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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
Talisman: Batman™ Super-Villains Edition Rules
INTRODUCTION Key Components and The object of the game is to sneak, fight and search your way through Arkham Asylum, and be the first of the Concepts Overview Villains to reach the Security Control Room at the top of This section will introduce new players to the key concepts the Guard Tower. Once there you must subdue Batman and components of Talisman. For players who are familiar and turn off all security systems. The first player to do with Batman Talisman, or the original Talisman game, we this will free all of the Villains and become the leader of recommend jumping ahead to ‘Game Set-up’ on page 6. Gotham City’s underworld, and will win the game. In order to reach the end, you’ll need to collect various Items, gain Followers and improve your Strength and Cunning. Game Board Most importantly, you will need to locate a Security Key Card The game board depicts the Villains’ hand drawn maps of to unlock the Security Control Room. Without one of these Arkham Asylum. It is divided into three Regions: First Floor powerful cards there is no hope of completing your task. (Outer Region), Second Floor (Middle Region), and Tower (Inner Region). Number of Players Up to six players can play Batman Talisman, but the more players that are participating, the longer the game will last. For this reason we suggest using the following rules for faster play. If you have fewer players, or would like to experience the traditional longer Talisman game there are alternative rules provided at the end of this rulebook on page 14. -
Archives - Search
Current Auctions Navigation All Archives - Search Category: ALL Archive: BIDDING CLOSED! Over 150 Silver Age Comic Books by DC, Marvel, Gold Key, Dell, More! North (167 records) Lima, OH - WEDNESDAY, November 25th, 2020 Begins closing at 6:30pm at 2 items per minute Item Description Price ITEM Description 500 1966 DC Batman #183 Aug. "Holy Emergency" 10.00 501 1966 DC Batman #186 Nov. "The Jokers Original Robberies" 13.00 502 1966 DC Batman #188 Dec. "The Ten Best Dressed Corpses in Gotham City" 7.50 503 1966 DC Batman #190 Mar. "The Penguin and his Weapon-Umbrella Army against Batman and Robin" 10.00 504 1967 DC Batman #192 June. "The Crystal Ball that Betrayed Batman" 4.50 505 1967 DC Batman #195 Sept. "The Spark-Spangled See-Through Man" 4.50 506 1967 DC Batman #197 Dec. "Catwoman sets her Claws for Batman" 37.00 507 1967 DC Batman #193 Aug. 80pg Giant G37 "6 Suspense Filled Thrillers" 8.00 508 1967 DC Batman #198 Feb. 80pg Giant G43 "Remember? This is the Moment that Changed My Life!" 8.50 509 1967 Marvel Comics Group Fantastic Four #69 Dec. "By Ben Betrayed!" 6.50 510 1967 Marvel Comics Group Fantastic Four #66 Dec. "What Lurks Behind the Beehive?" 41.50 511 1967 Marvel Comics Group The Mighty Thor #143 Aug. "Balder the Brave!" 6.50 512 1967 Marvel Comics Group The Mighty Thor #144 Sept. "This Battleground Earth!" 5.50 513 1967 Marvel Comics Group The Mighty Thor #146 Nov. "...If the Thunder Be Gone!" 5.50 514 1969 Marvel Comics Group The Mighty Thor #166 July. -
Monitor User Manual
Monitor User Manual S29E790C The color and the appearance may differ depending on the product, and the specifications are subject to change without prior notice to improve the performance. BN46-00442C-01 Table of contents Before Using the Product Connecting and Using a Source Screen Setup Device Copyright 5 SAMSUNG MAGIC Bright 28 Configuring SAMSUNG MAGIC Bright 28 Securing the Installation Space 6 Before Connecting 23 Precautions for storage 6 Pre-connection Checkpoints 23 Brightness 30 Configuring Brightness 30 Safety Precautions 6 Connecting and Using a PC 23 Symbols 6 Connection Using the HDMI Cable 23 Contrast 31 Cleaning 7 Connection Using the DP Cable 24 Configuring Contrast 31 Electricity and Safety 7 Connecting to Headphones or Speakers 24 Sharpness 32 Installation 8 Connecting the Power 25 Configuring Sharpness 32 Operation 10 Tidying Up the Connected Cables 26 Color 33 Correct posture to use the product 13 Driver Installation 27 Configuring Color 33 Setting Optimum Resolution 27 HDMI Black Level 34 Configuring the HDMI Black Level Settings 34 Preparations Eye Saver Mode 35 Checking the Components 14 Configuring Eye Saver Mode 35 Components 14 Game Mode 36 Parts 15 Configuring Game Mode 36 Control Panel 15 Response Time 37 Direct Key guide 16 Configuring the Response Time 37 Function Key Guide 17 Reverse Side 19 Picture Size 38 Changing the Picture Size 38 Installation 20 Adjusting the Product Tilt and Height 20 Screen Adjustment 40 Anti-theft Lock 22 Configuring H-Position & V-Position 40 2 Table of contents Configuring the -
Crisis on Infinite Earths Free
FREE CRISIS ON INFINITE EARTHS PDF DC Comics | 368 pages | 25 May 2007 | D C Comics (a division of Warner Brothers - A Time Warner Entertainment Co.) | 9781563897504 | English | New York, United States How to Watch 'Crisis on Infinite Earths' Crossover Event on Netflix - What's on Netflix At the beginning of time, the Big Bang occurred, forming the universe. However, where there should have been one universe, there were many, each one a replication of the first, with their own separate histories. The Crisis on Infinite Earths was a Multiversal catastrophe that resulted in the destruction of countless parallel universes, and Crisis on Infinite Earths recreation of a single positive matter universe and an antimatter universe at the dawn of time. At the present time, a great white wall of pure antimatter energy stretches out across the cosmos. It pervades the Multiverse, consuming entire galaxies. On an unknown Crisis on Infinite Earths world, a being named Pariah arrives. He Crisis on Infinite Earths forced to witness the death of multiple worlds in multiple dimensions. He disappears as he is transported to the parallel world known as Earth-Three. On that world, the Crime Syndicate, in a rare demonstration of heroism, strives to save their beleaguered planet. However, even their combined might cannot prevent their deaths at the antimatter wall. The planet's sole hero, Alexander Luthor, retreats to his home where his wife, Lois, holds their infant son, Alexander Jr. Luthor places his son into an experimental rocket capsule and launches him from the planet Earth. As Earth-Three dies, Alexander's capsule pierces the vibrational wall separating dimensions. -
Nursery Rhymes
NURSERY RHYMES 1 In pairs, read the definition of internal and external rhyme. Discuss the meaning with your teacher and analyze some examples. What are the characteristics of nursery rhymes? Most nursery rhymes make use of rhyme. Internal rhyme is rhyme that takes place inside a line or a sentence. External rhyme is rhyme that takes place at the end of lines or sentences. 2 Read again the nursery rhymes on page 118 and complete the table. Put a check mark (✔) or an X (✘) according to the type of rhyme you identify. Then correct as a class. ‘Humpty Dumpty…’ ‘Jack and Jill…’ ‘Baa, baa, black sheep…’ Internal rhyme External rhyme 3 In pairs, read the definition and check that you understand the meaning. What is a parody? A parody is an imitation of a particular writer, genre or text that produces a comic effect. 4 Read the nursery rhyme parodies and put the last line of each parody in order. Then make a drawing to illustrate the meaning of each last line. Share your work with the class and vote for the best drawing. Nursery rhyme parodies Your drawing 1 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall. All the king’s horses and all the king’s men for / scrambled / again / had / eggs / breakfast / . 2 Mary had a little lamb Her father shot it dead. Now it goes to school with her, two / bread / of / between / loaves / . 3 Jack and Jill went up the hill And planned to do some kissing. Jack made a pass When they sat on the grass missing / two / his / are / now / teeth / front / . -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C. -
Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2013 12:00 AM Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance Caitlin Foster The University of Western Ontario Supervisor Dr. Joseph Wlodarz The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Caitlin Foster 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Advertising and Promotion Management Commons, and the Film and Media Studies Commons Recommended Citation Foster, Caitlin, "Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance" (2013). Electronic Thesis and Dissertation Repository. 1494. https://ir.lib.uwo.ca/etd/1494 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CLASH OF THE INDUSTRY TITANS: MARVEL, DC AND THE BATTLE FOR MARKET DOMINANCE (Thesis format: Monograph) By Caitlin Foster Graduate Program in Film Studies A thesis submitted in partial fulfillment Of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Caitlin Foster 2013 Abstract This thesis examines the corporate structures, marketing strategies and economic shifts that have influenced the recent resurgence of the comic book superhero in popular Hollywood cinema. Using their original texts and adaptation films, this study will chronologically examine how each company’s brand identities and corporate structures have reacted to and been shaped by the major cultural and industrial shifts of the past century in its attempt to account for the varying success of these companies throughout their histories. -
Justice League Crisis on Two Earths Download Mp4 Justice League: Crisis on Two Earths Blu-Ray Review
justice league crisis on two earths download mp4 Justice League: Crisis on Two Earths Blu-ray Review. The Justice League meets their evil counterparts. You can guess what happens next. Those who want to see the seeds of that connection between Crisis and the television incarnations of the Justice League won't have to look very hard. The character designs are similar, and although the lineup of heroes is slightly different, it begins with a small, core team working on the satellite that will eventually become the base of operations for a larger cast of characters. The main cast includes Superman, Wonder Woman, Batman, Flash, Martian Manhunter and Green Lantern (Hal Jordon, not John Stewart, as in the TV series). There are also cameos galore, including some characters we already know and their evil alter egos from a parallel world (who are fun to figure out if you know anything about the DC Universe). To further distance this story from the others that have come before, there have been some voice cast changes as well. The new voices take some getting used to, and in some cases it's tough to get over the image that goes along with the voice. But once the well-animated action kicks in, you'll start to see Batman instead of William ("Billy") Baldwin, Superman instead of Mark Harmon and Lex Luthor instead of Chris Noth. Not to be outdone, the villains also have some marquee names to their credits, with none other than James Woods providing the subtly sinister voice of alt- universe Batman, known in his world as Owl Man, and Gina Torres sounding at once seductive and strong as Super Woman, an evil counterpart to Wonder Woman. -
Working Paper Series
Working Paper Series SPECIAL ISSUE: REVISITING AUDIENCES: RECEPTION, IDENTITY, TECHNOLOGY Superheroes and Shared Universes: How Fans and Auteurs Are Transforming the Hollywood Blockbuster Edmund Smith University of Otago Abstract: Over the course of the 2000s, the Hollywood blockbuster welcomed the superhero genre into its ranks after these films saw an explosion in popularity. Now, the ability to produce superhero films through an extended transmedia franchise is a coveted prize for major studios. The likes of Sony, 20th Century Fox, and Warner Bros. are locked in competition with the new kid on the block, Marvel, who changed the way Hollywood produces the blockbuster franchise. Drawing upon my previous and current postgraduate work, this essay will discuss fans and authorship in relation to the superhero genre which, I posit, exemplifies the industrial model of the Hollywood blockbuster and the cycle of appropriation and revitalisation that defines it. I will explain how studios like Marvel call upon up-and-coming directorial talent to further legitimise their films in order to appeal to middlebrow expectations through auteur credibility. Such director selection demonstrates: 1) how the contemporary auteur has become commodified within transmedia franchise blockbusters and, 2) how, due to the conflicting creative and commercial interests inherent to the blockbuster, these films are now supported by a form of co-dependent authorship. Related to this, I will also explore how fans function within this industrial context and the effect that their fannish support and promotion of superhero films has had on the latter’s viability as a staple of studio production. ISSN2253-4423 © MFCO Working Paper Series 3 MFCO Working Paper Series 2017 Introduction From the 2000s, through to the present day, the superhero film has seen a titanic increase in popularity, becoming a staple of the mainstream film industry. -
What Superman Teaches Us About the American Dream and Changing Values Within the United States
TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries.