Serbia Bangs Drum Over Greater Albania
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Activities in Belgrade
Activities in Belgrade Sights to see 1. Belgrade Fortress (Kalemegdan Park) The number one must-see location in the city. Some 115 battles have been fought over impressive Kalemegdan. Over the centuries, the citadel has been destroyed more than 40 times. The building of the fortification began in Celtic times, which the Romans extended onto the flood plains during their settlement of 'Singidunum', Belgrade's Roman name. Much of what stands today is the product of 18th-century Austro-Hungarian and TurKish reconstructions. The fort's bloody history, discernible despite today's plethora of jolly cafes and funfairs, only maKes Kalemegdan all the more fascinating. Entering from Knez Mihailova, go through the 18th- century Karadjordje Gate to reach the Upper Town (Gornji grad) of the fortress. From the Stambol Gate (1750), you will reach the Military Museum and the 27.5 metre high ClocK Tower. Further along, you will see a small bricK octagon; this is the 1784 Ali Pasha's Turbeh (tomb), one of Belgrade's few well- preserved Islamic monuments. The Roman Well is nearby, a mysterious 60m deep hole (more a cistern than a well) of dubious origin and shrouded in horrifying legends; apparently the well even managed to creep out a visiting Alfred HitchcocK! Looming beside it is the Victor Monument, a symbol of Belgrade erected in 1928 to commemorate Serbia’s victories over the Ottoman and Austro-Hungarian Empires during the BalKan Wars and WWI. This 14 metre high monument is the city’s most recognisable landmarK and famous Belgrade attraction. The plateau around the monument is always crowded with tourists and Belgrade natives, partly because of the breath-taKing view over the confluence of the two rivers that flow through Belgrade, and the beauty of this landmarK as part of the historic Belgrade Fortress. -
Dragan Kapicic Myths of the Kafana Life Secrets of the Underground
investments s e i t r e p o offices r p y r u x u l houses apartments short renting Dragan Kapicic Myths of the Kafana Life Secrets of the Underground Belgrade Impressions of the foreigners who arrive to Serbia Beach in the Centre of the City 2 Editorial Contents ife in Belgrade is the real challenge for those who have decided to spend part of their THEY SAID ABOUT SERBIA 04 lives in the Serbian capital. Impressions of the foreigners who arrive LReferring to this, one of our collocutors to Serbia through economic and in this magazine issue was the most emotional - Dragan Kapicic, one-time diplomatic channels basketball ace and the actual President of the Basketball Federation of Serbia. ADA CIGANLIJA Belgrade is also the city of secrets since 06 it has become a settlement a couple Beach in the Centre of the City of thousands years ago. Mysteries are being revealed almost every day. INTERVIEW The remains of the Celtic, Roman, 10 Byzantine, and Turkish architectures DRAGAN KAPICIC, are entwined with the modern ones The Basketball Legend that have been shaping Belgrade since the end of the 19th century. Secretive is also the strange world SPIRIT OF THE OLD BELGRADE 12 of underground tunnels, caves and Myths of the Kafana Life shelters that we open to our readers. Many kilometres of such hidden places lie under the central city streets and APARTMENTS 18 parks. They became accessible for visitors only during the recent couple short RENTING of years. 27 Also, Belgrade has characteristic bohemian past that is being preserved HOUSES 28 in the traditions of restaurants and cafes. -
Kafana Singers: Popular Music, Gender and Subjectivity in the Cultural Space of Socialist Yugoslavia
Nar. umjet. 47/1, 2010, pp. 141161, A. Hofman, Kafana Singers: Popular Music, Gender Original scienti c paper Received: Dec. 31, 2009 Accepted: March 5, 2010 UDK 78.036 POP:316](497.1)"195/196"(091) 78.036 POP:39](497.1)"195/196"(091) ANA HOFMAN Department for Interdisciplinary Research in Humanities, SRC SASA, Ljubljana KAFANA SINGERS: POPULAR MUSIC, GENDER AND SUBJECTIVITY IN THE CULTURAL SPACE OF SOCIALIST YUGOSLAVIA This article explores the phenomenon of kafana singers in the light of the of cial socialist discourses on popular music and gender during the late 1950s and 1960s in the former Yugoslavia. It seeks to understand how/did the process of estradization along with the socialist gender policy in uence the shift in (self)representation of the female performers in the public realm. By focusing on the dynamic of controversial discourses on folk female singers, the article aims to show how the changes in the of cial discourse helped their profession to become an important resource of their subject actualizations, implicated in the creation of a new sense of social agency. As controversial musical personas, kafana singers personal and professional lives show nuanced interplay between socialist culture policy and its representational strategies. Key words: kafana singers, popular music, socialist culture policy, estradization, gender politics Petar Lukoviþ, a journalist, writes about the folk singer Lepa Lukiþ in his book Bolja prolost: prizori iz muziĀkog ivota Jugoslavije 19401989 [A Better Past: Scenes from Yugoslav Music Life 19401989], making the following observation: In the future feminist debates, Lepa Lukiþ will occupy a special place: before her, women in estrada were more or less objecti ed, primarily treated like disreputable persons. -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
Disillusioned Serbians Head for China's Promised Land
Serbians now live and work in China, mostly in large cities like Beijing andShanghai(pictured). cities like inlarge inChina,mostly andwork live Serbians now 1,000 thataround andsomeSerbianmedia suggest by manyexpats offered Unofficial numbers +381 11 4030 306 114030 +381 Belgrade in Concern Sparks Boom Estate Real Page 7 Issue No. No. Issue [email protected] 260 Friday, October 12 - Thursday, October 25,2018 October 12-Thursday, October Friday, Photo: Pixabay/shanghaibowen Photo: Skilled, adventurous young Serbians young adventurous Skilled, China – lured by the attractive wages wages attractive the by –lured China enough money for a decent life? She She life? adecent for money enough earning of incapable she was herself: adds. she reality,” of colour the got BIRN. told Education, Physical and Sports of ulty Fac Belgrade’s a MAfrom holds who Sparovic, didn’t,” they –but world real the change glasses would rose-tinted my thought and inlove Ifell then But out. tryit to abroad going Serbia and emigrate. to plan her about forget her made almost things These two liked. A Ivana Ivana Sparovic soon started questioning questioning soonstarted Sparovic glasses the –but remained “The love leaving about thought long “I had PROMISED LAND PROMISED SERBIANS HEAD HEAD SERBIANS NIKOLIC are increasingly going to work in in towork going increasingly are place apretty just than more Ljubljana: Page 10 offered in Asia’s economic giant. economic Asia’s in offered DISILLUSIONED love and had a job she ajobshe had and love in madly was She thing. every had she vinced con was Ana Sparovic 26-year-old point, t one FOR CHINA’S CHINA’S FOR - - - BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE for China. -
United Societies of Balkans (U.S.B.)
PDFaid.Com #1 Pdf Solutions BalkansMinorities Puzzle Balkans, A Minorities Puzzle project, funded by the Council of Europe, was realized by United Societies of Balkans (U.S.B.). United Societies of Balkans is a local non-profit organization founded in Thessaloniki in 2008 by a group of active young people expe- rienced in voluntary programs, socially sensitive and with a vision to mobilize the youth and make them active in voluntarism,United sensitize them around socialSocieties concerns and give of Balkans them access to knowledge. Copyright c 2012, United Societies of Balkans Alamanas 9, Agios Pavlos Thessaloniki, Greece All rights reserved Tel/Fax: 0030 2310 215629 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. United Societies of Balkans CONTENTS United Societies of Balkans United Societies of Balkans FOREWORD “Be patient toward all that is unsolved in your heart and try to love the questions them- selves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.” Rainer Maria Rilke (1875-1926) United Societies of Balkans United Societies of Balkans INTRODUCTION *Sir Winston Leonard Spencer-Churchill, (30 November 1874 – 24 January 1965) was a British Conser- vative politician and statesman known for his leadership of the United Kingdom during the Second World War. -
The Bosnians: an Introduction to Their History and Culture. CAL Refugee Fact Sheet Series No
DOCUMENT RESUME ED 354 788 FL 021 040 AUTHOR Maners, Lynn TITLE The Bosnians: An Introduction to Their History and Culture. CAL Refugee Fact Sheet Series No. 8. INSTITUTION Center for Applied Linguistics, Washington, DC. Refugee Service Center. SPONS AGENCY Department of State, Washington, DC. Bureau of Refugee Programs. PUB DATE Mar 93 NOTE 25p. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Art; Cultural Traits; Educational Background; *English (Second Language); Foreign Countries; History; Music; Pronunciation; Religion; Second Language Instruction; *Serbocroatian; Social Structure; Uncommonly Taught Languages; Vocabulary IDENTIFIERS *Bosnia and Herzegovina; Croats; *Muslims; Serbs ABSTRACT This booklet is a basic introduction to the people, history, and culture of Bosnia (a republic of the former Yugoslavia), with a particular focus on Bosnian Moslems. The booklet isdesigned primarily for American service providers andsponsors. Particular sections address the following: the Bosnian people;geography; history; educational and vocational backgrounds of Bosnians; religion; art; food and dress; festivities;names; social structure; knowledge of English; the Serbo-Croatian language (pronunciation, articles, nouns, prepositions, and implications for English-as-a-Second-Language (ESL) study. Appended materials include an annotated bibliography; ESL resources a glossary; informationon music, pronunciation, and names; and basic Serbo-Croatianvocabulary. (VWL) *********************************************************************** -
Beyond-The-East-West-Divide
Department of Fine Arts and Music of the Oдељење ликовне и музичке уметности Serbian Academy of Sciences and Arts Српске академије наука и уметности Institute of Musicology of the Музиколошки институт Serbian Academy of Sciences and Arts Српске академије наука и уметности BASEES Study Group Студијска група за руску и источноевропску for Russian and Eastern European Music музику при Британској асоцијацији за (REEM) славистику Oдељење ликовне и музичке уметности Српске академијe наука и уметности Музиколошки институт Српске академије наука и уметности Студијска група за руску и источноевропску музику при Британској асоцијацији за славистику Department of Fine Arts and Music of the Serbian Academy of Sciences and Arts Institute of Musicology of the Serbian Academy of Sciences and Arts BASEES Study Group for Russian and Eastern European Music (REEM) ПРЕВАЗИЛАЖЕЊЕ ПОДЕЛЕ НА ИСТОК И ЗАПАД: НОВА ТУМАЧЕЊА МУЗИКЕ БАЛКАНА Међународни научни скуп Београд, 26–29. септембар 2013. BEYOND THE EAST-WEST DIVIDE: RETHINKING BALKAN MUSIC'S POLES OF ATTRACTION International Musicological Conference Belgrade, 26–29 September 2013 ОРГАНИЗАЦИОНИ ОДБОР Академик Дејан Деспић Проф. др Џим Семсон, члан Британске академије др Филип Булок, Универзитет у Оксфорду; REEM/BASEES др Јелена Јовановић, Музиколошки институт САНУ др Катерина Левиду, REEM/BASEES др Ивана Медић, Музиколошки институт САНУ; REEM/BASEES др Мелита Милин, Музиколошки институт САНУ Проф. др Даница Петровић, Музиколошки институт САНУ Проф. др Кети Роману, Европски универзитет, Кипар др Катарина Томашевић, -
Kosta P. Manojlović (1890–1949) and the Idea of Slavic and Balkan Cultural Unification
KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić SLAVIC AND BALKANSLAVIC CULTURAL UNIFICATION KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF P. KOSTA Institute of Musicology SASA Institute of Musicology SASA This collective monograph has been published owing to the financial support of the Ministry of Education, Science and Technological Development of the Republic of Serbia KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić Institute of Musicology SASA Belgrade, 2017 CONTENTS Preface 9 INTRODUCTION 13 Ivana Vesić and Vesna Peno Kosta P. Manojlović: A Portrait of the Artist and Intellectual in Turbulent Times 13 BALKAN AND SLAVIC PEOPLES IN THE FIRST HALF OF THE 20TH CENTURY: INTERCULTURAL CONTACTS 27 Olga Pashina From the History of Cultural Relations between the Slavic Peoples: Tours of the Russian Story Teller, I. T. Ryabinin, of Serbia and Bulgaria (1902) 27 Stefanka Georgieva The Idea of South Slavic Unity among Bulgarian Musicians and Intellectuals in the Interwar Period 37 Ivan Ristić Between Idealism and Political Reality: Kosta P. Manojlović, South Slavic Unity and Yugoslav-Bulgarian Relations in the 1920s 57 THE KINGDOM OF SERBS, CROATS AND SLOVENES/YUGOSLAVIA BETWEEN IDEOLOGY AND REALITY 65 Biljana Milanović The Contribution of Kosta P. Manojlović to the Foundation and Functioning of the Južnoslovenski pevački savez [South-Slav Choral Union] 65 Nada Bezić The Hrvatski pjevački savez [Croatian Choral Union] in its Breakthrough Decade of 1924–1934 and its Relation to the Južnoslovenski pevački savez [South-Slav Choral Union] 91 Srđan Atanasovski Kosta P. -
Remembering Wartime Rape in Post-Conflict Bosnia and Herzegovina
Remembering Wartime Rape in Post-Conflict Bosnia and Herzegovina Sarah Quillinan ORCHID ID: 0000-0002-5786-9829 A dissertation submitted in total fulfilment of the degree of Doctor of Philosophy July 2019 School of Social and Political Sciences University of Melbourne THIS DISSERTATION IS DEDICATED TO THE WOMEN SURVIVORS OF WAR RAPE IN BOSNIA AND HERZEGOVINA WHOSE STRENGTH, FORTITUDE, AND SPIRIT ARE TRULY HUMBLING. i Contents Dedication / i Declaration / iv Acknowledgments / v Abstract / vii Note on Language and Pronunciation / viii Abbreviations / ix List of Illustrations / xi I PROLOGUE Unclaimed History: Memoro-Politics and Survivor Silence in Places of Trauma / 1 II INTRODUCTION After Silence: War Rape, Trauma, and the Aesthetics of Social Remembrance / 10 Where Memory and Politics Meet: Remembering Rape in Post-War Bosnia / 11 Situating the Study: Fieldwork Locations / 22 Bosnia and Herzegovina: An Ethnographic Sketch / 22 The Village of Selo: Republika Srpska / 26 The Town of Gradić: Republika Srpska / 28 Silence and the Making of Ethnography: Methodological Framework / 30 Ethical Considerations: Principles and Practices of Research on Rape Trauma / 36 Organisation of Dissertation / 41 III CHAPTER I The Social Inheritance of War Trauma: Collective Memory, Gender, and War Rape / 45 On Collective Memory and Social Identity / 46 On Collective Memory and Gender / 53 On Collective Memory and the History of Wartime Rape / 58 Conclusion: The Living Legacy of Collective Memory in Bosnia and Herzegovina / 64 ii IV CHAPTER II The Unmaking -
Matica Srpska Department of Social Sciences Synaxa Matica Srpska International Journal for Social Sciences, Arts and Culture
MATICA SRPSKA DEPARTMENT OF SOCIAL SCIENCES SYNAXA MATICA SRPSKA INTERNATIONAL JOURNAL FOR SOCIAL SCIENCES, ARTS AND CULTURE Established in 2017 2–3 (1–2/2018) Editor-in-Chief Časlav Ocić (2017‒ ) Editorial Board Dušan Rnjak Katarina Tomašević Editorial Secretary Jovana Trbojević Language Editor and Proof Reader Aleksandar Pavić Articles are available in full-text at the web site of Matica Srpska http://www.maticasrpska.org.rs/ Copyright © Matica Srpska, Novi Sad, 2018 SYNAXA СИН@КСА♦ΣΎΝΑΞΙΣ♦SYN@XIS Matica Srpska International Journal for Social Sciences, Arts and Culture 2–3 (1–2/2018) NOVI SAD 2018 Publication of this issue was supported by City Department for Culture of Novi Sad and Foundation “Novi Sad 2021” CONTENTS ARTICLES AND TREATISES Srđa Trifković FROM UTOPIA TO DYSTOPIA: THE CREATION OF YUGOSLAVIA IN 1918 1–18 Smiljana Đurović THE GREAT ECONOMIC CRISIS IN INTERWAR YUGOSLAVIA: STATE INTERVENTION 19–35 Svetlana V. Mirčov SERBIAN WRITTEN WORD IN THE FIRST WORLD WAR: STRUGGLING FOR NATIONAL AND STATEHOOD SURVIVAL 37–59 Slavenko Terzić COUNT SAVA VLADISLAVIĆ’S EURO-ASIAN HORIZONS 61–74 Bogoljub Šijaković WISDOM IN CONTEXT: PROVERBS AND PHILOSOPHY 75–85 Milomir Stepić FROM (NEO)CLASSICAL TO POSTMODERN GEOPOLITICAL POSTULATES 87–103 Nino Delić DEMOGRAPHIC TRENDS IN THE DISTRICT OF SMEDEREVO: 1846–1866 105–113 Miša Đurković IDEOLOGICAL AND POLITICAL CONFLICTS ABOUT POPULAR MUSIC IN SERBIA 115–124 Mirjana Veselinović-Hofman TOWARDS A BOTTOMLESS PIT: THE DRAMATURGY OF SILENCE IN THE STRING QUARTET PLAY STRINDBERG BY IVANA STEFANOVIĆ 125–134 Marija Maglov TIME TIIIME TIIIIIIME: CONSIDERING THE PROBLEM OF MUSICAL TIME ON THE EXAMPLE OF VLASTIMIR TRAJKOVIĆ’S POETICS AND THOMAS CLIFTON’S AESTHETICS 135–142 Milan R. -
“If You Don't Vote VMRO You're Not Macedonian”
“If you don’t vote VMRO you’re not Macedonian” A study of Macedonian identity and national discourse in Skopje. Morten Dehli Andreassen Thesis submitted in partial fulfillment of Master of Arts Degree Department of Social Anthropology, University of Bergen June 2011 1 Frontpage pictures is from the Macedonia Square. They are all taken the same day. Before, and under a political rally for the Government party VMRO-DPMNE. 2 Table of Contents Acknowledgements ....................................................................................................................... 5 Map of Macedonia .......................................................................................................................... 7 Chapter 1 .................................................................................................................................... 8 Introduction ................................................................................................................................ Research Question ......................................................................................................................... 9 Theoretical Framework...........................................................................................................................................11 Ethnicity, Groups and Boundaries .............................................................................................. 11 Three Interconnecting Levels ....................................................................................................