Mccallum Theatre Concert Band
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Plusinside Senti18 Cmufilmfest15
Pittsburgh Opera stages one of the great war horses 12 PLUSINSIDE SENTI 18 CMU FILM FEST 15 ‘BLOODLINE’ 23 WE-2 +=??B/<C(@ +,B?*(2.)??) & THURSDAY, MARCH 19, 2015 & WWW.POST-GAZETTE.COM Weekend Editor: Scott Mervis How to get listed in the Weekend Guide: Information should be sent to us two weeks prior to publication. [email protected] Send a press release, letter or flier that includes the type of event, date, address, time and phone num- Associate Editor: Karen Carlin ber of venue to: Weekend Guide, Pittsburgh Post-Gazette, 34 Blvd. of the Allies, Pittsburgh 15222. Or fax THE HOT LIST [email protected] to: 412-263-1313. Sorry, we can’t take listings by phone. Email: [email protected] If you cannot send your event two weeks before publication or have late material to submit, you can post Cover design by Dan Marsula your information directly to the Post-Gazette website at http://events.post-gazette.com. » 10 Music » 14 On the Stage » 15 On Film » 18 On the Table » 23 On the Tube Jeff Mattson of Dark Star City Theatre presents the Review of “Master Review of Senti; Munch Rob Owen reviews the new Orchestra gets on board for comedy “Oblivion” by Carly Builder,”opening CMU’s film goes to Circolo. Netflix drama “Bloodline.” the annual D-Jam show. Mensch. festival; festival schedule. ALL WEEKEND SUNDAY Baroque Coffee House Big Trace Johann Sebastian Bach used to spend his Friday evenings Trace Adkins, who has done many a gig opening for Toby at Zimmermann’s Coffee House in Leipzig, Germany, where he Keith, headlines the Palace Theatre in Greensburg Sunday. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
Damian O'neill
Damian O’Neill FREELANCE Editor : avid : fcp www.damianoneill.com [email protected] 15 years Granada TV (10 years as Senior Editor) 13 years freelance Recent work includes: Oman National Day 2010 Avantgarde Nobel Peace Prize Concert 2010, 09,08,07,06,05,04,03 Dinamo Story – NRK V Festival 2010, 09,08,07,06,05 Blink TV – C4 Celtic Thunder Christmas Celtic Thunder– PBS Arthur’s Day Concert 2009 Done n Dusted – ITV 10 Years of Westlife – Live at Croke Park Stadium Scarlet - Sony BMG Celtic Man in Celtic Thunder Celtic Man - PBS David Broza – Live at Massada WTTW - PBS Toto – Falling in Between Live Eagle Rock Lionel Richie – Live in Paris Scarlet-PBS Loreena McKennitt, Nights From The Alhambra Scarlet - PBS Destiny’s Child Live in Atlanta Scarlet - Sony BMG Christina Aguilera – Stripped in London Scarlet – WB Network R.E.M. The Perfect Square Scarlet – Warner Tina Turner-One Last Time Serpent Films - CBS Will Young Live in London Scarlet - Sony BMG Westlife Live In Stockholm-The Turnaround Tour Scarlet - BMG We Are The Future Concert 2004 MTV Italy Urban Music Festival 2004 Done n Dusted – C4 Sunday Night Classics MME - ZDF Blue Guilty Live From Wembley Scarlet - Virgin The Dome (16 x 3 hr concerts) MME – RTL Pepsi Silver Clef Concert Sanctuary Will Young Live 19 TV One Big Sunday BBC South Africa Freedom Concert Straight TV – C4 Simply Red Live in London Big Eye TV - Warner Crowded House – Farewell to the World MTV 1 This is JLS ITV An Audience with Michael Bublé ITV BBC Junior & Senior Choirs of the Year 2011, 10 BBC Songs of Praise -
The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry. -
January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
Program Notes
NSEME 2018 Installations (ongoing throughout festival) Four4 (1991, arr. 2017) - room 2009 Anthony T. Marasco, Eric Sheffield, Landon Viator, Brian Elizondo ///Weave/// (2017) - room 2008 Alejandro Sosa Carrillo (1993) Virtual Reality Ambisonic Toolkit (2018) - room 2011 Michael Smith (1983) Within, Outside, and Beside Itself:The Architecture of the CFA - room 2013 Jordan Dykstra (1985) Installations Program Notes: Alejandro Carrillo “///Weave///” A generative system of both random and fixed values that cycle over a period of 6 minutes. By merging light and sound sine waves, parameters such as frequency, amplitude and spatialization have been mapped into three sound wave generators or voices (bass line, harmonies and lead) and three waveforms from a modular video synthesizer on MaxMSP aiming to audiovisual synchronicity and equivalence. Jordan Dykstra “Within, Outside, and Beside Itself: The Architecture of the CFA” A performance which plays not only with the idea of lecture-performance as a musicological extension of history, narrative, and academic performance-composition Within, Outside, and Beside Itself: The Architecture of the CFA also addresses how the presenta- tion of knowledge is linked to the production of knowledge through performance. I believe that creating space for new connections through creative presentation and alternative methodologies can both foster new arenas for discussion and coordinate existing relationships between academia and the outside world. A critique regarding how the Center for the Arts at Wesleyan University func- tions as an academic institution, as well as its physical role as the third teacher, my lecture performance playfully harmonizes texts from art historians at Wesleyan University, archaeologists, critical theorists, YouTube transcriptions, quotes from the founder of the Reggio Emilia school, and medical journal articles about mirror neurons. -
It's a Bird...It's a Plane...It's Superman
It's a Bird...It's a Plane...It's Superman It's a Bird... It's a Plane... It's Superman is a musical composed by Charles Strouse, with lyrics by Lee Adams and book by David Newman and Robert Benton. It is based on the comic It's a Bird... It's a book character Superman created by Jerry Siegel and Joe Shuster and published by DC Comics. Plane... It's Superman Contents Synopsis Production history TV special Original Broadway cast Original West End cast Musical numbers Awards and nominations Original Broadway Cast Original Broadway production Recording References Music Charles Strouse External links Lyrics Lee Adams Book David Newman Synopsis Robert Benton Basis Superman The plot revolves around Superman's efforts to defeat Dr. Abner Sedgwick, a ten-time Nobel Prize-losing scientist who seeks to avenge the scientific world's dismissal of his brilliance by by Jerry Siegel attempting to destroy the world's symbol of good. Additionally, Superman comes into romantic conflict with Max Mencken, a columnist for the Daily Planet newspaper, who resents Lois and Joe Shuster Lane's attraction to Superman, and later teams up with Sedgwick to destroy Superman. Productions 1966 Broadway 1975 ABC TV Production history special 2007 Los The musical opened on Broadway at the Alvin Theatre on March 29, 1966.[1] Directed by Harold Prince with choreography by Ernest Flatt, it starred Bob Holiday as Clark Kent and Angeles Concert Superman, Patricia Marand as Lois Lane, Jack Cassidy as Max Mencken, and Linda Lavin as Sydney. The production received generally positive reviews, but it failed to catch on with the 2010 Dallas theater-going public and closed on July 17, 1966 after 129 performances. -
CURRICULEM VITAE JARROD ROBERTS - Lighting Cameraman
[email protected] www.hillyerroberts.com tel +44 7816 847 487 Based: Manchester CURRICULEM VITAE JARROD ROBERTS - Lighting Cameraman With over 16 years experience as a professional lighting cameraman, I have worked in the UK, and worldwide on a diverse range of programmes - from documentaries, current affairs, entertainment, news and sport. I have worked for all the major UK broadcasters and have extensive hands on knowledge of all current broadcast formats and production techniques. Work Hillyer Roberts & Associates Ltd 2002 - Present Lighting Cameraman/ Founder Director Work portfolio BBC1 ITV includes: “Forgotten Heroes” Panorama “ “Do the Funniest things” Series “When Satan Came to Town” documentary “Tonight” “Countryfile” “Stars in Their Eyes” “Songs of Praise” “Celebrities Under Pressure” “The One Show” “Coronation Street Secrets” “Blackpool Medics” “My Favourite Hymns” “North West Tonight” Title sequences “ITV News” “The Money Programme” “Real Crime” “Watchdog” “Coronation Street” Break Bumpers “Sunday Life” “Breakfast” Channel 4 “Real Story” various “Food- What’s in your Basket” “Stealing Shakespeare” “Dispatches” “Location, Location, Location” BBC2 “How to Look Good Naked” “Generation Jihad” documentary “Goks Fashion Fix” “The Hairy Bakers” “Sex Education Show” “The Daily Politics” “Great British Menu” Ttle sequences Corporate 4:4:2 BBC3 Table Twelve media “Bingers” documentary Webs Edge “Destination Midnight” Title sequences HBL Media “Tiny Teens” First Angel Films “Anti Social Network” Royal Liverpool Philharmonic Orchestra -
Camila Cabello Emerson Loughman Palmer Jeffrey Foskett
Camila Cabello Emerson Loughman Romance 8 Palmer 8 Epic Records and Syco Music Be Empirical Producer: Various LonMan Records There is no hiding Camila Cabello’s love Producer: Mark Loughman for fellow pop star and collaborator Shawn Mendes. Aptly titled Romance, her second You’ve got modern rock & roll royalty here LP is dedicated to her relationship with the with Emerson Swinford, Mark Loughman singer (“Used To This”) and the emotional and David Palmer, whose six-song EP turmoils of attraction, heartbreak and love contains melodic, cleverly conceived gems. detailing an unfiltered and refreshing look at Loughman’s production with Simon Phillips’ engineering is warm, engag- Cabello’s life. She proudly sheds her innocence and embraces her sexual- ing and strikingly crisp. “Finding Sense” grabs you with an intelligent take ity on “My Oh My” with lyrics like “Swear on my life that I’ve been a good on the current state of society, consumerism and politics. “The Best I Can girl (Oh)/Tonight, I don’t wanna be her.” Romance showcases Cabello’s Give Is All You Get” is a delight, with ‘60s harmonics and a Marc Bolan/ vocal strengths, her ability to switch from a raspy seductress to an emo- Cheap Trick feel. “You See Wonderful, You See Pretty” is also noteworthy tional crooner is delightful. – Jacqueline Naranjo for its socially astute lyrics and rich guitar work. –Eric Harabadian Jeffrey Foskett Wildwood Kin Voices 10 Wildwood Kin 8 BMG Silvertone Producer: Jeff Larson Producer: Ed Harcourt, Ian Grimble and others What do The Beach Boys, Nancy Sinatra, The lush, soulful acoustic melodies and Heart, Billy Joel, America and Chicago have soaring vocal harmonies of UK alt folk in common? They have all employed the trio Wildwood Kin––and the transcendent services of vocalist-arranger extraordinaire chemistry of Meg Loney and her cousins, Jeffrey Foskett. -
IT AUG 21 2012 PAGE 1-.Indd
Island Times Volume VIII, Number 9 Pensacola Beach, Florida August 21, 2012 Get Fired Up! Optimist Club Chili Chefs Battle For Top Votes Dinner Honors Local Agencies When it comes time for the Pensacola Beach Optimist Club to express their appreciation to the fi refi ghters, deputies, lifeguards, emergency medical personnel and park rangers at the First Responder’s Dinner, President Debbie Campanella, right, takes special pride. Her son Greg, left, is an Escambia County Firefi ghter and EMT. He will be at work on August 28, so he’ll miss the chili dinner and awards presentation. Greg, who was raised on Pensacola Beach, has been a fi re- fi ghter for seven years. If this sparks your interest about the Pensacola Beach Optimists’ event, turn to page 2 for more. PAGE 2 Island Times August 21, 2012 Optimists Honor First Responders Chefs Engage in Heated Chili Battle They answer the call for appreciation in the form of a Favor House gives shelter ers and are very serious about are fi lled with donations when help, not knowing what danger recognition ceremony and pre- to female victims of domestic helping others and making an the last Kentucky Derby horse lies ahead. They are the First sentation. The Club sends each violence. Many of their clients impact on their community. I trots off to the barn. Responders, the courageous agency home with an Appre- have children. am so proud of our Junior Op- As the Optimists look for- people who have chosen ca- ciation Award for their station The Club’s enthusiasm has timists.” ward to next year, they will reers in rescuing the rest of us house. -
Us Presse-Schau
Media Information im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] US PRESSE-SCHAU http://www.rollingstone.com/music/news/beach-boys-to-officially-release-long-incomplete-album-smile-this- year-20110311 Beach Boys to Officially Release Long-Incomplete Album 'Smile' This Year Recordings will be sold as double CD and box set Kent Gavin/Hulton Archive/Getty Capitol Records have announced that they will be releasing the Beach Boys' lost, incomplete album Smile later this year. Smile was originally planned as the follow-up to the band's 1966 classic Pet Sounds, but the material was mostly abandoned due to creative mastermind Brian Wilson's fragile mental health at the time. Though no release date has been set, the official release of Smile will be sold as a two-CD set and as a deluxe box set including four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book penned by Beach Boys historian Dominic Priore. The final track listing has not been announced, but disc one of the CD set and the first three sides of the vinyl edition will contain a close approximation of the Smile album, with the remainder collecting outtakes and alternate versions from the sessions. The Smile sessions have been widely bootlegged among fans for decades, but the proper track listing for the album has never been established, largely due to the fact that the record was never completed as intended. According to engineer Mark Linett, Brian Wilson's 2004 version of Smile has been used as the template for this project, though it could turn out a bit different depending on input from Wilson and the surviving members of the group. -
Our Country's Good
Otterbein University Digital Commons @ Otterbein 2000-2001 Season Productions 1991-2000 2-1-2001 Our Country's Good Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2000-2001 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Our Country's Good" (2001). 2000-2001 Season. 5. https://digitalcommons.otterbein.edu/production_2000-2001/5 This Book is brought to you for free and open access by the Productions 1991-2000 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2000-2001 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. Ottt Country's Go^ by Timberlake Wertenbaker ' :-T FEBRUARY 1-10,2000 Cowan Hall «'* ■^■■■^ '?S Directed by Dcniiis Romcr Scenic i Lighting Design by J) dgn vlSa&biU, Jf Costume Design by J)ayi(| Sound Design by Kcya MycFS-Alkii Dialect Coaching by Phil Thompson ,X- Our Country's Good is presented through special arrangement with DRAMATIC PUBLISHING. Cast JOHN WISEHAMMER & CAPTAIN ARTHUR PHILLIP............................Joe Dallacqua ABORIGINAL AUSTRALIAN & BLACK CAESAR...................................................Jason Marion CAPTAIN WATKIN TENCH & JOHN ARSCOTT............................................ AylerEvan CAPTAIN DAVID COLLINS & ROBERT SIDEWAY..............................Micah Fitzgerald 2nd LIEUTENANT RALPH CLARK...........................................................