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The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
2012 Sundance Film Festival Announces Awards
FOR IMMEDIATE RELEASE Media Contacts: January 28, 2012 Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES AWARDS The House I Live In, Beasts of the Southern Wild, The Law in These Parts and Violeta Went to Heaven Earn Grand Jury Prizes Audience Favorites Include The Invisible War, The Surrogate, SEARCHING FOR SUGAR MAN and Valley of Saints Sleepwalk With Me Receives Best of NEXT <=> Audience Award Park City, UT — Sundance Institute this evening announced the Jury, Audience, NEXT <=> and other special awards of the 2012 Sundance Film Festival at the Festival‘s Awards Ceremony, hosted by Parker Posey in Park City, Utah. An archived video of the ceremony in its entirety is available at www.sundance.org/live. ―Every year the Sundance Film Festival brings to light exciting new directions and fresh voices in independent film, and this year is no different,‖ said John Cooper, Director of the Sundance Film Festival. ―While these awards further distinguish those that have had the most impact on audiences and our jury, the level of talent showcased across the board at the Festival was really impressive, and all are to be congratulated and thanked for sharing their work with us.‖ Keri Putnam, Executive Director of Sundance Institute, said, ―As we close what was a remarkable 10 days of the 2012 Sundance Film Festival, we look to the year ahead with incredible optimism for the independent film community. As filmmakers continue to push each other to achieve new heights in storytelling we are excited to see what‘s next.‖ The 2012 Sundance Film Festival Awards presented this evening were: The Grand Jury Prize: Documentary was presented by Charles Ferguson to: The House I Live In / U.S.A. -
American Director Jonathan Demme to Receive Visionary Award Venice Film Festival
Beat: Entertainment AMERICAN DIRECTOR JONATHAN DEMME TO RECEIVE VISIONARY AWARD VENICE FILM FESTIVAL AND CHAIRMAN JURY ORIZZONTI SECTION PARIS - LOS ANGELES - VENICE, 04.09.2015, 17:33 Time USPA NEWS - Also a Jury President on the Lido this year, the famous Director received a career-spanning Prize. He released this year "Ricki and the Flash" starring Mery Streep as a rocker mom who lets down her kids... Also a Jury President on the Lido this year, the famous Director received a career-spanning Prize. He released this year "Ricki and the Flash" starring Meryl Streep as a rocker mom who lets down her kids. The American director is famous for the films : "The silence of the Lambs", "Philadelphia", "Rachel Getting Married"... The International Jury of Orizzonti section chaired by Jonathan Demme, composed of five members, will award the following prizes, with no ax-aequo awards allowed : Orizzonti Award for Best films ; Orizzonti Award for Best Director ; Special Orizzonti Jury Prize ; Orizzonti Award for Best Actor or Actress ; Orizzonti Award for Best Short film. Jonahan Demme's long story career goes all the way back to the 1970s, through "Carzed Mama", "Melvin and Howard"... and into the 1980s comedy "Something Wild", 1991 Best Picture winner "The Silence of the Lambs", "Philadelphia", remakes "The Truth About Charlie" and "the Manchurian Candidate" and his more late-career efforts, including "Rachel Getting Married", "A Master Builder" and this year "Ricki and the Flash". His films have long been staples of the Venice Film Festival. It was announced August 28 by La Biennale Di Venezia and Persol that Jonathan Demme will receive the Persol Tribute to Visionary Talent Award. -
The Eddie Awards Issue
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. -
Rachel Getting Married Presented with Support from Rachel Gettingpaul L
TREASURES FROM THE YALE FILM ARCHIVE TUESDAY AN ONGOING SERIES OF CLASSIC AND CONTEMPORARY FILMS PRESENTED IN 35MM BY THE YALE FILM STUDY CENTER JULY 18, 2017 7:00PM • WHITNEY HUMANITIES CENTER RACHEL GETTING MARRIED PRESENTED WITH SUPPORT FROM RACHEL GETTINGPAUL L. JOSKOW ’70 M.PHIL., ’72 PH.D. “Ever since my days working with Roger Corman, and perhaps before that, I’ve been a sucker for a women’s picture. A film with a woman protagonist at the forefront. A woman in jeopardy. A woman on a mission. These are themes that have tremendous appeal to me as a moviegoer and also as a director.” o. —Jonathan Demme N S E 133 A S O N Director Jonathan Demme’s goal was to create “the most beautiful home movie ever made” with RACHEL GETTING MARRIED, a sanguine and compassionate ambition for a film centered on a bohemian family’s black sheep, Kym Buchman (Anne Hathaway), who introduces herself as “Shiva the Destroyer, your harbinger of doom for the evening.” The first film from screenwriter Jenny Lumet, daughter of Sidney Lumet and granddaughter of Lena Horne, RACHEL GETTING MARRIED is “a film whose lightness of touch rides a wave of family conflict to perfectly balance smiles and tears,” says Deborah Young of The Hollywood Reporter. Moira MacDonald remarks in The Seattle Times, “This emotionally wrenching drama is an actors’ showcase, a primer on quick-and-dirty filmmaking that nonetheless looks beautiful, and a welcome-to-the-big- leagues party for Hathaway.” Given its rich and eclectic soundtrack—samba, Sister Carol, Robyn Hitchcock, an acoustic Tunde DIRECTED BY JONATHAN DEMME Adebimpe singing Neil Young—it is remarkable that there is no non-diegetic music in the film, and almost all of the music was recorded live on location. -
Certain Women
CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up. -
For Immediate Release Tribeca Film Festival® Announces
FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives. -
MELISSA GIROTTI Cell: 416-268-0425 E-Mail: [email protected]
MELISSA GIROTTI Cell: 416-268-0425 E-mail: [email protected] Production “Downsizing” Feature Film Paramount Pictures Coordinator Producers: Mark Johnson 2016 Director: Alexander Payne Line Producer: Diana Pokorny UPM: Regina Robb Cast: Matt Damon, Kristen Wiig, Jason Sudeikis, Christoph Waltz Production “11.22.63” Mini Series Bad Robot / Warner Bros. Coordinator Producers: JJ Abrams, Kathy Lingg, Bridget Carpenter 2015 Director: Various Line Producer: Joseph Boccia UPM: Anna Beben Cast: James Franco, Sarah Gadon, Chris Cooper, Josh Duhamel, George MacKay Production “MARILYN” Mini Series Asylum / Lifetime Supervisor Producers: Don Carmody, David Cormican 2014 - 2015 Director: Laurie Collyer Line Producer / UPM: Joseph Boccia Cast: Susan Sarandon, Emily Watson, Kelli Garner, Jeffrey Dean Morgan Production “POLTERGEIST” (Reshoots Only) Feature Film MGM Coordinator Producers: Sam Raimi, Nathan Kahane, Roy Lee 2014 Director: Gil Kenan (Re-shoots) Line Producer: Becki Trujillo UPM: Joseph Boccia Cast: Sam Rockwell, Rosemarie DeWitt, Jared Harris Production “AGATHA” TV Pilot ABC Studios Coordinator Exec. Producers: Mark Gordon, Nick Pepper, Michael McDonald 2014 Director: Jace Alexander Line Producer: Todd Arnow UPM: Joseph Boccia Cast: Bojana Novakovic, Clancy Brown, Meta Golding Production “MAPS TO THE STARS” Feature Film Independent Supervisor Producers: Martin Katz, Saïd Ben Saïd, Michel Merkt 2013 France / Canada Director: David Cronenberg Co-Production Line Producer / UPM: Joseph Boccia Cast: Julianne Moore, John Cusack, Mia Wasikowska, -
The Electrical Transformation of the Public Sphere: Home Video, the Family, and the Limits of Privacy in the Digital Age
THE ELECTRICAL TRANSFORMATION OF THE PUBLIC SPHERE: HOME VIDEO, THE FAMILY, AND THE LIMITS OF PRIVACY IN THE DIGITAL AGE By Adam Capitanio A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY American Studies 2012 ABSTRACT THE ELECTRICAL TRANSFORMATION OF THE PUBLIC SPHERE: HOME VIDEO, THE FAMILY, AND THE LIMITS OF PRIVACY IN THE DIGITAL AGE By Adam Capitanio One of the constituent features of the digital age has been the redrawing of the line between private and public. Millions of social media users willingly discuss intimate behavior and post private photographs and videos on the internet. Meanwhile, state and corporate bodies routinely violate individual privacy in the name of security and sophisticated marketing techniques. While these occurrences represent something new and different, they are unsurprising given the history of home and amateur media. In this dissertation, I argue that contemporary shifts in the nature of the public/private divide have historical roots in the aesthetics and style found in home movies and videos. In other words, long before Facebook and YouTube enabled users to publicly document their private lives, home movies and videos generated patterns of representation that were already shifting the unstable constitution of the “private” and the “public” spheres. Using critical theory and archival research, I demonstrate how home moviemakers represented their families and experiences in communal and liminal spaces, expanding the meaning of “home.” When video become the predominant medium for domestic usage, home mode artifacts became imbricated with television, granting them a form of phantasmagoric publicity that found fulfillment in the digital era. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
The Amir Elsaffar Quintet
The Amir ElSaffar Quintet “Cultures converge to exquisite effect in trumpeter ElSaffar’s indelible recording … some of the most shimmering, subtle work of ElSaffar’s career.” -Howard Reich, The Chicago Tribune “It is, at once, modern and ancient—something you’ve heard all your life and something brand new.” -Frank Alkyer, Downbeat Magazine The Amir ElSaffar Quintet with its recent release, Alchemy, represents the latest chapter in trumpeter Amir ElSaffar’s continuing investigation into the tonal systems of the Arab world and Middle East within a jazz context. The ensemble performs ElSaffar’s compositions, ranging from highly microtonal, with ElSaffar’s unique harmonies extracted from the non-tempered pitches of the Maqam, to those drawing on an ancient Babylonian/Sumerian modal system, all within the context of standard jazz instrumentation. Looking back to the ancient and forward to innovative sonic possibilities, the band tackles this challenging music with dynamic intensity, rhythmic drive, and creative aplomb. ElSaffar’s quintet is made up of some of the top improvising musicians in New York: John Escreet (piano) is an innovative and adventurous pianist with seven albums under his name; Francois Moutin (bass), leader of the Moutin Reunion Quartet, who plays with unparalleled technique, redefining the role of his instrument; Dan Weiss (drums), who leads his own trio, and plays with Lee Konitz, Rudresh Mahanthappa, Miguel Zenon, Dave Binney and countless others; and tenor saxophonist Ole Mathisen, a master of microtonal playing who contributes beautifully controlled and technically dazzling playing, serving as the perfect foil to ElSaffar on the front line. www.amirelsaffar.com website: http://amirelsaffar.com/quintet audio: Ishtarum Quartal video: Ishtarum Alchemy (2013) available now on Pi Recordings. -
CHAPTER I INTRODUCTION A. Background of the Study Human
CHAPTER I INTRODUCTION A. Background of the Study Human rights are certain unalienable rights attached to people which are endowed by God. They include everything from the right to speak openly without fear, to set material wealth for happiness, to profess a religion, to the right to decent shelter and healthcare. In this sense, all people have the same rights and must defend and respect one another’s human rights. They may not take other people’s rights away because it violates against human rights. All human beings are born free and equal in dignity and rights. Human rights are the basic rights and freedom to which all human beings are entitled, including rights for life and liberty as well a freedom of thought and expression and equality before the law, and whose exercise the government or any institution may not interfere. Human rights are premised on the recognition of the equal worth and dignity of every human being regardless of any distinguishing characteristic such as race, color, sex, language, religion, political, or other opinion, national or social origin, property, birth or other status. This gives rice to the twin fundamental principles of equality and non-discrimination (Handaumlusermann, 1997). Based on the Universal Declaration of Human Rights (December 10, 1948) everyone has the right for life, liberty and security of person. This means that everyone has the right for work, free choice of employment, justice and 1 2 favorable conditions of work and protection against unemployment. Everyone, without any discrimination, has the right to equal pay for equal work. However, a violation of human rights is still found at any time and at any place.