An Efficient Pairing-Based Shuffle Argument⋆
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Meeting Program SID 2019 ANNUAL MEETING
Meeting Program SID 2019 ANNUAL MEETING 2019 Annual Meeting Scientific 2019 Annual Meeting Program Chairs, Committee Committee on Education Members, and Reviewers Chairs and Committee CHAIRS Members Dan Kaplan, MD/PhD, University of Pittsburgh CHAIRS Ethan Lerner, MD/PhD, Mass General Hospital Heidi Kong, MD, National Insitutes of Health Todd Ridky, MD/PhD, University of Pennsylvania COMMITTEE MEMBERS Lloyd Miller, MD/PhD, Johns Hopkins University COMMITTEE MEMBERS Kevin Wang, MD/PhD, Stanford University My Mahoney, PhD, Thomas Jefferson University Spiro Getsios, PhD, Aspect Biosystems Alexander Marneros, MD/PhD, Harvard University Peggy Myung, MD/PhD, Yale University Robert Dellavalle, MD/PhD, University of Colorado Marjana Tomic-Canic PhD, University of Miami Amanda MacLeod, MD, Duke University Vladimir Botchkarev, MD/PhD, Boston University Cristina de Guzman Strong, PhD, Washington University-St. Louis Tissa Hata, MD, University of California, San Diego Maryam Asgari, MD, Massachusetts General Hospital Ken Tsai, MD/PhD, Moffitt Cancer Center and Paul Nghiem, MD/PhD, University of Washington Research Institute Richard Granstein, MD, Weill Cornell Medical School Sarah Millar, PhD, Mt. Sinai Medical School Matthew Vesley, MD/PhD, Yale University REVIEWERS Anna Di Nardo, MD/PhD Jennifer Gill, MD/PhD, University of Texas Southwestern Carolyn Lee, MD/PhD Jonathan Silverberg, MD/PhD ACKNOWLEDGEMENTS Bogi Andersen, MD The organizers of the 2019 SID Annual Meeting gratefully Kavita Sarin, MD/PhD acknowledge the sponsors, exhibitors, and participants whose Peter Koch, PhD Tiffany C. Scharschmidt, MD attendance has helped to make this meeting possible. Joseph Merola, MD Sakeen Kashem, MD/PhD Thomas Hultsch, MD Amanda MacLeod, MD Liang Deng, MD/PhD Ya-Chieh Hsu, PhD Crystal Aguh, MD Katherine Radek, PhD Paul Nghiem, MD/PhD Alicia Mathers, PhD Raymond Cho, MD Zelma Chiesa, MD Anna Mandinova, MD/PhD Brian Capell, MD/PhD Ryan R. -
Songzi Guanyin and Koyasu Kannon: Revisiting the Feminization Of
Songzi Guanyin and Koyasu Kannon: Revisiting the Feminization of Avalokiteśvara in China and Japan by Ying Huang A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of East Asian Studies University of Alberta © Ying Huang, 2019 Abstract Avalokiteśvara, initially imagined as a male deity in India, began to transition into a female deity during the early period of the Song dynasty (960-1279) in China. Guanyin 觀音, Avalokiteśvara’s name in Chinese, received great popularity as the “Goddess of Mercy” in China. Influenced by both White-robed Guanyin and Water- moon Guanyin, Songzi 送子 (Child-giving) Guanyin, a form of Avalokiteśvara, is venerated as a female deity in Chinese popular religion,1 and widespread faith in Child-giving Guanyin is supported by indigenous sutras, miracle tales, myths, and legends. My research indicates that Child-giving Guanyin usually replaced other deities in popular religion that were traditionally associated with fertility. As such, after the cult of Child-giving Guanyin was established during the Song dynasty, Guanyin typically maintained the feminine characteristics of a goddess and, later, influenced the image of Maria Kannon マリア観音 in Japan. Conversely, Koyasu 子安 (Child-bearing) Kannon, a Japanese manifestation of Guanyin, coexists with other deities from Buddhism, Shinto, and Christianity. This phenomena can be explained by the Japanese religious concept of harmony in diversity (ta no wa 多の和), which recognizes the ability of individual religious practitioners to have faith in deities from different religious traditions concurrently. I suggest that Child-bearing Kannon did not undergo as thorough a transformation in gender presentation as did Child-giving Guanyin in China because of the strong acceptance of diversity and multiplicities in religious practices in Japan. -
Meeting Program SID 2019 ANNUAL MEETING
Meeting Program SID 2019 ANNUAL MEETING 2019 Annual Meeting Scientific 2019 Annual Meeting Program Chairs, Committee Committee on Education Members, and Reviewers Chairs and Committee CHAIRS Members Dan Kaplan, MD/PhD, University of Pittsburgh CHAIRS Ethan Lerner, MD/PhD, Mass General Hospital Heidi Kong, MD, National Insitutes of Health Todd Ridky, MD/PhD, University of Pennsylvania COMMITTEE MEMBERS Lloyd Miller, MD/PhD, Johns Hopkins University COMMITTEE MEMBERS Kevin Wang, MD/PhD, Stanford University My Mahoney, PhD, Thomas Jefferson University Spiro Getsios, PhD, Aspect Biosystems Alexander Marneros, MD/PhD, Harvard University Peggy Myung, MD/PhD, Yale University Robert Dellavalle, MD/PhD, University of Colorado Marjana Tomic-Canic PhD, University of Miami Amanda MacLeod, MD, Duke University Vladimir Botchkarev, MD/PhD, Boston University Cristina de Guzman Strong, PhD, Washington University-St. Louis Tissa Hata, MD, University of California, San Diego Maryam Asgari, MD, Massachusetts General Hospital Ken Tsai, MD/PhD, Moffitt Cancer Center and Paul Nghiem, MD/PhD, University of Washington Research Institute Richard Granstein, MD, Weill Cornell Medical School Sarah Millar, PhD, Mt. Sinai Medical School Matthew Vesley, MD/PhD, Yale University REVIEWERS Anna Di Nardo, MD/PhD Jennifer Gill, MD/PhD, University of Texas Southwestern Carolyn Lee, MD/PhD Jonathan Silverberg, MD/PhD ACKNOWLEDGEMENTS Bogi Andersen, MD The organizers of the 2019 SID Annual Meeting gratefully Kavita Sarin, MD/PhD acknowledge the sponsors, exhibitors, and participants whose Peter Koch, PhD Tiffany C. Scharschmidt, MD attendance has helped to make this meeting possible. Joseph Merola, MD Sakeen Kashem, MD/PhD Thomas Hultsch, MD Amanda MacLeod, MD Liang Deng, MD/PhD Ya-Chieh Hsu, PhD Crystal Aguh, MD Katherine Radek, PhD Paul Nghiem, MD/PhD Alicia Mathers, PhD Raymond Cho, MD Zelma Chiesa, MD Anna Mandinova, MD/PhD Brian Capell, MD/PhD Ryan R. -
INTRODUCTION “The Spirits of Chinese Religion”
Living in the Chinese Cosmos: Understanding Religion in Late-Imperial China (1644–1911) Asia for Educators Online, Columbia University | http://afe.easia.columbia.edu The following essay is the introductory chapter to the anthology Religions of China in Practice Edited by Donald S. Lopez, Jr. © 1996 Princeton University Press. Reprinted with permission. INTRODUCTION “The Spirits of Chinese Religion” Stephen F. Teiser Acknowledging the wisdom of Chinese proverbs, most anthologies of Chinese religion are organized by the logic of the three teachings (sanjiao) of Confucianism, Daoism, and Buddhism. Historical precedent and popular parlance attest to the importance of this threefold division for understanding Chinese culture. One of the earliest references to the trinitarian idea is attributed to Li Shiqian, a prominent scholar of the sixth century, who wrote that “Buddhism is the sun, Daoism the moon, and Confucianism the five planets.”1 Li likens the three traditions to significant heavenly bodies, suggesting that although they remain separate, they also coexist as equally indispensable phenomena of the natural world. Other opinions stress the essential unity of the three religious systems. One popular proverb opens by listing the symbols that distinguish the religions from each other, but closes with the assertion that they are fundamentally the same: “The three teachings—the gold and cinnabar of Daoism, the relics of Buddhist figures, as well as the Confucian virtues of humanity and righteousness—are basically one tradition.”2 Stating the point more bluntly, some phrases have been put to use by writers in the long, complicated history of what Western authors have called “syncretism.” 1 Li’s formulation is quoted in Beishi, Li Yanshou (seventh century), Bona ed. -
Photographing Chinese History in the Making
Journal of Chinese Humanities � (�0�5) �70-�93 brill.com/joch The Refracted Moment: Photographing Chinese History in the Making Bruno Lessard Abstract This article examines the way in which both Western and Chinese photographers have documented Chinese history in the making by focusing on the photographic docu- mentation of two key events in the formation of Chinese society: the 1911 Revolution that laid the foundation for the birth of the republic and the “energy revolution” that was the Three Gorges Dam project (1994-2012). The major difference between the two revolutions is that the latter was documented by the Chinese themselves. No longer relying upon images made by Westerners exclusively, as was the case in 1911, the Chinese appropriated this monumental event in their history to archive it photo- graphically. The article offers a conceptual framework for understanding revolution- ary events in the context of historiography and photography history. The analysis of various photographs of the 1911 Revolution by Francis Stafford and of the Three Gorges Dam project and area by Edward Burtynsky, Bill Zorn, Zeng Nian, and Yan Changjiang shows that the event remains an evanescent and quasi-impossible entity to capture photographically, and that photographers can only archive its refracted presence in the faces, landscapes, and objects in front of the lens. What the pictures unveil is that the refracted moments of these two events are far more significant than the actual events themselves for the photographers under study. Keywords 1911 Revolution – Three Gorges Dam – documentary photography – landscape photography – event * Bruno Lessard is Assistant Professor in the School of Image Arts, Ryerson University, Toronto, ON, Canada. -
The Loouvre from China: a Critical Study of C. T. Loo and the Framing of Chinese Art in the United States, 1915-1950 a Dissertat
The Loouvre from China: A Critical Study of C. T. Loo and the Framing of Chinese Art in the United States, 1915-1950 A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Yiyou Wang November 2007 2 © 2007 Yiyou Wang All Rights Reserved 3 This dissertation titled The Loouvre from China: A Critical Study of C. T. Loo and the Framing of Chinese Art in the United States, 1915-1950 by YIYOU WANG has been approved for the School of Interdisciplinary Arts and the College of Fine Arts by Charles Buchanan Associate Professor of Interdisciplinary Arts Charles A. McWeeny Dean, College of Fine Arts 4 ABSTRACT WANG, YIYOU, Ph.D., November 2007, Interdisciplinary Arts The Loouvre from China: A Critical Study of C. T. Loo and the Framing of Chinese Art in the United States, 1915-1950 (314 pp.) Director of Dissertation: Charles Buchanan Based on archival research, this dissertation is a pioneering study of Loo Ching-Tsai (C. T. Loo, 1880-1957), a leading international art dealer, and his role in the circulation and reception of Chinese antiquities in the United States between 1915 and 1950. By investigating the modes of transaction, network, conceptual framework, and visual strategies in his business, I argue that C. T. Loo played a significant role in the framing of “Chinese art” by situationally capitalizing on the boundaries between different territories, concepts, and roles in the market-museum-academia network. The introduction places Loo against the theoretical and historical background of the exchange, study, and display of Chinese antiquities in America.