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Textile Industry Needs Christopher D
The Journal of Cotton Science 21:210–219 (2017) 210 http://journal.cotton.org, © The Cotton Foundation 2017 ENGINEERING & GINNING Textile Industry Needs Christopher D. Delhom, Vikki B. Martin, and Martin K. Schreiner ABSTRACT lthough the immediate customer of the gin is Athe cotton producer, the end user of the ginned The immediate customers of cotton gins are lint is the textile mill, retailers, and eventually the the producers; however, the ultimate customers consumer. Thus, it is essential for the ginner to are textile mills and consumers. The ginner has satisfy both the producers and the textile industry. the challenging task to satisfy both producers and Consequently, the ginner needs to be aware of the the textile industry. Classing and grading systems needs of the textile industry. are intended to assign an economic value to the The intent of the cotton classing and grading bales that relates to textile mill demands and the system is to assign an economic value to the bale that quality of the end product. International textile documents its properties as it relates to the quality of mills currently are the primary consumers of U.S. the end product. Since the last edition of the Cotton cotton lint where it must compete against foreign Ginners Handbook in 1994, the customers of U.S. origins. International textile mills manufacture cotton have changed radically, shifting from primar- primarily ring-spun yarns, whereas domestic mills ily domestic to international mills. International mills manufacture predominantly rotor spun yarns. Pro- have been accustomed primarily to hand-harvested ducers and ginners must produce cottons to satisfy cotton that has been processed at slow ginning all segments of the industry, i.e., domestic and in- rates. -
A Study of Women's Scarf Made up of Mik Casein Fabric
www.ijcrt.org © 2020 IJCRT | Volume 8, Issue 5 May 2020 | ISSN: 2320-28820 A STUDY OF WOMEN'S SCARF MADE UP OF MIK CASEIN FABRIC 1Akshatha HN 1Asst. Professor 1BangaloreUniversity ABSTRACT The objective of this case study is to understand that milk fabric is used to make the scarf using Tie and dye method . In this case, ‘Tie & Dye’ method has been used to give color to the fabric with the help of acid dyeing. Milk fabric is manufactured by knitting. It is a delicate fabric, hence it is preferably used for giving a beautifying and decorative look to the wearer. In this case study, scarves are made from milk fabric. Different cut shapes of scarves including square & rectangle have been introduced to the market. In order to enhance the overall look of the scarf, embellishment is done on the scarf with lace. Keeping the summer collection in mind, Tie & Die method has been used to bring out the bright & colorful features in the scarf. The major significance of this collection lies in satisfying customers, no collection is complete without feedback from customers as every collection should be directed towards market segmentation. A detailed market survey has been conducted through a set of questionnaire which covers all the aspects and parameters that decide the potentiality of this collection. INTRODUCTION .Different sorts of natural fibers were used by people of all nations around the world for ages and various fabric forming techniques allowed them to have different sorts of textile for making clothes. Later, with the development of chemical technologies the number of available materials has ballooned. -
MATERIAL of the FUTURE Nature - Man Made Fibers for Textiles and Technology
MATERIAL OF THE FUTURE Nature - Man Made Fibers For Textiles And Technology Silky Naturally Antibacterial Flame Retardant Climate Control Thermobonding Compostable www.qmilk.eu “ QMILK - worldwide pioneering for naturalness, sustainability MATERIAL OF and innovation for THE FUTURE QMILK— is the world’s leading production and processing company of milk proteins from NON FOOD milk and renewable raw materials in the patented up-cycling process. QMILK is the pioneer in sustainable products and milk proteins from manufacturing. QMILK fibers are a new functional material with interesting properties. Hence improves on the one hand material deficits, but also new opportunities for product development with clear added value created for Non-food milk. health and the environment. QMILK started with a small blender in the kitchen. The young lady who is the founder is a micro biologist and makes diary proteins which are future oriented inventions, which of course are not only 100% natural, but are also sustainably produced. Her promise - an organic polymer free of solvents, plasticizers and adimids, she developed about 3000 recipes. Also, the properties of the material which enable to be eg hard or flexible. So all conventional plastics from petroleum can “ be replaced. QMILK FIBER QMILK FIBER QMILK is based on the polymer milk protein casein. The casein is manufactured from raw milk, MISSION NATURE ! that is no longer capable of consumption and according to legal regulations can’t be used as food. Although this discarded milk is no longer suitable for consumption, it still contains very valuable ingredients and is a very precious commodity, which has great “ potential for technical purposes. -
India's Textile and Apparel Industry
Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies . -
Greek and Roman Textiles and Dress Ebook
GREEK AND ROMAN TEXTILES AND DRESS PDF, EPUB, EBOOK Mary Harlow | 320 pages | 28 Feb 2015 | Oxbow Books | 9781782977155 | English | Oxford, United Kingdom Greek and Roman Textiles and Dress PDF Book The two scholars conclude that the technological innovation in textile production came from the east during all these periods. They had a chiton, which probably involved a certain amount of real sewing, although most of the needlework done by Greek women was in the form of embroidery. The spinster continued to feed tow from the distaff into the growing length of yarn until the spindle reached the floor. The peplos was fastened at the shoulders, armhole openings were left on each side, and the peplos might or might not be cinched with a belt. Caron, Beaudouin. Moffett, Kenworth. Italian Peninsula, B. Piotrovsky, Boris. Schlesinger Jr. It accompanies a major exhibition on view during the spring-summer of at The Costume Institute. Greene, Andrew. Her subject of study are the fullonicae of Ostia, for which she provides a number of diagrams illustrating the viewsheds from various locations within the workshops. Exchange was, not surprisingly, more common in the area of limes , but barbarians also exchanged Roman textiles with other barbarians, as is shown by Roman finds in the Baltic area of Poland. Tucker, Priscilla. Degas: The Artist's Mind. But opting out of some of these cookies may have an effect on your browsing experience. A short summary of this paper. Daniel, Malcolm. Rosenthal, Nan. Lazzarini, Lorenzo and Clemente Marconi. Greek and Roman Textiles and Dress Writer By merging the study of Greek religion and the study of textiles, the current study illustrates how textiles are, indeed, central materialisations of Greek cult, by reason of their capacity to accentuate and epitomize aspects of identity, spirituality, position in the religious system, by their forms as links between the maker, user, wearer, but also as key material agents in the performance of rituals and communication with the divine. -
Spinning Yarn with a Drop Spindle
Spinning Yarn With a Drop Spindle Using a spindle is a very economical way to learn handspinning for a beginner. They are inexpensive to buy, and also very easy to make. Once you have mastered the spindle you will have learned the steps needed for spinning on the spinning wheel: drafting out fibers, twisting the fiber into yarn, and winding up and storing the spun yarn. Tying on the Leader To begin spinning on a bottom whorl drop spindle, attach a leader to your spindle by tying a piece of yarn about 18 inches long onto the shaft right above the whorl, then take the yarn over the side of the whorl, loop it around the shaft underneath, and back over the side of the whorl, and secure the end onto the hook. Spinning Leave the fibers at the end of the leader loose. Let the spindle hang beneath your hand suspended by the leader. Take the spindle in your right hand and the leader in your left hand, spin the drop spindle from the shaft in a clockwise direction. This is the direction you will be spinning to make the yarn. Allow yourself time to practice making the spindle rotate. Repeat this process of spinning the spindle in the same direction until the leader begins to take in the twist. Leave a fluff of fiber at the end for joining on more fiber. Winding On Always keep tension on your newly spun yarn to allow the twist to run into the newly drafted fiber, if you release the tension, the twist will not travel up. -
Spinning Yarns, Telling Tales About Textiles
News for Schools from the Smithsonian Institution, Office of Elementary and Secondary Education, Washington, D.C. 20560 SEPTEMBER 1980 Spinning Yarns, Telling Tales about Textiles Textiles Tell Stories: The "Age of Homespun" and in regard to spinning, weaving, and other aspects of Other Tales textile making. This exchange of ideas led to a great Consider, for example, the piece of cloth shown in many improvements and innovations in all the various figure 1. This piece of hand-loomed, plaid linen is aspects of textile making over time. Some of the most from the Age of Homespun-a period of American important of these developments are explained in the history lasting from colonial times up until the Civil next section of this article. Bull mummy-wrapping (from Egypt) War. During the Age of Homespun many of the necessi ties of life-including textiles-were made in the Textiles From Scratch: Fiber to Cloth home. This was especially true in remote rural areas, Traditionally the making of a piece of cloth involved .7l",;;;,;i1_ where practically every farm had its own plot of flax first the selection of an appropriate natural fiber. (For i.liIi!i,~;':;\';_-- a discussion of natural fibers, see the article on page (as well as its own flock of sheep) and there was a m1i'<!Si~ 4.) The fiber was then harvested and made ready for 1\ wool wheel and a flax wheel in every kitchen. -iW:Mii\ii\_ spinning into thread or yarn. After spinning, the yarn en@! The making of cloth for clothing and bedding de manded an enormous amount of time and energy was usually either knitted or woven into cloth. -
Anti-Viral “Protective Performance in Fibers & Treatments”
ANTI-VIRAL ANTI-BACTERIAL ANTI-MICROBIAL DEFENSIVE FIBERS PROTECTIVE PERFORMANCE IN FIBERS & TREATMENTS WELCOME to today‘s Expert Talks Live Webinar Series “PROTECTIVE PERFORMANCE IN FIBERS & TREATMENTS As protective materials will become central to everyday living let’s talk about anti-viral, anti-bacterial, anti-microbial as well as defensive fibers and treatments.” created for „FUNCTIONAL FABRIC FAIR“ powered by PERFORMANCE DAYS February 23, 2021 © Alexa Dehmel active-sport-design & consulting “PROTECTIVE PERFORMANCE IN FIBERS & TREATMENTS” WHY ARE WE TALKING ABOUT ANTIVIRAL, ANTIBACTERIAL, ANTIMICROBIAL AND DEFENSIVE FIBERS AND FINISHES TODAY? The challenges of a virus were never as present as in the year 2020 when Covid-19 became a global pandemic. Keeping social distance is now a daily routine in almost every country. Masks are the new "must-haves" and gloves represent a fashionable accessory to protect one-self against the invisible danger. Anti-microbial and anti-viral treatments applied to textiles are a further way of taking hygienic precaution not only in the health sector, but especially in daily life. www.performancedays.com/loop/forum-highlights/material-stories.html /anti viral materials © Alexa Dehmel active-sport-design & consulting “PROTECTIVE PERFORMANCE IN FIBERS & TREATMENTS” WHY ARE WE TALKING ABOUT ANTIVIRAL, ANTIBACTERIAL, ANTIMICROBIAL AND DEFENSIVE FIBERS AND FINISHES TODAY? I think these topics will play a big role in our future in textiles and materials. This webinar serves to get an insight into the currently four most important areas for human health. It is not scientifically based but informative. For myself I learned with so much enthusiasm during the research for this webinar. -
International Journal for Scientific Research & Development
IJSRD - International Journal for Scientific Research & Development| Vol. 3, Issue 09, 2015 | ISSN (online): 2321-0613 Sustainable Fibers and Fabrics used in Home Textiles Prof. Radha Kashyap Professor Department of Fashion & Textile Technology The IIS University, Jaipur, India Abstract— Interior textiles such as net curtains, curtains, friendly fibers. Even though such fibers have not attained furnishing fabrics, textiles for upholstery and table linen all the commercial success despite its existence in the market make a significant contribution to a feel-good atmosphere in for some time, they have contributed immensely to the the home. There is a variety of eco-friendly and sustainable concept of sustainability and unique ornamentation. The fibers which are being used for home textiles. Fibers such as possibility of application of some environment-friendly coir, jute, sea weeds, bamboo, hemp etc. are being discussed fibers such as solar protection fiber, coir, jute, water lily in relation to its application in home textiles. The paper fiber, silk, milk fiber, wood fibers, sea weed fibers, soybean discusses the application ecofriendly textiles for seating, fiber, bamboo fiber, and hemp in different home textile window textiles, bed linen, wall coverings and many more. products is of interest to the consumers. Key words: Home textiles, Eco-friendly, Sustainable A. Solar Protection Fiber: I. INTRODUCTION The fiber is of botanic origin, made from the natural raw material wood and is, therefore, fully biodegradable. The Fabrics play an important role in controlling the fiber company Lenzing has developed the new fiber with environment of a home. The fabrics being the prime solar protection on a TENCEL basis. -
The Challenge of Prehistoric Textiles
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1988 Wringing It Dry: The Challenge Of Prehistoric Textiles Elizabeth Barber Occidental College Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Barber, Elizabeth, "Wringing It Dry: The Challenge Of Prehistoric Textiles" (1988). Textile Society of America Symposium Proceedings. 626. https://digitalcommons.unl.edu/tsaconf/626 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WRINGING IT DRY: THE CHALLENGE OF PREHISTORIC TEXTILES ELIZABETH BARBER Deptartments of Languages and Anthropology, Occidental College, Los Angeles, CA 90041 Some time ago I embarked on a "short little project" to find out what I could about Bronze Age Aegean textiles, which I had come to suspect were more elaborate and more important than anyone was giving them credit for. I knew the project could not take very long, and would not take more than maybe ten pages to write up, because virtually nothing in the way of textiles has survived from Greece—even in the Classical period, let alone the prehistoric era. But my father, who was a physicist, had instilled into me a question that changed everything: namely, "(If I can't get at it by the direct route,) how else can I get at it?" Fourteen years and 800 pages of "how elses" later, I had more or less wrapped up my "little project"—soon to be published as a fat book. -
Master Spinner Handbook Content in This Document Is Current As of Time of Printing
Master Spinner Handbook Content in this document is current as of time of printing. Check the Master Spinner website for any recent changes Table of Contents Website:www.oldscollege.ca/programs/continuing-education/fibre-arts Administrative Information 1. Master Spinners Program Introduction and Policies ....................................................................... 1 2. Frequently Asked Questions .......................................................................................................... 6 3. APA Format (Formatting and Style Guide Summary) ................................................................. ..9 4. Level 6 In-Depth Study Policy ................................................................................................... .11 5. In-Depth Study Permission and License…………………………………………………………...16 6. In-Depth Study Proposal Submission Form ................................................................................ ..17 7. In-Depth Study Guidelines…………………………………………………………………….…...19 8. Levels 1-6 Competency Profiles .................................................................................................. 21 Technical Information 8. Twist Per Inch ............................................................................................................................ 29 9. Count ......................................................................................................................................... 33 10. Review of Spinning Techniques ................................................................................................ -
14. Ring Spinning Systems
14. Ring Spinning Systems Errol Wood Learning objectives On completion of this topic you should be able to: • Explain the principles of ring spinning and the roles of the components of a spindle assembly in all three machinery versions Key terms and concepts Ring spinning, slubbing, sliver, roving, singles and folded yarns, gilling, drafting, combing, noils, ring frame, spindle, traveller, balloon, end break, package build, false twist device, drafting rollers, apron. Introduction to the topic This topic covers the most widely used means of producing a wool yarn, the ring spinning technique, which is common to all three wool processing routes. 14.1 The principles of ring spinning The input into a ring frame can be any of the following: • Twisted (flyer) rovings – worsted and semiworsted system • Twistless (rubbed) rovings – worsted and semiworsted system • Sliver – semiworsted system • Slubbings – woollen system. Figure 14.1 shows the essential features of a single spindle assembly, which is one production unit of a ring spinning frame. Figure 14.1 A single spindle of a ring spinning frame. Source: Wood, 2006. WOOL482/582 Wool Processing 14 - 1 ©2009 The Australian Wool Education Trust licensee for educational activities University of New England The spindle is driven by a tape or belt, making the bobbin rotate at high speed. Surrounding each spindle is a flanged metal ring fastened in a ring rail. During the operation of the frame the ring rail traverses up and down to distribute the yarn on the bobbin. Attached to each ring is a small metal or synthetic clip called a traveller (Figure 14.2), which is free to rotate around the ring.