyssa Franke Professor Sarah Houser, Department of Government, School of Public Affairs Professor Kimberly Cowell-Meyers, Department of Government, School of Public Affairs University Honors in Political Science American University Spring 2014 Abstract In The Feminine Mystique, Betty Friedan examined how fictional stories in women’s magazines helped craft a societal idea of femininity. Inspired by her work and the interplay between popular culture and gender norms, this paper examines the gender politics of Doctor Who and asks whether it subverts traditional gender stereotypes or whether it has a feminine mystique of its own. When Doctor Who returned to our TV screens in 2005, a new generation of women was given a new set of companions to look up to as role models and inspirations. Strong and clever, socially and sexually assertive, these women seemed to reject traditional stereotypical representations of femininity in favor of a new representation of femininity. But for all Doctor Who has done to subvert traditional gender stereotypes and provide a progressive representation of femininity, its story lines occasionally reproduce regressive discourses about the role of women that reinforce traditional gender stereotypes and ideologies about femininity. This paper explores how gender is represented and how norms are constructed through plot lines that punish and reward certain behaviors or choices by examining the narratives of the women Doctor Who’s titular protagonist interacts with. Ultimately, this paper finds that the show has in recent years promoted traits more in line with emphasized femininity, and that the narratives of the female companion’s have promoted and encouraged their return to domestic roles. -
SPECTACULAR DOCTOR WHO HD CINEMA EVENT BBC Worldwide Australasia Partners with Event Cinemas for Global Exclusive
FOR ONE NIGHT ONLY: SPECTACULAR DOCTOR WHO HD CINEMA EVENT BBC Worldwide Australasia partners with Event Cinemas for global exclusive 26 February 2013: For the first time in New Zealand, Doctor Who fans will be able to see two high definition episodes of Doctor Who on the big screen, in a special cinema event as part of the celebrations for the Doctor Who 50th anniversary year. For one night only on Thursday 14 March at 7pm, fans can experience ‘The Impossible Astronaut’ and ‘Day of the Moon’ from Series 6 in HD, a two-part story which introduced the newest monster created by series executive producer and showrunner Steven Moffat – the Silence. Screening in cinemas across New Zealand and Australia, this will be a world-first multiple cinema screening for Doctor Who. Taking place at select Event Cinemas across the country, there will be a ‘best dressed’ prize at each cinema for the Doctor Who fan with the most impressive costume, from Time Lords to Monsters. More details can be found on participating cinema websites. Written by Steven Moffat and directed by Toby Haynes, the 90-minute screening stars Matt Smith (Eleventh Doctor), Karen Gillan (Amy Pond), Arthur Darvill (Rory Williams), Alex Kingston (River Song) and Mark Sheppard (Canton Everett Delaware III). In ‘The Impossible Astronaut’, the Doctor, Amy and Rory receive a secret summons that leads them to the Oval Office in 1969. Enlisting the help of a former FBI agent and the irrepressible River Song, the Doctor promises to assist the President in saving a terrified little girl from a mysterious Space Man. -
OMC | Data Export
Richard Scully, "Entry on: Doctor Who (Series, S05E12-13): The Pandorica Opens / The Big Bang by Lindsey Alford , Toby Haynes, Steven Moffat", peer-reviewed by Elizabeth Hale and Daniel Nkemleke. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/90. Entry version as of October 05, 2021. Lindsey Alford , Toby Haynes , Steven Moffat Doctor Who (Series, S05E12-13): The Pandorica Opens / The Big Bang United Kingdom (2010) TAGS: Classical myth Roman Britain Roman history We are still trying to obtain permission for posting the original cover. General information Doctor Who (Series, S05E12-13): The Pandorica Opens / The Big Title of the work Bang Studio/Production Company British Broadcasting Corporation (BBC) Country of the First Edition United Kingdom Original Language English First Edition Date 2010 First Edition Details June 19, 2010 / June 26, 2010 Running time 50 min (each) September 6, 2010 (DVD [Region 2]); July 26, 2016 (DVD [Region Date of the First DVD or VHS 1]) Awards Hugo Award, Best Dramatic Presentation, Short Film (2011) Genre Science fiction, Television series, Time-Slip Fantasy* Target Audience Crossover Author of the Entry Richard Scully, University of New England, [email protected] Elizabeth Hale, University of New England, [email protected] Peer-reviewer of the Entry Daniel Nkemleke, Universite de Yaounde 1, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. -
Attributes Skills Traits Stuff Biodata
STORS Y POINT ATTRIBUTES SKILLS BIODATA NAME AWARENESS lllllllll ATHLETICS MEDICINE COORDINATION lllllllll CONVINCE SCIENCE DESCRIPTION INGENUITY lllllllll CRAFT SUBTERFUGE PRESENCE lllllllll FIGHTING SURVIVAL RESOLVE lllllllll KNOWLEDGE TECHNOLOGY STRENGTH lllllllll MARKSMAN TRANSPORT TRAITS STUFF TL STORS Y POINT 8 ATTRIBUTES SKILLS PERSONAL GOAL 4 llll To explore, to discover, to see amazing places and to hold T AWARENESS back the darkness. 4 ATHLETICS 3 MEDICINE H E DOCTOR E 5 COORDINATION lllll 4 CONVINCE 5 SCIENCE PERSONALITY The 11th incarnation of the Doctor is part mad-scientist and part schoolboy, with the mind of a genius wrapped in the body of a nerdy university undergraduate. He is gloriously 9 INGENUITY lllllllll CRAFT SUBTERFUGE 2 3 mad-cap and very rarely looks before he leaps, preferring to make his plans up on the fly and jumping into the abyss 4 PRESENCE llll beyond. Although he is not prone to fits of melancholy like 2 FIGHTING 3 SURVIVAL his previous self, he is far more flighty. He’s always prepared to help and solve even the most impossible 5 RESOLVE lllll 6 KNOWLEDGE 5 TECHNOLOGY of problems even before he’s realised the consequences of his actions. He is a 3 STRENGTH lll 2 MARKSMAN 4 TRANSPORT madman with a box. BACKGROUND The last of the Time TRAITS STUFF Lords of the planet Sonic Screwdriver Gallifrey, the Doctor is the Boffin, Brave, Charming, Feel the Turn of the Universe, last guardian of the Universe. Friends (Major: UNIT, River Song), Indomitable, Keen Psychic Paper He has saved it more times than he cares to remember and now looks senses (Major), Photographic Memory, Quick Reflexes, Remodelled TARDIS younger than ever, although he is at least 907 years old. -
Topps DW Signature Series Checklist FINAL
Topps Doctor Who Signature Series - Base Cards 1 The First Doctor 34 Androgar 67 Professor Alison Docherty 2 The Second Doctor 35 Davros 68 Danny Pink 3 The Third Doctor 36 Jenny, The Doctor's Daughter 69 Alonso Frame 4 The Fourth Doctor 37 Adric 70 Missy 5 The Fifth Doctor 38 Gwen Cooper 71 Ood Sigma 6 The Sixth Doctor 39 The Master 72 Psi 7 The Seventh Doctor 40 Rosita 73 Leela 8 The Eighth Doctor 41 General Sanchez 74 Roman Groom 9 The Ninth Doctor 42 Francine Jones 75 John Benton 10 The Tenth Doctor 43 Slitheen 76 Cathica Santini Khadeni 11 The Eleventh Doctor 44 The Teller 77 Winifred Bambera 12 The Twelfth Doctor 45 Diagoras 78 Cybermen 13 Bill 46 Oliver Morgenstern 79 Craig Owens 14 Clara Oswald 47 Nyssa 80 Kate Stewart 15 Amy Pond 48 The Silent 81 The Beast from The Pit 16 Rory Williams 49 Victoria Waterfield 82 The Valeyard 17 River Song 50 Vislor Turlough 83 Gantok 18 Rose Tyler 51 Toby Zed 84 Group Captain Ian Gilmore 19 Mickey Smith 52 Ianto Jones 85 Ashildr 20 Martha Jones 53 Ms. Delphox 86 Clive Jones 21 Donna Noble 54 Weeping Angel 87 Kirsty McLaren 22 Captain Jack Harkness 55 Strax 88 Von Weich 23 Osgood 56 Jenny Flint 89 Arnold Golightly 24 Sarah Jane Smith 57 Madame Vastra 90 Cline 25 Jo Grant 58 Zygon 91 Jamie McCrimmon 26 Susan Foreman 59 Mels 92 Ace 27 Malohkeh 60 Hila Tacorien 93 Colony Sarff 28 Captain Knight 61 Romana 94 The Controller 29 Jackie Tyler 62 Lilith 95 Mel 30 Mordred 63 Kahler-Tek 96 Pete Tyler 31 The Master 64 Kahler-Jex 97 Clifford Jones 32 Dalek 65 Steven Taylor 98 Richard Nixon 33 Blon Fel-Fotch -
2016 Topps Doctor Who Extraterrestrial
Base Cards 1 The First Doctor 34 Judoon 67 Dragonfire 2 The Second Doctor 35 The Family of Blood 68 Silver Nemesis 3 The Third Doctor 36 The Adipose 69 Ghost Light 4 The Fourth Doctor 37 Vashta 70 The End of the World 5 The Fifth Doctor 38 Tritovores 71 Aliens of London 6 The Sixth Doctor 39 Prisoner Zero 72 Dalek 7 The Seventh Doctor 40 The Tenza 73 The Parting of the Ways 8 The Eighth Doctor 41 The Silence 74 School Reunion 9 The War Doctor 42 The Wooden King 75 The Impossible Planet 10 The Ninth Doctor 43 The Great Intelligence 76 "42" 11 The Tenth Doctor 44 Ice Warrior Skaldak 77 Utopia 12 The Eleventh Doctor 45 Strax 78 Planet of the Ood 13 The Twelfth Doctor 46 Slitheen 79 The Sontaran Stratagem 14 Susan 47 Zygons 80 The Doctor's Daughter 15 Zoe 48 Sycorax 81 Midnight 16 Sarah Jane 49 The Master 82 Journey's End 17 Ace 50 Missy 83 The Waters of Mars 18 Rose 51 The Daleks 84 Victory of the Daleks 19 Captain Jack 52 The Sensorites 85 The Pandorica Opens 20 Martha 53 The Dalek Invasion of Earth 86 Closing Time 21 Donna 54 Tomb of the Cybermen 87 A Town Called Mercy 22 Amy 55 The Invasion 88 The Power of Three 23 Rory 56 The Claws of Axos 89 The Rings of Akhaten 24 Clara 57 Frontier in Space 90 The Night of the Doctor 25 Osgood 58 The Time Warrior 91 The Time of the Doctor 26 River 59 Death to the Daleks 92 Into the Dalek 27 Davros 60 Pyramids of Mars 93 Time Heist 28 Rassilon 61 The Keeper of Traken 94 In the Forest of the Night 29 The Ood 62 The Five Doctors 95 Before the Flood 30 The Weeping Angels 63 Resurrection of the Daleks 96 -
Doctor Who Assistants
COMPANIONS FIFTY YEARS OF DOCTOR WHO ASSISTANTS An unofficial non-fiction reference book based on the BBC television programme Doctor Who Andy Frankham-Allen CANDY JAR BOOKS . CARDIFF A Chaloner & Russell Company 2013 The right of Andy Frankham-Allen to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Copyright © Andy Frankham-Allen 2013 Additional material: Richard Kelly Editor: Shaun Russell Assistant Editors: Hayley Cox & Justin Chaloner Doctor Who is © British Broadcasting Corporation, 1963, 2013. Published by Candy Jar Books 113-116 Bute Street, Cardiff Bay, CF10 5EQ www.candyjarbooks.co.uk A catalogue record of this book is available from the British Library All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Dedicated to the memory of... Jacqueline Hill Adrienne Hill Michael Craze Caroline John Elisabeth Sladen Mary Tamm and Nicholas Courtney Companions forever gone, but always remembered. ‘I only take the best.’ The Doctor (The Long Game) Foreword hen I was very young I fell in love with Doctor Who – it Wwas a series that ‘spoke’ to me unlike anything else I had ever seen. -
Post-Feminist Retreatism in Doctor Who Franke, A
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch 'Don't make me go back': post-feminist retreatism in Doctor Who Franke, A. and Nicol, D. This is an author accepted manuscript of an article published by Intellect in the Journal of Popular Television, 6 (2), pp. 197-211. The final definitive version is available online: https://dx.doi.org/10.1386/jptv.6.2.197_1 © 2018 Intellect The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] ‘Don’t Make Me Go Back’: Post-Feminist Retreatism in Doctor Who By Alyssa Franke and Danny Nicol ABSTRACT In post-2005 Doctor Who the female companion has become a seminal figure. This article shows how closely the narratives of the companions track contemporary notions of post- feminism. In particular, companions’ departures from the programme have much in common with post-feminism’s master-theme of retreatism, whereby women retreat from their public lives to find fulfilment in marriage, home and family. The article argues that when companions leave the TARDIS, what happens next ought to embody the sense of empowerment, purpose and agency which they have gained through their adventures, whereas too often the programme’s authors have given companions ‘happy endings’ based on finding husbands and settling down. -
Doctor Who: Adaptations and Flows
Doctor Who: Adaptations and Flows Mark Bould Doctor Who (1963-1989, 2005-), the longest-running and most successful sf television show of all time (Miller), provides unique insights into how the experience of television programming has developed over the last half-century. Moreover, almost from the moment of its inception, it became a multimedia franchise, with comics, books, toys, games, a rebooted series, spin-off series, interactive web content and so on, as well as cinematic, direct-to-video, televisual, and internet/DVD pornographic film adaptations.1 Such a proliferation of commercial texts poses particular problems—and opportunities—for adaptation studies, which hitherto has tended to concentrate on the nature of textual transformations between more-or-less canonical texts and their adaptations—a close focus that typically loses sight of adaptations and their sources as commodities bound up in the realms of production and consumption. In order critically to comprehend them, it is necessary to come to terms with the nature of intellectual, creative labour required by both producers and consumers of textual commodities. That is, we need to develop the means by which to “examine the historically specific conjunctures in which interests and meanings are brought into being and actively negotiated” (Grainge 8). This requires attention not only to “the diversity of attitudes and practices that exist among consumers, audiences and subordinate social groups” privileged in cultural disciplines since the 1980s, but also “with equal sensitivity to context and complexity the interests and meanings worked out within the field of cultural production” (8). Thinking about adaptation therefore requires us simultaneously to consider not only the processes by which we make culture out of commodities but also those by which capital is made out of culture.