George Orwell Quotations
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The Humanism of George Orwell
THE HUMANISM OF GEORGE ORWELL APPROVED: ets^L Major Professor 3 (\ A svi JLGtCx, Minor(Professor irector of the DeparttffeprfT'oi History- Dean of the Graduate School />/A*' , Hale, Jeffrey Lee , The Humanism of George Orwell* Master of Arts (History), December, 1971, 107 pp., bibliography, 19 titles. This paper argues that George Orwell was a myth maker in the twentieth century, an age of existential perplexities. Orwell recognized that man is innately "patriotic," that the will-to-believe is part of his nature, but that the excesses of scientific analysis have disrupted the absolutes of belief. Through the Organic Metaphor, Orwell attempted to reconstruct man's faith into an aesthetic, and consequently moral, sensi- bility. Proposing to balance, and not replace, the Mechanistic Metaphor of industrial society, Orwell sought human progress along aesthetic lines, "Socialism" was his political expres- sion of the Organic Metaphor: both advocated universal integ- rity in time and space. The sources are all primary. All of Orwell's novels were used, in addition to three essay collections: Collected Essays; The Orwell Reader; and The Collected Essays, Journalism and Letters of George Orwell, Sonia Orwell and Ian Angus, editors, four volumes„ Orwell's essays and book reviews contain his best social criticisms. There are six chapters. The first chapter is the intro- duction, which includes a biographical sketch of Orwell, defi- nitions of the Organic and Mechanistic Metaphors, and a comment on the bibliography. The second chapter examines the oppression of the common man by monopolistic capitalism in colonial Burma and depression-ridden Europe, and Orwell's socialist advoca- tions. -
Dulley, Paul Richard.Pdf
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details ‘In Front of your Nose’: The Existentialism of George Orwell Paul Richard Dulley PhD In Literature and Philosophy University of Sussex April 2015 2 I hereby declare that this thesis has not been and will not be submitted, whole or in part, to another university for the award of any other degree. Signature:……………………............... 1 University of Sussex Paul Richard Dulley PhD in Literature and Philosophy ‘In Front of your Nose’: The Existentialism of George Orwell Summary George Orwell’s reputation as a writer rests largely upon his final two works, selected essays and some of his journalism. As a novelist, he is often considered limited, and it is for this reason that his writing has perhaps received less serious attention than that of many of his contemporaries. Some recent publications have sought to redress this balance, identifying an impressive level of artistry, not only in his more recognised works, but in the neglected novels of the 1930s. -
The Banality of Virtue: a Multifaceted View of George Orwell
THE BANALITY OF VIRTUE: A MULTIFACETEDVIEW OF GEORGEORWELL AS CHAMPION OF THE COMMON MAN By @ 2007 ThomasF. Veale M.A., Universityof Kansas,2002 Submittedto the Departmentof Englishand the Facultyof the GraduateSchool of theUniversity of Kansas In partial fulfillment of the requirementsfor the degreeof Doctorof Philosophy ./ rJ ' A.larr* tsr l{J,tL+.r G. Douglas/Atkins,Chairman Phil McKnight Date Defended: ii iii iv v Abstract This dissertation focuses on several aspects of the life and works of one Eric Arthur Blair, better known as George Orwell. It views Orwell as a servant of empire, as a revolutionary, as an intellectual, as an optimistic skeptic, as a writer, as a sort of prophet, and as a critic. It makes the case that Orwell wrote with the interests of the common people at the forefront of his mind, and that the threats to humanity and the liberal Western tradition existing in the 1930s and 1940s still exist today, albeit in a form that would have surprised Orwell himself. The passing of the year 1984 prompted a sigh of relief in Western societies who celebrated Big Brother’s failure to arise in that celebrated year. As we end the first decade of the twenty-first century, we should consider whether or not we truly have avoided the perils of totalitarianism and the possible nightmare world that Orwell envisioned. This work engages Orwell’s past, his present, and his unseen future: our own present. It applies Orwell to the postmodern world in an effort to emphasize that his work still matters. vi Acknowledgments and Dedication In 1983, my mother gave me her Book-of-the-Month Club first edition of Animal Farm. -
George Orwell
THE GREAT IDEAS ONLINE May ‘06 No 370 The great enemy of clear language is insincerity. When there is a gap between one’s real and one’s declared aims, one turns, as it were, instinctively to long words and exhausted idioms, like a cuttlefish squirting out ink. —George Orwell Eric Arthur Blair (George Orwell) [1903-1950] CONFESSIONS OF A BOOK REVIEWER 2 n a cold but stuffy bed-sitting room littered with cigarette ends I and half-empty cups of tea, a man in a moth-eaten dressing- gown sits at a rickety table, trying to find room for his typewriter among the piles of dusty papers that surround it. He cannot throw the papers away because the wastepaper basket is already over- flowing, and besides, somewhere among the unanswered letters and unpaid bills it is possible that there is a cheque for two guineas which he is nearly certain he forgot to pay into the bank. There are also letters with addresses which ought to be entered in his address book. He has lost his address book, and the thought of looking for it, or indeed of looking for anything, afflicts him with acute suici- dal impulses. He is a man of 35, but looks 50. He is bald, has varicose veins and wears spectacles, or would wear them if his only pair were not chronically lost. If things are normal with him he will be suffering from malnutrition, but if he has recently had a lucky streak he will be suffering from a hangover. At present it is half-past eleven in the morning, and according to his schedule he should have started work two hours ago; but even if he had made any serious effort to start he would have been frustrated by the almost continuous ring- ing of the telephone bell, the yells of the baby, the rattle of an elec- tric drill out in the street, and the heavy boots of his creditors clumping up and down the stairs. -
Fifty-Essays.Pdf
FIFTY ESSAYS By George Orwell Contents 1. THE SPIKE (1931) 2. A HANGING (1931) 3. BOOKSHOP MEMORIES (1936) 4. SHOOTING AN ELEPHANT (1936) 5. DOWN THE MINE (1937) (FROM “THE ROAD TO WIGAN PIER”) 6. NORTH AND SOUTH (1937) (FROM “THE ROAD TO WIGAN PIER”) 7. SPILLING THE SPANISH BEANS (1937) 8. MARRAKECH (1939) 9. BOYS’ WEEKLIES AND FRANK RICHARDS’S REPLY (1940) 10. CHARLES DICKENS (1940) 11. CHARLES READE (1940) 12. INSIDE THE WHALE (1940) 13. THE ART OF DONALD MCGILL (1941) 14. THE LION AND THE UNICORN: SOCIALISM AND THE ENGLISH GENIUS (1941) 15. WELLS, HITLER AND THE WORLD STATE (1941) 16. LOOKING BACK ON THE SPANISH WAR (1942) 17. RUDYARD KIPLING (1942) 18. MARK TWAIN–THE LICENSED JESTER (1943) 19. W B YEATS (1943) 20. ARTHUR KOESTLER (1944) 21. BENEFIT OF CLERGY: SOME NOTES ON SALVADOR DALI (1944) 22. RAFFLES AND MISS BLANDISH (1944) 23. ANTISEMITISM IN BRITAIN (1945) 24. FREEDOM OF THE PARK (1945) 25. FUTURE OF A RUINED GERMANY (1945) 26. GOOD BAD BOOKS (1945) 27. IN DEFENCE OF P. G. WODEHOUSE (1945) 1 28. NONSENSE POETRY (1945) 29. NOTES ON NATIONALISM (1945) 30. REVENGE IS SOUR (1945) 31. THE SPORTING SPIRIT (1945) 32. YOU AND THE ATOMIC BOMB (1945) 33. A GOOD WORD FOR THE VICAR OF BRAY (1946) 34. A NICE CUP OF TEA (1946) 35. BOOKS VS. CIGARETTES (1946) 36. CONFESSIONS OF A BOOK REVIEWER (1946) 37. DECLINE OF THE ENGLISH MURDER (1946) 38. HOW THE POOR DIE (1946) 39. JAMES BURNHAM AND THE MANAGERIAL REVOLUTION (1946) 40. PLEASURE SPOTS (1946) 41.