A Survey of Digital Television Broadcast Transmission Techniques Mohammed El-Hajjar and Lajos Hanzo
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DV-983H 1080P Up-Converting Universal DVD Player with VRS by Anchor Bay Video Processing and 7.1CH Audio
DV-983H 1080p Up-Converting Universal DVD Player with VRS by Anchor Bay Video Processing and 7.1CH Audio DV-983H is the new flagship model in OPPO's line of award-winning up-converting DVD players. Featuring Anchor Bay's leading video processing technologies, 7.1-channel audio, and 1080p HDMI up-conversion, the DV-983H Universal DVD Player delivers the breath-taking audio and video performance needed to make standard DVDs look their best on today's large screen, high resolution displays. The DV-983H provides a rich array of features for serious home theater enthusiasts. By applying source-adaptive, motion-adaptive, and edge-adaptive techniques, the DV-983H produces an outstanding image for any DVD, whether it’s mastered from an original theatrical release film or from a TV series. Aspect ratio conversion and multi-level zooming enable users to take full control of the viewing experience – maintain the original aspect ratio, stretch to full screen, or crop the unsightly black borders. Special stretch modes make it possible to utilize the full resolution of ultra high-end projectors with anamorphic lens. For users with an international taste, the frame rate conversion feature converts PAL movies for NTSC output without any loss of resolution or tearing. Custom home theater installers will find the DV-983H easy to integrate into whole-house control systems, thanks to its RS-232 and IR IN/OUT control ports. To complete the home theatre experience, the DV-983H produces stunning sound quality. Its 7.1 channel audio with Dolby Digital Surround EX decoding offers more depth, spacious ambience, and sound localization. -
DTMB, ATSC, ISDB-T, DVB T/T2) and Radio & Emergency Warning Broadcasting System
Session 3 Broadcasting Standards for digital television (DTMB, ATSC, ISDB-T, DVB T/T2) and radio & Emergency Warning Broadcasting System 2015 Kuala Lumpur, Malaysia Dr AMAL Punchihewa Director ABU Technology Asia-Pacific Broadcasting Union A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) DTMB, ATSC, DVB and ABU working on EWS 2.0 , looking at Asia-Pacific requirements and building a reference model Dr Amal Punchihewa PhD, MEEng, BSC(Eng)Hons, CEng, FIET, FIPENZ, SMIEEE, MSLAAS, MCS Postgraduate Studies in Business Administration Director ABU Technology Asia-Pacific Broadcasting Union Kuala Lumpur, Malaysia A Vice-Chair World Broadcasting Unions Technical Committee (WBU-TC) Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) 2 Outline • Digital Broadcasting • Television Services – Free TV or Pay TV – OTA or Cable • DTV Standards • What are EWS – Content delivered from distance, Live, VOD, …. Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) 3 Traditional TV Traditional Broadcasting • Linear TV – At scheduled times, missed it then catch the delayed version, … • Public or commercial – Funding or business model, FTA, adverting, License fee, subscription, … • Terrestrial, Satellite, Cable – Now cloud, IP etc. … • Return channel – One-to-many service, no return channel -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
Installation Manual, Document Number 200-800-0002 Or Later Approved Revision, Is Followed
9800 Martel Road Lenoir City, TN 37772 PPAAVV8800 High-fidelity Audio-Video In-Flight Entertainment System With DVD/MP3/CD Player and Radio Receiver STC-PMA Document P/N 200-800-0101 Revision 6 September 2005 Installation and Operation Manual Warranty is not valid unless this product is installed by an Authorized PS Engineering dealer or if a PS Engineering harness is purchased. PS Engineering, Inc. 2005 © Copyright Notice Any reproduction or retransmittal of this publication, or any portion thereof, without the expressed written permission of PS Engi- neering, Inc. is strictly prohibited. For further information contact the Publications Manager at PS Engineering, Inc., 9800 Martel Road, Lenoir City, TN 37772. Phone (865) 988-9800. Table of Contents SECTION I GENERAL INFORMATION........................................................................ 1-1 1.1 INTRODUCTION........................................................................................................... 1-1 1.2 SCOPE ............................................................................................................................. 1-1 1.3 EQUIPMENT DESCRIPTION ..................................................................................... 1-1 1.4 APPROVAL BASIS (PENDING) ..................................................................................... 1-1 1.5 SPECIFICATIONS......................................................................................................... 1-2 1.6 EQUIPMENT SUPPLIED ............................................................................................ -
Unit 2 Setting
History of Television Broadcasting Unit 2 Unit-2: HISTORY OF TELEVISION BROAD- CASTING UNIT STRUCTURE 2.1 Learning Objectives 2.2 Introduction 2.3 Origin and Development of Television 2.4 Transmission of Television System 2.5 Broadcasting 2.6 Colour Television 2.7 Cable Television 2.8 Television News 2.9 Digital Television 2.10 High Definition Television 2.11 Let Us Sum Up 2.12 Further Reading 2.13 Answers to Check Your Progress 2.14 Model Questions 2.1 LEARNING OBJECTIVES After going through this unit, you will be able to - describe the evolution of television discuss the discoveries made by the pioneer of television inventors analyse the television technology development list the recent trend of Digital Television 2.2 INTRODUCTION In the previous unit we were introduced to the television medium, its features and its impact and reach. The unit also provides the distinctions between television and the audio medium. In this unit we shall discuss Electronic Media-Television 23 Unit 2 History of Television Broadcasting about the overview ofthe history of television, inventions, early technological development and the new trends in the television industry around the globe. 2.3 ORIGIN AND DEVELOPMENT OF TELEVISION Television has become one of the important parts of our everyday life. It is a general known fact that television is not only providing the news and information but it is also entertaining us with its variety of programme series and shows. A majority of home-makers cannot think about spending theirafternoon leisure time withoutthe dose of daily soap opera; a concerned citizen cannot think of skipping the prime time in news channel or a sports lover in India cannot miss a live cricket match. -
World Converter Model WC-01 User and Technical Manual
World Converter Model WC-01 User and Technical Manual Copyright 2008-10 Aurora Design LLC. Revision 1.8 1 January, 2010 All specifications subject to change www.tech-retro.com Introduction Introduction This manual covers the operation and technical aspects of the Aurora Design World Converter. This Converter is designed to accept any standard color NTSC, PAL or SECAM video signal and convert to one of many different output standards, both electronic and mechanical. Features • Compact, low power, surface mount design • Front panel 20 character / 2 line high contrast LCD and rotary encoders • Agile built-in RF Modulator: - Programmable between 28.5-880MHz - Supports positive/negative video and AM/FM audio modulation schemes - Preprogrammed with 31 RF Systems and over 800 channels - Custom User configurable RF System with up to 32 unique channels • Converter bypass mode for use as stand alone RF Modulator • Extremely stable output: +/- 3% levels, +/- 50ppm timing • Extremely accurate algorithms used for conversions: - Three line interpolation on all electronic standards - All internal calculations done to a minimum 14 bit precision • 10 bit professional grade video decoder • 2 high speed 12 bit video D/A’s for greater than 66dB dynamic range • 3 medium speed 12 bit video D/A’s for mechanical RGB output • 4 low speed 12 bit D/A’s for system control • 256Mb or 512Mb FLASH Image Memory for storing of custom images • 128Mb SDRAM holds eight 10 bit images with 63 mega-pixel/sec performance • 500K gate equivalent, 300Kb RAM FieldProgrammableGateArray -
Reading Between the Lines
volume 01 issue 02/2012 READING BETWEEN THE LINES A TRANSNATIONAL HISTORY OF THE FRANCO-BRITISH ‘ENTENTE CORDIALE’ IN POST-WAR TELEVISION1 Andreas Fickers Maastricht University Grote Gracht 90-92 Postbox 616 6200 MD Maastricht The Netherlands [email protected] Andy O’Dwyer BBC Research Centre House 56 Wood Lane W12 7SB London United Kingdom [email protected] Abstract: In 1950 and 1952, the British Broadcast Corporation (BBC) and Radio Télévision Française (RTF) realized the first transnational television transmissions ever. The so called ‘Calais Experiment’ (1950) and the ‘Paris Week’ (1952) were celebrated as historic landmarks in European television and celebrated as a new ‘entente cordiale’ between the two countries. This article aims at highlighting some of the tensions that surrounded the realization of these first experiments in transnational television by embedding the historic events into the broader context of television development in Europe and by emphasizing the hidden techno- political interests at stake. In line with current trends in transnational and European television historiography, the article analyses transnational media events as performances that highlight the complex interplay of the technical, institutional and symbolic dimension of television as a transnational infrastructure. Keywords: Transnational history, BBC, RTF, Eurovision, experimental television 1 Introduction What is generally praised as the first instance of transnational television and an historic landmark in European television history, the Franco-British ‘Calais experiment’ of August 1950 and the ‘Paris week’ of July 1952, is in fact a perfect showcase to demonstrate both the ambitions and the challenges of institutionalising the new medium of television as a “champion national” both in Britain and in France. -
Climate Change Action Plan
2020–2025CLIMAT E AC T IO N P January 2020 L A N About the Islamic Development Bank The Islamic Development Bank (IsDB) is a multilateral development financing institution, established in 1975, that aims to foster the economic development and social progress of its 57 member countries and Muslim communities in non-member countries in accordance with the principles of the Shari’a (Islamic law). Its mission is to promote comprehensive human development, with a focus on the priority areas of alleviating poverty, improving health, promoting education, improving governance and prospering the people. Disclaimer This document has a restricted distribution and may be used by recipients only in the performance of their official duties. Its contents may not otherwise be disclosed without authorization of IsDB. The content including boundaries shown on any map, colours, denominations and other information used in this report do not imply any judgement or views on the part of IsDB nor its member countries concerning the legal status of any territory or the endorsement or acceptance of such boundaries and information. © IsDB 2020 2020–2025 CLIMATE ACTION PLAN January 2020 Table of contents Abbreviations ..........................................................................................................................................iv Executive summary ...................................................................................................................................v Introduction ...............................................................................................................................................1 -
Introduction to Closed Captions
TECHNICAL PAPER Introduction to Closed Captions By Glenn Eguchi Senior Computer Scientist April 2015 © 2015 Adobe Systems Incorporated. All rights reserved. If this whitepaper is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated. Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. This article is intended for US audiences only. Any references to company names in sample templates are for demonstration purposes only and are not intended to refer to any actual organization. Adobe and the Adobe logo, and Adobe Primetime are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Adobe Systems Incorporated, 345 Park Avenue, San Jose, California 95110, USA. Notice to U.S. Government End Users. -
Introduction to DVD Carol Cini, U.S
Proceedings of the 8th Annual Federal Depository Library Conference April 12 - 15, 1999 Introduction to DVD Carol Cini, U.S. Government Printing Office Washington, DC DVD started out standing for Digital Video Disc, then Digital Versatile Disc, and now it’s just plain old DVD. It is essentially a bigger and faster CD that is being promoted for entertainment purposes (movies) and some computer applications. It will eventually replace audio CDs, VHS and Beta tapes, laserdiscs, CD-ROMs, and video game cartridges as more hardware and software manufacturers support this new technology. DVDs and CDs look alike. A CD is a single solid injected molded piece of carbonate plastic that has a layer of metal to reflect data to a laser reader and coat of clear laminate for protection. DVD is the same size as a CD but consists of two solid injected molded pieces of plastic bonded together. Like CDs, DVDs have a metalized layer (requires special metalization process) and are coated with clear laminate. Unlike CD's, DVD's can have two layers per side and have 4 times as many "pits" and "lands" as a CD. There are various types of DVD, including DVD-ROM, DVD-Video, DVD-Audio, DVD-R, and DVD-RAM. The specifications for these DVD's are as follows: for prerecorded DVD's; Book A - DVD-ROM, Book B - DVD-Video, and Book C- DVD-Audio. For recordable DVD's, there is Book D - DVD-R, Book E - DVD-RAM. The official DVD specification books are available from Toshiba after signing a nondisclosure agreement and paying a $5,000 fee. -
Gearbox II ISDB-Tb 16 Tuners/IP 104Ch
Gearbox II ISDB-Tb 16 Tuners/IP104ch Broadcast Quality, Multichannel, Real Time, Standard or High Definition (up to 1080p), Integrated ISDB-Tb Receiver, and MPEG-2 to H.264 or Optional H.265 Transcoder, Scaler, and Streamer. Based on Embedded Linux®, it Boots Quickly from Flash Drive and Remembers all Settings. Easy to Use GUI Allows Full Config of Each Stream and via SNMP can Report its Status to Remote Network Operations. Will Transcode and Process Multiple Streams up to CPU Limitations. Typical Dedicated Transcodes are up to 104 SD Streams, or 26 1080i/p Streams, or 40 720p60 Streams. Supports RTMP, HTTP, and Live Streaming and Works with Atlas™, Wowza®, and Adobe® Flash® Servers. Supports 50 Simultaneous HLS Users. With Optional Atlas™ Add-on, Supports 1,000 RTMP, ISDB‐Tb DASH, and/or HLS Users Natively. Features Overview Inputs: Simultaneously receives one to 16 ISDB-Tb inputs The Gearbox™ II ISDB-Tb 16 Tuners/IP 104ch is a real time IP input (H.264, MPEG-2, or VC-1): UDP, RTP, RTSP, multichannel streamer, integrated RF receiver, and transcoder designed to HTTP, HTTP Live, RTMP (pushed from Flash server) receive up to sixteen simultaneous ISDB-Tb signals and transform them into IP output protocols: UDP, RTP, RTMP (Open Flash), IP streams that are optimized for streaming. It is designed to be scalable, HTTP, with DLNA support easily adaptable, and field upgradeable to meet the needs of streaming Supports HLS (adaptive) for output to mobile devices service users who are very comfortable with embedded Linux® based appliances. It relies on an Intel® Dual 16 Core CPU for encoding. -
Proviewtm 7100
ProView TM 7100 INTEGRATED RECEIVER-DECODER, TRANSCODER AND STREAM PROCESSOR Harmonic’s ProView™ 7100 is the industry’s first single-rack-unit, scalable, multiformat integrated receiver-decoder (IRD), transcoder and MPEG stream processor. Leveraging Harmonic expertise in Intelligent Function Integration™, the ProView 7100 adds broadcast-quality SD/HD MPEG-2 and MPEG-4 AVC 4:2:0/4:2:2 10-bit decoding and video transcoding to the feature-rich ProView IRD platform, allowing content providers, broadcasters, cable MSOs and telcos to easily and cost-effectively streamline their workflows and decrease operating costs. For applications in which preserving pristine video quality is paramount, the ProView 7100 supports HEVC 4:2:2* 10-bit decoding of resolutions up to 1080p60. The ProView 7100 IRD harnesses a flexible and modular design to address the vast spectrum of content reception applications, from decoding, descrambling and multiplexing of multiple transport streams to MPEG-4 to MPEG-2 transcoding. With an advanced and dense multichannel descrambler, the ProView 7100 simplifies the deployment of (or migration to) an all-IP headend solution and powers the launch of added-value services. The flexible hardware design is easily reconfigured with firmware upgrades, enabling seamless adaptation to new inbound video formats and codecs, such as MPEG-4 AVC and HEVC. The ProView 7100 utilizes powerful processing capabilities to multiplex transport streams that include local and regional data, and also to perform deterministic remultiplexing for SFN distribution. It supports transcoding of up to eight channels of AVC to MPEG-2, allowing programmers to efficiently distribute superior-quality video content while using minimal satellite transponder capacity.